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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86C138 it is the complementary color #793EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86C138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86C138 shade: #8BC133, #9CD346, #ADE559, #BEF76C and #CFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86C138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86C138 shade: #86C138, #75AF25, #649D12, #538B00 and #427900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86C138 shade: #86C138, #ABC138, #C1B238, #C18D38 and #C16838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86C138 shade: #86C138, #61C138, #3CC138, #38C159 and #38C17E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86C138 shade matches the following richer shades: #86C138, #89D524 and #8CEA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86C138 shade: #86C138, #83AD4C, #809960, #7E8574 and #7B7089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86C138 shade: #C1B138, #ADC138, #88C138, #63C138 and #3FC138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86C138 shade: #5A8125, #70A12E, #86C138, #99CD55 and #ACD775

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86C138 shade: #86C138, #38C18C and #C138BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86C138 shade: #86C138, #3888C1 and #C13888

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86C138 shade: #86C138, #38C18C, #7138C1 and #C1386C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86C138 shade: #86C138, #38C1B6, #7138C1 and #C13843

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

Complementary color

CMYK 39 / 69 / 0 / 22

HEX #793EC7

RGB 121 62 199

HSL 265.84, 0.55%, 0.51%

LAB 40.63, 52.9, -61.87

 

CMYK 28 / 0 / 74 / 24

HEX #8BC133

RGB 139 193 51

HSL 82.82, 0.58%, 0.48%

LAB 72.14, -38.29, 61.73

 

CMYK 26 / 0 / 67 / 17

HEX #9CD346

RGB 156 211 70

HSL 83.4, 0.62%, 0.55%

LAB 78.52, -38.71, 61.47

 

CMYK 24 / 0 / 61 / 10

HEX #ADE559

RGB 173 229 89

HSL 84, 0.73%, 0.62%

LAB 84.81, -39, 60.81

 

CMYK 23 / 0 / 56 / 3

HEX #BEF76C

RGB 190 247 108

HSL 84.6, 0.9%, 0.7%

LAB 91.03, -39.19, 59.93

 

CMYK 19 / 0 / 50 / 0

HEX #CFFF7F

RGB 207 255 127

HSL 82.5, 1%, 0.75%

LAB 94.45, -34.82, 55.68

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 33 / 0 / 79 / 31

HEX #75AF25

RGB 117 175 37

HSL 85.22, 0.65%, 0.42%

LAB 65.42, -39.36, 59.45

 

CMYK 36 / 0 / 89 / 38

HEX #649D12

RGB 100 157 18

HSL 84.6, 0.79%, 0.34%

LAB 58.85, -38.61, 58.21

 

CMYK 40 / 0 / 100 / 45

HEX #538B00

RGB 83 139 0

HSL 84.17, 1%, 0.27%

LAB 52.18, -37.59, 55.55

 

CMYK 45 / 0 / 100 / 53

HEX #427900

RGB 66 121 0

HSL 87.27, 1%, 0.24%

LAB 45.4, -36.07, 49.92

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 11 / 0 / 71 / 24

HEX #ABC138

RGB 171 193 56

HSL 69.64, 0.55%, 0.49%

LAB 74.24, -25.29, 62.72

 

CMYK 0 / 8 / 71 / 24

HEX #C1B238

RGB 193 178 56

HSL 53.43, 0.55%, 0.49%

LAB 71.87, -8.39, 60.98

 

CMYK 0 / 27 / 71 / 24

HEX #C18D38

RGB 193 141 56

HSL 37.23, 0.55%, 0.49%

LAB 62.23, 11.47, 51.24

 

CMYK 0 / 46 / 71 / 24

HEX #C16838

RGB 193 104 56

HSL 21.02, 0.55%, 0.49%

LAB 53.52, 31.68, 41.94

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 50 / 0 / 71 / 24

HEX #61C138

RGB 97 193 56

HSL 102.04, 0.55%, 0.49%

LAB 70.15, -52.22, 57.27

 

CMYK 69 / 0 / 71 / 24

HEX #3CC138

RGB 60 193 56

HSL 118.25, 0.55%, 0.49%

LAB 69.03, -61.16, 55.76

 

CMYK 71 / 0 / 54 / 24

HEX #38C159

RGB 56 193 89

HSL 134.45, 0.55%, 0.49%

LAB 69.26, -58.16, 41.61

 

CMYK 71 / 0 / 35 / 24

HEX #38C17E

RGB 56 193 126

HSL 150.66, 0.55%, 0.49%

LAB 69.82, -51.83, 23.46

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 36 / 0 / 83 / 16

HEX #89D524

RGB 137 213 36

HSL 85.76, 0.71%, 0.49%

LAB 77.9, -48.3, 71.38

 

