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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8163 it is the complementary color #407E9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8163 shade: #C4815E, #D59371, #E6A584, #F7B797 and #FFC9AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8163 shade: #BF8163, #AE6F50, #9D5D3D, #8C4B2A and #7B3917

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8163 shade: #BF8163, #BF6863 and #BF6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8163 shade: #BF8163, #BF9A63, #BFB363, #B2BF63 and #9ABF63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8163 shade matches the following richer shades: #BF8163, #D17B51, #E2753F and #F46E2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8163 shade: #BF8163, #AD8775, #9B8D86, #8A9398 and #789AAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8163 shade: #BF6377, #BF6763, #BF8063, #BF9963 and #BFB163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8163 shade: #93583C, #B16A48, #BF8163, #CB9880 and #D7B09D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8163 shade: #BF8163, #8FBF63 and #636ABF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8163 shade: #BF8163, #63BF80 and #8063BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8163 shade: #BF8163, #8FBF63, #63A2BF and #9263BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8163 shade: #BF8163, #74BF63, #63A2BF and #AE63BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

Complementary color

CMYK 59 / 19 / 0 / 39

HEX #407E9C

RGB 64 126 156

HSL 199.57, 0.42%, 0.43%

LAB 49.99, -10.83, -22.15

 

CMYK 0 / 34 / 52 / 23

HEX #C4815E

RGB 196 129 94

HSL 20.59, 0.46%, 0.57%

LAB 60.11, 22.07, 29.51

 

CMYK 0 / 31 / 47 / 16

HEX #D59371

RGB 213 147 113

HSL 20.4, 0.54%, 0.64%

LAB 66.68, 20.98, 28

 

CMYK 0 / 28 / 43 / 10

HEX #E6A584

RGB 230 165 132

HSL 20.2, 0.66%, 0.71%

LAB 73.15, 20.02, 26.62

 

CMYK 0 / 26 / 39 / 3

HEX #F7B797

RGB 247 183 151

HSL 20, 0.86%, 0.78%

LAB 79.54, 19.18, 25.35

 

CMYK 0 / 21 / 33 / 0

HEX #FFC9AA

RGB 255 201 170

HSL 21.88, 1%, 0.83%

LAB 84.96, 15.01, 22.82

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 0 / 36 / 54 / 32

HEX #AE6F50

RGB 174 111 80

HSL 19.79, 0.37%, 0.5%

LAB 52.89, 21.64, 27.54

 

CMYK 0 / 41 / 61 / 38

HEX #9D5D3D

RGB 157 93 61

HSL 20, 0.44%, 0.43%

LAB 46.09, 22.99, 29.32

 

CMYK 0 / 46 / 70 / 45

HEX #8C4B2A

RGB 140 75 42

HSL 20.2, 0.54%, 0.36%

LAB 39.2, 24.55, 31.3

 

CMYK 0 / 54 / 81 / 52

HEX #7B3917

RGB 123 57 23

HSL 20.4, 0.68%, 0.29%

LAB 32.26, 26.35, 33.37

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 0 / 46 / 48 / 25

HEX #BF6863

RGB 191 104 99

HSL 3.26, 0.42%, 0.57%

LAB 53.9, 34.12, 18.34

 

CMYK 0 / 48 / 48 / 25

HEX #BF6363

RGB 191 99 99

HSL 0, 0.42%, 0.57%

LAB 52.84, 36.75, 16.91

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 0 / 19 / 48 / 25

HEX #BF9A63

RGB 191 154 99

HSL 35.87, 0.42%, 0.57%

LAB 65.82, 6.72, 33.97

 

CMYK 0 / 6 / 48 / 25

HEX #BFB363

RGB 191 179 99

HSL 52.17, 0.42%, 0.57%

LAB 72.37, -6.67, 42.12

 

CMYK 7 / 0 / 48 / 25

HEX #B2BF63

RGB 178 191 99

HSL 68.48, 0.42%, 0.57%

LAB 74.59, -18.16, 44.57

 

CMYK 19 / 0 / 48 / 25

HEX #9ABF63

RGB 154 191 99

HSL 84.13, 0.42%, 0.57%

LAB 72.91, -27.58, 42.14

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 0 / 41 / 61 / 18

HEX #D17B51

RGB 209 123 81

HSL 19.69, 0.58%, 0.57%

LAB 60.17, 29.58, 37.03

 

CMYK 0 / 48 / 72 / 11

HEX #E2753F

RGB 226 117 63

HSL 19.88, 0.74%, 0.57%

LAB 61, 38.44, 47.92

 

