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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6A89 it is the complementary color #519576. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6A89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6A89 shade: #B36A84, #C47C97, #D58EAA, #E6A0BD and #F7B2D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6A89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6A89 shade: #AE6A89, #9D5876, #8C4663, #7B3450 and #6A223D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6A89 shade: #AE6989, #AE6976 and #AE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6A89 shade: #AE6989, #AE699B, #AE69AE, #9C69AE and #8969AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6A89 shade matches the following richer shades: #AE6989, #C15787, #D34485, #E63284 and #F81F82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6A89 shade: #AE6989, #9C7C8A, #898E8C, #76A18E and #64B48F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6A89 shade: #AE69AE, #AE699C, #AE6989, #AE6977 and #AE6E69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6A89 shade: #804560, #9B5374, #AE6989, #BD849E and #CB9FB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6A89 shade: #AE6A89, #AE9C69 and #69A5AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6A89 shade: #AE6A89, #89AE69 and #6989AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6A89 shade: #AE6A89, #AE9C69, #69AE8E and #697CAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6A89 shade: #AE6A89, #ACAE69, #69AE8E and #6C69AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 21 / 32

HEX #AE6A89

RGB 174 106 137

HSL 332.65, 0.3%, 0.55%

LAB 53.07, 31.46, -5.48

 

Complementary color

CMYK 46 / 0 / 21 / 42

HEX #519576

RGB 81 149 118

HSL 152.65, 0.3%, 0.45%

LAB 56.64, -29.12, 9.75

 

CMYK 0 / 41 / 26 / 30

HEX #B36A84

RGB 179 106 132

HSL 338.63, 0.32%, 0.56%

LAB 53.55, 32.53, -1.76

 

CMYK 0 / 37 / 23 / 23

HEX #C47C97

RGB 196 124 151

HSL 337.5, 0.38%, 0.63%

LAB 60.24, 31.68, -2.74

 

CMYK 0 / 33 / 20 / 16

HEX #D58EAA

RGB 213 142 170

HSL 336.34, 0.46%, 0.7%

LAB 66.82, 30.89, -3.62

 

CMYK 0 / 30 / 18 / 10

HEX #E6A0BD

RGB 230 160 189

HSL 335.14, 0.58%, 0.76%

LAB 73.31, 30.15, -4.41

 

CMYK 0 / 28 / 16 / 3

HEX #F7B2D0

RGB 247 178 208

HSL 333.91, 0.81%, 0.83%

LAB 79.71, 29.47, -5.14

 

CMYK 0 / 39 / 21 / 32

HEX #AE6A89

RGB 174 106 137

HSL 332.65, 0.3%, 0.55%

LAB 53.07, 31.46, -5.48

 

CMYK 0 / 44 / 25 / 38

HEX #9D5876

RGB 157 88 118

HSL 333.91, 0.28%, 0.48%

LAB 46.25, 32.33, -4.5

 

CMYK 0 / 50 / 29 / 45

HEX #8C4663

RGB 140 70 99

HSL 335.14, 0.33%, 0.41%

LAB 39.34, 33.21, -3.31

 

CMYK 0 / 58 / 35 / 52

HEX #7B3450

RGB 123 52 80

HSL 336.34, 0.41%, 0.34%

LAB 32.36, 34.06, -1.82

 

CMYK 0 / 68 / 42 / 58

HEX #6A223D

RGB 106 34 61

HSL 337.5, 0.51%, 0.27%

LAB 25.4, 34.66, 0.21

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 40 / 40 / 32

HEX #AE6969

RGB 174 105 105

HSL 0, 0.3%, 0.55%

LAB 51.97, 27.61, 11.82

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 40 / 11 / 32

HEX #AE699B

RGB 174 105 155

HSL 316.52, 0.3%, 0.55%

LAB 53.46, 34.97, -15.47

 

CMYK 0 / 40 / 0 / 32

HEX #AE69AE

RGB 174 105 174

HSL 300, 0.3%, 0.55%

LAB 54.19, 38.43, -25.41

 

CMYK 10 / 40 / 0 / 32

HEX #9C69AE

RGB 156 105 174

HSL 284.35, 0.3%, 0.55%

LAB 52.09, 32.73, -28.83

 

CMYK 21 / 40 / 0 / 32

HEX #8969AE

RGB 137 105 174

HSL 267.83, 0.3%, 0.55%

LAB 50.07, 26.83, -32.13

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 68 / 37 / 17

HEX #D34485

RGB 211 68 133

HSL 332.73, 0.62%, 0.55%

LAB 51.47, 61.19, -4.89

 

CMYK 0 / 78 / 43 / 10

HEX #E63284

RGB 230 50 132

HSL 332.67, 0.78%, 0.55%

LAB 52.7, 72.04, -2.1

 

CMYK 0 / 88 / 48 / 3

HEX #F81F82

RGB 248 31 130

HSL 332.63, 0.94%, 0.55%

LAB 54.6, 80.2, 2.29

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 21 / 12 / 39

HEX #9C7C8A

RGB 156 124 138

HSL 333.75, 0.14%, 0.55%

LAB 55.4, 14.75, -2.86

 

