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Color name
HEX #BF7F16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7F16 it is the complementary color #4080E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7F16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7F16 shade: #C47F11, #D59124, #E6A337, #F7B54A and #FFC75D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7F16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7F16 shade: #BF7F16, #AE6D03, #9D5B00, #8C4900 and #7B3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7F16 shade: #BF7F16, #BF5116, #BF2416 and #BF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7F16 shade: #BF7F16, #BFAD16, #A4BF16, #76BF16 and #49BF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7F16 shade matches the following richer shades: #BF7F16 and #D18305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7F16 shade: #BF7F16, #AE7B27, #9D7739, #8B734A and #7A6E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7F16 shade: #BF2416, #BF5116, #BF7E16, #BFAB16 and #A6BF16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7F16 shade: #754E0D, #9A6712, #BF7F16, #E4981B and #E8A840

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7F16 shade: #BF7F16, #35BF16 and #3B16BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7F16 shade: #BF7F16, #16BF7E and #7E16BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7F16 shade: #BF7F16, #35BF16, #1657BF and #A016BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7F16 shade: #BF7F16, #16BF2A, #1657BF and #BF16AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

Complementary color

CMYK 73 / 45 / 0 / 9

HEX #4080E9

RGB 64 128 233

HSL 217.28, 0.79%, 0.58%

LAB 54.46, 14.68, -59.08

 

CMYK 0 / 35 / 91 / 23

HEX #C47F11

RGB 196 127 17

HSL 36.87, 0.84%, 0.42%

LAB 58.93, 19.16, 62.01

 

CMYK 0 / 32 / 83 / 16

HEX #D59124

RGB 213 145 36

HSL 36.95, 0.71%, 0.49%

LAB 65.38, 17.21, 62.8

 

CMYK 0 / 29 / 76 / 10

HEX #E6A337

RGB 230 163 55

HSL 37.03, 0.78%, 0.56%

LAB 71.75, 15.51, 62.52

 

CMYK 0 / 27 / 70 / 3

HEX #F7B54A

RGB 247 181 74

HSL 37.11, 0.92%, 0.63%

LAB 78.06, 14.02, 61.68

 

CMYK 0 / 22 / 64 / 0

HEX #FFC75D

RGB 255 199 93

HSL 39.26, 1%, 0.68%

LAB 83.39, 9.02, 59.32

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 0 / 37 / 98 / 32

HEX #AE6D03

RGB 174 109 3

HSL 37.19, 0.97%, 0.35%

LAB 51.77, 19.19, 58.34

 

CMYK 0 / 42 / 100 / 38

HEX #9D5B00

RGB 157 91 0

HSL 34.78, 1%, 0.31%

LAB 45.15, 21.65, 53.58

 

CMYK 0 / 48 / 100 / 45

HEX #8C4900

RGB 140 73 0

HSL 31.29, 1%, 0.27%

LAB 38.45, 24.23, 48.16

 

CMYK 0 / 55 / 100 / 52

HEX #7B3700

RGB 123 55 0

HSL 26.83, 1%, 0.24%

LAB 31.68, 26.82, 42.63

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 0 / 58 / 88 / 25

HEX #BF5116

RGB 191 81 22

HSL 20.95, 0.79%, 0.42%

LAB 48.28, 41.44, 52.16

 

CMYK 0 / 81 / 88 / 25

HEX #BF2416

RGB 191 36 22

HSL 4.97, 0.79%, 0.42%

LAB 41.84, 58.9, 47.14

 

CMYK 0 / 88 / 88 / 25

HEX #BF1616

RGB 191 22 22

HSL 0, 0.79%, 0.42%

LAB 40.75, 62.01, 46.3

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 0 / 9 / 88 / 25

HEX #BFAD16

RGB 191 173 22

HSL 53.61, 0.79%, 0.42%

LAB 70.19, -7.84, 69.45

 

CMYK 14 / 0 / 88 / 25

HEX #A4BF16

RGB 164 191 22

HSL 69.59, 0.79%, 0.42%

LAB 73.03, -28.52, 70.83

 

CMYK 38 / 0 / 88 / 25

HEX #76BF16

RGB 118 191 22

HSL 85.92, 0.79%, 0.42%

LAB 70.3, -46.37, 67.45

 

CMYK 62 / 0 / 88 / 25

HEX #49BF16

RGB 73 191 22

HSL 101.89, 0.79%, 0.42%

LAB 68.56, -59.72, 65.29

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 0 / 37 / 98 / 18

HEX #D18305

RGB 209 131 5

HSL 37.06, 0.95%, 0.42%

LAB 61.48, 22.49, 66.66

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 0 / 29 / 78 / 32

HEX #AE7B27

RGB 174 123 39

HSL 37.33, 0.63%, 0.42%

LAB 55.39, 12.23, 50.96

 

