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Color name
HEX #BF7A3F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7A3F it is the complementary color #4085C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7A3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7A3F shade: #C47A3A, #D58C4D, #E69E60, #F7B073 and #FFC286

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7A3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7A3F shade: #BF7A3F, #AE682C, #9D5619, #8C4406 and #7B3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7A3F shade: #BF7A3F, #BF583F and #BF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7A3F shade: #BF7A3F, #BF9C3F, #BFBF3F, #9CBF3F and #7ABF3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7A3F shade matches the following richer shades: #BF7A3F, #D3782B, #E87716 and #FD7501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7A3F shade: #BF7A3F, #AA7C54, #957D69, #817F7D and #6C8092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7A3F shade: #BF3F4A, #BF573F, #BF793F, #BF9B3F and #BFBD3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7A3F shade: #81522B, #A06635, #BF7A3F, #C98F5E and #D3A57D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7A3F shade: #BF7A3F, #6CBF3F and #463FBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7A3F shade: #BF7A3F, #3FBF79 and #793FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7A3F shade: #BF7A3F, #6CBF3F, #3F85BF and #923FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7A3F shade: #BF7A3F, #46BF3F, #3F85BF and #B83FBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

Complementary color

CMYK 67 / 31 / 0 / 25

HEX #4085C0

RGB 64 133 192

HSL 207.66, 0.5%, 0.5%

LAB 53.68, -2.85, -37.19

 

CMYK 0 / 38 / 70 / 23

HEX #C47A3A

RGB 196 122 58

HSL 27.83, 0.54%, 0.5%

LAB 58, 23.31, 45.94

 

CMYK 0 / 34 / 64 / 16

HEX #D58C4D

RGB 213 140 77

HSL 27.79, 0.62%, 0.57%

LAB 64.51, 21.81, 44.38

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 0 / 29 / 53 / 3

HEX #F7B073

RGB 247 176 115

HSL 27.73, 0.89%, 0.71%

LAB 77.32, 19.36, 41.33

 

CMYK 0 / 24 / 47 / 0

HEX #FFC286

RGB 255 194 134

HSL 29.75, 1%, 0.76%

LAB 82.68, 14.79, 38.54

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 0 / 40 / 75 / 32

HEX #AE682C

RGB 174 104 44

HSL 27.69, 0.6%, 0.43%

LAB 50.78, 23.09, 44.19

 

CMYK 0 / 45 / 84 / 38

HEX #9D5619

RGB 157 86 25

HSL 27.73, 0.73%, 0.36%

LAB 44.08, 24.98, 45.38

 

CMYK 0 / 51 / 96 / 45

HEX #8C4406

RGB 140 68 6

HSL 27.76, 0.92%, 0.29%

LAB 37.34, 27.14, 45.47

 

CMYK 0 / 59 / 100 / 52

HEX #7B3200

RGB 123 50 0

HSL 24.39, 1%, 0.24%

LAB 30.62, 29.52, 41.89

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 0 / 54 / 67 / 25

HEX #BF583F

RGB 191 88 63

HSL 11.72, 0.5%, 0.5%

LAB 50, 39.58, 34.07

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 0 / 18 / 67 / 25

HEX #BF9C3F

RGB 191 156 63

HSL 43.59, 0.5%, 0.5%

LAB 65.91, 2.8, 51.93

 

CMYK 0 / 0 / 67 / 25

HEX #BFBF3F

RGB 191 191 63

HSL 60, 0.5%, 0.5%

LAB 75.26, -15.54, 61.62

 

CMYK 18 / 0 / 67 / 25

HEX #9CBF3F

RGB 156 191 63

HSL 76.41, 0.5%, 0.5%

LAB 72.69, -30, 58.16

 

CMYK 36 / 0 / 67 / 25

HEX #7ABF3F

RGB 122 191 63

HSL 92.34, 0.5%, 0.5%

LAB 70.7, -42.81, 55.47

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 0 / 43 / 80 / 17

HEX #D3782B

RGB 211 120 43

HSL 27.5, 0.66%, 0.5%

LAB 59.39, 30.02, 54.77

 

CMYK 0 / 49 / 91 / 9

HEX #E87716

RGB 232 119 22

HSL 27.71, 0.83%, 0.5%

LAB 62, 38.53, 65.24

 

CMYK 0 / 54 / 100 / 1

HEX #FD7501

RGB 253 117 1

HSL 27.62, 0.99%, 0.5%

LAB 64.65, 47.41, 72.32

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 0 / 27 / 51 / 33

HEX #AA7C54

RGB 170 124 84

HSL 27.91, 0.34%, 0.5%

LAB 55.69, 13, 28.77

 

