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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E52F it is the complementary color #3C1AD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E52F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E52F shade: #C8E52A, #D9F73D, #EAFF50, #FBFF63 and #FFFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E52F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E52F shade: #C3E52F, #B2D31C, #A1C109, #90AF00 and #7F9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E52F shade: #C3E52E, #E5D62E, #E5A42E, #E5732E and #E5412E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E52F shade: #C3E52E, #91E52E, #60E52E, #2EE52E and #2EE55E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E52F shade matches the following richer shades: #C3E52E and #CEF81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E52F shade: #C3E52E, #B7D241, #ABBF54, #9FAC67 and #93997A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E52F shade: #E5A52E, #E5D52E, #C3E52E, #92E52E and #62E52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E52F shade: #8FAB15, #AED019, #C3E52E, #CDE952 and #D8EE77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E52F shade: #C3E52F, #2EE574 and #BD2EE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E52F shade: #C3E52F, #2EC3E5 and #E52EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E52F shade: #C3E52F, #2EE574, #4F2EE5 and #E52E9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E52F shade: #C3E52F, #2EE5AB, #4F2EE5 and #E52E68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 79 / 10

HEX #C3E52F

RGB 195 229 47

HSL 71.21, 0.78%, 0.54%

LAB 85.93, -32.95, 77.02

 

Complementary color

CMYK 71 / 88 / 0 / 18

HEX #3C1AD0

RGB 60 26 208

HSL 251.21, 0.78%, 0.46%

LAB 30.04, 63.17, -84.73

 

CMYK 13 / 0 / 82 / 10

HEX #C8E52A

RGB 200 229 42

HSL 69.3, 0.78%, 0.53%

LAB 86.25, -31.12, 78.69

 

CMYK 12 / 0 / 75 / 3

HEX #D9F73D

RGB 217 247 61

HSL 69.68, 0.92%, 0.6%

LAB 92.4, -31.95, 79.5

 

CMYK 8 / 0 / 69 / 0

HEX #EAFF50

RGB 234 255 80

HSL 67.2, 1%, 0.66%

LAB 95.83, -28.04, 77.01

 

CMYK 2 / 0 / 61 / 0

HEX #FBFF63

RGB 251 255 99

HSL 61.54, 1%, 0.69%

LAB 97.2, -20.22, 71.66

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 15 / 0 / 79 / 10

HEX #C3E52F

RGB 195 229 47

HSL 71.21, 0.78%, 0.54%

LAB 85.93, -32.95, 77.02

 

CMYK 16 / 0 / 87 / 17

HEX #B2D31C

RGB 178 211 28

HSL 70.82, 0.77%, 0.47%

LAB 79.69, -32.04, 75.58

 

CMYK 17 / 0 / 95 / 24

HEX #A1C109

RGB 161 193 9

HSL 70.43, 0.91%, 0.4%

LAB 73.37, -30.94, 72.83

 

CMYK 18 / 0 / 100 / 31

HEX #90AF00

RGB 144 175 0

HSL 70.63, 1%, 0.34%

LAB 66.97, -29.62, 68.46

 

CMYK 19 / 0 / 100 / 38

HEX #7F9D00

RGB 127 157 0

HSL 71.46, 1%, 0.31%

LAB 60.45, -28.17, 63.03

 

CMYK 15 / 0 / 80 / 10

HEX #C3E52E

RGB 195 229 46

HSL 71.15, 0.78%, 0.54%

LAB 85.93, -32.98, 77.28

 

CMYK 0 / 7 / 80 / 10

HEX #E5D62E

RGB 229 214 46

HSL 55.08, 0.78%, 0.54%

LAB 84.46, -11.72, 76.98

 

CMYK 0 / 28 / 80 / 10

HEX #E5A42E

RGB 229 164 46

HSL 38.69, 0.78%, 0.54%

LAB 71.83, 14.22, 65.84

 

CMYK 0 / 50 / 80 / 10

HEX #E5732E

RGB 229 115 46

HSL 22.62, 0.78%, 0.54%

LAB 60.88, 39.95, 55.81

 

CMYK 0 / 72 / 80 / 10

HEX #E5412E

RGB 229 65 46

HSL 6.23, 0.78%, 0.54%

LAB 52.55, 61.88, 47.84

 

CMYK 15 / 0 / 80 / 10

HEX #C3E52E

RGB 195 229 46

HSL 71.15, 0.78%, 0.54%

LAB 85.93, -32.98, 77.28

 

CMYK 37 / 0 / 80 / 10

HEX #91E52E

RGB 145 229 46

HSL 87.54, 0.78%, 0.54%

LAB 83.05, -51.65, 73.62

 

CMYK 58 / 0 / 80 / 10

HEX #60E52E

RGB 96 229 46

HSL 103.61, 0.78%, 0.54%

LAB 81.14, -66.09, 71.16

 

CMYK 80 / 0 / 80 / 10

HEX #2EE52E

RGB 46 229 46

HSL 120, 0.78%, 0.54%

LAB 80.08, -75.06, 69.79

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 15 / 0 / 80 / 10

HEX #C3E52E

RGB 195 229 46

HSL 71.15, 0.78%, 0.54%

LAB 85.93, -32.98, 77.28

 

CMYK 17 / 0 / 89 / 3

HEX #CEF81B

RGB 206 248 27

HSL 71.4, 0.94%, 0.54%

LAB 91.84, -37.76, 86.39

 

CMYK 15 / 0 / 80 / 10

HEX #C3E52E

RGB 195 229 46

HSL 71.15, 0.78%, 0.54%

LAB 85.93, -32.98, 77.28

 

