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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A352 it is the complementary color #385CAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A352 shade: #CCA34D, #DDB560, #EEC773, #FFD986 and #FFEB99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A352 shade: #C7A352, #B6913F, #A57F2C, #946D19 and #835B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A352 shade: #C6A251, #C68351, #C66351 and #C65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A352 shade: #C6A251, #C6C251, #ABC651, #8CC651 and #6CC651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A352 shade matches the following richer shades: #C6A251, #D9A93F, #EBB12C and #FEB81A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A352 shade: #C6A251, #B49B64, #A19476, #8F8D89 and #7C869B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A352 shade: #C66351, #C68251, #C6A151, #C6C051 and #ADC651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A352 shade: #957630, #B48F3A, #C6A251, #D0B370 and #DAC390

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A352 shade: #C7A352, #5FC651 and #7251C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A352 shade: #C7A352, #51C6A1 and #A151C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A352 shade: #C7A352, #5FC651, #5176C6 and #B951C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A352 shade: #C7A352, #51C667, #5176C6 and #C651B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 59 / 22

HEX #C7A352

RGB 199 163 82

HSL 41.54, 0.51%, 0.55%

LAB 68.71, 3.76, 46.36

 

Complementary color

CMYK 68 / 47 / 0 / 32

HEX #385CAD

RGB 56 92 173

HSL 221.54, 0.51%, 0.45%

LAB 40.43, 14.39, -47.21

 

CMYK 0 / 20 / 62 / 20

HEX #CCA34D

RGB 204 163 77

HSL 40.63, 0.55%, 0.55%

LAB 69.16, 5.55, 49.41

 

CMYK 0 / 18 / 57 / 13

HEX #DDB560

RGB 221 181 96

HSL 40.8, 0.65%, 0.62%

LAB 75.62, 4.53, 48.15

 

CMYK 0 / 16 / 52 / 7

HEX #EEC773

RGB 238 199 115

HSL 40.98, 0.78%, 0.69%

LAB 81.98, 3.66, 46.87

 

CMYK 0 / 15 / 47 / 0

HEX #FFD986

RGB 255 217 134

HSL 41.16, 1%, 0.76%

LAB 88.26, 2.9, 45.6

 

CMYK 0 / 8 / 40 / 0

HEX #FFEB99

RGB 255 235 153

HSL 48.24, 1%, 0.8%

LAB 93, -4.35, 42.22

 

CMYK 0 / 18 / 59 / 22

HEX #C7A352

RGB 199 163 82

HSL 41.54, 0.51%, 0.55%

LAB 68.71, 3.76, 46.36

 

CMYK 0 / 20 / 65 / 29

HEX #B6913F

RGB 182 145 63

HSL 41.34, 0.49%, 0.48%

LAB 62.13, 4.85, 47.58

 

CMYK 0 / 23 / 73 / 35

HEX #A57F2C

RGB 165 127 44

HSL 41.16, 0.58%, 0.41%

LAB 55.44, 6.15, 48.58

 

CMYK 0 / 26 / 83 / 42

HEX #946D19

RGB 148 109 25

HSL 40.98, 0.71%, 0.34%

LAB 48.64, 7.75, 48.98

 

CMYK 0 / 31 / 95 / 49

HEX #835B06

RGB 131 91 6

HSL 40.8, 0.91%, 0.27%

LAB 41.72, 9.7, 48.03

 

CMYK 0 / 18 / 59 / 22

HEX #C6A251

RGB 198 162 81

HSL 41.54, 0.51%, 0.55%

LAB 68.34, 3.8, 46.39

 

CMYK 0 / 34 / 59 / 22

HEX #C68351

RGB 198 131 81

HSL 25.64, 0.51%, 0.55%

LAB 60.63, 20.71, 37.27

 

CMYK 0 / 50 / 59 / 22

HEX #C66351

RGB 198 99 81

HSL 9.23, 0.51%, 0.55%

LAB 53.52, 37.87, 28.44

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 18 / 59 / 22

HEX #C6A251

RGB 198 162 81

HSL 41.54, 0.51%, 0.55%

LAB 68.34, 3.8, 46.39

 

CMYK 0 / 2 / 59 / 22

HEX #C6C251

RGB 198 194 81

HSL 57.95, 0.51%, 0.55%

LAB 76.79, -12.97, 55.91

 

CMYK 14 / 0 / 59 / 22

HEX #ABC651

RGB 171 198 81

HSL 73.85, 0.51%, 0.55%

LAB 75.85, -26.03, 54.29

 

CMYK 29 / 0 / 59 / 22

HEX #8CC651

RGB 140 198 81

HSL 89.74, 0.51%, 0.55%

LAB 73.91, -37.91, 51.58

 

CMYK 45 / 0 / 59 / 22

HEX #6CC651

RGB 108 198 81

HSL 106.15, 0.51%, 0.55%

LAB 72.34, -48.63, 49.39

 

CMYK 0 / 18 / 59 / 22

HEX #C6A251

RGB 198 162 81

HSL 41.54, 0.51%, 0.55%

LAB 68.34, 3.8, 46.39

 

CMYK 0 / 22 / 71 / 15

HEX #D9A93F

RGB 217 169 63

HSL 41.3, 0.67%, 0.55%

LAB 71.88, 7.1, 58.96

 

CMYK 0 / 25 / 81 / 8

HEX #EBB12C

RGB 235 177 44

HSL 41.78, 0.83%, 0.55%

LAB 75.63, 9.84, 70.1

 

CMYK 0 / 28 / 90 / 0

HEX #FEB81A

RGB 254 184 26

HSL 41.58, 0.99%, 0.55%

LAB 79.29, 13.87, 78.45

 

