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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C34E79 it is the complementary color #3CB186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C34E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C34E79 shade: #C84E74, #D96087, #EA729A, #FB84AD and #FF96C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C34E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C34E79 shade: #C34E79, #B23C66, #A12A53, #901840 and #7F062D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C34E79 shade: #C3507A, #C3505B and #C35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C34E79 shade: #C3507A, #C35099, #C350B8, #AE50C3 and #8F50C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C34E79 shade matches the following richer shades: #C3507A, #D63D75, #E92A70 and #FC176B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C34E79 shade: #C3507A, #B0637F, #9D7684, #8A8989 and #779C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C34E79 shade: #C350B9, #C3509A, #C3507C, #C3505D and #C36150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C34E79 shade: #8F3153, #AE3B65, #C3507A, #CD6E91 and #D88DA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C34E79 shade: #C34E79, #C3AE50 and #50AAC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C34E79 shade: #C34E79, #7CC350 and #507CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C34E79 shade: #C34E79, #C3AE50, #50C397 and #5065C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C34E79 shade: #C34E79, #B5C350, #50C397 and #5D50C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 38 / 24

HEX #C34E79

RGB 195 78 121

HSL 337.95, 0.49%, 0.54%

LAB 50.02, 50.82, -0.13

 

Complementary color

CMYK 66 / 0 / 24 / 31

HEX #3CB186

RGB 60 177 134

HSL 157.95, 0.49%, 0.46%

LAB 65.06, -42.93, 12.6

 

CMYK 0 / 61 / 42 / 22

HEX #C84E74

RGB 200 78 116

HSL 341.31, 0.53%, 0.55%

LAB 50.67, 51.89, 3.94

 

CMYK 0 / 56 / 38 / 15

HEX #D96087

RGB 217 96 135

HSL 340.66, 0.61%, 0.61%

LAB 56.95, 51.23, 2.07

 

CMYK 0 / 51 / 34 / 8

HEX #EA729A

RGB 234 114 154

HSL 340, 0.74%, 0.68%

LAB 63.23, 50.45, 0.5

 

CMYK 0 / 47 / 31 / 2

HEX #FB84AD

RGB 251 132 173

HSL 339.33, 0.94%, 0.75%

LAB 69.49, 49.62, -0.84

 

CMYK 0 / 41 / 25 / 0

HEX #FF96C0

RGB 255 150 192

HSL 336, 1%, 0.79%

LAB 74.11, 44.43, -4.56

 

CMYK 0 / 60 / 38 / 24

HEX #C34E79

RGB 195 78 121

HSL 337.95, 0.49%, 0.54%

LAB 50.02, 50.82, -0.13

 

CMYK 0 / 66 / 43 / 30

HEX #B23C66

RGB 178 60 102

HSL 338.64, 0.5%, 0.47%

LAB 43.74, 51.25, 1.98

 

CMYK 0 / 74 / 48 / 37

HEX #A12A53

RGB 161 42 83

HSL 339.33, 0.59%, 0.4%

LAB 37.59, 51.22, 4.67

 

CMYK 0 / 83 / 56 / 44

HEX #901840

RGB 144 24 64

HSL 340, 0.71%, 0.33%

LAB 31.7, 50.38, 8.22

 

CMYK 0 / 95 / 65 / 50

HEX #7F062D

RGB 127 6 45

HSL 340.66, 0.91%, 0.26%

LAB 26.25, 48.22, 12.94

 

CMYK 0 / 59 / 37 / 24

HEX #C3507A

RGB 195 80 122

HSL 338.09, 0.49%, 0.54%

LAB 50.39, 50.02, -0.18

 

CMYK 0 / 59 / 53 / 24

HEX #C3505B

RGB 195 80 91

HSL 354.26, 0.49%, 0.54%

LAB 49.61, 46.94, 17.36

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 59 / 37 / 24

HEX #C3507A

RGB 195 80 122

HSL 338.09, 0.49%, 0.54%

LAB 50.39, 50.02, -0.18

 

CMYK 0 / 59 / 22 / 24

HEX #C35099

RGB 195 80 153

HSL 321.91, 0.49%, 0.54%

LAB 51.43, 54, -17.12

 

CMYK 0 / 59 / 6 / 24

HEX #C350B8

RGB 195 80 184

HSL 305.74, 0.49%, 0.54%

LAB 52.73, 58.78, -33.26

 

CMYK 11 / 59 / 0 / 24

HEX #AE50C3

RGB 174 80 195

HSL 289.04, 0.49%, 0.54%

LAB 50.31, 55.29, -43.64

 

CMYK 27 / 59 / 0 / 24

HEX #8F50C3

RGB 143 80 195

HSL 272.87, 0.49%, 0.54%

LAB 46.33, 47.55, -50.21

 

CMYK 0 / 59 / 37 / 24

HEX #C3507A

RGB 195 80 122

HSL 338.09, 0.49%, 0.54%

LAB 50.39, 50.02, -0.18

 

CMYK 0 / 71 / 45 / 16

HEX #D63D75

RGB 214 61 117

HSL 338.04, 0.65%, 0.54%

LAB 50.59, 63.01, 3.52

 

CMYK 0 / 82 / 52 / 9

HEX #E92A70

RGB 233 42 112

HSL 338.01, 0.81%, 0.54%

LAB 52.01, 73.12, 9.03

 

CMYK 0 / 91 / 58 / 1

HEX #FC176B

RGB 252 23 107

HSL 337.99, 0.97%, 0.54%

LAB 54.42, 80.63, 15.97

 

