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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE4092 it is the complementary color #41BF6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE4092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE4092 shade: #C3408D, #D452A0, #E564B3, #F676C6 and #FF88D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE4092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE4092 shade: #BE4092, #AD2E7F, #9C1C6C, #8B0A59 and #7A0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE4092 shade: #BF3F92, #BF3F70, #BF3F4D and #BF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE4092 shade: #BF3F92, #BF3FB5, #A73FBF, #843FBF and #623FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE4092 shade matches the following richer shades: #BF3F92, #D32B98, #E8169F and #FD01A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE4092 shade: #BF3F92, #AA548C, #956986, #817D80 and #6C9279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE4092 shade: #A53FBF, #BF3FB6, #BF3F94, #BF3F72 and #BF3F50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE4092 shade: #812B63, #A0357A, #BF3F92, #C95EA4 and #D37DB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE4092 shade: #BE4092, #BF833F and #3FBFB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE4092 shade: #BE4092, #94BF3F and #3F94BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE4092 shade: #BE4092, #BF833F, #3FBF6A and #3F7BBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE4092 shade: #BE4092, #BFAA3F, #3FBF6A and #3F54BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 23 / 25

HEX #BE4092

RGB 190 64 146

HSL 320.95, 0.5%, 0.5%

LAB 47.87, 58.42, -18.46

 

Complementary color

CMYK 66 / 0 / 43 / 25

HEX #41BF6D

RGB 65 191 109

HSL 140.95, 0.5%, 0.5%

LAB 69.1, -52.69, 31.46

 

CMYK 0 / 67 / 28 / 24

HEX #C3408D

RGB 195 64 141

HSL 324.73, 0.52%, 0.51%

LAB 48.5, 59.15, -14.41

 

CMYK 0 / 61 / 25 / 17

HEX #D452A0

RGB 212 82 160

HSL 324, 0.6%, 0.58%

LAB 54.63, 59.05, -16.13

 

CMYK 0 / 56 / 22 / 10

HEX #E564B3

RGB 229 100 179

HSL 323.26, 0.71%, 0.65%

LAB 60.81, 58.66, -17.52

 

CMYK 0 / 52 / 20 / 4

HEX #F676C6

RGB 246 118 198

HSL 322.5, 0.88%, 0.71%

LAB 67, 58.1, -18.67

 

CMYK 0 / 47 / 15 / 0

HEX #FF88D9

RGB 255 136 217

HSL 319.16, 1%, 0.77%

LAB 72.15, 55.01, -21.31

 

CMYK 0 / 66 / 23 / 25

HEX #BE4092

RGB 190 64 146

HSL 320.95, 0.5%, 0.5%

LAB 47.87, 58.42, -18.46

 

CMYK 0 / 73 / 27 / 32

HEX #AD2E7F

RGB 173 46 127

HSL 321.73, 0.58%, 0.43%

LAB 41.8, 58.05, -16.46

 

CMYK 0 / 82 / 31 / 39

HEX #9C1C6C

RGB 156 28 108

HSL 322.5, 0.7%, 0.36%

LAB 35.95, 56.87, -13.81

 

CMYK 0 / 93 / 36 / 45

HEX #8B0A59

RGB 139 10 89

HSL 323.26, 0.87%, 0.29%

LAB 30.47, 54.39, -10.21

 

CMYK 0 / 100 / 43 / 52

HEX #7A0046

RGB 122 0 70

HSL 325.57, 1%, 0.24%

LAB 25.5, 50.11, -5.38

 

CMYK 0 / 67 / 24 / 25

HEX #BF3F92

RGB 191 63 146

HSL 321.09, 0.5%, 0.5%

LAB 47.89, 59.09, -18.41

 

CMYK 0 / 67 / 41 / 25

HEX #BF3F70

RGB 191 63 112

HSL 337.03, 0.5%, 0.5%

LAB 46.71, 55.04, 0.43

 

CMYK 0 / 67 / 60 / 25

HEX #BF3F4D

RGB 191 63 77

HSL 353.44, 0.5%, 0.5%

LAB 45.86, 52.01, 20.68

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 67 / 24 / 25

HEX #BF3F92

RGB 191 63 146

HSL 321.09, 0.5%, 0.5%

LAB 47.89, 59.09, -18.41

 

CMYK 0 / 67 / 5 / 25

HEX #BF3FB5

RGB 191 63 181

HSL 304.69, 0.5%, 0.5%

LAB 49.46, 64.25, -36.69

 

CMYK 13 / 67 / 0 / 25

HEX #A73FBF

RGB 167 63 191

HSL 288.75, 0.5%, 0.5%

LAB 46.35, 60.39, -47.67

 

CMYK 31 / 67 / 0 / 25

HEX #843FBF

RGB 132 63 191

HSL 272.34, 0.5%, 0.5%

LAB 41.57, 52.68, -55.62

 

CMYK 49 / 67 / 0 / 25

HEX #623FBF

RGB 98 63 191

HSL 256.41, 0.5%, 0.5%

LAB 37.69, 45.92, -62.1

 

CMYK 0 / 67 / 24 / 25

HEX #BF3F92

RGB 191 63 146

HSL 321.09, 0.5%, 0.5%

LAB 47.89, 59.09, -18.41

 

CMYK 0 / 80 / 28 / 17

HEX #D32B98

RGB 211 43 152

HSL 321.07, 0.66%, 0.5%

LAB 49.31, 71.33, -19.52

 

CMYK 0 / 91 / 31 / 9

HEX #E8169F

RGB 232 22 159

HSL 320.86, 0.83%, 0.5%

LAB 52.1, 80.61, -19.08

 

CMYK 0 / 100 / 35 / 1

HEX #FD01A5

RGB 253 1 165

HSL 320.95, 0.99%, 0.5%

LAB 55.71, 87.18, -16.76

 

