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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE1741 it is the complementary color #41E8BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE1741. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE1741 shade: #C3173C, #D4294F, #E53B62, #F64D75 and #FF5F88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE1741. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE1741 shade: #BE1741, #AD052E, #9C001B, #8B0008 and #7A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE1741 shade: #BE1741 and #BE1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE1741 shade: #BE1741, #BE176E, #BE179B, #B417BE and #8717BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE1741 shade matches the following richer shades: #BE1741 and #CF0638

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE1741 shade: #BE1741, #AD284A, #9B3A52, #8A4B5B and #795C64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE1741 shade: #BE179D, #BE1770, #BE1744, #BE1717 and #BE4417

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE1741 shade: #750E28, #991334, #BE1741, #E31C4E and #E7416B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE1741 shade: #BE1741, #BEB317 and #1786BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE1741 shade: #BE1741, #44BE17 and #1744BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE1741 shade: #BE1741, #BEB317, #17BE92 and #1722BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE1741 shade: #BE1741, #97BE17, #17BE92 and #3E17BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

Complementary color

CMYK 72 / 0 / 18 / 9

HEX #41E8BE

RGB 65 232 190

HSL 164.91, 0.78%, 0.58%

LAB 83.21, -51.89, 8.31

 

CMYK 0 / 88 / 69 / 24

HEX #C3173C

RGB 195 23 60

HSL 347.09, 0.79%, 0.43%

LAB 42.06, 64.11, 26.4

 

CMYK 0 / 81 / 63 / 17

HEX #D4294F

RGB 212 41 79

HSL 346.67, 0.68%, 0.5%

LAB 47.17, 65.7, 21.9

 

CMYK 0 / 74 / 57 / 10

HEX #E53B62

RGB 229 59 98

HSL 346.24, 0.77%, 0.56%

LAB 52.58, 66.42, 18.17

 

CMYK 0 / 69 / 52 / 4

HEX #F64D75

RGB 246 77 117

HSL 345.8, 0.9%, 0.63%

LAB 58.21, 66.53, 15.08

 

CMYK 0 / 63 / 47 / 0

HEX #FF5F88

RGB 255 95 136

HSL 344.63, 1%, 0.69%

LAB 62.69, 63.82, 10.5

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 0 / 97 / 73 / 32

HEX #AD052E

RGB 173 5 46

HSL 345.36, 0.94%, 0.35%

LAB 36.35, 60.33, 27.14

 

CMYK 0 / 100 / 83 / 39

HEX #9C001B

RGB 156 0 27

HSL 349.62, 1%, 0.31%

LAB 32.14, 55.98, 33.17

 

CMYK 0 / 100 / 94 / 45

HEX #8B0008

RGB 139 0 8

HSL 356.55, 1%, 0.27%

LAB 28.13, 51.14, 38.07

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 0 / 88 / 88 / 25

HEX #BE1717

RGB 190 23 23

HSL 0, 0.78%, 0.42%

LAB 40.61, 61.57, 45.63

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 0 / 88 / 42 / 25

HEX #BE176E

RGB 190 23 110

HSL 328.74, 0.78%, 0.42%

LAB 42.29, 66.35, -4.86

 

CMYK 0 / 88 / 18 / 25

HEX #BE179B

RGB 190 23 155

HSL 312.57, 0.78%, 0.42%

LAB 44.13, 71.36, -29.65

 

CMYK 5 / 88 / 0 / 25

HEX #B417BE

RGB 180 23 190

HSL 296.41, 0.78%, 0.42%

LAB 44.28, 74.53, -50.29

 

CMYK 29 / 88 / 0 / 25

HEX #8717BE

RGB 135 23 190

HSL 280.24, 0.78%, 0.42%

LAB 36.9, 67.36, -62.6

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 0 / 97 / 73 / 19

HEX #CF0638

RGB 207 6 56

HSL 345.07, 0.94%, 0.42%

LAB 43.77, 69.05, 31.51

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 0 / 77 / 57 / 32

HEX #AD284A

RGB 173 40 74

HSL 344.66, 0.62%, 0.42%

LAB 39.41, 54.71, 13.29

 

CMYK 0 / 63 / 47 / 39

HEX #9B3A52

RGB 155 58 82

HSL 345.15, 0.46%, 0.42%

LAB 38.91, 42.57, 7.04

 

