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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C948 it is the complementary color #3C36B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C948. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C948 shade: #C8C943, #D9DB56, #EAED69, #FBFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C948. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C948 shade: #C3C948, #B2B735, #A1A522, #90930F and #7F8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C948 shade: #C3C94A, #C9AC4A, #C98A4A, #C9684A and #C94A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C948 shade: #C3C94A, #A0C94A, #7EC94A, #5CC94A and #4AC95A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C948 shade matches the following richer shades: #C3C94A, #D4DC37 and #E5EF24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C948 shade: #C3C94A, #B1B65D, #A0A370, #8F9083 and #7E7D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C948 shade: #C9894A, #C9AB4A, #C4C94A, #A3C94A and #81C94A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C948 shade: #8F942C, #AEB435, #C3C94A, #CDD26A and #D8DC89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C948 shade: #C3C948, #4AC967 and #9A4AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C948 shade: #C3C948, #4AC4C9 and #C94AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C948 shade: #C3C948, #4AC967, #4E4AC9 and #C94AAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C948 shade: #C3C948, #4AC98D, #4E4AC9 and #C94A85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 64 / 21

HEX #C3C948

RGB 195 201 72

HSL 62.79, 0.54%, 0.54%

LAB 78.37, -18.34, 61.34

 

Complementary color

CMYK 67 / 70 / 0 / 28

HEX #3C36B7

RGB 60 54 183

HSL 242.79, 0.54%, 0.46%

LAB 31.85, 42.7, -67.07

 

CMYK 0 / 0 / 67 / 21

HEX #C8C943

RGB 200 201 67

HSL 60.45, 0.55%, 0.53%

LAB 78.73, -16.55, 63.81

 

CMYK 1 / 0 / 61 / 14

HEX #D9DB56

RGB 217 219 86

HSL 60.9, 0.65%, 0.6%

LAB 85.04, -17.29, 63.18

 

CMYK 1 / 0 / 56 / 7

HEX #EAED69

RGB 234 237 105

HSL 61.36, 0.79%, 0.67%

LAB 91.27, -17.91, 62.3

 

CMYK 2 / 0 / 51 / 0

HEX #FBFF7C

RGB 251 255 124

HSL 61.83, 1%, 0.74%

LAB 97.42, -18.43, 61.3

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 3 / 0 / 64 / 21

HEX #C3C948

RGB 195 201 72

HSL 62.79, 0.54%, 0.54%

LAB 78.37, -18.34, 61.34

 

CMYK 3 / 0 / 71 / 28

HEX #B2B735

RGB 178 183 53

HSL 62.31, 0.55%, 0.46%

LAB 71.95, -17.56, 61.75

 

CMYK 2 / 0 / 79 / 35

HEX #A1A522

RGB 161 165 34

HSL 61.83, 0.66%, 0.39%

LAB 65.44, -16.59, 61.48

 

CMYK 2 / 0 / 90 / 42

HEX #90930F

RGB 144 147 15

HSL 61.36, 0.81%, 0.32%

LAB 58.82, -15.4, 60

 

CMYK 2 / 0 / 100 / 49

HEX #7F8100

RGB 127 129 0

HSL 60.93, 1%, 0.25%

LAB 52.08, -13.93, 56.79

 

CMYK 3 / 0 / 63 / 21

HEX #C3C94A

RGB 195 201 74

HSL 62.83, 0.54%, 0.54%

LAB 78.39, -18.21, 60.54

 

CMYK 0 / 14 / 63 / 21

HEX #C9AC4A

RGB 201 172 74

HSL 46.3, 0.54%, 0.54%

LAB 71.16, -0.75, 52.93

 

CMYK 0 / 31 / 63 / 21

HEX #C98A4A

RGB 201 138 74

HSL 30.24, 0.54%, 0.54%

LAB 62.58, 17.65, 43.29

 

CMYK 0 / 48 / 63 / 21

HEX #C9684A

RGB 201 104 74

HSL 14.17, 0.54%, 0.54%

LAB 54.88, 35.95, 34.17

 

CMYK 0 / 63 / 63 / 21

HEX #C94A4A

RGB 201 74 74

HSL 0, 0.54%, 0.54%

LAB 49.26, 50.48, 27.21

 

CMYK 3 / 0 / 63 / 21

HEX #C3C94A

RGB 195 201 74

HSL 62.83, 0.54%, 0.54%

LAB 78.39, -18.21, 60.54

 

CMYK 20 / 0 / 63 / 21

HEX #A0C94A

RGB 160 201 74

HSL 79.37, 0.54%, 0.54%

LAB 75.91, -32.34, 57.16

 

CMYK 37 / 0 / 63 / 21

HEX #7EC94A

RGB 126 201 74

HSL 95.43, 0.54%, 0.54%

LAB 74, -44.77, 54.53

 

CMYK 54 / 0 / 63 / 21

HEX #5CC94A

RGB 92 201 74

HSL 111.5, 0.54%, 0.54%

LAB 72.59, -55.06, 52.58

 

CMYK 63 / 0 / 55 / 21

HEX #4AC95A

RGB 74 201 90

HSL 127.56, 0.54%, 0.54%

LAB 72.21, -57.48, 44.78

 

CMYK 3 / 0 / 63 / 21

HEX #C3C94A

RGB 195 201 74

HSL 62.83, 0.54%, 0.54%

LAB 78.39, -18.21, 60.54

 

CMYK 4 / 0 / 75 / 14

HEX #D4DC37

RGB 212 220 55

HSL 62.91, 0.7%, 0.54%

LAB 84.72, -21.47, 74.09

 

