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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C13D75 it is the complementary color #3EC28A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C13D75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C13D75 shade: #C63D70, #D74F83, #E86196, #F973A9 and #FF85BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C13D75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C13D75 shade: #C13D75, #B02B62, #9F194F, #8E073C and #7D0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C13D75 shade: #C13D75, #C13D51 and #C13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C13D75 shade: #C13D75, #C13D99, #C13DBC, #A23DC1 and #7F3DC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C13D75 shade matches the following richer shades: #C13D75, #D62872 and #EB136F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C13D75 shade: #C13D75, #AD5178, #98667B, #837B7E and #6F8F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C13D75 shade: #C13DBD, #C13D9A, #C13D76, #C13D53 and #C14A3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C13D75 shade: #83294F, #A23362, #C13D75, #CB5C8B and #D57BA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C13D75 shade: #C13D75, #C1A23D and #3DABC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C13D75 shade: #C13D75, #76C13D and #3D76C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C13D75 shade: #C13D75, #C1A23D, #3DC188 and #3D5CC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C13D75 shade: #C13D75, #B8C13D, #3DC188 and #463DC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

Complementary color

CMYK 68 / 0 / 29 / 24

HEX #3EC28A

RGB 62 194 138

HSL 154.55, 0.52%, 0.5%

LAB 70.48, -48.76, 17.99

 

CMYK 0 / 69 / 43 / 22

HEX #C63D70

RGB 198 61 112

HSL 337.66, 0.55%, 0.51%

LAB 47.64, 57.91, 1.93

 

CMYK 0 / 63 / 39 / 16

HEX #D74F83

RGB 215 79 131

HSL 337.06, 0.63%, 0.58%

LAB 53.68, 57.74, -0.36

 

CMYK 0 / 58 / 35 / 9

HEX #E86196

RGB 232 97 150

HSL 336.44, 0.75%, 0.65%

LAB 59.8, 57.27, -2.23

 

CMYK 0 / 54 / 32 / 2

HEX #F973A9

RGB 249 115 169

HSL 335.82, 0.92%, 0.71%

LAB 65.96, 56.62, -3.8

 

CMYK 0 / 48 / 26 / 0

HEX #FF85BC

RGB 255 133 188

HSL 332.95, 1%, 0.76%

LAB 70.64, 52.36, -7.48

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 0 / 76 / 44 / 31

HEX #B02B62

RGB 176 43 98

HSL 335.19, 0.61%, 0.43%

LAB 40.96, 56.62, 0.4

 

CMYK 0 / 84 / 50 / 38

HEX #9F194F

RGB 159 25 79

HSL 335.82, 0.73%, 0.36%

LAB 35.26, 55.44, 3.87

 

CMYK 0 / 95 / 58 / 44

HEX #8E073C

RGB 142 7 60

HSL 336.44, 0.91%, 0.29%

LAB 29.98, 52.96, 8.42

 

CMYK 0 / 100 / 67 / 51

HEX #7D0029

RGB 125 0 41

HSL 340.32, 1%, 0.25%

LAB 25.32, 48.58, 14.37

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 0 / 68 / 58 / 24

HEX #C13D51

RGB 193 61 81

HSL 350.91, 0.52%, 0.5%

LAB 46, 53.74, 18.48

 

CMYK 0 / 68 / 68 / 24

HEX #C13D3D

RGB 193 61 61

HSL 0, 0.52%, 0.5%

LAB 45.65, 52.49, 30.1

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 0 / 68 / 21 / 24

HEX #C13D99

RGB 193 61 153

HSL 318.18, 0.52%, 0.5%

LAB 48.23, 61.34, -22.04

 

CMYK 0 / 68 / 3 / 24

HEX #C13DBC

RGB 193 61 188

HSL 302.27, 0.52%, 0.5%

LAB 49.86, 66.59, -40.1

 

CMYK 16 / 68 / 0 / 24

HEX #A23DC1

RGB 162 61 193

HSL 285.91, 0.52%, 0.5%

LAB 45.45, 60.49, -50.32

 

CMYK 34 / 68 / 0 / 24

HEX #7F3DC1

RGB 127 61 193

HSL 270, 0.52%, 0.5%

LAB 40.73, 53.08, -58.16

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 0 / 81 / 47 / 16

HEX #D62872

RGB 214 40 114

HSL 334.48, 0.69%, 0.5%

LAB 48.3, 68.98, 2.02

 

CMYK 0 / 92 / 53 / 8

HEX #EB136F

RGB 235 19 111

HSL 334.44, 0.85%, 0.5%

LAB 51.01, 77.44, 8.28

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 0 / 53 / 31 / 32

HEX #AD5178

RGB 173 81 120

HSL 334.57, 0.36%, 0.5%

LAB 47.14, 41.97, -4.14

 