CMYK 0 / 46 / 34 / 46

HEX #8A4B5B

RGB 138 75 91

HSL 344.76, 0.3%, 0.42%

LAB 39.9, 28.57, 2.47

 

CMYK 0 / 24 / 17 / 53

HEX #795C64

RGB 121 92 100

HSL 343.45, 0.14%, 0.42%

LAB 42.21, 13.21, 0.01

 

CMYK 0 / 88 / 17 / 25

HEX #BE179D

RGB 190 23 157

HSL 311.86, 0.78%, 0.42%

LAB 44.22, 71.62, -30.7

 

CMYK 0 / 88 / 41 / 25

HEX #BE1770

RGB 190 23 112

HSL 328.02, 0.78%, 0.42%

LAB 42.35, 66.54, -6.01

 

CMYK 0 / 88 / 64 / 25

HEX #BE1744

RGB 190 23 68

HSL 343.83, 0.78%, 0.42%

LAB 41.18, 63.23, 20.06

 

CMYK 0 / 88 / 88 / 25

HEX #BE1717

RGB 190 23 23

HSL 0, 0.78%, 0.42%

LAB 40.61, 61.57, 45.63

 

CMYK 0 / 64 / 88 / 25

HEX #BE4417

RGB 190 68 23

HSL 16.17, 0.78%, 0.42%

LAB 45.83, 47.12, 49.78

 

CMYK 0 / 88 / 66 / 54

HEX #750E28

RGB 117 14 40

HSL 344.85, 0.79%, 0.26%

LAB 24.48, 43.51, 13.62

 

CMYK 0 / 88 / 66 / 40

HEX #991334

RGB 153 19 52

HSL 345.22, 0.78%, 0.34%

LAB 32.89, 53.27, 18.05

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 0 / 88 / 66 / 11

HEX #E31C4E

RGB 227 28 78

HSL 344.92, 0.78%, 0.5%

LAB 49.14, 72.28, 25.64

 

CMYK 0 / 72 / 54 / 9

HEX #E7416B

RGB 231 65 107

HSL 344.82, 0.78%, 0.58%

LAB 53.85, 65.65, 14.56

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 0 / 6 / 88 / 25

HEX #BEB317

RGB 190 179 23

HSL 56.05, 0.78%, 0.42%

LAB 71.72, -11.37, 70.44

 

CMYK 88 / 29 / 0 / 25

HEX #1786BE

RGB 23 134 190

HSL 200.12, 0.78%, 0.42%

LAB 52.89, -8.91, -37.35

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 64 / 0 / 88 / 25

HEX #44BE17

RGB 68 190 23

HSL 103.83, 0.78%, 0.42%

LAB 68.11, -60.49, 64.65

 

CMYK 88 / 64 / 0 / 25

HEX #1744BE

RGB 23 68 190

HSL 223.83, 0.78%, 0.42%

LAB 34.05, 33.08, -67.64

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 0 / 6 / 88 / 25

HEX #BEB317

RGB 190 179 23

HSL 56.05, 0.78%, 0.42%

LAB 71.72, -11.37, 70.44

 

CMYK 88 / 0 / 23 / 25

HEX #17BE92

RGB 23 190 146

HSL 164.19, 0.78%, 0.42%

LAB 68.81, -49.74, 11.24

 

CMYK 88 / 82 / 0 / 25

HEX #1722BE

RGB 23 34 190

HSL 236.05, 0.78%, 0.42%

LAB 26.86, 53.02, -79.53

 

CMYK 0 / 88 / 66 / 25

HEX #BE1741

RGB 190 23 65

HSL 344.91, 0.78%, 0.42%

LAB 41.12, 63.06, 21.88

 

CMYK 21 / 0 / 88 / 25

HEX #97BE17

RGB 151 190 23

HSL 74.01, 0.78%, 0.42%

LAB 71.87, -33.36, 69.34

 

CMYK 88 / 0 / 23 / 25

HEX #17BE92

RGB 23 190 146

HSL 164.19, 0.78%, 0.42%

LAB 68.81, -49.74, 11.24

 

CMYK 67 / 88 / 0 / 25

HEX #3E17BE

RGB 62 23 190

HSL 254.01, 0.78%, 0.42%

LAB 27.72, 59.47, -78.03

 

Description

Color code: HEX #BE1741 | qconv.com Color code: HEX #BE1741 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 23 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 23 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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