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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE606A it is the complementary color #419F95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE606A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE606A shade: #C36065, #D47278, #E5848B, #F6969E and #FFA8B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE606A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE606A shade: #BE606A, #AD4E57, #9C3C44, #8B2A31 and #7A181E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE606A shade: #BD5F69 and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE606A shade: #BD5F69, #BD5F83, #BD5F9C, #BD5FB5 and #AC5FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE606A shade matches the following richer shades: #BD5F69, #D04D5B, #E23B4D and #F4293E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE606A shade: #BD5F69, #AB7177, #998386, #879694 and #75A8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE606A shade: #BD5F9C, #BD5F83, #BD5F6A, #BD6D5F and #BD865F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE606A shade: #903A43, #AD4651, #BD5F69, #C97C85 and #D59AA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE606A shade: #BE606A, #B6BD5F and #5F90BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE606A shade: #BE606A, #6ABD5F and #5F6ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE606A shade: #BE606A, #B6BD5F, #5FBDB2 and #675FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE606A shade: #BE606A, #99BD5F, #5FBDB2 and #835FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 44 / 25

HEX #BE606A

RGB 190 96 106

HSL 353.62, 0.42%, 0.56%

LAB 52.23, 38.66, 11.91

 

Complementary color

CMYK 59 / 0 / 6 / 38

HEX #419F95

RGB 65 159 149

HSL 173.62, 0.42%, 0.44%

LAB 59.97, -30.05, -3.09

 

CMYK 0 / 51 / 48 / 24

HEX #C36065

RGB 195 96 101

HSL 356.97, 0.45%, 0.57%

LAB 52.85, 39.99, 15.83

 

CMYK 0 / 46 / 43 / 17

HEX #D47278

RGB 212 114 120

HSL 356.33, 0.53%, 0.64%

LAB 59.33, 38.92, 14.09

 

CMYK 0 / 42 / 39 / 10

HEX #E5848B

RGB 229 132 139

HSL 355.67, 0.65%, 0.71%

LAB 65.77, 37.9, 12.59

 

CMYK 0 / 39 / 36 / 4

HEX #F6969E

RGB 246 150 158

HSL 355, 0.84%, 0.78%

LAB 72.14, 36.94, 11.27

 

CMYK 0 / 34 / 31 / 0

HEX #FFA8B1

RGB 255 168 177

HSL 353.79, 1%, 0.83%

LAB 77.54, 33.16, 8.66

 

CMYK 0 / 49 / 44 / 25

HEX #BE606A

RGB 190 96 106

HSL 353.62, 0.42%, 0.56%

LAB 52.23, 38.66, 11.91

 

CMYK 0 / 55 / 50 / 32

HEX #AD4E57

RGB 173 78 87

HSL 354.32, 0.38%, 0.49%

LAB 45.66, 39.7, 13.81

 

CMYK 0 / 62 / 56 / 39

HEX #9C3C44

RGB 156 60 68

HSL 355, 0.44%, 0.42%

LAB 39.1, 40.69, 16.14

 

CMYK 0 / 70 / 65 / 45

HEX #8B2A31

RGB 139 42 49

HSL 355.67, 0.54%, 0.35%

LAB 32.63, 41.44, 19.1

 

CMYK 0 / 80 / 75 / 52

HEX #7A181E

RGB 122 24 30

HSL 356.33, 0.67%, 0.29%

LAB 26.4, 41.58, 22.94

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F69

RGB 189 95 105

HSL 353.62, 0.42%, 0.56%

LAB 51.86, 38.7, 11.97

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F69

RGB 189 95 105

HSL 353.62, 0.42%, 0.56%

LAB 51.86, 38.7, 11.97

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F83

RGB 189 95 131

HSL 337.02, 0.42%, 0.56%

LAB 52.56, 41.79, -2.48

 

CMYK 0 / 50 / 17 / 26

HEX #BD5F9C

RGB 189 95 156

HSL 321.06, 0.42%, 0.56%

LAB 53.39, 45.38, -15.98

 

CMYK 0 / 50 / 4 / 26

HEX #BD5FB5

RGB 189 95 181

HSL 305.11, 0.42%, 0.56%

LAB 54.39, 49.52, -29.01

 

CMYK 9 / 50 / 0 / 26

HEX #AC5FBD

RGB 172 95 189

HSL 289.15, 0.42%, 0.56%

LAB 52.54, 46.09, -36.67

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F69

RGB 189 95 105

HSL 353.62, 0.42%, 0.56%

LAB 51.86, 38.7, 11.97

 

CMYK 0 / 63 / 56 / 18

HEX #D04D5B

RGB 208 77 91

HSL 353.59, 0.58%, 0.56%

LAB 51.24, 52.71, 19.91

 

CMYK 0 / 74 / 66 / 11

HEX #E23B4D

RGB 226 59 77

HSL 353.53, 0.74%, 0.56%

LAB 51.65, 64.28, 29.37

 

CMYK 0 / 83 / 75 / 4

HEX #F4293E

RGB 244 41 62

HSL 353.79, 0.9%, 0.56%

LAB 53.13, 73.47, 40.67

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F69

RGB 189 95 105

HSL 353.62, 0.42%, 0.56%

LAB 51.86, 38.7, 11.97

 

