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Color name
HEX #BF16A6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF16A6 it is the complementary color #40E959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF16A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF16A6 shade: #C416A1, #D528B4, #E63AC7, #F74CDA and #FF5EED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF16A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF16A6 shade: #BF16A6, #AE0493, #9D0080, #8C006D and #7B005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF16A6 shade: #BF16A6, #BF1679, #BF164B, #BF161D and #BF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF16A6 shade: #BF16A6, #AB16BF, #7D16BF, #4F16BF and #2216BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF16A6 shade matches the following richer shades: #BF16A6 and #D105B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF16A6 shade: #BF16A6, #AE279A, #9D398E, #8B4A82 and #7A5B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF16A6 shade: #7C16BF, #A916BF, #BF16A9, #BF167C and #BF164E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF16A6 shade: #750D66, #9A1286, #BF16A6, #E41BC6 and #E840CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF16A6 shade: #BF16A6, #BF4E16 and #16BF92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF16A6 shade: #BF16A6, #A9BF16 and #16A9BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF16A6 shade: #BF16A6, #BF4E16, #16BF2D and #1687BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF16A6 shade: #BF16A6, #BF8116, #16BF2D and #1654BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

Complementary color

CMYK 73 / 0 / 62 / 9

HEX #40E959

RGB 64 233 89

HSL 128.88, 0.79%, 0.58%

LAB 81.89, -70.3, 56.41

 

CMYK 0 / 89 / 18 / 23

HEX #C416A1

RGB 196 22 161

HSL 312.07, 0.8%, 0.43%

LAB 45.47, 73.5, -31.06

 

CMYK 0 / 81 / 15 / 16

HEX #D528B4

RGB 213 40 180

HSL 311.45, 0.68%, 0.5%

LAB 50.64, 75.99, -33.99

 

CMYK 0 / 75 / 13 / 10

HEX #E63AC7

RGB 230 58 199

HSL 310.81, 0.77%, 0.56%

LAB 56.06, 77.51, -36.3

 

CMYK 0 / 69 / 12 / 3

HEX #F74CDA

RGB 247 76 218

HSL 310.18, 0.91%, 0.63%

LAB 61.66, 78.35, -38.14

 

CMYK 0 / 63 / 7 / 0

HEX #FF5EED

RGB 255 94 237

HSL 306.71, 1%, 0.68%

LAB 66.04, 76.54, -41.8

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 0 / 98 / 16 / 32

HEX #AE0493

RGB 174 4 147

HSL 309.53, 0.96%, 0.35%

LAB 39.9, 69.56, -31.65

 

CMYK 0 / 100 / 18 / 38

HEX #9D0080

RGB 157 0 128

HSL 311.08, 1%, 0.31%

LAB 35.45, 64.29, -27.15

 

CMYK 0 / 100 / 22 / 45

HEX #8C006D

RGB 140 0 109

HSL 313.29, 1%, 0.27%

LAB 31.07, 58.49, -22.24

 

CMYK 0 / 100 / 27 / 52

HEX #7B005A

RGB 123 0 90

HSL 316.1, 1%, 0.24%

LAB 26.59, 52.58, -17.11

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 0 / 88 / 37 / 25

HEX #BF1679

RGB 191 22 121

HSL 324.85, 0.79%, 0.42%

LAB 42.81, 67.82, -10.9

 

CMYK 0 / 88 / 61 / 25

HEX #BF164B

RGB 191 22 75

HSL 341.18, 0.79%, 0.42%

LAB 41.47, 64.07, 16.06

 

CMYK 0 / 88 / 85 / 25

HEX #BF161D

RGB 191 22 29

HSL 357.51, 0.79%, 0.42%

LAB 40.8, 62.15, 42.89

 

CMYK 0 / 88 / 88 / 25

HEX #BF1616

RGB 191 22 22

HSL 0, 0.79%, 0.42%

LAB 40.75, 62.01, 46.3

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 10 / 88 / 0 / 25

HEX #AB16BF

RGB 171 22 191

HSL 292.9, 0.79%, 0.42%

LAB 42.75, 73.34, -53.41

 

CMYK 35 / 88 / 0 / 25

HEX #7D16BF

RGB 125 22 191

HSL 276.57, 0.79%, 0.42%

LAB 35.39, 66.41, -65.71

 

CMYK 59 / 88 / 0 / 25

HEX #4F16BF

RGB 79 22 191

HSL 260.24, 0.79%, 0.42%

LAB 29.41, 61.34, -75.77

 

