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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6944 it is the complementary color #4096BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6944. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6944 shade: #C4693F, #D57B52, #E68D65, #F79F78 and #FFB18B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6944. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6944 shade: #BF6944, #AE5731, #9D451E, #8C330B and #7B2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6944 shade: #BF6944, #BF4844 and #BF4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6944 shade: #BF6944, #BF8A44, #BFAB44, #B1BF44 and #90BF44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6944 shade matches the following richer shades: #BF6944, #D36130, #E7591C and #FB5108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6944 shade: #BF6944, #AB7159, #96796D, #828181 and #6E8995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6944 shade: #BF4461, #BF4844, #BF6944, #BF8A44 and #BFAA44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6944 shade: #84472D, #A35837, #BF6944, #C98263 and #D49A82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6944 shade: #BF6944, #82BF44 and #4451BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6944 shade: #BF6944, #44BF69 and #6944BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6944 shade: #BF6944, #82BF44, #449ABF and #8244BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6944 shade: #BF6944, #5DBF44, #449ABF and #A644BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

Complementary color

CMYK 66 / 20 / 0 / 27

HEX #4096BB

RGB 64 150 187

HSL 198.05, 0.49%, 0.49%

LAB 58.5, -14.17, -26.84

 

CMYK 0 / 46 / 68 / 23

HEX #C4693F

RGB 196 105 63

HSL 18.95, 0.53%, 0.51%

LAB 54.24, 32.75, 39.21

 

CMYK 0 / 42 / 62 / 16

HEX #D57B52

RGB 213 123 82

HSL 18.78, 0.61%, 0.58%

LAB 60.71, 31.26, 37.27

 

CMYK 0 / 39 / 56 / 10

HEX #E68D65

RGB 230 141 101

HSL 18.6, 0.72%, 0.65%

LAB 67.14, 29.92, 35.49

 

CMYK 0 / 36 / 51 / 3

HEX #F79F78

RGB 247 159 120

HSL 18.43, 0.89%, 0.72%

LAB 73.5, 28.72, 33.86

 

CMYK 0 / 31 / 45 / 0

HEX #FFB18B

RGB 255 177 139

HSL 19.66, 1%, 0.77%

LAB 78.79, 24.16, 30.86

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 0 / 50 / 72 / 32

HEX #AE5731

RGB 174 87 49

HSL 18.24, 0.56%, 0.44%

LAB 47.02, 32.61, 37.66

 

CMYK 0 / 56 / 81 / 38

HEX #9D451E

RGB 157 69 30

HSL 18.43, 0.68%, 0.37%

LAB 40.44, 34.33, 39.76

 

CMYK 0 / 64 / 92 / 45

HEX #8C330B

RGB 140 51 11

HSL 18.6, 0.85%, 0.3%

LAB 33.91, 36.1, 41.32

 

CMYK 0 / 73 / 100 / 52

HEX #7B2100

RGB 123 33 0

HSL 16.1, 1%, 0.24%

LAB 27.57, 37.64, 39.47

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 0 / 62 / 64 / 25

HEX #BF4844

RGB 191 72 68

HSL 1.95, 0.49%, 0.51%

LAB 47.14, 47.54, 27.72

 

CMYK 0 / 64 / 64 / 25

HEX #BF4444

RGB 191 68 68

HSL 0, 0.49%, 0.51%

LAB 46.48, 49.3, 26.89

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 0 / 28 / 64 / 25

HEX #BF8A44

RGB 191 138 68

HSL 34.15, 0.49%, 0.51%

LAB 61.37, 12.96, 44.6

 

CMYK 0 / 10 / 64 / 25

HEX #BFAB44

RGB 191 171 68

HSL 50.24, 0.49%, 0.51%

LAB 69.91, -4.91, 53.98

 

CMYK 7 / 0 / 64 / 25

HEX #B1BF44

RGB 177 191 68

HSL 66.83, 0.49%, 0.51%

LAB 74.21, -21.11, 58.19

 

CMYK 25 / 0 / 64 / 25

HEX #90BF44

RGB 144 191 68

HSL 82.93, 0.49%, 0.51%

LAB 71.97, -34.34, 55.13

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 0 / 54 / 77 / 17

HEX #D36130

RGB 211 97 48

HSL 18.04, 0.65%, 0.51%

LAB 54.67, 42.03, 47.95

 

CMYK 0 / 61 / 88 / 9

HEX #E7591C

RGB 231 89 28

HSL 18.03, 0.81%, 0.51%

LAB 56.3, 52.56, 59.09

 