CMYK 0 / 33 / 19 / 40

HEX #98667B

RGB 152 102 123

HSL 334.8, 0.2%, 0.5%

LAB 49.02, 23.34, -3.48

 

CMYK 0 / 6 / 4 / 49

HEX #837B7E

RGB 131 123 126

HSL 337.5, 0.03%, 0.5%

LAB 52.4, 3.62, -0.55

 

CMYK 22 / 0 / 10 / 44

HEX #6F8F81

RGB 111 143 129

HSL 153.75, 0.13%, 0.5%

LAB 56.69, -14.26, 3.77

 

CMYK 0 / 68 / 2 / 24

HEX #C13DBD

RGB 193 61 189

HSL 301.82, 0.52%, 0.5%

LAB 49.92, 66.75, -40.6

 

CMYK 0 / 68 / 20 / 24

HEX #C13D9A

RGB 193 61 154

HSL 317.73, 0.52%, 0.5%

LAB 48.27, 61.48, -22.58

 

CMYK 0 / 68 / 39 / 24

HEX #C13D76

RGB 193 61 118

HSL 334.09, 0.52%, 0.5%

LAB 46.95, 57.06, -2.84

 

CMYK 0 / 68 / 57 / 24

HEX #C13D53

RGB 193 61 83

HSL 350, 0.52%, 0.5%

LAB 46.04, 53.89, 17.32

 

CMYK 0 / 62 / 68 / 24

HEX #C14A3D

RGB 193 74 61

HSL 5.91, 0.52%, 0.5%

LAB 47.72, 46.93, 32.58

 

CMYK 0 / 69 / 40 / 49

HEX #83294F

RGB 131 41 79

HSL 334.67, 0.52%, 0.34%

LAB 31.75, 41.93, -1.9

 

CMYK 0 / 69 / 40 / 36

HEX #A23362

RGB 162 51 98

HSL 334.59, 0.52%, 0.42%

LAB 39.46, 49.59, -2.09

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 0 / 55 / 32 / 20

HEX #CB5C8B

RGB 203 92 139

HSL 334.59, 0.52%, 0.58%

LAB 54.25, 49.01, -4.47

 

CMYK 0 / 42 / 24 / 16

HEX #D57BA1

RGB 213 123 161

HSL 334.67, 0.52%, 0.66%

LAB 62.41, 39.68, -5.03

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 0 / 16 / 68 / 24

HEX #C1A23D

RGB 193 162 61

HSL 45.91, 0.52%, 0.5%

LAB 67.66, 0.33, 54.7

 

CMYK 68 / 11 / 0 / 24

HEX #3DABC1

RGB 61 171 193

HSL 190, 0.52%, 0.5%

LAB 64.94, -23.82, -20.34

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 39 / 0 / 68 / 24

HEX #76C13D

RGB 118 193 61

HSL 94.09, 0.52%, 0.5%

LAB 71.1, -45.18, 56.62

 

CMYK 68 / 39 / 0 / 24

HEX #3D76C1

RGB 61 118 193

HSL 214.09, 0.52%, 0.5%

LAB 49.25, 6.03, -44.76

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 0 / 16 / 68 / 24

HEX #C1A23D

RGB 193 162 61

HSL 45.91, 0.52%, 0.5%

LAB 67.66, 0.33, 54.7

 

CMYK 68 / 0 / 30 / 24

HEX #3DC188

RGB 61 193 136

HSL 154.09, 0.52%, 0.5%

LAB 70.11, -48.95, 18.55

 

CMYK 68 / 52 / 0 / 24

HEX #3D5CC1

RGB 61 92 193

HSL 225.91, 0.52%, 0.5%

LAB 41.99, 22.47, -56.39

 

CMYK 0 / 68 / 39 / 24

HEX #C13D75

RGB 193 61 117

HSL 334.55, 0.52%, 0.5%

LAB 46.92, 56.95, -2.28

 

CMYK 5 / 0 / 68 / 24

HEX #B8C13D

RGB 184 193 61

HSL 64.09, 0.52%, 0.5%

LAB 75.24, -19.6, 62.19

 

CMYK 68 / 0 / 30 / 24

HEX #3DC188

RGB 61 193 136

HSL 154.09, 0.52%, 0.5%

LAB 70.11, -48.95, 18.55

 

CMYK 64 / 68 / 0 / 24

HEX #463DC1

RGB 70 61 193

HSL 244.09, 0.52%, 0.5%

LAB 34.98, 43.17, -67.79

 

Description

Color code: HEX #C13D75 | qconv.com Color code: HEX #C13D75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 61 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 61 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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