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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1537D it is the complementary color #3EAC82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1537D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1537D shade: #C65378, #D7658B, #E8779E, #F989B1 and #FF9BC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1537D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1537D shade: #C1537D, #B0416A, #9F2F57, #8E1D44 and #7D0B31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1537D shade: #C0527C, #C0525E and #C05252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1537D shade: #C0527C, #C0529A, #C052B8, #AB52C0 and #8E52C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1537D shade matches the following richer shades: #C0527C, #D33F78, #E62C73 and #F9196F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1537D shade: #C0527C, #AD6581, #9A7885, #878B8A and #749E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1537D shade: #C052B7, #C0529A, #C0527C, #C0525F and #C06352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1537D shade: #8D3355, #AC3E68, #C0527C, #CB7093 and #D68FAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1537D shade: #C1537D, #C0AC52 and #52A8C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1537D shade: #C1537D, #7CC052 and #527CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1537D shade: #C1537D, #C0AC52, #52C096 and #5266C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1537D shade: #C1537D, #B3C052, #52C096 and #5F52C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 35 / 24

HEX #C1537D

RGB 193 83 125

HSL 337.09, 0.47%, 0.54%

LAB 50.69, 48.31, -1.57

 

Complementary color

CMYK 64 / 0 / 24 / 33

HEX #3EAC82

RGB 62 172 130

HSL 157.09, 0.47%, 0.46%

LAB 63.46, -41.34, 12.56

 

CMYK 0 / 58 / 39 / 22

HEX #C65378

RGB 198 83 120

HSL 340.7, 0.5%, 0.55%

LAB 51.32, 49.38, 2.43

 

CMYK 0 / 53 / 35 / 16

HEX #D7658B

RGB 215 101 139

HSL 340, 0.59%, 0.62%

LAB 57.67, 48.63, 0.75

 

CMYK 0 / 49 / 32 / 9

HEX #E8779E

RGB 232 119 158

HSL 339.29, 0.71%, 0.69%

LAB 64.01, 47.81, -0.67

 

CMYK 0 / 45 / 29 / 2

HEX #F989B1

RGB 249 137 177

HSL 338.57, 0.9%, 0.76%

LAB 70.32, 46.97, -1.89

 

CMYK 0 / 39 / 23 / 0

HEX #FF9BC4

RGB 255 155 196

HSL 335.4, 1%, 0.8%

LAB 75.26, 42.43, -5.07

 

CMYK 0 / 57 / 35 / 24

HEX #C1537D

RGB 193 83 125

HSL 337.09, 0.47%, 0.54%

LAB 50.69, 48.31, -1.57

 

CMYK 0 / 63 / 40 / 31

HEX #B0416A

RGB 176 65 106

HSL 337.84, 0.46%, 0.47%

LAB 44.31, 48.89, 0.3

 

CMYK 0 / 70 / 45 / 38

HEX #9F2F57

RGB 159 47 87

HSL 338.57, 0.54%, 0.4%

LAB 38.01, 49.12, 2.68

 

CMYK 0 / 80 / 52 / 44

HEX #8E1D44

RGB 142 29 68

HSL 339.29, 0.66%, 0.34%

LAB 31.91, 48.68, 5.82

 

CMYK 0 / 91 / 61 / 51

HEX #7D0B31

RGB 125 11 49

HSL 340, 0.84%, 0.27%

LAB 26.22, 47.02, 10.09

 

CMYK 0 / 57 / 35 / 25

HEX #C0527C

RGB 192 82 124

HSL 337.09, 0.47%, 0.54%

LAB 50.33, 48.34, -1.52

 

CMYK 0 / 57 / 51 / 25

HEX #C0525E

RGB 192 82 94

HSL 353.45, 0.47%, 0.54%

LAB 49.56, 45.2, 15.41

 

CMYK 0 / 57 / 57 / 25

HEX #C05252

RGB 192 82 82

HSL 0, 0.47%, 0.54%

LAB 49.31, 44.2, 22.25

 

CMYK 0 / 57 / 35 / 25

HEX #C0527C

RGB 192 82 124

HSL 337.09, 0.47%, 0.54%

LAB 50.33, 48.34, -1.52

 

CMYK 0 / 57 / 20 / 25

HEX #C0529A

RGB 192 82 154

HSL 320.73, 0.47%, 0.54%

LAB 51.35, 52.33, -17.86

 

CMYK 0 / 57 / 4 / 25

HEX #C052B8

RGB 192 82 184

HSL 304.36, 0.47%, 0.54%

LAB 52.62, 57.08, -33.46

 

CMYK 11 / 57 / 0 / 25

HEX #AB52C0

RGB 171 82 192

HSL 288.55, 0.47%, 0.54%

LAB 50.09, 52.97, -42.27

 

CMYK 26 / 57 / 0 / 25

HEX #8E52C0

RGB 142 82 192

HSL 272.73, 0.47%, 0.54%

LAB 46.43, 45.54, -48.32

 

CMYK 0 / 57 / 35 / 25

HEX #C0527C

RGB 192 82 124

HSL 337.09, 0.47%, 0.54%

LAB 50.33, 48.34, -1.52

 

CMYK 0 / 70 / 43 / 17

HEX #D33F78

RGB 211 63 120

HSL 336.89, 0.63%, 0.54%

LAB 50.41, 61.72, 1.37

 

CMYK 0 / 81 / 50 / 10

HEX #E62C73

RGB 230 44 115

HSL 337.1, 0.79%, 0.54%

LAB 51.68, 72.13, 6.68

 

CMYK 0 / 90 / 55 / 2

HEX #F9196F

RGB 249 25 111

HSL 336.96, 0.95%, 0.54%

LAB 54.01, 79.93, 12.9

 

