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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C05A3E it is the complementary color #3FA5C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C05A3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C05A3E shade: #C55A39, #D66C4C, #E77E5F, #F89072 and #FFA285

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C05A3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C05A3E shade: #C05A3E, #AF482B, #9E3618, #8D2405 and #7C1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C05A3E shade: #C05A3E and #C03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C05A3E shade: #C05A3E, #C07D3E, #C0A03E, #BDC03E and #9AC03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C05A3E shade matches the following richer shades: #C05A3E, #D54E29, #E94215 and #FE3700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C05A3E shade: #C05A3E, #AB6653, #977167, #827D7C and #6E8990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C05A3E shade: #C03E69, #C03E47, #C0583E, #C07B3E and #C09D3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C05A3E shade: #823D2A, #A14B34, #C05A3E, #CA755D and #D48F7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C05A3E shade: #C05A3E, #8CC03E and #3E58C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C05A3E shade: #C05A3E, #3EC058 and #583EC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C05A3E shade: #C05A3E, #8CC03E, #3EA6C0 and #723EC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C05A3E shade: #C05A3E, #65C03E, #3EA6C0 and #993EC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

Complementary color

CMYK 67 / 15 / 0 / 24

HEX #3FA5C1

RGB 63 165 193

HSL 192.92, 0.51%, 0.5%

LAB 63.19, -20.43, -23

 

CMYK 0 / 54 / 71 / 23

HEX #C55A39

RGB 197 90 57

HSL 14.14, 0.55%, 0.5%

LAB 51.24, 40.55, 39.05

 

CMYK 0 / 50 / 64 / 16

HEX #D66C4C

RGB 214 108 76

HSL 13.91, 0.63%, 0.57%

LAB 57.6, 39.07, 36.8

 

CMYK 0 / 45 / 59 / 9

HEX #E77E5F

RGB 231 126 95

HSL 13.68, 0.74%, 0.64%

LAB 63.95, 37.69, 34.76

 

CMYK 0 / 42 / 54 / 3

HEX #F89072

RGB 248 144 114

HSL 13.43, 0.91%, 0.71%

LAB 70.26, 36.4, 32.93

 

CMYK 0 / 36 / 48 / 0

HEX #FFA285

RGB 255 162 133

HSL 14.26, 1%, 0.76%

LAB 75.32, 31.42, 29.47

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

CMYK 0 / 66 / 85 / 38

HEX #9E3618

RGB 158 54 24

HSL 13.43, 0.74%, 0.36%

LAB 37.79, 41.79, 40.26

 

CMYK 0 / 74 / 96 / 45

HEX #8D2405

RGB 141 36 5

HSL 13.68, 0.93%, 0.29%

LAB 31.66, 42.89, 42.16

 

CMYK 0 / 85 / 100 / 51

HEX #7C1200

RGB 124 18 0

HSL 8.71, 1%, 0.24%

LAB 25.91, 43.18, 38.09

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 0 / 68 / 68 / 25

HEX #C03E3E

RGB 192 62 62

HSL 0, 0.51%, 0.5%

LAB 45.63, 51.81, 29.44

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 0 / 35 / 68 / 25

HEX #C07D3E

RGB 192 125 62

HSL 29.08, 0.51%, 0.5%

LAB 58.25, 20.18, 44.1

 

CMYK 0 / 17 / 68 / 25

HEX #C0A03E

RGB 192 160 62

HSL 45.23, 0.51%, 0.5%

LAB 67.05, 1.02, 53.6

 

CMYK 2 / 0 / 68 / 25

HEX #BDC03E

RGB 189 192 62

HSL 61.38, 0.51%, 0.5%

LAB 75.37, -16.94, 62.06

 

CMYK 20 / 0 / 68 / 25

HEX #9AC03E

RGB 154 192 62

HSL 77.54, 0.51%, 0.5%

LAB 72.84, -31.34, 58.67

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 0 / 63 / 81 / 16

HEX #D54E29

RGB 213 78 41

HSL 12.91, 0.68%, 0.5%

LAB 51.56, 51.35, 48.37

 

CMYK 0 / 72 / 91 / 9

HEX #E94215

RGB 233 66 21

HSL 12.74, 0.83%, 0.5%

LAB 53.25, 62.23, 59.43

 

CMYK 0 / 78 / 100 / 0

HEX #FE3700

RGB 254 55 0

HSL 12.99, 1%, 0.5%

LAB 55.89, 71.69, 68.12

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 0 / 40 / 51 / 33

HEX #AB6653

RGB 171 102 83

HSL 12.95, 0.35%, 0.5%

LAB 50.43, 25.7, 22.56

 

