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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38E78 it is the complementary color #3C7187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38E78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38E78 shade: #C88E73, #D9A086, #EAB299, #FBC4AC and #FFD6BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38E78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38E78 shade: #C38E78, #B27C65, #A16A52, #90583F and #7F462C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38E78 shade: #C28E79, #C27B79 and #C27979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38E78 shade: #C28E79, #C2A279, #C2B679, #BBC279 and #A7C279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38E78 shade matches the following richer shades: #C28E79, #D28869, #E28159 and #F17B4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38E78 shade: #C28E79, #B39588, #A39B98, #93A2A8 and #84A8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38E78 shade: #C2798B, #C27A79, #C28E79, #C2A179 and #C2B579

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38E78 shade: #A16248, #B6775C, #C28E79, #CFA695 and #DCBEB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38E78 shade: #C38E78, #9FC279 and #7981C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38E78 shade: #C38E78, #79C28E and #8E79C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38E78 shade: #C38E78, #9FC279, #79AEC2 and #9C79C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38E78 shade: #C38E78, #89C279, #79AEC2 and #B279C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 38 / 24

HEX #C38E78

RGB 195 142 120

HSL 17.6, 0.38%, 0.62%

LAB 63.59, 17.24, 19.64

 

Complementary color

CMYK 56 / 16 / 0 / 47

HEX #3C7187

RGB 60 113 135

HSL 197.6, 0.38%, 0.38%

LAB 44.97, -10.98, -17.49

 

CMYK 0 / 29 / 43 / 22

HEX #C88E73

RGB 200 142 115

HSL 19.06, 0.44%, 0.62%

LAB 64.05, 18.68, 23.14

 

CMYK 0 / 26 / 38 / 15

HEX #D9A086

RGB 217 160 134

HSL 18.8, 0.52%, 0.69%

LAB 70.6, 17.81, 21.85

 

CMYK 0 / 24 / 35 / 8

HEX #EAB299

RGB 234 178 153

HSL 18.52, 0.66%, 0.76%

LAB 77.06, 17.05, 20.67

 

CMYK 0 / 22 / 31 / 2

HEX #FBC4AC

RGB 251 196 172

HSL 18.23, 0.91%, 0.83%

LAB 83.43, 16.36, 19.57

 

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

CMYK 0 / 27 / 38 / 24

HEX #C38E78

RGB 195 142 120

HSL 17.6, 0.38%, 0.62%

LAB 63.59, 17.24, 19.64

 

CMYK 0 / 30 / 43 / 30

HEX #B27C65

RGB 178 124 101

HSL 17.92, 0.33%, 0.55%

LAB 56.9, 18.14, 20.97

 

CMYK 0 / 34 / 49 / 37

HEX #A16A52

RGB 161 106 82

HSL 18.23, 0.33%, 0.48%

LAB 50.09, 19.19, 22.45

 

CMYK 0 / 39 / 56 / 44

HEX #90583F

RGB 144 88 63

HSL 18.52, 0.39%, 0.41%

LAB 43.16, 20.42, 24.14

 

CMYK 0 / 45 / 65 / 50

HEX #7F462C

RGB 127 70 44

HSL 18.8, 0.49%, 0.34%

LAB 36.13, 21.88, 26.08

 

CMYK 0 / 27 / 38 / 24

HEX #C28E79

RGB 194 142 121

HSL 17.26, 0.37%, 0.62%

LAB 63.5, 16.96, 18.94

 

CMYK 0 / 37 / 38 / 24

HEX #C27B79

RGB 194 123 121

HSL 1.64, 0.37%, 0.62%

LAB 58.99, 27.42, 12.69

 

CMYK 0 / 38 / 38 / 24

HEX #C27979

RGB 194 121 121

HSL 0, 0.37%, 0.62%

LAB 58.53, 28.51, 12.05

 

CMYK 0 / 27 / 38 / 24

HEX #C28E79

RGB 194 142 121

HSL 17.26, 0.37%, 0.62%

LAB 63.5, 16.96, 18.94

 

CMYK 0 / 16 / 38 / 24

HEX #C2A279

RGB 194 162 121

HSL 33.7, 0.37%, 0.62%

LAB 68.53, 6, 25.73

 

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

CMYK 4 / 0 / 38 / 24

HEX #BBC279

RGB 187 194 121

HSL 65.75, 0.37%, 0.62%

LAB 76.39, -13.71, 35.92

 

CMYK 14 / 0 / 38 / 24

HEX #A7C279

RGB 167 194 121

HSL 82.19, 0.37%, 0.62%

LAB 74.94, -21.45, 33.75

 

CMYK 0 / 27 / 38 / 24

HEX #C28E79

RGB 194 142 121

HSL 17.26, 0.37%, 0.62%

LAB 63.5, 16.96, 18.94

 

CMYK 0 / 35 / 50 / 18

HEX #D28869

RGB 210 136 105

HSL 17.71, 0.54%, 0.62%

LAB 63.61, 24.96, 28.31

 

CMYK 0 / 43 / 61 / 11

HEX #E28159

RGB 226 129 89

HSL 17.52, 0.7%, 0.62%

LAB 63.83, 33.76, 37.71

 

CMYK 0 / 49 / 69 / 5

HEX #F17B4A

RGB 241 123 74

HSL 17.6, 0.86%, 0.62%

LAB 64.45, 41.75, 46.8

 

CMYK 0 / 27 / 38 / 24

HEX #C28E79

RGB 194 142 121

HSL 17.26, 0.37%, 0.62%

LAB 63.5, 16.96, 18.94

 

