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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18D38 it is the complementary color #3E72C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18D38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18D38 shade: #C68D33, #D79F46, #E8B159, #F9C36C and #FFD57F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18D38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18D38 shade: #C18D38, #B07B25, #9F6912, #8E5700 and #7D4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18D38 shade: #C18D38, #C16838, #C14338 and #C13838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18D38 shade: #C18D38, #C1B238, #ABC138, #86C138 and #61C138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18D38 shade matches the following richer shades: #C18D38, #D59224 and #EA970F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18D38 shade: #C18D38, #AD884C, #998360, #857E74 and #707A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18D38 shade: #C14338, #C16838, #C18C38, #C1B138 and #ADC138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18D38 shade: #815E25, #A1762E, #C18D38, #CDA055 and #D7B175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18D38 shade: #C18D38, #51C138 and #5638C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18D38 shade: #C18D38, #38C18C and #8C38C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18D38 shade: #C18D38, #51C138, #386CC1 and #A838C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18D38 shade: #C18D38, #38C148, #386CC1 and #C138B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

Complementary color

CMYK 69 / 43 / 0 / 22

HEX #3E72C7

RGB 62 114 199

HSL 217.23, 0.55%, 0.51%

LAB 48.49, 10.82, -49.42

 

CMYK 0 / 29 / 74 / 22

HEX #C68D33

RGB 198 141 51

HSL 36.73, 0.59%, 0.49%

LAB 62.76, 13.41, 54.12

 

CMYK 0 / 26 / 67 / 16

HEX #D79F46

RGB 215 159 70

HSL 36.83, 0.64%, 0.56%

LAB 69.24, 11.97, 53.08

 

CMYK 0 / 24 / 62 / 9

HEX #E8B159

RGB 232 177 89

HSL 36.92, 0.76%, 0.63%

LAB 75.65, 10.73, 51.84

 

CMYK 0 / 22 / 57 / 2

HEX #F9C36C

RGB 249 195 108

HSL 37.02, 0.92%, 0.7%

LAB 81.98, 9.66, 50.53

 

CMYK 0 / 16 / 50 / 0

HEX #FFD57F

RGB 255 213 127

HSL 40.31, 1%, 0.75%

LAB 87.18, 4.32, 47.71

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 0 / 30 / 79 / 31

HEX #B07B25

RGB 176 123 37

HSL 37.12, 0.65%, 0.42%

LAB 55.61, 13.05, 52.06

 

CMYK 0 / 34 / 89 / 38

HEX #9F6912

RGB 159 105 18

HSL 37.02, 0.8%, 0.35%

LAB 48.91, 14.92, 51.99

 

CMYK 0 / 39 / 100 / 44

HEX #8E5700

RGB 142 87 0

HSL 36.76, 1%, 0.28%

LAB 42.1, 17.11, 50.61

 

CMYK 0 / 45 / 100 / 51

HEX #7D4500

RGB 125 69 0

HSL 33.12, 1%, 0.25%

LAB 35.23, 19.72, 45.03

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 0 / 46 / 71 / 24

HEX #C16838

RGB 193 104 56

HSL 21.02, 0.55%, 0.49%

LAB 53.52, 31.68, 41.94

 

CMYK 0 / 65 / 71 / 24

HEX #C14338

RGB 193 67 56

HSL 4.82, 0.55%, 0.49%

LAB 46.49, 49.75, 34.01

 

CMYK 0 / 71 / 71 / 24

HEX #C13838

RGB 193 56 56

HSL 0, 0.55%, 0.49%

LAB 44.87, 54.17, 32.12

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 0 / 8 / 71 / 24

HEX #C1B238

RGB 193 178 56

HSL 53.43, 0.55%, 0.49%

LAB 71.87, -8.39, 60.98

 

CMYK 11 / 0 / 71 / 24

HEX #ABC138

RGB 171 193 56

HSL 69.64, 0.55%, 0.49%

LAB 74.24, -25.29, 62.72

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 50 / 0 / 71 / 24

HEX #61C138

RGB 97 193 56

HSL 102.04, 0.55%, 0.49%

LAB 70.15, -52.22, 57.27

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 0 / 31 / 83 / 16

HEX #D59224

RGB 213 146 36

HSL 37.29, 0.71%, 0.49%

LAB 65.62, 16.67, 63.01

 

CMYK 0 / 35 / 94 / 8

HEX #EA970F

RGB 234 151 15

HSL 37.26, 0.88%, 0.49%

LAB 69.23, 22.58, 71.99

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 0 / 21 / 56 / 32

HEX #AD884C

RGB 173 136 76

HSL 37.11, 0.39%, 0.49%

LAB 58.99, 6.84, 37.25

 

