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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C15787 it is the complementary color #3EA878. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C15787. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C15787 shade: #C65782, #D76995, #E87BA8, #F98DBB and #FF9FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C15787. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C15787 shade: #C15787, #B04574, #9F3361, #8E214E and #7D0F3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C15787 shade: #C15787, #C1576A and #C15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C15787 shade: #C15787, #C157A3, #C157C0, #A557C1 and #8857C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C15787 shade matches the following richer shades: #C15787, #D34485, #E63283 and #F81F82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C15787 shade: #C15787, #AE6A89, #9B7C8A, #898F8C and #76A18E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C15787 shade: #C157C1, #C157A4, #C15788, #C1576C and #C15E57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C15787 shade: #90355E, #AE4072, #C15787, #CC759C and #D793B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C15787 shade: #C15787, #C1A457 and #57B2C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C15787 shade: #C15787, #88C157 and #5788C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C15787 shade: #C15787, #C1A457, #57C18F and #5773C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C15787 shade: #C15787, #BDC157, #57C18F and #5A57C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

Complementary color

CMYK 63 / 0 / 29 / 34

HEX #3EA878

RGB 62 168 120

HSL 152.83, 0.46%, 0.45%

LAB 61.99, -41.86, 16.02

 

CMYK 0 / 56 / 34 / 22

HEX #C65782

RGB 198 87 130

HSL 336.76, 0.49%, 0.56%

LAB 52.32, 48.66, -2.07

 

CMYK 0 / 51 / 31 / 16

HEX #D76995

RGB 215 105 149

HSL 336, 0.58%, 0.63%

LAB 58.71, 47.91, -3.54

 

CMYK 0 / 47 / 28 / 9

HEX #E87BA8

RGB 232 123 168

HSL 335.23, 0.7%, 0.7%

LAB 65.08, 47.1, -4.79

 

CMYK 0 / 43 / 25 / 2

HEX #F98DBB

RGB 249 141 187

HSL 334.44, 0.9%, 0.76%

LAB 71.4, 46.29, -5.87

 

CMYK 0 / 38 / 19 / 0

HEX #FF9FCE

RGB 255 159 206

HSL 330.63, 1%, 0.81%

LAB 76.38, 41.81, -8.89

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 61 / 34 / 31

HEX #B04574

RGB 176 69 116

HSL 333.64, 0.44%, 0.48%

LAB 45.29, 48.25, -4.4

 

CMYK 0 / 68 / 39 / 38

HEX #9F3361

RGB 159 51 97

HSL 334.44, 0.51%, 0.41%

LAB 38.9, 48.56, -2.35

 

CMYK 0 / 77 / 45 / 44

HEX #8E214E

RGB 142 33 78

HSL 335.23, 0.62%, 0.34%

LAB 32.68, 48.3, 0.35

 

CMYK 0 / 88 / 53 / 51

HEX #7D0F3B

RGB 125 15 59

HSL 336, 0.79%, 0.27%

LAB 26.78, 46.95, 4.06

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 55 / 45 / 24

HEX #C1576A

RGB 193 87 106

HSL 349.25, 0.46%, 0.55%

LAB 50.91, 44.28, 10.13

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 55 / 16 / 24

HEX #C157A3

RGB 193 87 163

HSL 316.98, 0.46%, 0.55%

LAB 52.73, 51.64, -21.04

 

CMYK 0 / 55 / 1 / 24

HEX #C157C0

RGB 193 87 192

HSL 300.57, 0.46%, 0.55%

LAB 53.98, 56.44, -35.94

 

CMYK 15 / 55 / 0 / 24

HEX #A557C1

RGB 165 87 193

HSL 284.15, 0.46%, 0.55%

LAB 50.29, 49.11, -42.58

 

CMYK 30 / 55 / 0 / 24

HEX #8857C1

RGB 136 87 193

HSL 267.74, 0.46%, 0.55%

LAB 46.84, 41.54, -48.28

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 68 / 37 / 17

HEX #D34485

RGB 211 68 133

HSL 332.73, 0.62%, 0.55%

LAB 51.47, 61.19, -4.89

 

CMYK 0 / 78 / 43 / 10

HEX #E63283

RGB 230 50 131

HSL 333, 0.78%, 0.55%

LAB 52.67, 71.95, -1.54

 

CMYK 0 / 88 / 48 / 3

HEX #F81F82

RGB 248 31 130

HSL 332.63, 0.94%, 0.55%

LAB 54.6, 80.2, 2.29

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 39 / 21 / 32

HEX #AE6A89

RGB 174 106 137

HSL 332.65, 0.3%, 0.55%

LAB 53.07, 31.46, -5.48

 