CMYK 0 / 68 / 97 / 2

HEX #FB5108

RGB 251 81 8

HSL 18.02, 0.97%, 0.51%

LAB 58.43, 62.35, 67.42

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 0 / 34 / 48 / 33

HEX #AB7159

RGB 171 113 89

HSL 17.56, 0.33%, 0.51%

LAB 53.16, 20.13, 22.68

 

CMYK 0 / 19 / 27 / 41

HEX #96796D

RGB 150 121 109

HSL 17.56, 0.16%, 0.51%

LAB 53.24, 9.38, 10.83

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 26 / 8 / 0 / 42

HEX #6E8995

RGB 110 137 149

HSL 198.46, 0.16%, 0.51%

LAB 55.46, -6.69, -9.56

 

CMYK 0 / 64 / 49 / 25

HEX #BF4461

RGB 191 68 97

HSL 345.85, 0.49%, 0.51%

LAB 47.07, 51.51, 10.12

 

CMYK 0 / 62 / 64 / 25

HEX #BF4844

RGB 191 72 68

HSL 1.95, 0.49%, 0.51%

LAB 47.14, 47.54, 27.72

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 0 / 28 / 64 / 25

HEX #BF8A44

RGB 191 138 68

HSL 34.15, 0.49%, 0.51%

LAB 61.37, 12.96, 44.6

 

CMYK 0 / 11 / 64 / 25

HEX #BFAA44

RGB 191 170 68

HSL 49.76, 0.49%, 0.51%

LAB 69.64, -4.38, 53.7

 

CMYK 0 / 46 / 66 / 48

HEX #84472D

RGB 132 71 45

HSL 17.93, 0.49%, 0.35%

LAB 37.12, 23.56, 26.86

 

CMYK 0 / 46 / 66 / 36

HEX #A35837

RGB 163 88 55

HSL 18.33, 0.5%, 0.43%

LAB 45.69, 27.89, 32.43

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 0 / 35 / 51 / 21

HEX #C98263

RGB 201 130 99

HSL 18.24, 0.49%, 0.59%

LAB 61.03, 24.02, 28.05

 

CMYK 0 / 27 / 39 / 17

HEX #D49A82

RGB 212 154 130

HSL 17.56, 0.49%, 0.67%

LAB 68.55, 18.62, 21.15

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 32 / 0 / 64 / 25

HEX #82BF44

RGB 130 191 68

HSL 89.76, 0.49%, 0.51%

LAB 71.16, -39.56, 54.03

 

CMYK 64 / 58 / 0 / 25

HEX #4451BF

RGB 68 81 191

HSL 233.66, 0.49%, 0.51%

LAB 39.37, 29.91, -59.46

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 64 / 0 / 45 / 25

HEX #44BF69

RGB 68 191 105

HSL 138.05, 0.49%, 0.51%

LAB 69.12, -52.79, 33.55

 

CMYK 45 / 64 / 0 / 25

HEX #6944BF

RGB 105 68 191

HSL 258.05, 0.49%, 0.51%

LAB 39.41, 44.51, -59.26

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 32 / 0 / 64 / 25

HEX #82BF44

RGB 130 191 68

HSL 89.76, 0.49%, 0.51%

LAB 71.16, -39.56, 54.03

 

CMYK 64 / 19 / 0 / 25

HEX #449ABF

RGB 68 154 191

HSL 198.05, 0.49%, 0.51%

LAB 59.98, -14.38, -26.8

 

CMYK 32 / 64 / 0 / 25

HEX #8244BF

RGB 130 68 191

HSL 270.24, 0.49%, 0.51%

LAB 42.22, 49.77, -54.58

 

CMYK 0 / 45 / 64 / 25

HEX #BF6944

RGB 191 105 68

HSL 18.05, 0.49%, 0.51%

LAB 53.6, 31.04, 35.59

 

CMYK 51 / 0 / 64 / 25

HEX #5DBF44

RGB 93 191 68

HSL 107.8, 0.49%, 0.51%

LAB 69.47, -51.57, 51.7

 

CMYK 64 / 19 / 0 / 25

HEX #449ABF

RGB 68 154 191

HSL 198.05, 0.49%, 0.51%

LAB 59.98, -14.38, -26.8

 

CMYK 13 / 64 / 0 / 25

HEX #A644BF

RGB 166 68 191

HSL 287.8, 0.49%, 0.51%

LAB 46.98, 58.02, -46.68

 

Description

Color code: HEX #BF6944 | qconv.com Color code: HEX #BF6944 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 105 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 105 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 64 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 64% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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