CMYK 0 / 57 / 35 / 25

HEX #C0527C

RGB 192 82 124

HSL 337.09, 0.47%, 0.54%

LAB 50.33, 48.34, -1.52

 

CMYK 0 / 42 / 25 / 32

HEX #AD6581

RGB 173 101 129

HSL 336.67, 0.31%, 0.54%

LAB 51.58, 32.64, -2.97

 

CMYK 0 / 22 / 14 / 40

HEX #9A7885

RGB 154 120 133

HSL 337.06, 0.14%, 0.54%

LAB 54.02, 15.41, -1.99

 

CMYK 3 / 0 / 1 / 45

HEX #878B8A

RGB 135 139 138

HSL 165, 0.02%, 0.54%

LAB 57.51, -1.66, 0.01

 

CMYK 27 / 0 / 10 / 38

HEX #749E8E

RGB 116 158 142

HSL 157.14, 0.18%, 0.54%

LAB 61.76, -17.77, 3.74

 

CMYK 0 / 57 / 5 / 25

HEX #C052B7

RGB 192 82 183

HSL 304.91, 0.47%, 0.54%

LAB 52.58, 56.91, -32.95

 

CMYK 0 / 57 / 20 / 25

HEX #C0529A

RGB 192 82 154

HSL 320.73, 0.47%, 0.54%

LAB 51.35, 52.33, -17.86

 

CMYK 0 / 57 / 35 / 25

HEX #C0527C

RGB 192 82 124

HSL 337.09, 0.47%, 0.54%

LAB 50.33, 48.34, -1.52

 

CMYK 0 / 57 / 51 / 25

HEX #C0525F

RGB 192 82 95

HSL 352.91, 0.47%, 0.54%

LAB 49.58, 45.29, 14.84

 

CMYK 0 / 48 / 57 / 25

HEX #C06352

RGB 192 99 82

HSL 9.27, 0.47%, 0.54%

LAB 52.66, 35.63, 26.6

 

CMYK 0 / 64 / 40 / 45

HEX #8D3355

RGB 141 51 85

HSL 337.33, 0.47%, 0.38%

LAB 35.37, 41.41, -0.27

 

CMYK 0 / 64 / 40 / 33

HEX #AC3E68

RGB 172 62 104

HSL 337.09, 0.47%, 0.46%

LAB 43.09, 48.71, -0.33

 

CMYK 0 / 57 / 35 / 25

HEX #C0527C

RGB 192 82 124

HSL 337.09, 0.47%, 0.54%

LAB 50.33, 48.34, -1.52

 

CMYK 0 / 45 / 28 / 20

HEX #CB7093

RGB 203 112 147

HSL 336.92, 0.47%, 0.62%

LAB 58.41, 40, -3.02

 

CMYK 0 / 33 / 21 / 16

HEX #D68FAA

RGB 214 143 170

HSL 337.18, 0.46%, 0.7%

LAB 67.16, 30.7, -3.11

 

CMYK 0 / 57 / 35 / 24

HEX #C1537D

RGB 193 83 125

HSL 337.09, 0.47%, 0.54%

LAB 50.69, 48.31, -1.57

 

CMYK 0 / 10 / 57 / 25

HEX #C0AC52

RGB 192 172 82

HSL 49.09, 0.47%, 0.54%

LAB 70.4, -4.03, 48.13

 

CMYK 57 / 13 / 0 / 25

HEX #52A8C0

RGB 82 168 192

HSL 193.09, 0.47%, 0.54%

LAB 64.65, -18.95, -20.17

 

CMYK 0 / 57 / 35 / 24

HEX #C1537D

RGB 193 83 125

HSL 337.09, 0.47%, 0.54%

LAB 50.69, 48.31, -1.57

 

CMYK 35 / 0 / 57 / 25

HEX #7CC052

RGB 124 192 82

HSL 97.09, 0.47%, 0.54%

LAB 71.28, -40.82, 47.9

 

CMYK 57 / 35 / 0 / 25

HEX #527CC0

RGB 82 124 192

HSL 217.09, 0.47%, 0.54%

LAB 51.85, 5.92, -40.01

 

CMYK 0 / 57 / 35 / 24

HEX #C1537D

RGB 193 83 125

HSL 337.09, 0.47%, 0.54%

LAB 50.69, 48.31, -1.57

 

CMYK 0 / 10 / 57 / 25

HEX #C0AC52

RGB 192 172 82

HSL 49.09, 0.47%, 0.54%

LAB 70.4, -4.03, 48.13

 

CMYK 57 / 0 / 22 / 25

HEX #52C096

RGB 82 192 150

HSL 157.09, 0.47%, 0.54%

LAB 70.66, -41.5, 11.84

 

CMYK 57 / 47 / 0 / 25

HEX #5266C0

RGB 82 102 192

HSL 229.09, 0.47%, 0.54%

LAB 45.77, 19.5, -49.67

 

CMYK 0 / 57 / 35 / 24

HEX #C1537D

RGB 193 83 125

HSL 337.09, 0.47%, 0.54%

LAB 50.69, 48.31, -1.57

 

CMYK 7 / 0 / 57 / 25

HEX #B3C052

RGB 179 192 82

HSL 67.09, 0.47%, 0.54%

LAB 74.76, -19.77, 52.79

 

CMYK 57 / 0 / 22 / 25

HEX #52C096

RGB 82 192 150

HSL 157.09, 0.47%, 0.54%

LAB 70.66, -41.5, 11.84

 

CMYK 51 / 57 / 0 / 25

HEX #5F52C0

RGB 95 82 192

HSL 247.09, 0.47%, 0.54%

LAB 41.65, 34.61, -56.26

 

Description

Color code: HEX #C1537D | qconv.com Color code: HEX #C1537D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 83 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 83 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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