CMYK 40 / 0 / 94 / 8

HEX #8CEA0F

RGB 140 234 15

HSL 85.75, 0.88%, 0.49%

LAB 84.2, -56.2, 80.27

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 24 / 0 / 56 / 32

HEX #83AD4C

RGB 131 173 76

HSL 85.98, 0.39%, 0.49%

LAB 65.93, -30.21, 44.61

 

CMYK 16 / 0 / 37 / 40

HEX #809960

RGB 128 153 96

HSL 86.32, 0.23%, 0.49%

LAB 60.08, -19.08, 27.13

 

CMYK 5 / 0 / 13 / 48

HEX #7E8574

RGB 126 133 116

HSL 84.71, 0.07%, 0.49%

LAB 54.52, -5.87, 8.29

 

CMYK 10 / 18 / 0 / 46

HEX #7B7089

RGB 123 112 137

HSL 266.4, 0.1%, 0.49%

LAB 49.01, 9.42, -12.13

 

CMYK 0 / 8 / 71 / 24

HEX #C1B138

RGB 193 177 56

HSL 52.99, 0.55%, 0.49%

LAB 71.6, -7.87, 60.71

 

CMYK 10 / 0 / 71 / 24

HEX #ADC138

RGB 173 193 56

HSL 68.76, 0.55%, 0.49%

LAB 74.39, -24.46, 62.91

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 49 / 0 / 71 / 24

HEX #63C138

RGB 99 193 56

HSL 101.17, 0.55%, 0.49%

LAB 70.23, -51.63, 57.38

 

CMYK 67 / 0 / 71 / 24

HEX #3FC138

RGB 63 193 56

HSL 116.93, 0.55%, 0.49%

LAB 69.1, -60.59, 55.86

 

CMYK 30 / 0 / 71 / 49

HEX #5A8125

RGB 90 129 37

HSL 85.43, 0.55%, 0.33%

LAB 49.51, -28.76, 43.42

 

CMYK 30 / 0 / 71 / 37

HEX #70A12E

RGB 112 161 46

HSL 85.57, 0.56%, 0.41%

LAB 60.9, -34.46, 51.86

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 25 / 0 / 59 / 20

HEX #99CD55

RGB 153 205 85

HSL 86, 0.55%, 0.57%

LAB 76.73, -35.93, 53.2

 

CMYK 20 / 0 / 46 / 16

HEX #ACD775

RGB 172 215 117

HSL 86.33, 0.55%, 0.65%

LAB 81.1, -30.22, 43.65

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 71 / 0 / 27 / 24

HEX #38C18C

RGB 56 193 140

HSL 156.79, 0.55%, 0.49%

LAB 70.09, -48.86, 16.35

 

CMYK 0 / 71 / 1 / 24

HEX #C138BF

RGB 193 56 191

HSL 300.88, 0.55%, 0.49%

LAB 49.41, 68.82, -42.57

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 71 / 30 / 0 / 24

HEX #3888C1

RGB 56 136 193

HSL 204.96, 0.55%, 0.49%

LAB 54.34, -5.51, -36.73

 

CMYK 0 / 71 / 30 / 24

HEX #C13888

RGB 193 56 136

HSL 324.96, 0.55%, 0.49%

LAB 46.9, 60.98, -13.86

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 71 / 0 / 27 / 24

HEX #38C18C

RGB 56 193 140

HSL 156.79, 0.55%, 0.49%

LAB 70.09, -48.86, 16.35

 

CMYK 41 / 71 / 0 / 24

HEX #7138C1

RGB 113 56 193

HSL 264.96, 0.55%, 0.49%

LAB 38.18, 52.8, -62.39

 

CMYK 0 / 71 / 44 / 24

HEX #C1386C

RGB 193 56 108

HSL 337.23, 0.55%, 0.49%

LAB 45.97, 57.92, 1.85

 

CMYK 31 / 0 / 71 / 24

HEX #86C138

RGB 134 193 56

HSL 85.84, 0.55%, 0.49%

LAB 71.89, -39.86, 59.6

 

CMYK 71 / 0 / 6 / 24

HEX #38C1B6

RGB 56 193 182

HSL 175.18, 0.55%, 0.49%

LAB 71.12, -38.34, -5.01

 

CMYK 41 / 71 / 0 / 24

HEX #7138C1

RGB 113 56 193

HSL 264.96, 0.55%, 0.49%

LAB 38.18, 52.8, -62.39

 

CMYK 0 / 71 / 65 / 24

HEX #C13843

RGB 193 56 67

HSL 355.18, 0.55%, 0.49%

LAB 45.04, 54.75, 25.75

 

Description

Color code: HEX #86C138 | qconv.com Color code: HEX #86C138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 193 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 193 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 71 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 71% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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