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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07EFB it is the complementary color #3F8104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07EFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07EFB shade: #C57EF6, #D690FF, #E7A2FF, #F8B4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07EFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07EFB shade: #C07EFB, #AF6CE8, #9E5AD5, #8D48C2 and #7C36AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07EFB shade: #C07EFB, #E17EFB, #FB7EF2, #FB7ED1 and #FB7EAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07EFB shade: #C07EFB, #9E7EFB and #7E7EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07EFB shade matches the following richer shades: #C07EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07EFB shade: #C07EFB, #BF89F0, #BE93E5, #BE9EDA and #BDA9D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07EFB shade: #7E80FB, #9D7EFB, #BE7EFB, #E07EFB and #FB7EF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07EFB shade: #992EF8, #AC56F9, #C07EFB, #D3A6FC and #E7CEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07EFB shade: #C07EFB, #FB7EA1 and #7EFB8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07EFB shade: #C07EFB, #FBBE7E and #7EFBBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07EFB shade: #C07EFB, #FB7EA1, #BAFB7E and #7EFBD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07EFB shade: #C07EFB, #FB807E, #BAFB7E and #7EF8FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

Complementary color

CMYK 51 / 0 / 97 / 49

HEX #3F8104

RGB 63 129 4

HSL 91.68, 0.94%, 0.26%

LAB 47.96, -40.28, 51.05

 

CMYK 20 / 49 / 0 / 4

HEX #C57EF6

RGB 197 126 246

HSL 275.5, 0.87%, 0.73%

LAB 64.52, 48.66, -49.67

 

CMYK 16 / 44 / 0 / 0

HEX #D690FF

RGB 214 144 255

HSL 277.84, 1%, 0.78%

LAB 70.5, 45.71, -45.06

 

CMYK 9 / 36 / 0 / 0

HEX #E7A2FF

RGB 231 162 255

HSL 284.52, 1%, 0.82%

LAB 76.1, 41.09, -36.19

 

CMYK 3 / 29 / 0 / 0

HEX #F8B4FF

RGB 248 180 255

HSL 294.4, 1%, 0.85%

LAB 81.74, 36.77, -27.37

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 25 / 53 / 0 / 9

HEX #AF6CE8

RGB 175 108 232

HSL 272.42, 0.73%, 0.67%

LAB 57.72, 49.32, -52.85

 

CMYK 26 / 58 / 0 / 16

HEX #9E5AD5

RGB 158 90 213

HSL 273.17, 0.59%, 0.59%

LAB 51.14, 50.17, -52.76

 

CMYK 27 / 63 / 0 / 24

HEX #8D48C2

RGB 141 72 194

HSL 273.93, 0.5%, 0.52%

LAB 44.51, 50.95, -52.57

 

CMYK 29 / 69 / 0 / 31

HEX #7C36AF

RGB 124 54 175

HSL 274.71, 0.53%, 0.45%

LAB 37.88, 51.51, -52.21

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 10 / 50 / 0 / 2

HEX #E17EFB

RGB 225 126 251

HSL 287.52, 0.94%, 0.74%

LAB 67.94, 57.16, -46.81

 

CMYK 0 / 50 / 4 / 2

HEX #FB7EF2

RGB 251 126 242

HSL 304.32, 0.94%, 0.74%

LAB 70.76, 62.6, -37.23

 

CMYK 0 / 50 / 17 / 2

HEX #FB7ED1

RGB 251 126 209

HSL 320.16, 0.94%, 0.74%

LAB 69.49, 57.42, -20.96

 

CMYK 0 / 50 / 30 / 2

HEX #FB7EAF

RGB 251 126 175

HSL 336.48, 0.94%, 0.74%

LAB 68.41, 52.79, -3.55

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 37 / 50 / 0 / 2

HEX #9E7EFB

RGB 158 126 251

HSL 255.36, 0.94%, 0.74%

LAB 60.92, 39.92, -58.38

 

CMYK 50 / 50 / 0 / 2

HEX #7E7EFB

RGB 126 126 251

HSL 240, 0.94%, 0.74%

LAB 58.34, 32.67, -62.65

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 20 / 43 / 0 / 6

HEX #BF89F0

RGB 191 137 240

HSL 271.46, 0.77%, 0.74%

LAB 65.95, 39.79, -44.16

 