CMYK 0 / 67 / 24 / 25

HEX #BF3F92

RGB 191 63 146

HSL 321.09, 0.5%, 0.5%

LAB 47.89, 59.09, -18.41

 

CMYK 0 / 51 / 18 / 33

HEX #AA548C

RGB 170 84 140

HSL 320.93, 0.34%, 0.5%

LAB 47.98, 42.35, -14.96

 

CMYK 0 / 30 / 10 / 42

HEX #956986

RGB 149 105 134

HSL 320.45, 0.17%, 0.5%

LAB 49.75, 22.4, -8.97

 

CMYK 0 / 3 / 1 / 49

HEX #817D80

RGB 129 125 128

HSL 315, 0.02%, 0.5%

LAB 52.83, 2.1, -1.1

 

CMYK 26 / 0 / 17 / 43

HEX #6C9279

RGB 108 146 121

HSL 140.53, 0.15%, 0.5%

LAB 57.2, -18.54, 9.04

 

CMYK 14 / 67 / 0 / 25

HEX #A53FBF

RGB 165 63 191

HSL 287.81, 0.5%, 0.5%

LAB 46.06, 59.94, -48.15

 

CMYK 0 / 67 / 5 / 25

HEX #BF3FB6

RGB 191 63 182

HSL 304.22, 0.5%, 0.5%

LAB 49.51, 64.41, -37.19

 

CMYK 0 / 67 / 23 / 25

HEX #BF3F94

RGB 191 63 148

HSL 320.16, 0.5%, 0.5%

LAB 47.97, 59.36, -19.48

 

CMYK 0 / 67 / 40 / 25

HEX #BF3F72

RGB 191 63 114

HSL 336.09, 0.5%, 0.5%

LAB 46.77, 55.25, -0.7

 

CMYK 0 / 67 / 58 / 25

HEX #BF3F50

RGB 191 63 80

HSL 352.03, 0.5%, 0.5%

LAB 45.92, 52.22, 18.93

 

CMYK 0 / 67 / 23 / 49

HEX #812B63

RGB 129 43 99

HSL 320.93, 0.5%, 0.34%

LAB 32.47, 43.08, -13.82

 

CMYK 0 / 67 / 24 / 37

HEX #A0357A

RGB 160 53 122

HSL 321.31, 0.5%, 0.42%

LAB 40.29, 51.18, -15.88

 

CMYK 0 / 67 / 24 / 25

HEX #BF3F92

RGB 191 63 146

HSL 321.09, 0.5%, 0.5%

LAB 47.89, 59.09, -18.41

 

CMYK 0 / 53 / 18 / 21

HEX #C95EA4

RGB 201 94 164

HSL 320.75, 0.5%, 0.58%

LAB 55.18, 50.86, -17.78

 

CMYK 0 / 41 / 14 / 17

HEX #D37DB5

RGB 211 125 181

HSL 320.93, 0.49%, 0.66%

LAB 63.22, 40.99, -15.23

 

CMYK 0 / 66 / 23 / 25

HEX #BE4092

RGB 190 64 146

HSL 320.95, 0.5%, 0.5%

LAB 47.87, 58.42, -18.46

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 67 / 0 / 5 / 25

HEX #3FBFB6

RGB 63 191 182

HSL 175.78, 0.5%, 0.5%

LAB 70.66, -36.45, -5.67

 

CMYK 0 / 66 / 23 / 25

HEX #BE4092

RGB 190 64 146

HSL 320.95, 0.5%, 0.5%

LAB 47.87, 58.42, -18.46

 

CMYK 23 / 0 / 67 / 25

HEX #94BF3F

RGB 148 191 63

HSL 80.16, 0.5%, 0.5%

LAB 72.17, -33.16, 57.47

 

CMYK 67 / 23 / 0 / 25

HEX #3F94BF

RGB 63 148 191

HSL 200.16, 0.5%, 0.5%

LAB 58.04, -11.92, -29.82

 

CMYK 0 / 66 / 23 / 25

HEX #BE4092

RGB 190 64 146

HSL 320.95, 0.5%, 0.5%

LAB 47.87, 58.42, -18.46

 

CMYK 0 / 31 / 67 / 25

HEX #BF833F

RGB 191 131 63

HSL 31.88, 0.5%, 0.5%

LAB 59.59, 16.5, 45.06

 

CMYK 67 / 0 / 45 / 25

HEX #3FBF6A

RGB 63 191 106

HSL 140.16, 0.5%, 0.5%

LAB 69.01, -53.58, 32.87

 

CMYK 67 / 36 / 0 / 25

HEX #3F7BBF

RGB 63 123 191

HSL 211.88, 0.5%, 0.5%

LAB 50.67, 2.59, -41.36

 

CMYK 0 / 66 / 23 / 25

HEX #BE4092

RGB 190 64 146

HSL 320.95, 0.5%, 0.5%

LAB 47.87, 58.42, -18.46

 

CMYK 0 / 11 / 67 / 25

HEX #BFAA3F

RGB 191 170 63

HSL 50.16, 0.5%, 0.5%

LAB 69.6, -4.69, 55.81

 

CMYK 67 / 0 / 45 / 25

HEX #3FBF6A

RGB 63 191 106

HSL 140.16, 0.5%, 0.5%

LAB 69.01, -53.58, 32.87

 

CMYK 67 / 56 / 0 / 25

HEX #3F54BF

RGB 63 84 191

HSL 230.16, 0.5%, 0.5%

LAB 39.85, 27.21, -58.7

 

Description

Color code: HEX #BE4092 | qconv.com Color code: HEX #BE4092 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 64 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 64 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 23 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 23% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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