CMYK 0 / 25 / 32 / 41

HEX #977167

RGB 151 113 103

HSL 12.5, 0.19%, 0.5%

LAB 51.12, 13.53, 11.38

 

CMYK 0 / 4 / 5 / 49

HEX #827D7C

RGB 130 125 124

HSL 10, 0.02%, 0.5%

LAB 52.81, 1.7, 1.21

 

CMYK 24 / 5 / 0 / 44

HEX #6E8990

RGB 110 137 144

HSL 192.35, 0.13%, 0.5%

LAB 55.3, -7.91, -6.91

 

CMYK 0 / 68 / 45 / 25

HEX #C03E69

RGB 192 62 105

HSL 340.15, 0.51%, 0.5%

LAB 46.54, 55.05, 4.49

 

CMYK 0 / 68 / 63 / 25

HEX #C03E47

RGB 192 62 71

HSL 355.85, 0.51%, 0.5%

LAB 45.78, 52.34, 24.24

 

CMYK 0 / 54 / 68 / 25

HEX #C0583E

RGB 192 88 62

HSL 12, 0.51%, 0.5%

LAB 50.14, 39.91, 34.84

 

CMYK 0 / 36 / 68 / 25

HEX #C07B3E

RGB 192 123 62

HSL 28.15, 0.51%, 0.5%

LAB 57.77, 21.28, 43.57

 

CMYK 0 / 18 / 68 / 25

HEX #C09D3E

RGB 192 157 62

HSL 43.85, 0.51%, 0.5%

LAB 66.27, 2.64, 52.77

 

CMYK 0 / 53 / 68 / 49

HEX #823D2A

RGB 130 61 42

HSL 12.95, 0.51%, 0.34%

LAB 34.5, 28.13, 25.43

 

CMYK 0 / 53 / 68 / 37

HEX #A14B34

RGB 161 75 52

HSL 12.66, 0.51%, 0.42%

LAB 42.55, 33.89, 30.34

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 0 / 42 / 54 / 21

HEX #CA755D

RGB 202 117 93

HSL 13.21, 0.51%, 0.58%

LAB 58.1, 30.92, 27.63

 

CMYK 0 / 33 / 42 / 17

HEX #D48F7C

RGB 212 143 124

HSL 12.95, 0.51%, 0.66%

LAB 65.82, 23.9, 20.76

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 27 / 0 / 68 / 25

HEX #8CC03E

RGB 140 192 62

HSL 84, 0.51%, 0.5%

LAB 71.98, -36.76, 57.51

 

CMYK 68 / 54 / 0 / 25

HEX #3E58C0

RGB 62 88 192

HSL 228, 0.51%, 0.5%

LAB 40.91, 24.84, -57.56

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 68 / 0 / 54 / 25

HEX #3EC058

RGB 62 192 88

HSL 132, 0.51%, 0.5%

LAB 69.06, -56.89, 41.89

 

CMYK 54 / 68 / 0 / 25

HEX #583EC0

RGB 88 62 192

HSL 252, 0.51%, 0.5%

LAB 36.6, 45.02, -64.49

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 27 / 0 / 68 / 25

HEX #8CC03E

RGB 140 192 62

HSL 84, 0.51%, 0.5%

LAB 71.98, -36.76, 57.51

 

CMYK 68 / 14 / 0 / 25

HEX #3EA6C0

RGB 62 166 192

HSL 192, 0.51%, 0.5%

LAB 63.43, -21.41, -22.09

 

CMYK 41 / 68 / 0 / 25

HEX #723EC0

RGB 114 62 192

HSL 264, 0.51%, 0.5%

LAB 39.29, 49.75, -60

 

CMYK 0 / 53 / 68 / 25

HEX #C05A3E

RGB 192 90 62

HSL 12.92, 0.51%, 0.5%

LAB 50.53, 38.9, 35.3

 

CMYK 47 / 0 / 68 / 25

HEX #65C03E

RGB 101 192 62

HSL 102, 0.51%, 0.5%

LAB 70.05, -50.16, 54.89

 

CMYK 68 / 14 / 0 / 25

HEX #3EA6C0

RGB 62 166 192

HSL 192, 0.51%, 0.5%

LAB 63.43, -21.41, -22.09

 

CMYK 20 / 68 / 0 / 25

HEX #993EC0

RGB 153 62 192

HSL 282, 0.51%, 0.5%

LAB 44.27, 57.89, -51.71

 

Description

Color code: HEX #C05A3E | qconv.com Color code: HEX #C05A3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 90 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 90 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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