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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEF15F it is the complementary color #410EA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEF15F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEF15F shade: #C3F15A, #D4FF6D, #E5FF80, #F6FF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEF15F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEF15F shade: #BEF15F, #ADDF4C, #9CCD39, #8BBB26 and #7AA913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEF15F shade: #BEF15F, #E5F15F, #F1D55F, #F1AE5F and #F1865F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEF15F shade: #BEF15F, #96F15F, #6FF15F, #5FF176 and #5FF19D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEF15F shade matches the following richer shades: #BEF15F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEF15F shade: #BEF15F, #BAE36D, #B5D57B, #B1C789 and #ADB997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEF15F shade: #F1D35F, #E7F15F, #C0F15F, #99F15F and #72F15F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEF15F shade: #9FE914, #AEED39, #BEF15F, #CDF485 and #DDF7AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEF15F shade: #BEF15F, #5FF1AD and #E75FF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEF15F shade: #BEF15F, #5FC0F1 and #F15FC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEF15F shade: #BEF15F, #5FF1AD, #905FF1 and #F15FA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEF15F shade: #BEF15F, #5FF1D8, #905FF1 and #F15F77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

Complementary color

CMYK 59 / 91 / 0 / 37

HEX #410EA0

RGB 65 14 160

HSL 260.96, 0.84%, 0.34%

LAB 23.59, 54.53, -66.85

 

CMYK 19 / 0 / 63 / 5

HEX #C3F15A

RGB 195 241 90

HSL 78.28, 0.84%, 0.65%

LAB 89.51, -36.1, 65.89

 

CMYK 17 / 0 / 57 / 0

HEX #D4FF6D

RGB 212 255 109

HSL 77.67, 1%, 0.71%

LAB 94.58, -34.6, 63.88

 

CMYK 10 / 0 / 50 / 0

HEX #E5FF80

RGB 229 255 128

HSL 72.28, 1%, 0.75%

LAB 95.89, -26.54, 57.29

 

CMYK 4 / 0 / 42 / 0

HEX #F6FF93

RGB 246 255 147

HSL 65, 1%, 0.79%

LAB 97.32, -18.26, 50.45

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 22 / 0 / 66 / 13

HEX #ADDF4C

RGB 173 223 76

HSL 80.41, 0.7%, 0.59%

LAB 83.01, -37.28, 64.14

 

CMYK 24 / 0 / 72 / 20

HEX #9CCD39

RGB 156 205 57

HSL 79.86, 0.6%, 0.51%

LAB 76.69, -36.85, 64.44

 

CMYK 26 / 0 / 80 / 27

HEX #8BBB26

RGB 139 187 38

HSL 79.33, 0.66%, 0.44%

LAB 70.29, -36.25, 64.11

 

CMYK 28 / 0 / 89 / 34

HEX #7AA913

RGB 122 169 19

HSL 78.8, 0.8%, 0.37%

LAB 63.8, -35.45, 62.67

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 5 / 0 / 61 / 5

HEX #E5F15F

RGB 229 241 95

HSL 64.93, 0.84%, 0.66%

LAB 91.86, -22.53, 67.07

 

CMYK 0 / 12 / 61 / 5

HEX #F1D55F

RGB 241 213 95

HSL 48.49, 0.84%, 0.66%

LAB 85.56, -3.82, 60.47

 

CMYK 0 / 28 / 61 / 5

HEX #F1AE5F

RGB 241 174 95

HSL 32.47, 0.84%, 0.66%

LAB 75.95, 16.46, 49.54

 

CMYK 0 / 44 / 61 / 5

HEX #F1865F

RGB 241 134 95

HSL 16.03, 0.84%, 0.66%

LAB 66.96, 37.43, 38.79

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 38 / 0 / 61 / 5

HEX #96F15F

RGB 150 241 95

HSL 97.4, 0.84%, 0.66%

LAB 87.11, -51.57, 60.5

 

CMYK 54 / 0 / 61 / 5

HEX #6FF15F

RGB 111 241 95

HSL 113.42, 0.84%, 0.66%

LAB 85.56, -62.84, 58.34

 

CMYK 61 / 0 / 51 / 5

HEX #5FF176

RGB 95 241 118

HSL 129.45, 0.84%, 0.66%

LAB 85.33, -63.8, 47.63

 

CMYK 61 / 0 / 35 / 5

HEX #5FF19D

RGB 95 241 157

HSL 145.48, 0.84%, 0.66%

LAB 85.9, -57.58, 29.23

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 18 / 0 / 52 / 11

HEX #BAE36D

RGB 186 227 109

HSL 80.85, 0.68%, 0.66%

LAB 85.24, -31.47, 52.68

 