CMYK 0 / 24 / 64 / 38

HEX #9D7739

RGB 157 119 57

HSL 37.2, 0.47%, 0.42%

LAB 52.57, 7.85, 39.12

 

CMYK 0 / 17 / 47 / 45

HEX #8B734A

RGB 139 115 74

HSL 37.85, 0.31%, 0.42%

LAB 49.79, 3.62, 26.15

 

CMYK 0 / 10 / 25 / 52

HEX #7A6E5B

RGB 122 110 91

HSL 36.77, 0.15%, 0.42%

LAB 47.03, 1.42, 12.32

 

CMYK 0 / 81 / 88 / 25

HEX #BF2416

RGB 191 36 22

HSL 4.97, 0.79%, 0.42%

LAB 41.84, 58.9, 47.14

 

CMYK 0 / 58 / 88 / 25

HEX #BF5116

RGB 191 81 22

HSL 20.95, 0.79%, 0.42%

LAB 48.28, 41.44, 52.16

 

CMYK 0 / 34 / 88 / 25

HEX #BF7E16

RGB 191 126 22

HSL 36.92, 0.79%, 0.42%

LAB 58.09, 17.61, 59.87

 

CMYK 0 / 10 / 88 / 25

HEX #BFAB16

RGB 191 171 22

HSL 52.9, 0.79%, 0.42%

LAB 69.65, -6.79, 69.03

 

CMYK 13 / 0 / 88 / 25

HEX #A6BF16

RGB 166 191 22

HSL 68.88, 0.79%, 0.42%

LAB 73.17, -27.69, 71.01

 

CMYK 0 / 33 / 89 / 54

HEX #754E0D

RGB 117 78 13

HSL 37.5, 0.8%, 0.25%

LAB 36.48, 10.88, 41.15

 

CMYK 0 / 33 / 88 / 40

HEX #9A6712

RGB 154 103 18

HSL 37.5, 0.79%, 0.34%

LAB 47.77, 13.77, 50.81

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 0 / 33 / 88 / 11

HEX #E4981B

RGB 228 152 27

HSL 37.31, 0.79%, 0.5%

LAB 68.77, 19.69, 68.88

 

CMYK 0 / 28 / 72 / 9

HEX #E8A840

RGB 232 168 64

HSL 37.14, 0.79%, 0.58%

LAB 73.24, 14.09, 60.44

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 72 / 0 / 88 / 25

HEX #35BF16

RGB 53 191 22

HSL 108.99, 0.79%, 0.42%

LAB 68.08, -63.8, 64.68

 

CMYK 69 / 88 / 0 / 25

HEX #3B16BF

RGB 59 22 191

HSL 253.14, 0.79%, 0.42%

LAB 27.48, 59.86, -79.03

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 88 / 0 / 34 / 25

HEX #16BF7E

RGB 22 191 126

HSL 156.92, 0.79%, 0.42%

LAB 68.71, -54.77, 21.88

 

CMYK 34 / 88 / 0 / 25

HEX #7E16BF

RGB 126 22 191

HSL 276.92, 0.79%, 0.42%

LAB 35.54, 66.54, -65.46

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 72 / 0 / 88 / 25

HEX #35BF16

RGB 53 191 22

HSL 108.99, 0.79%, 0.42%

LAB 68.08, -63.8, 64.68

 

CMYK 88 / 54 / 0 / 25

HEX #1657BF

RGB 22 87 191

HSL 216.92, 0.79%, 0.42%

LAB 39.15, 20.83, -59.9

 

CMYK 16 / 88 / 0 / 25

HEX #A016BF

RGB 160 22 191

HSL 288.99, 0.79%, 0.42%

LAB 40.91, 71.55, -56.48

 

CMYK 0 / 34 / 88 / 25

HEX #BF7F16

RGB 191 127 22

HSL 37.28, 0.79%, 0.42%

LAB 58.33, 17.06, 60.06

 

CMYK 88 / 0 / 78 / 25

HEX #16BF2A

RGB 22 191 42

HSL 127.1, 0.79%, 0.42%

LAB 67.72, -66.59, 59.12

 

CMYK 88 / 54 / 0 / 25

HEX #1657BF

RGB 22 87 191

HSL 216.92, 0.79%, 0.42%

LAB 39.15, 20.83, -59.9

 

CMYK 0 / 88 / 10 / 25

HEX #BF16AB

RGB 191 22 171

HSL 307.1, 0.79%, 0.42%

LAB 45.07, 73.86, -37.72

 

Description

Color code: HEX #BF7F16 | qconv.com Color code: HEX #BF7F16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 127 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 127 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 88% 25% C M Y K

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Provide designers and agencies with accurate color values.

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