CMYK 4 / 0 / 85 / 6

HEX #E5EF24

RGB 229 239 36

HSL 62.96, 0.86%, 0.54%

LAB 91.02, -24.18, 84.84

 

CMYK 3 / 0 / 63 / 21

HEX #C3C94A

RGB 195 201 74

HSL 62.83, 0.54%, 0.54%

LAB 78.39, -18.21, 60.54

 

CMYK 3 / 0 / 49 / 29

HEX #B1B65D

RGB 177 182 93

HSL 63.37, 0.38%, 0.54%

LAB 71.96, -14.58, 44.32

 

CMYK 2 / 0 / 31 / 36

HEX #A0A370

RGB 160 163 112

HSL 63.53, 0.22%, 0.54%

LAB 65.62, -9.44, 26.2

 

CMYK 1 / 0 / 9 / 44

HEX #8F9083

RGB 143 144 131

HSL 64.62, 0.06%, 0.54%

LAB 59.37, -2.8, 6.78

 

CMYK 16 / 17 / 0 / 41

HEX #7E7D96

RGB 126 125 150

HSL 242.4, 0.11%, 0.54%

LAB 53.28, 5.75, -13.29

 

CMYK 0 / 32 / 63 / 21

HEX #C9894A

RGB 201 137 74

HSL 29.76, 0.54%, 0.54%

LAB 62.34, 18.19, 43.01

 

CMYK 0 / 15 / 63 / 21

HEX #C9AB4A

RGB 201 171 74

HSL 45.83, 0.54%, 0.54%

LAB 70.9, -0.22, 52.64

 

CMYK 2 / 0 / 63 / 21

HEX #C4C94A

RGB 196 201 74

HSL 62.36, 0.54%, 0.54%

LAB 78.46, -17.8, 60.65

 

CMYK 19 / 0 / 63 / 21

HEX #A3C94A

RGB 163 201 74

HSL 77.95, 0.54%, 0.54%

LAB 76.1, -31.17, 57.43

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 3 / 0 / 70 / 42

HEX #8F942C

RGB 143 148 44

HSL 62.88, 0.54%, 0.38%

LAB 59.16, -15.25, 51.61

 

CMYK 3 / 0 / 71 / 29

HEX #AEB435

RGB 174 180 53

HSL 62.83, 0.55%, 0.46%

LAB 70.8, -17.75, 60.51

 

CMYK 3 / 0 / 63 / 21

HEX #C3C94A

RGB 195 201 74

HSL 62.83, 0.54%, 0.54%

LAB 78.39, -18.21, 60.54

 

CMYK 2 / 0 / 50 / 18

HEX #CDD26A

RGB 205 210 106

HSL 62.88, 0.54%, 0.62%

LAB 81.9, -16.15, 50.45

 

CMYK 2 / 0 / 38 / 14

HEX #D8DC89

RGB 216 220 137

HSL 62.89, 0.54%, 0.7%

LAB 85.8, -13.66, 40.32

 

CMYK 3 / 0 / 64 / 21

HEX #C3C948

RGB 195 201 72

HSL 62.79, 0.54%, 0.54%

LAB 78.37, -18.34, 61.34

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 23 / 63 / 0 / 21

HEX #9A4AC9

RGB 154 74 201

HSL 277.8, 0.54%, 0.54%

LAB 46.95, 54.54, -52.61

 

CMYK 3 / 0 / 64 / 21

HEX #C3C948

RGB 195 201 72

HSL 62.79, 0.54%, 0.54%

LAB 78.37, -18.34, 61.34

 

CMYK 63 / 2 / 0 / 21

HEX #4AC4C9

RGB 74 196 201

HSL 182.36, 0.54%, 0.54%

LAB 72.99, -31.79, -12.54

 

CMYK 0 / 63 / 2 / 21

HEX #C94AC4

RGB 201 74 196

HSL 302.36, 0.54%, 0.54%

LAB 53.28, 64.82, -39.27

 

CMYK 3 / 0 / 64 / 21

HEX #C3C948

RGB 195 201 72

HSL 62.79, 0.54%, 0.54%

LAB 78.37, -18.34, 61.34

 

CMYK 63 / 0 / 49 / 21

HEX #4AC967

RGB 74 201 103

HSL 133.7, 0.54%, 0.54%

LAB 72.37, -55.66, 38.69

 

CMYK 61 / 63 / 0 / 21

HEX #4E4AC9

RGB 78 74 201

HSL 241.89, 0.54%, 0.54%

LAB 39.13, 39.22, -65.65

 

CMYK 0 / 63 / 15 / 21

HEX #C94AAB

RGB 201 74 171

HSL 314.17, 0.54%, 0.54%

LAB 52.12, 60.9, -26.56

 

CMYK 3 / 0 / 64 / 21

HEX #C3C948

RGB 195 201 72

HSL 62.79, 0.54%, 0.54%

LAB 78.37, -18.34, 61.34

 

CMYK 63 / 0 / 30 / 21

HEX #4AC98D

RGB 74 201 141

HSL 151.65, 0.54%, 0.54%

LAB 72.99, -48.85, 19.9

 

CMYK 61 / 63 / 0 / 21

HEX #4E4AC9

RGB 78 74 201

HSL 241.89, 0.54%, 0.54%

LAB 39.13, 39.22, -65.65

 

CMYK 0 / 63 / 34 / 21

HEX #C94A85

RGB 201 74 133

HSL 332.13, 0.54%, 0.54%

LAB 50.7, 55.83, -6.22

 

Description

Color code: HEX #C3C948 | qconv.com Color code: HEX #C3C948 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 201 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 201 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 64% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Mode Online-Shop - M...
Link: https://www.otto.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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