CMYK 4 / 0 / 1 / 44

HEX #898E8C

RGB 137 142 140

HSL 156, 0.02%, 0.55%

LAB 58.56, -2.22, 0.42

 

CMYK 27 / 0 / 12 / 37

HEX #76A18E

RGB 118 161 142

HSL 153.49, 0.19%, 0.55%

LAB 62.76, -18.68, 5.2

 

CMYK 44 / 0 / 21 / 29

HEX #64B48F

RGB 100 180 143

HSL 152.25, 0.35%, 0.55%

LAB 67.53, -33.25, 11.33

 

CMYK 0 / 40 / 0 / 32

HEX #AE69AE

RGB 174 105 174

HSL 300, 0.3%, 0.55%

LAB 54.19, 38.43, -25.41

 

CMYK 0 / 40 / 10 / 32

HEX #AE699C

RGB 174 105 156

HSL 315.65, 0.3%, 0.55%

LAB 53.49, 35.15, -16

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 40 / 32 / 32

HEX #AE6977

RGB 174 105 119

HSL 347.83, 0.3%, 0.55%

LAB 52.32, 29.39, 4.04

 

CMYK 0 / 37 / 40 / 32

HEX #AE6E69

RGB 174 110 105

HSL 4.35, 0.3%, 0.55%

LAB 53.14, 24.83, 13.43

 

CMYK 0 / 46 / 25 / 50

HEX #804560

RGB 128 69 96

HSL 332.54, 0.3%, 0.39%

LAB 37.28, 28.89, -4.67

 

CMYK 0 / 46 / 25 / 39

HEX #9B5374

RGB 155 83 116

HSL 332.5, 0.3%, 0.47%

LAB 44.82, 34.05, -5.43

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 30 / 16 / 26

HEX #BD849E

RGB 189 132 158

HSL 332.63, 0.3%, 0.63%

LAB 61.47, 25.84, -5.02

 

CMYK 0 / 22 / 12 / 20

HEX #CB9FB3

RGB 203 159 179

HSL 332.73, 0.3%, 0.71%

LAB 70, 19.49, -4.08

 

CMYK 0 / 39 / 21 / 32

HEX #AE6A89

RGB 174 106 137

HSL 332.65, 0.3%, 0.55%

LAB 53.07, 31.46, -5.48

 

CMYK 0 / 10 / 40 / 32

HEX #AE9C69

RGB 174 156 105

HSL 44.35, 0.3%, 0.55%

LAB 64.8, -0.83, 29.13

 

CMYK 40 / 5 / 0 / 32

HEX #69A5AE

RGB 105 165 174

HSL 187.83, 0.3%, 0.55%

LAB 64.14, -17.05, -10.8

 

CMYK 0 / 39 / 21 / 32

HEX #AE6A89

RGB 174 106 137

HSL 332.65, 0.3%, 0.55%

LAB 53.07, 31.46, -5.48

 

CMYK 21 / 0 / 40 / 32

HEX #89AE69

RGB 137 174 105

HSL 92.17, 0.3%, 0.55%

LAB 66.98, -24.99, 31.4

 

CMYK 40 / 21 / 0 / 32

HEX #6989AE

RGB 105 137 174

HSL 212.17, 0.3%, 0.55%

LAB 56.04, -1.61, -23.08

 

CMYK 0 / 39 / 21 / 32

HEX #AE6A89

RGB 174 106 137

HSL 332.65, 0.3%, 0.55%

LAB 53.07, 31.46, -5.48

 

CMYK 0 / 10 / 40 / 32

HEX #AE9C69

RGB 174 156 105

HSL 44.35, 0.3%, 0.55%

LAB 64.8, -0.83, 29.13

 

CMYK 40 / 0 / 18 / 32

HEX #69AE8E

RGB 105 174 142

HSL 152.17, 0.3%, 0.55%

LAB 65.93, -29.2, 9.64

 

CMYK 40 / 29 / 0 / 32

HEX #697CAE

RGB 105 124 174

HSL 223.48, 0.3%, 0.55%

LAB 52.37, 6, -28.75

 

CMYK 0 / 39 / 21 / 32

HEX #AE6A89

RGB 174 106 137

HSL 332.65, 0.3%, 0.55%

LAB 53.07, 31.46, -5.48

 

CMYK 1 / 0 / 40 / 32

HEX #ACAE69

RGB 172 174 105

HSL 61.74, 0.3%, 0.55%

LAB 69.51, -11.24, 35.15

 

CMYK 40 / 0 / 18 / 32

HEX #69AE8E

RGB 105 174 142

HSL 152.17, 0.3%, 0.55%

LAB 65.93, -29.2, 9.64

 

CMYK 38 / 40 / 0 / 32

HEX #6C69AE

RGB 108 105 174

HSL 242.61, 0.3%, 0.55%

LAB 47.43, 18.32, -36.47

 

Description

Color code: HEX #AE6A89 | qconv.com Color code: HEX #AE6A89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 106 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 106 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 21 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 21% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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