CMYK 13 / 0 / 69 / 18

HEX #B7D241

RGB 183 210 65

HSL 71.17, 0.62%, 0.54%

LAB 79.92, -28.05, 65.36

 

CMYK 10 / 0 / 56 / 25

HEX #ABBF54

RGB 171 191 84

HSL 71.21, 0.46%, 0.54%

LAB 73.91, -22.36, 50.76

 

CMYK 8 / 0 / 40 / 33

HEX #9FAC67

RGB 159 172 103

HSL 71.3, 0.29%, 0.54%

LAB 67.91, -15.69, 33.95

 

CMYK 4 / 0 / 20 / 40

HEX #93997A

RGB 147 153 122

HSL 71.61, 0.13%, 0.54%

LAB 61.99, -7.74, 15.6

 

CMYK 0 / 28 / 80 / 10

HEX #E5A52E

RGB 229 165 46

HSL 39.02, 0.78%, 0.54%

LAB 72.07, 13.69, 66.06

 

CMYK 0 / 7 / 80 / 10

HEX #E5D52E

RGB 229 213 46

HSL 54.75, 0.78%, 0.54%

LAB 84.2, -11.22, 76.76

 

CMYK 15 / 0 / 80 / 10

HEX #C3E52E

RGB 195 229 46

HSL 71.15, 0.78%, 0.54%

LAB 85.93, -32.98, 77.28

 

CMYK 36 / 0 / 80 / 10

HEX #92E52E

RGB 146 229 46

HSL 87.21, 0.78%, 0.54%

LAB 83.1, -51.31, 73.68

 

CMYK 57 / 0 / 80 / 10

HEX #62E52E

RGB 98 229 46

HSL 102.95, 0.78%, 0.54%

LAB 81.2, -65.6, 71.24

 

CMYK 16 / 0 / 88 / 33

HEX #8FAB15

RGB 143 171 21

HSL 71.2, 0.78%, 0.38%

LAB 65.76, -27.75, 64.46

 

CMYK 16 / 0 / 88 / 18

HEX #AED019

RGB 174 208 25

HSL 71.15, 0.79%, 0.46%

LAB 78.57, -32.34, 75.1

 

CMYK 15 / 0 / 80 / 10

HEX #C3E52E

RGB 195 229 46

HSL 71.15, 0.78%, 0.54%

LAB 85.93, -32.98, 77.28

 

CMYK 12 / 0 / 65 / 9

HEX #CDE952

RGB 205 233 82

HSL 71.13, 0.77%, 0.62%

LAB 87.9, -29.1, 67.56

 

CMYK 9 / 0 / 50 / 7

HEX #D8EE77

RGB 216 238 119

HSL 71.09, 0.78%, 0.7%

LAB 90.36, -24.29, 54.62

 

CMYK 15 / 0 / 79 / 10

HEX #C3E52F

RGB 195 229 47

HSL 71.21, 0.78%, 0.54%

LAB 85.93, -32.95, 77.02

 

CMYK 80 / 0 / 49 / 10

HEX #2EE574

RGB 46 229 116

HSL 142.95, 0.78%, 0.54%

LAB 80.67, -67.78, 42.61

 

CMYK 17 / 80 / 0 / 10

HEX #BD2EE5

RGB 189 46 229

HSL 286.89, 0.78%, 0.54%

LAB 50.01, 77.58, -63.43

 

CMYK 15 / 0 / 79 / 10

HEX #C3E52F

RGB 195 229 47

HSL 71.21, 0.78%, 0.54%

LAB 85.93, -32.95, 77.02

 

CMYK 80 / 15 / 0 / 10

HEX #2EC3E5

RGB 46 195 229

HSL 191.15, 0.78%, 0.54%

LAB 73.07, -26.27, -27.68

 

CMYK 0 / 80 / 15 / 10

HEX #E52EC3

RGB 229 46 195

HSL 311.15, 0.78%, 0.54%

LAB 54.61, 79.91, -36.29

 

CMYK 15 / 0 / 79 / 10

HEX #C3E52F

RGB 195 229 47

HSL 71.21, 0.78%, 0.54%

LAB 85.93, -32.95, 77.02

 

CMYK 80 / 0 / 49 / 10

HEX #2EE574

RGB 46 229 116

HSL 142.95, 0.78%, 0.54%

LAB 80.67, -67.78, 42.61

 

CMYK 66 / 80 / 0 / 10

HEX #4F2EE5

RGB 79 46 229

HSL 250.82, 0.78%, 0.54%

LAB 36.51, 62.63, -86.07

 

CMYK 0 / 80 / 31 / 10

HEX #E52E9F

RGB 229 46 159

HSL 322.95, 0.78%, 0.54%

LAB 53.08, 75.54, -17.64

 

CMYK 15 / 0 / 79 / 10

HEX #C3E52F

RGB 195 229 47

HSL 71.21, 0.78%, 0.54%

LAB 85.93, -32.95, 77.02

 

CMYK 80 / 0 / 25 / 10

HEX #2EE5AB

RGB 46 229 171

HSL 160.98, 0.78%, 0.54%

LAB 81.6, -57.26, 15.95

 

CMYK 66 / 80 / 0 / 10

HEX #4F2EE5

RGB 79 46 229

HSL 250.82, 0.78%, 0.54%

LAB 36.51, 62.63, -86.07

 

CMYK 0 / 80 / 55 / 10

HEX #E52E68

RGB 229 46 104

HSL 340.98, 0.78%, 0.54%

LAB 51.4, 70.56, 12.91

 

Description

Color code: HEX #C3E52F | qconv.com Color code: HEX #C3E52F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 229 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 229 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 79 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 79% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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