CMYK 0 / 55 / 81 / 4

HEX #F46E2E

RGB 244 110 46

HSL 19.39, 0.9%, 0.57%

LAB 62.15, 48.09, 57.8

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 0 / 22 / 32 / 32

HEX #AD8775

RGB 173 135 117

HSL 19.29, 0.25%, 0.57%

LAB 59.43, 11.89, 15.23

 

CMYK 0 / 9 / 14 / 39

HEX #9B8D86

RGB 155 141 134

HSL 20, 0.1%, 0.57%

LAB 59.65, 3.99, 5.62

 

CMYK 9 / 3 / 0 / 40

HEX #8A9398

RGB 138 147 152

HSL 201.43, 0.06%, 0.57%

LAB 60.37, -2.21, -3.76

 

CMYK 29 / 9 / 0 / 33

HEX #789AAA

RGB 120 154 170

HSL 199.2, 0.23%, 0.57%

LAB 61.66, -7.86, -12.18

 

CMYK 0 / 48 / 38 / 25

HEX #BF6377

RGB 191 99 119

HSL 346.96, 0.42%, 0.57%

LAB 53.31, 38.92, 5.76

 

CMYK 0 / 46 / 48 / 25

HEX #BF6763

RGB 191 103 99

HSL 2.61, 0.42%, 0.57%

LAB 53.68, 34.65, 18.05

 

CMYK 0 / 33 / 48 / 25

HEX #BF8063

RGB 191 128 99

HSL 18.91, 0.42%, 0.57%

LAB 59.36, 21.04, 25.64

 

CMYK 0 / 20 / 48 / 25

HEX #BF9963

RGB 191 153 99

HSL 35.22, 0.42%, 0.57%

LAB 65.56, 7.27, 33.65

 

CMYK 0 / 7 / 48 / 25

HEX #BFB163

RGB 191 177 99

HSL 50.87, 0.42%, 0.57%

LAB 71.84, -5.62, 41.47

 

CMYK 0 / 40 / 59 / 42

HEX #93583C

RGB 147 88 60

HSL 19.31, 0.42%, 0.41%

LAB 43.52, 21.46, 26.42

 

CMYK 0 / 40 / 59 / 31

HEX #B16A48

RGB 177 106 72

HSL 19.43, 0.42%, 0.49%

LAB 51.98, 25.01, 30.97

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 0 / 25 / 37 / 20

HEX #CB9880

RGB 203 152 128

HSL 19.2, 0.42%, 0.65%

LAB 67.06, 15.9, 20.07

 

CMYK 0 / 18 / 27 / 16

HEX #D7B09D

RGB 215 176 157

HSL 19.66, 0.42%, 0.73%

LAB 74.78, 11.34, 15.05

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 25 / 0 / 48 / 25

HEX #8FBF63

RGB 143 191 99

HSL 91.3, 0.42%, 0.57%

LAB 72.23, -31.7, 41.15

 

CMYK 48 / 45 / 0 / 25

HEX #636ABF

RGB 99 106 191

HSL 235.43, 0.42%, 0.57%

LAB 47.91, 20.45, -45.62

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 48 / 0 / 33 / 25

HEX #63BF80

RGB 99 191 128

HSL 138.91, 0.42%, 0.57%

LAB 70.51, -41.48, 23.55

 

CMYK 33 / 48 / 0 / 25

HEX #8063BF

RGB 128 99 191

HSL 258.91, 0.42%, 0.57%

LAB 48.6, 32.06, -44.37

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 25 / 0 / 48 / 25

HEX #8FBF63

RGB 143 191 99

HSL 91.3, 0.42%, 0.57%

LAB 72.23, -31.7, 41.15

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 24 / 48 / 0 / 25

HEX #9263BF

RGB 146 99 191

HSL 270.65, 0.42%, 0.57%

LAB 50.45, 36.99, -41.33

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 39 / 0 / 48 / 25

HEX #74BF63

RGB 116 191 99

HSL 108.91, 0.42%, 0.57%

LAB 70.78, -41.04, 39.04

 

CMYK 48 / 15 / 0 / 25

HEX #63A2BF

RGB 99 162 191

HSL 198.91, 0.42%, 0.57%

LAB 63.55, -12.32, -21.22

 

CMYK 9 / 48 / 0 / 25

HEX #AE63BF

RGB 174 99 191

HSL 288.91, 0.42%, 0.57%

LAB 53.69, 44.97, -36

 

Description

Color code: HEX #BF8163 | qconv.com Color code: HEX #BF8163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 129 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 129 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 48 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 48% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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