CMYK 0 / 34 / 30 / 33

HEX #AB7177

RGB 171 113 119

HSL 353.79, 0.26%, 0.56%

LAB 53.81, 23.77, 6.14

 

CMYK 0 / 14 / 12 / 40

HEX #998386

RGB 153 131 134

HSL 351.82, 0.1%, 0.56%

LAB 56.81, 8.89, 1.48

 

CMYK 10 / 0 / 1 / 41

HEX #879694

RGB 135 150 148

HSL 172, 0.07%, 0.56%

LAB 60.87, -5.76, -0.78

 

CMYK 30 / 0 / 4 / 34

HEX #75A8A2

RGB 117 168 162

HSL 172.94, 0.23%, 0.56%

LAB 65.28, -18.19, -2.33

 

CMYK 0 / 50 / 17 / 26

HEX #BD5F9C

RGB 189 95 156

HSL 321.06, 0.42%, 0.56%

LAB 53.39, 45.38, -15.98

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F83

RGB 189 95 131

HSL 337.02, 0.42%, 0.56%

LAB 52.56, 41.79, -2.48

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F6A

RGB 189 95 106

HSL 352.98, 0.42%, 0.56%

LAB 51.89, 38.81, 11.41

 

CMYK 0 / 42 / 50 / 26

HEX #BD6D5F

RGB 189 109 95

HSL 8.94, 0.42%, 0.56%

LAB 54.64, 30.26, 21.62

 

CMYK 0 / 29 / 50 / 26

HEX #BD865F

RGB 189 134 95

HSL 24.89, 0.42%, 0.56%

LAB 60.51, 16.5, 29.31

 

CMYK 0 / 60 / 53 / 44

HEX #903A43

RGB 144 58 67

HSL 353.72, 0.43%, 0.4%

LAB 36.67, 37.21, 13.14

 

CMYK 0 / 60 / 53 / 32

HEX #AD4651

RGB 173 70 81

HSL 353.59, 0.42%, 0.48%

LAB 44.03, 43.09, 15.24

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F69

RGB 189 95 105

HSL 353.62, 0.42%, 0.56%

LAB 51.86, 38.7, 11.97

 

CMYK 0 / 38 / 34 / 21

HEX #C97C85

RGB 201 124 133

HSL 352.99, 0.42%, 0.64%

LAB 60.36, 31.03, 7.86

 

CMYK 0 / 28 / 25 / 16

HEX #D59AA0

RGB 213 154 160

HSL 353.9, 0.41%, 0.72%

LAB 69.32, 22.91, 5.62

 

CMYK 0 / 49 / 44 / 25

HEX #BE606A

RGB 190 96 106

HSL 353.62, 0.42%, 0.56%

LAB 52.23, 38.66, 11.91

 

CMYK 4 / 0 / 50 / 26

HEX #B6BD5F

RGB 182 189 95

HSL 64.47, 0.42%, 0.56%

LAB 74.3, -15.91, 46.23

 

CMYK 50 / 24 / 0 / 26

HEX #5F90BD

RGB 95 144 189

HSL 208.72, 0.42%, 0.56%

LAB 58.09, -3.85, -28.51

 

CMYK 0 / 49 / 44 / 25

HEX #BE606A

RGB 190 96 106

HSL 353.62, 0.42%, 0.56%

LAB 52.23, 38.66, 11.91

 

CMYK 44 / 0 / 50 / 26

HEX #6ABD5F

RGB 106 189 95

HSL 112.98, 0.42%, 0.56%

LAB 69.67, -43.84, 39.55

 

CMYK 50 / 44 / 0 / 26

HEX #5F6ABD

RGB 95 106 189

HSL 232.98, 0.42%, 0.56%

LAB 47.51, 18.89, -45.11

 

CMYK 0 / 49 / 44 / 25

HEX #BE606A

RGB 190 96 106

HSL 353.62, 0.42%, 0.56%

LAB 52.23, 38.66, 11.91

 

CMYK 4 / 0 / 50 / 26

HEX #B6BD5F

RGB 182 189 95

HSL 64.47, 0.42%, 0.56%

LAB 74.3, -15.91, 46.23

 

CMYK 50 / 0 / 6 / 26

HEX #5FBDB2

RGB 95 189 178

HSL 172.98, 0.42%, 0.56%

LAB 70.9, -30.57, -3.02

 

CMYK 46 / 50 / 0 / 26

HEX #675FBD

RGB 103 95 189

HSL 245.11, 0.42%, 0.56%

LAB 45.28, 27.56, -48.64

 

CMYK 0 / 49 / 44 / 25

HEX #BE606A

RGB 190 96 106

HSL 353.62, 0.42%, 0.56%

LAB 52.23, 38.66, 11.91

 

CMYK 19 / 0 / 50 / 26

HEX #99BD5F

RGB 153 189 95

HSL 82.98, 0.42%, 0.56%

LAB 72.22, -27.44, 43.25

 

CMYK 50 / 0 / 6 / 26

HEX #5FBDB2

RGB 95 189 178

HSL 172.98, 0.42%, 0.56%

LAB 70.9, -30.57, -3.02

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

Description

Color code: HEX #BE606A | qconv.com Color code: HEX #BE606A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 96 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 96 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 44 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 44% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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