CMYK 0 / 17 / 24 / 30

HEX #B39588

RGB 179 149 136

HSL 18.14, 0.22%, 0.62%

LAB 64.04, 9.16, 11.05

 

CMYK 0 / 5 / 7 / 36

HEX #A39B98

RGB 163 155 152

HSL 16.36, 0.06%, 0.62%

LAB 64.56, 2.37, 2.6

 

CMYK 13 / 4 / 0 / 34

HEX #93A2A8

RGB 147 162 168

HSL 197.14, 0.11%, 0.62%

LAB 65.65, -4.02, -4.92

 

CMYK 28 / 8 / 0 / 28

HEX #84A8B7

RGB 132 168 183

HSL 197.65, 0.26%, 0.62%

LAB 66.77, -8.7, -11.72

 

CMYK 0 / 38 / 28 / 24

HEX #C2798B

RGB 194 121 139

HSL 345.21, 0.37%, 0.62%

LAB 58.98, 30.85, 2.31

 

CMYK 0 / 37 / 38 / 24

HEX #C27A79

RGB 194 122 121

HSL 0.82, 0.37%, 0.62%

LAB 58.76, 27.97, 12.37

 

CMYK 0 / 27 / 38 / 24

HEX #C28E79

RGB 194 142 121

HSL 17.26, 0.37%, 0.62%

LAB 63.5, 16.96, 18.94

 

CMYK 0 / 17 / 38 / 24

HEX #C2A179

RGB 194 161 121

HSL 32.88, 0.37%, 0.62%

LAB 68.27, 6.54, 25.39

 

CMYK 0 / 7 / 38 / 24

HEX #C2B579

RGB 194 181 121

HSL 49.32, 0.37%, 0.62%

LAB 73.48, -4.17, 32.26

 

CMYK 0 / 39 / 55 / 37

HEX #A16248

RGB 161 98 72

HSL 17.53, 0.38%, 0.46%

LAB 47.98, 22.77, 25.5

 

CMYK 0 / 35 / 49 / 29

HEX #B6775C

RGB 182 119 92

HSL 18, 0.38%, 0.54%

LAB 56, 21.64, 24.97

 

CMYK 0 / 27 / 38 / 24

HEX #C28E79

RGB 194 142 121

HSL 17.26, 0.37%, 0.62%

LAB 63.5, 16.96, 18.94

 

CMYK 0 / 20 / 28 / 19

HEX #CFA695

RGB 207 166 149

HSL 17.59, 0.38%, 0.7%

LAB 71.36, 12.56, 14.51

 

CMYK 0 / 14 / 19 / 14

HEX #DCBEB2

RGB 220 190 178

HSL 17.14, 0.38%, 0.78%

LAB 79.19, 8.78, 9.99

 

CMYK 0 / 27 / 38 / 24

HEX #C38E78

RGB 195 142 120

HSL 17.6, 0.38%, 0.62%

LAB 63.59, 17.24, 19.64

 

CMYK 18 / 0 / 38 / 24

HEX #9FC279

RGB 159 194 121

HSL 88.77, 0.37%, 0.62%

LAB 74.4, -24.45, 32.96

 

CMYK 38 / 34 / 0 / 24

HEX #7981C2

RGB 121 129 194

HSL 233.42, 0.37%, 0.62%

LAB 55.75, 13.12, -34.87

 

CMYK 0 / 27 / 38 / 24

HEX #C38E78

RGB 195 142 120

HSL 17.6, 0.38%, 0.62%

LAB 63.59, 17.24, 19.64

 

CMYK 38 / 0 / 27 / 24

HEX #79C28E

RGB 121 194 142

HSL 137.26, 0.37%, 0.62%

LAB 72.63, -33.97, 19.13

 

CMYK 27 / 38 / 0 / 24

HEX #8E79C2

RGB 142 121 194

HSL 257.26, 0.37%, 0.62%

LAB 55.4, 23.86, -35.28

 

CMYK 0 / 27 / 38 / 24

HEX #C38E78

RGB 195 142 120

HSL 17.6, 0.38%, 0.62%

LAB 63.59, 17.24, 19.64

 

CMYK 18 / 0 / 38 / 24

HEX #9FC279

RGB 159 194 121

HSL 88.77, 0.37%, 0.62%

LAB 74.4, -24.45, 32.96

 

CMYK 38 / 10 / 0 / 24

HEX #79AEC2

RGB 121 174 194

HSL 196.44, 0.37%, 0.62%

LAB 68.19, -12.33, -15.74

 

CMYK 20 / 38 / 0 / 24

HEX #9C79C2

RGB 156 121 194

HSL 268.77, 0.37%, 0.62%

LAB 56.72, 28.06, -33.12

 

CMYK 0 / 27 / 38 / 24

HEX #C38E78

RGB 195 142 120

HSL 17.6, 0.38%, 0.62%

LAB 63.59, 17.24, 19.64

 

CMYK 29 / 0 / 38 / 24

HEX #89C279

RGB 137 194 121

HSL 106.85, 0.37%, 0.62%

LAB 73.08, -32.32, 30.97

 

CMYK 38 / 10 / 0 / 24

HEX #79AEC2

RGB 121 174 194

HSL 196.44, 0.37%, 0.62%

LAB 68.19, -12.33, -15.74

 

CMYK 8 / 38 / 0 / 24

HEX #B279C2

RGB 178 121 194

HSL 286.85, 0.37%, 0.62%

LAB 59.01, 34.86, -29.39

 

Description

Color code: HEX #C38E78 | qconv.com Color code: HEX #C38E78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 142 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 142 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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