CMYK 17 / 36 / 0 / 10

HEX #BE93E5

RGB 190 147 229

HSL 271.46, 0.61%, 0.74%

LAB 67.63, 31.56, -35.49

 

CMYK 13 / 28 / 0 / 15

HEX #BE9EDA

RGB 190 158 218

HSL 272, 0.45%, 0.74%

LAB 69.8, 23.08, -26.08

 

CMYK 9 / 19 / 0 / 18

HEX #BDA9D0

RGB 189 169 208

HSL 270.77, 0.29%, 0.74%

LAB 72.06, 14.58, -17.15

 

CMYK 50 / 49 / 0 / 2

HEX #7E80FB

RGB 126 128 251

HSL 239.04, 0.94%, 0.74%

LAB 58.83, 31.49, -61.88

 

CMYK 37 / 50 / 0 / 2

HEX #9D7EFB

RGB 157 126 251

HSL 254.88, 0.94%, 0.74%

LAB 60.83, 39.68, -58.53

 

CMYK 24 / 50 / 0 / 2

HEX #BE7EFB

RGB 190 126 251

HSL 270.72, 0.94%, 0.74%

LAB 64.03, 47.93, -53.25

 

CMYK 11 / 50 / 0 / 2

HEX #E07EFB

RGB 224 126 251

HSL 287.04, 0.94%, 0.74%

LAB 67.82, 56.89, -47

 

CMYK 0 / 50 / 3 / 2

HEX #FB7EF4

RGB 251 126 244

HSL 303.36, 0.94%, 0.74%

LAB 70.85, 62.94, -38.2

 

CMYK 38 / 81 / 0 / 3

HEX #992EF8

RGB 153 46 248

HSL 271.78, 0.94%, 0.58%

LAB 46.32, 75.78, -80.37

 

CMYK 31 / 65 / 0 / 2

HEX #AC56F9

RGB 172 86 249

HSL 271.66, 0.93%, 0.66%

LAB 54.31, 63.47, -67.82

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 16 / 34 / 0 / 1

HEX #D3A6FC

RGB 211 166 252

HSL 271.4, 0.93%, 0.82%

LAB 74.92, 32.38, -36.56

 

CMYK 9 / 19 / 0 / 1

HEX #E7CEFD

RGB 231 206 253

HSL 271.91, 0.92%, 0.9%

LAB 86.12, 17.22, -19.8

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 0 / 50 / 36 / 2

HEX #FB7EA1

RGB 251 126 161

HSL 343.2, 0.94%, 0.74%

LAB 68.02, 51.12, 3.78

 

CMYK 50 / 0 / 44 / 2

HEX #7EFB8C

RGB 126 251 140

HSL 126.72, 0.94%, 0.74%

LAB 89.54, -57.22, 42.62

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 0 / 24 / 50 / 2

HEX #FBBE7E

RGB 251 190 126

HSL 30.72, 0.94%, 0.74%

LAB 81.2, 14.56, 40.67

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 0 / 50 / 36 / 2

HEX #FB7EA1

RGB 251 126 161

HSL 343.2, 0.94%, 0.74%

LAB 68.02, 51.12, 3.78

 

CMYK 26 / 0 / 50 / 2

HEX #BAFB7E

RGB 186 251 126

HSL 91.2, 0.94%, 0.74%

LAB 92.1, -40.62, 53.03

 

CMYK 50 / 0 / 14 / 2

HEX #7EFBD7

RGB 126 251 215

HSL 162.72, 0.94%, 0.74%

LAB 90.93, -43.34, 6.57

 

CMYK 24 / 50 / 0 / 2

HEX #C07EFB

RGB 192 126 251

HSL 271.68, 0.94%, 0.74%

LAB 64.24, 48.45, -52.9

 

CMYK 0 / 49 / 50 / 2

HEX #FB807E

RGB 251 128 126

HSL 0.96, 0.94%, 0.74%

LAB 67.62, 46.6, 22.91

 

CMYK 26 / 0 / 50 / 2

HEX #BAFB7E

RGB 186 251 126

HSL 91.2, 0.94%, 0.74%

LAB 92.1, -40.62, 53.03

 

CMYK 50 / 1 / 0 / 2

HEX #7EF8FB

RGB 126 248 251

HSL 181.44, 0.94%, 0.74%

LAB 91.02, -33.38, -11.99

 

Description

Color code: HEX #C07EFB | qconv.com Color code: HEX #C07EFB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 126 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 126 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 50 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 50% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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