CMYK 82 / 88 / 0 / 25

HEX #2216BF

RGB 34 22 191

HSL 244.26, 0.79%, 0.42%

LAB 25.79, 58.64, -81.89

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 0 / 98 / 15 / 18

HEX #D105B2

RGB 209 5 178

HSL 309.12, 0.95%, 0.42%

LAB 48.11, 79.95, -36.85

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 0 / 78 / 11 / 32

HEX #AE279A

RGB 174 39 154

HSL 308.89, 0.63%, 0.42%

LAB 42.43, 64.22, -31.91

 

CMYK 0 / 64 / 10 / 38

HEX #9D398E

RGB 157 57 142

HSL 309, 0.47%, 0.42%

LAB 41.29, 51.69, -26.64

 

CMYK 0 / 47 / 6 / 45

HEX #8B4A82

RGB 139 74 130

HSL 308.31, 0.31%, 0.42%

LAB 41.21, 35.8, -19.65

 

CMYK 0 / 25 / 4 / 52

HEX #7A5B75

RGB 122 91 117

HSL 309.68, 0.15%, 0.42%

LAB 42.62, 17.4, -9.77

 

CMYK 35 / 88 / 0 / 25

HEX #7C16BF

RGB 124 22 191

HSL 276.21, 0.79%, 0.42%

LAB 35.24, 66.27, -65.96

 

CMYK 12 / 88 / 0 / 25

HEX #A916BF

RGB 169 22 191

HSL 292.19, 0.79%, 0.42%

LAB 42.42, 73.01, -53.98

 

CMYK 0 / 88 / 12 / 25

HEX #BF16A9

RGB 191 22 169

HSL 307.81, 0.79%, 0.42%

LAB 44.96, 73.58, -36.7

 

CMYK 0 / 88 / 35 / 25

HEX #BF167C

RGB 191 22 124

HSL 323.79, 0.79%, 0.42%

LAB 42.92, 68.13, -12.59

 

CMYK 0 / 88 / 59 / 25

HEX #BF164E

RGB 191 22 78

HSL 340.12, 0.79%, 0.42%

LAB 41.53, 64.26, 14.25

 

CMYK 0 / 89 / 13 / 54

HEX #750D66

RGB 117 13 102

HSL 308.65, 0.8%, 0.25%

LAB 26.82, 50.52, -24.71

 

CMYK 0 / 88 / 13 / 40

HEX #9A1286

RGB 154 18 134

HSL 308.82, 0.79%, 0.34%

LAB 36.03, 62.04, -30.01

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 0 / 88 / 13 / 11

HEX #E41BC6

RGB 228 27 198

HSL 308.96, 0.79%, 0.5%

LAB 53.34, 83.72, -40.03

 

CMYK 0 / 72 / 11 / 9

HEX #E840CF

RGB 232 64 207

HSL 308.93, 0.79%, 0.58%

LAB 57.39, 77.28, -38.76

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 88 / 0 / 24 / 25

HEX #16BF92

RGB 22 191 146

HSL 164.02, 0.79%, 0.42%

LAB 69.12, -50.2, 11.67

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 12 / 0 / 88 / 25

HEX #A9BF16

RGB 169 191 22

HSL 67.81, 0.79%, 0.42%

LAB 73.39, -26.43, 71.27

 

CMYK 88 / 12 / 0 / 25

HEX #16A9BF

RGB 22 169 191

HSL 187.81, 0.79%, 0.42%

LAB 63.6, -27.4, -21.33

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 0 / 59 / 88 / 25

HEX #BF4E16

RGB 191 78 22

HSL 19.88, 0.79%, 0.42%

LAB 47.73, 42.88, 51.73

 

CMYK 88 / 0 / 76 / 25

HEX #16BF2D

RGB 22 191 45

HSL 128.17, 0.79%, 0.42%

LAB 67.74, -66.38, 58.17

 

CMYK 88 / 29 / 0 / 25

HEX #1687BF

RGB 22 135 191

HSL 199.88, 0.79%, 0.42%

LAB 53.23, -9.18, -37.39

 

CMYK 0 / 88 / 13 / 25

HEX #BF16A6

RGB 191 22 166

HSL 308.88, 0.79%, 0.42%

LAB 44.81, 73.18, -35.16

 

CMYK 0 / 32 / 88 / 25

HEX #BF8116

RGB 191 129 22

HSL 37.99, 0.79%, 0.42%

LAB 58.82, 15.95, 60.45

 

CMYK 88 / 0 / 76 / 25

HEX #16BF2D

RGB 22 191 45

HSL 128.17, 0.79%, 0.42%

LAB 67.74, -66.38, 58.17

 

CMYK 88 / 56 / 0 / 25

HEX #1654BF

RGB 22 84 191

HSL 217.99, 0.79%, 0.42%

LAB 38.33, 22.82, -61.24

 

Description

Color code: HEX #BF16A6 | qconv.com Color code: HEX #BF16A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 22 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 22 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 13 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 13% 25% C M Y K

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