CMYK 0 / 20 / 11 / 39

HEX #9B7C8A

RGB 155 124 138

HSL 332.9, 0.13%, 0.55%

LAB 55.3, 14.37, -3.02

 

CMYK 4 / 0 / 2 / 44

HEX #898F8C

RGB 137 143 140

HSL 150, 0.03%, 0.55%

LAB 58.84, -2.78, 0.83

 

CMYK 27 / 0 / 12 / 37

HEX #76A18E

RGB 118 161 142

HSL 153.49, 0.19%, 0.55%

LAB 62.76, -18.68, 5.2

 

CMYK 0 / 55 / 0 / 24

HEX #C157C1

RGB 193 87 193

HSL 300, 0.46%, 0.55%

LAB 54.03, 56.61, -36.44

 

CMYK 0 / 55 / 15 / 24

HEX #C157A4

RGB 193 87 164

HSL 316.42, 0.46%, 0.55%

LAB 52.77, 51.79, -21.57

 

CMYK 0 / 55 / 30 / 24

HEX #C15788

RGB 193 87 136

HSL 332.26, 0.46%, 0.55%

LAB 51.76, 47.78, -6.56

 

CMYK 0 / 55 / 44 / 24

HEX #C1576C

RGB 193 87 108

HSL 348.11, 0.46%, 0.55%

LAB 50.96, 44.48, 9

 

CMYK 0 / 51 / 55 / 24

HEX #C15E57

RGB 193 94 87

HSL 3.96, 0.46%, 0.55%

LAB 51.87, 39.01, 22.7

 

CMYK 0 / 63 / 35 / 44

HEX #90355E

RGB 144 53 94

HSL 332.97, 0.46%, 0.39%

LAB 36.52, 42.57, -4.26

 

CMYK 0 / 63 / 34 / 32

HEX #AE4072

RGB 174 64 114

HSL 332.73, 0.46%, 0.47%

LAB 44.06, 49.62, -5.03

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 43 / 24 / 20

HEX #CC759C

RGB 204 117 156

HSL 333.1, 0.46%, 0.63%

LAB 59.85, 39, -6.07

 

CMYK 0 / 32 / 17 / 16

HEX #D793B2

RGB 215 147 178

HSL 332.65, 0.46%, 0.71%

LAB 68.41, 30.13, -5.73

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 15 / 55 / 24

HEX #C1A457

RGB 193 164 87

HSL 43.58, 0.46%, 0.55%

LAB 68.44, 1.06, 43.43

 

CMYK 55 / 8 / 0 / 24

HEX #57B2C1

RGB 87 178 193

HSL 188.49, 0.46%, 0.55%

LAB 67.81, -22.82, -15.91

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 30 / 0 / 55 / 24

HEX #88C157

RGB 136 193 87

HSL 92.26, 0.46%, 0.55%

LAB 72.27, -36.51, 46.89

 

CMYK 55 / 30 / 0 / 24

HEX #5788C1

RGB 87 136 193

HSL 212.26, 0.46%, 0.55%

LAB 55.57, 0.18, -34.73

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 15 / 55 / 24

HEX #C1A457

RGB 193 164 87

HSL 43.58, 0.46%, 0.55%

LAB 68.44, 1.06, 43.43

 

CMYK 55 / 0 / 26 / 24

HEX #57C18F

RGB 87 193 143

HSL 151.7, 0.46%, 0.55%

LAB 70.97, -42.36, 16.09

 

CMYK 55 / 40 / 0 / 24

HEX #5773C1

RGB 87 115 193

HSL 224.15, 0.46%, 0.55%

LAB 49.66, 12.8, -44.03

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 2 / 0 / 55 / 24

HEX #BDC157

RGB 189 193 87

HSL 62.26, 0.46%, 0.55%

LAB 75.85, -15.75, 51.96

 

CMYK 55 / 0 / 26 / 24

HEX #57C18F

RGB 87 193 143

HSL 151.7, 0.46%, 0.55%

LAB 70.97, -42.36, 16.09

 

CMYK 53 / 55 / 0 / 24

HEX #5A57C1

RGB 90 87 193

HSL 241.7, 0.46%, 0.55%

LAB 42.52, 30.84, -55.45

 

Description

Color code: HEX #C15787 | qconv.com Color code: HEX #C15787 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 87 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 87 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 30 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 30% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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