CMYK 15 / 0 / 42 / 16

HEX #B5D57B

RGB 181 213 123

HSL 81.33, 0.52%, 0.66%

LAB 81.2, -25.22, 40.94

 

CMYK 11 / 0 / 31 / 22

HEX #B1C789

RGB 177 199 137

HSL 81.29, 0.36%, 0.66%

LAB 77.28, -18.03, 28.65

 

CMYK 6 / 0 / 18 / 27

HEX #ADB997

RGB 173 185 151

HSL 81.18, 0.2%, 0.66%

LAB 73.43, -10.24, 15.88

 

CMYK 0 / 12 / 61 / 5

HEX #F1D35F

RGB 241 211 95

HSL 47.67, 0.84%, 0.66%

LAB 85.06, -2.8, 59.9

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 20 / 0 / 61 / 5

HEX #C0F15F

RGB 192 241 95

HSL 80.14, 0.84%, 0.66%

LAB 89.37, -36.86, 63.64

 

CMYK 37 / 0 / 61 / 5

HEX #99F15F

RGB 153 241 95

HSL 96.16, 0.84%, 0.66%

LAB 87.25, -50.6, 60.69

 

CMYK 53 / 0 / 61 / 5

HEX #72F15F

RGB 114 241 95

HSL 112.19, 0.84%, 0.66%

LAB 85.66, -62.07, 58.48

 

CMYK 32 / 0 / 91 / 9

HEX #9FE914

RGB 159 233 20

HSL 80.85, 0.84%, 0.5%

LAB 84.84, -49.16, 80.59

 

CMYK 27 / 0 / 76 / 7

HEX #AEED39

RGB 174 237 57

HSL 81, 0.83%, 0.58%

LAB 86.93, -44.17, 74.63

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 16 / 0 / 45 / 4

HEX #CDF485

RGB 205 244 133

HSL 81.08, 0.83%, 0.74%

LAB 91.4, -29.87, 49.15

 

CMYK 11 / 0 / 31 / 3

HEX #DDF7AB

RGB 221 247 171

HSL 80.53, 0.83%, 0.82%

LAB 93.81, -20.87, 33.81

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 61 / 0 / 28 / 5

HEX #5FF1AD

RGB 95 241 173

HSL 152.05, 0.84%, 0.66%

LAB 86.19, -54.5, 21.45

 

CMYK 4 / 61 / 0 / 5

HEX #E75FF1

RGB 231 95 241

HSL 295.89, 0.84%, 0.66%

LAB 62.95, 71.06, -49.13

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 61 / 20 / 0 / 5

HEX #5FC0F1

RGB 95 192 241

HSL 200.14, 0.84%, 0.66%

LAB 73.86, -14.36, -32.85

 

CMYK 0 / 61 / 20 / 5

HEX #F15FC0

RGB 241 95 192

HSL 320.14, 0.84%, 0.66%

LAB 62.25, 66.04, -22.58

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 61 / 0 / 28 / 5

HEX #5FF1AD

RGB 95 241 173

HSL 152.05, 0.84%, 0.66%

LAB 86.19, -54.5, 21.45

 

CMYK 40 / 61 / 0 / 5

HEX #905FF1

RGB 144 95 241

HSL 260.14, 0.84%, 0.66%

LAB 52.36, 51.26, -66.66

 

CMYK 0 / 61 / 32 / 5

HEX #F15FA3

RGB 241 95 163

HSL 332.05, 0.84%, 0.66%

LAB 61.25, 62.37, -7.47

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15F

RGB 190 241 95

HSL 80.96, 0.84%, 0.66%

LAB 89.24, -37.6, 63.47

 

CMYK 61 / 0 / 10 / 5

HEX #5FF1D8

RGB 95 241 216

HSL 169.73, 0.84%, 0.66%

LAB 87.14, -44.85, 0.44

 

CMYK 40 / 61 / 0 / 5

HEX #905FF1

RGB 144 95 241

HSL 260.14, 0.84%, 0.66%

LAB 52.36, 51.26, -66.66

 

CMYK 0 / 61 / 51 / 5

HEX #F15F77

RGB 241 95 119

HSL 350.14, 0.84%, 0.66%

LAB 60.08, 57.95, 16.37

 

Description

Color code: HEX #BEF15F | qconv.com Color code: HEX #BEF15F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 241 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 241 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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