CMYK 0 / 14 / 37 / 40

HEX #998360

RGB 153 131 96

HSL 36.84, 0.23%, 0.49%

LAB 55.94, 3.14, 22.04

 

CMYK 0 / 5 / 13 / 48

HEX #857E74

RGB 133 126 116

HSL 35.29, 0.07%, 0.49%

LAB 53.13, 0.81, 6.39

 

CMYK 18 / 11 / 0 / 46

HEX #707A89

RGB 112 122 137

HSL 216, 0.1%, 0.49%

LAB 50.89, -0.34, -9.41

 

CMYK 0 / 65 / 71 / 24

HEX #C14338

RGB 193 67 56

HSL 4.82, 0.55%, 0.49%

LAB 46.49, 49.75, 34.01

 

CMYK 0 / 46 / 71 / 24

HEX #C16838

RGB 193 104 56

HSL 21.02, 0.55%, 0.49%

LAB 53.52, 31.68, 41.94

 

CMYK 0 / 27 / 71 / 24

HEX #C18C38

RGB 193 140 56

HSL 36.79, 0.55%, 0.49%

LAB 61.98, 12.02, 50.98

 

CMYK 0 / 8 / 71 / 24

HEX #C1B138

RGB 193 177 56

HSL 52.99, 0.55%, 0.49%

LAB 71.6, -7.87, 60.71

 

CMYK 10 / 0 / 71 / 24

HEX #ADC138

RGB 173 193 56

HSL 68.76, 0.55%, 0.49%

LAB 74.39, -24.46, 62.91

 

CMYK 0 / 27 / 71 / 49

HEX #815E25

RGB 129 94 37

HSL 37.17, 0.55%, 0.33%

LAB 42.47, 8.14, 37.12

 

CMYK 0 / 27 / 71 / 37

HEX #A1762E

RGB 161 118 46

HSL 37.57, 0.56%, 0.41%

LAB 52.65, 9.53, 44.69

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 0 / 22 / 59 / 20

HEX #CDA055

RGB 205 160 85

HSL 37.5, 0.55%, 0.57%

LAB 68.59, 8.16, 44.89

 

CMYK 0 / 18 / 46 / 16

HEX #D7B175

RGB 215 177 117

HSL 36.73, 0.55%, 0.65%

LAB 74.3, 6.04, 35.79

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 58 / 0 / 71 / 24

HEX #51C138

RGB 81 193 56

HSL 109.05, 0.55%, 0.49%

LAB 69.59, -56.56, 56.52

 

CMYK 55 / 71 / 0 / 24

HEX #5638C1

RGB 86 56 193

HSL 253.14, 0.55%, 0.49%

LAB 35.32, 48.28, -67.19

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 71 / 0 / 27 / 24

HEX #38C18C

RGB 56 193 140

HSL 156.79, 0.55%, 0.49%

LAB 70.09, -48.86, 16.35

 

CMYK 27 / 71 / 0 / 24

HEX #8C38C1

RGB 140 56 193

HSL 276.79, 0.55%, 0.49%

LAB 41.62, 57.97, -56.65

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 58 / 0 / 71 / 24

HEX #51C138

RGB 81 193 56

HSL 109.05, 0.55%, 0.49%

LAB 69.59, -56.56, 56.52

 

CMYK 71 / 44 / 0 / 24

HEX #386CC1

RGB 56 108 193

HSL 217.23, 0.55%, 0.49%

LAB 46.2, 11.49, -49.64

 

CMYK 13 / 71 / 0 / 24

HEX #A838C1

RGB 168 56 193

HSL 289.05, 0.55%, 0.49%

LAB 45.64, 63.76, -49.97

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 71 / 0 / 63 / 24

HEX #38C148

RGB 56 193 72

HSL 127.01, 0.55%, 0.49%

LAB 69.07, -60.31, 49.24

 

CMYK 71 / 44 / 0 / 24

HEX #386CC1

RGB 56 108 193

HSL 217.23, 0.55%, 0.49%

LAB 46.2, 11.49, -49.64

 

CMYK 0 / 71 / 8 / 24

HEX #C138B1

RGB 193 56 177

HSL 307.01, 0.55%, 0.49%

LAB 48.69, 66.62, -35.54

 

Description

Color code: HEX #C18D38 | qconv.com Color code: HEX #C18D38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 141 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 141 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 71 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 71% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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