CMYK 0 / 16 / 30 / 42

HEX #957D69

RGB 149 125 105

HSL 27.27, 0.17%, 0.5%

LAB 54.11, 6.09, 14.35

 

CMYK 0 / 2 / 3 / 49

HEX #817F7D

RGB 129 127 125

HSL 30, 0.02%, 0.5%

LAB 53.31, 0.36, 1.34

 

CMYK 26 / 12 / 0 / 43

HEX #6C8092

RGB 108 128 146

HSL 208.42, 0.15%, 0.5%

LAB 52.62, -2.96, -12.09

 

CMYK 0 / 67 / 61 / 25

HEX #BF3F4A

RGB 191 63 74

HSL 354.84, 0.5%, 0.5%

LAB 45.81, 51.8, 22.42

 

CMYK 0 / 54 / 67 / 25

HEX #BF573F

RGB 191 87 63

HSL 11.25, 0.5%, 0.5%

LAB 49.8, 40.08, 33.84

 

CMYK 0 / 37 / 67 / 25

HEX #BF793F

RGB 191 121 63

HSL 27.19, 0.5%, 0.5%

LAB 57.18, 22.02, 42.38

 

CMYK 0 / 19 / 67 / 25

HEX #BF9B3F

RGB 191 155 63

HSL 43.13, 0.5%, 0.5%

LAB 65.65, 3.34, 51.65

 

CMYK 0 / 1 / 67 / 25

HEX #BFBD3F

RGB 191 189 63

HSL 59.06, 0.5%, 0.5%

LAB 74.72, -14.53, 61.07

 

CMYK 0 / 36 / 67 / 49

HEX #81522B

RGB 129 82 43

HSL 27.21, 0.5%, 0.34%

LAB 39.37, 15.65, 30.54

 

CMYK 0 / 36 / 67 / 37

HEX #A06635

RGB 160 102 53

HSL 27.48, 0.5%, 0.42%

LAB 48.55, 18.61, 36.72

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 0 / 29 / 53 / 21

HEX #C98F5E

RGB 201 143 94

HSL 27.48, 0.5%, 0.58%

LAB 64.06, 16.46, 34.64

 

CMYK 0 / 22 / 41 / 17

HEX #D3A57D

RGB 211 165 125

HSL 27.91, 0.49%, 0.66%

LAB 71.04, 11.7, 27.21

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 43 / 0 / 67 / 25

HEX #6CBF3F

RGB 108 191 63

HSL 98.91, 0.5%, 0.5%

LAB 70.04, -47.5, 54.57

 

CMYK 63 / 67 / 0 / 25

HEX #463FBF

RGB 70 63 191

HSL 243.28, 0.5%, 0.5%

LAB 35.24, 41.34, -66.19

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 67 / 0 / 37 / 25

HEX #3FBF79

RGB 63 191 121

HSL 147.19, 0.5%, 0.5%

LAB 69.25, -50.87, 25.38

 

CMYK 37 / 67 / 0 / 25

HEX #793FBF

RGB 121 63 191

HSL 267.19, 0.5%, 0.5%

LAB 40.22, 50.39, -57.87

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 43 / 0 / 67 / 25

HEX #6CBF3F

RGB 108 191 63

HSL 98.91, 0.5%, 0.5%

LAB 70.04, -47.5, 54.57

 

CMYK 67 / 30 / 0 / 25

HEX #3F85BF

RGB 63 133 191

HSL 207.19, 0.5%, 0.5%

LAB 53.59, -3.36, -36.76

 

CMYK 24 / 67 / 0 / 25

HEX #923FBF

RGB 146 63 191

HSL 278.91, 0.5%, 0.5%

LAB 43.4, 55.7, -52.57

 

CMYK 0 / 36 / 67 / 25

HEX #BF7A3F

RGB 191 122 63

HSL 27.66, 0.5%, 0.5%

LAB 57.42, 21.47, 42.64

 

CMYK 63 / 0 / 67 / 25

HEX #46BF3F

RGB 70 191 63

HSL 116.72, 0.5%, 0.5%

LAB 68.7, -57.82, 52.73

 

CMYK 67 / 30 / 0 / 25

HEX #3F85BF

RGB 63 133 191

HSL 207.19, 0.5%, 0.5%

LAB 53.59, -3.36, -36.76

 

CMYK 4 / 67 / 0 / 25

HEX #B83FBF

RGB 184 63 191

HSL 296.72, 0.5%, 0.5%

LAB 48.89, 64.27, -43.48

 

Description

Color code: HEX #BF7A3F | qconv.com Color code: HEX #BF7A3F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 122 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 122 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 67% 25% C M Y K

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Provide designers and agencies with accurate color values.

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