CMYK 0 / 59 / 37 / 24

HEX #C3507A

RGB 195 80 122

HSL 338.09, 0.49%, 0.54%

LAB 50.39, 50.02, -0.18

 

CMYK 0 / 44 / 28 / 31

HEX #B0637F

RGB 176 99 127

HSL 338.18, 0.33%, 0.54%

LAB 51.48, 34.53, -1.89

 

CMYK 0 / 25 / 16 / 38

HEX #9D7684

RGB 157 118 132

HSL 338.46, 0.17%, 0.54%

LAB 53.8, 17.54, -1.69

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 24 / 0 / 9 / 39

HEX #779C8E

RGB 119 156 142

HSL 157.3, 0.16%, 0.54%

LAB 61.35, -15.73, 3.18

 

CMYK 0 / 59 / 5 / 24

HEX #C350B9

RGB 195 80 185

HSL 305.22, 0.49%, 0.54%

LAB 52.78, 58.94, -33.76

 

CMYK 0 / 59 / 21 / 24

HEX #C3509A

RGB 195 80 154

HSL 321.39, 0.49%, 0.54%

LAB 51.46, 54.14, -17.65

 

CMYK 0 / 59 / 36 / 24

HEX #C3507C

RGB 195 80 124

HSL 337.04, 0.49%, 0.54%

LAB 50.45, 50.25, -1.3

 

CMYK 0 / 59 / 52 / 24

HEX #C3505D

RGB 195 80 93

HSL 353.22, 0.49%, 0.54%

LAB 49.65, 47.11, 16.22

 

CMYK 0 / 50 / 59 / 24

HEX #C36150

RGB 195 97 80

HSL 8.87, 0.49%, 0.54%

LAB 52.65, 37.67, 27.82

 

CMYK 0 / 66 / 42 / 44

HEX #8F3153

RGB 143 49 83

HSL 338.3, 0.49%, 0.38%

LAB 35.32, 42.76, 0.99

 

CMYK 0 / 66 / 42 / 32

HEX #AE3B65

RGB 174 59 101

HSL 338.09, 0.49%, 0.46%

LAB 42.86, 50.31, 1.25

 

CMYK 0 / 59 / 37 / 24

HEX #C3507A

RGB 195 80 122

HSL 338.09, 0.49%, 0.54%

LAB 50.39, 50.02, -0.18

 

CMYK 0 / 46 / 29 / 20

HEX #CD6E91

RGB 205 110 145

HSL 337.89, 0.49%, 0.62%

LAB 58.2, 41.47, -2.13

 

CMYK 0 / 35 / 22 / 15

HEX #D88DA9

RGB 216 141 169

HSL 337.6, 0.49%, 0.7%

LAB 66.91, 32.34, -2.88

 

CMYK 0 / 60 / 38 / 24

HEX #C34E79

RGB 195 78 121

HSL 337.95, 0.49%, 0.54%

LAB 50.02, 50.82, -0.13

 

CMYK 0 / 11 / 59 / 24

HEX #C3AE50

RGB 195 174 80

HSL 49.04, 0.49%, 0.54%

LAB 71.18, -3.96, 50.04

 

CMYK 59 / 13 / 0 / 24

HEX #50AAC3

RGB 80 170 195

HSL 193.04, 0.49%, 0.54%

LAB 65.27, -19.49, -20.89

 

CMYK 0 / 60 / 38 / 24

HEX #C34E79

RGB 195 78 121

HSL 337.95, 0.49%, 0.54%

LAB 50.02, 50.82, -0.13

 

CMYK 36 / 0 / 59 / 24

HEX #7CC350

RGB 124 195 80

HSL 97.04, 0.49%, 0.54%

LAB 72.16, -42.32, 49.82

 

CMYK 59 / 36 / 0 / 24

HEX #507CC3

RGB 80 124 195

HSL 217.04, 0.49%, 0.54%

LAB 51.91, 6.5, -41.65

 

CMYK 0 / 60 / 38 / 24

HEX #C34E79

RGB 195 78 121

HSL 337.95, 0.49%, 0.54%

LAB 50.02, 50.82, -0.13

 

CMYK 0 / 11 / 59 / 24

HEX #C3AE50

RGB 195 174 80

HSL 49.04, 0.49%, 0.54%

LAB 71.18, -3.96, 50.04

 

CMYK 59 / 0 / 23 / 24

HEX #50C397

RGB 80 195 151

HSL 157.04, 0.49%, 0.54%

LAB 71.53, -43, 12.53

 

CMYK 59 / 48 / 0 / 24

HEX #5065C3

RGB 80 101 195

HSL 229.04, 0.49%, 0.54%

LAB 45.57, 20.74, -51.74

 

CMYK 0 / 60 / 38 / 24

HEX #C34E79

RGB 195 78 121

HSL 337.95, 0.49%, 0.54%

LAB 50.02, 50.82, -0.13

 

CMYK 7 / 0 / 59 / 24

HEX #B5C350

RGB 181 195 80

HSL 67.3, 0.49%, 0.54%

LAB 75.72, -20.59, 54.79

 

CMYK 59 / 0 / 23 / 24

HEX #50C397

RGB 80 195 151

HSL 157.04, 0.49%, 0.54%

LAB 71.53, -43, 12.53

 

CMYK 52 / 59 / 0 / 24

HEX #5D50C3

RGB 93 80 195

HSL 246.78, 0.49%, 0.54%

LAB 41.22, 36.34, -58.7

 

Description

Color code: HEX #C34E79 | qconv.com Color code: HEX #C34E79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 78 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 78 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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