CMYK 0 / 18 / 59 / 22

HEX #C6A251

RGB 198 162 81

HSL 41.54, 0.51%, 0.55%

LAB 68.34, 3.8, 46.39

 

CMYK 0 / 14 / 44 / 29

HEX #B49B64

RGB 180 155 100

HSL 41.25, 0.35%, 0.55%

LAB 65.01, 1.66, 32.2

 

CMYK 0 / 8 / 27 / 37

HEX #A19476

RGB 161 148 118

HSL 41.86, 0.19%, 0.55%

LAB 61.71, -0.07, 17.63

 

CMYK 0 / 1 / 4 / 44

HEX #8F8D89

RGB 143 141 137

HSL 40, 0.03%, 0.55%

LAB 58.69, -0.02, 2.38

 

CMYK 20 / 14 / 0 / 39

HEX #7C869B

RGB 124 134 155

HSL 220.65, 0.13%, 0.55%

LAB 55.79, 1.03, -12.43

 

CMYK 0 / 50 / 59 / 22

HEX #C66351

RGB 198 99 81

HSL 9.23, 0.51%, 0.55%

LAB 53.52, 37.87, 28.44

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 0 / 19 / 59 / 22

HEX #C6A151

RGB 198 161 81

HSL 41.03, 0.51%, 0.55%

LAB 68.09, 4.34, 46.09

 

CMYK 0 / 3 / 59 / 22

HEX #C6C051

RGB 198 192 81

HSL 56.92, 0.51%, 0.55%

LAB 76.25, -11.96, 55.32

 

CMYK 13 / 0 / 59 / 22

HEX #ADC651

RGB 173 198 81

HSL 72.82, 0.51%, 0.55%

LAB 75.99, -25.23, 54.49

 

CMYK 0 / 21 / 68 / 42

HEX #957630

RGB 149 118 48

HSL 41.58, 0.51%, 0.39%

LAB 51.34, 4.18, 41.95

 

CMYK 0 / 21 / 68 / 29

HEX #B48F3A

RGB 180 143 58

HSL 41.8, 0.51%, 0.47%

LAB 61.35, 4.76, 48.99

 

CMYK 0 / 18 / 59 / 22

HEX #C6A251

RGB 198 162 81

HSL 41.54, 0.51%, 0.55%

LAB 68.34, 3.8, 46.39

 

CMYK 0 / 14 / 46 / 18

HEX #D0B370

RGB 208 179 112

HSL 41.88, 0.51%, 0.63%

LAB 74.07, 1.61, 37.96

 

CMYK 0 / 11 / 34 / 15

HEX #DAC390

RGB 218 195 144

HSL 41.35, 0.5%, 0.71%

LAB 79.58, 0.73, 28.63

 

CMYK 0 / 18 / 59 / 22

HEX #C7A352

RGB 199 163 82

HSL 41.54, 0.51%, 0.55%

LAB 68.71, 3.76, 46.36

 

CMYK 52 / 0 / 59 / 22

HEX #5FC651

RGB 95 198 81

HSL 112.82, 0.51%, 0.55%

LAB 71.84, -52.38, 48.67

 

CMYK 42 / 59 / 0 / 22

HEX #7251C6

RGB 114 81 198

HSL 256.92, 0.51%, 0.55%

LAB 43.57, 41.02, -56.56

 

CMYK 0 / 18 / 59 / 22

HEX #C7A352

RGB 199 163 82

HSL 41.54, 0.51%, 0.55%

LAB 68.71, 3.76, 46.36

 

CMYK 59 / 0 / 19 / 22

HEX #51C6A1

RGB 81 198 161

HSL 161.03, 0.51%, 0.55%

LAB 72.7, -41.82, 8.78

 

CMYK 19 / 59 / 0 / 22

HEX #A151C6

RGB 161 81 198

HSL 281.03, 0.51%, 0.55%

LAB 48.93, 52.15, -47.66

 

CMYK 0 / 18 / 59 / 22

HEX #C7A352

RGB 199 163 82

HSL 41.54, 0.51%, 0.55%

LAB 68.71, 3.76, 46.36

 

CMYK 52 / 0 / 59 / 22

HEX #5FC651

RGB 95 198 81

HSL 112.82, 0.51%, 0.55%

LAB 71.84, -52.38, 48.67

 

CMYK 59 / 40 / 0 / 22

HEX #5176C6

RGB 81 118 198

HSL 221.03, 0.51%, 0.55%

LAB 50.43, 11.37, -45.7

 

CMYK 7 / 59 / 0 / 22

HEX #B951C6

RGB 185 81 198

HSL 293.33, 0.51%, 0.55%

LAB 52.15, 58.19, -42.35

 

CMYK 0 / 18 / 59 / 22

HEX #C7A352

RGB 199 163 82

HSL 41.54, 0.51%, 0.55%

LAB 68.71, 3.76, 46.36

 

CMYK 59 / 0 / 48 / 22

HEX #51C667

RGB 81 198 103

HSL 131.28, 0.51%, 0.55%

LAB 71.63, -53.01, 37.82

 

CMYK 59 / 40 / 0 / 22

HEX #5176C6

RGB 81 118 198

HSL 221.03, 0.51%, 0.55%

LAB 50.43, 11.37, -45.7

 

CMYK 0 / 59 / 11 / 22

HEX #C651B1

RGB 198 81 177

HSL 310.77, 0.51%, 0.55%

LAB 53.02, 58.01, -28.71

 

Description

Color code: HEX #C7A352 | qconv.com Color code: HEX #C7A352 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 163 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 163 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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