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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7B146 it is the complementary color #384EB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7B146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7B146 shade: #CCB141, #DDC354, #EED567, #FFE77A and #FFF98D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7B146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7B146 shade: #C7B146, #B69F33, #A58D20, #947B0D and #836900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7B146 shade: #C7B146, #C78E46, #C76B46, #C74946 and #C74646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7B146 shade: #C7B146, #BBC746, #98C746, #75C746 and #52C746

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7B146 shade matches the following richer shades: #C7B146, #DBBE33 and #EECB1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7B146 shade: #C7B146, #B4A559, #A1986D, #8D8B80 and #7A7E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7B146 shade: #C76B46, #C78D46, #C7B046, #BDC746 and #9AC746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7B146 shade: #907F2B, #B09B34, #C7B146, #D1BF66 and #DACC85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7B146 shade: #C7B146, #46C748 and #7C46C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7B146 shade: #C7B146, #46C7B0 and #B046C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7B146 shade: #C7B146, #46C748, #465EC7 and #C746C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7B146 shade: #C7B146, #46C76F, #465EC7 and #C7469E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

Complementary color

CMYK 70 / 58 / 0 / 27

HEX #384EB9

RGB 56 78 185

HSL 229.77, 0.54%, 0.47%

LAB 37.47, 27.89, -59.07

 

CMYK 0 / 13 / 68 / 20

HEX #CCB141

RGB 204 177 65

HSL 48.35, 0.58%, 0.53%

LAB 72.67, -2.64, 58.53

 

CMYK 0 / 12 / 62 / 13

HEX #DDC354

RGB 221 195 84

HSL 48.61, 0.67%, 0.6%

LAB 79.07, -3.64, 57.65

 

CMYK 0 / 11 / 57 / 7

HEX #EED567

RGB 238 213 103

HSL 48.89, 0.8%, 0.67%

LAB 85.37, -4.49, 56.59

 

CMYK 0 / 9 / 52 / 0

HEX #FFE77A

RGB 255 231 122

HSL 49.17, 1%, 0.74%

LAB 91.6, -5.22, 55.45

 

CMYK 0 / 2 / 45 / 0

HEX #FFF98D

RGB 255 249 141

HSL 56.84, 1%, 0.78%

LAB 96.38, -12.48, 52.29

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 0 / 13 / 72 / 29

HEX #B69F33

RGB 182 159 51

HSL 49.47, 0.56%, 0.46%

LAB 65.73, -3.43, 56.52

 

CMYK 0 / 15 / 81 / 35

HEX #A58D20

RGB 165 141 32

HSL 49.17, 0.68%, 0.39%

LAB 59.12, -2.13, 56.61

 

CMYK 0 / 17 / 91 / 42

HEX #947B0D

RGB 148 123 13

HSL 48.89, 0.84%, 0.32%

LAB 52.39, -0.54, 55.46

 

CMYK 0 / 20 / 100 / 49

HEX #836900

RGB 131 105 0

HSL 48.09, 1%, 0.26%

LAB 45.54, 1.38, 52.28

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 0 / 29 / 65 / 22

HEX #C78E46

RGB 199 142 70

HSL 33.49, 0.54%, 0.53%

LAB 63.29, 14.34, 46.02

 

CMYK 0 / 46 / 65 / 22

HEX #C76B46

RGB 199 107 70

HSL 17.21, 0.54%, 0.53%

LAB 55.17, 33.33, 36.65

 

CMYK 0 / 63 / 65 / 22

HEX #C74946

RGB 199 73 70

HSL 1.4, 0.54%, 0.53%

LAB 48.7, 49.98, 28.78

 

CMYK 0 / 65 / 65 / 22

HEX #C74646

RGB 199 70 70

HSL 0, 0.54%, 0.53%

LAB 48.22, 51.28, 28.18

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 6 / 0 / 65 / 22

HEX #BBC746

RGB 187 199 70

HSL 65.58, 0.54%, 0.53%

LAB 77.19, -20.79, 60.73

 

CMYK 24 / 0 / 65 / 22

HEX #98C746

RGB 152 199 70

HSL 81.86, 0.54%, 0.53%

LAB 74.8, -34.8, 57.48

 

CMYK 41 / 0 / 65 / 22

HEX #75C746

RGB 117 199 70

HSL 98.14, 0.54%, 0.53%

LAB 72.94, -47.27, 54.93

 

CMYK 59 / 0 / 65 / 22

HEX #52C746

RGB 82 199 70

HSL 114.42, 0.54%, 0.53%

LAB 71.61, -57.24, 53.1

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 0 / 13 / 77 / 14

HEX #DBBE33

RGB 219 190 51

HSL 49.64, 0.7%, 0.53%

LAB 77.36, -3.61, 68.8

 

CMYK 0 / 15 / 87 / 7

HEX #EECB1F

RGB 238 203 31

HSL 49.86, 0.86%, 0.53%

LAB 82.37, -2.71, 79.16

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 0 / 8 / 51 / 29

HEX #B4A559

RGB 180 165 89

HSL 50.11, 0.38%, 0.53%

LAB 67.53, -4.82, 41.04

 

CMYK 0 / 6 / 32 / 37

HEX #A1986D

RGB 161 152 109

HSL 49.62, 0.22%, 0.53%

LAB 62.62, -3.51, 23.86

 

CMYK 0 / 1 / 9 / 45

HEX #8D8B80

RGB 141 139 128

HSL 50.77, 0.05%, 0.53%

LAB 57.74, -1.31, 6.14

 

CMYK 17 / 14 / 0 / 42

HEX #7A7E93

RGB 122 126 147

HSL 230.4, 0.1%, 0.53%

LAB 53.13, 3.11, -11.81

 

CMYK 0 / 46 / 65 / 22

HEX #C76B46

RGB 199 107 70

HSL 17.21, 0.54%, 0.53%

LAB 55.17, 33.33, 36.65

 

CMYK 0 / 29 / 65 / 22

HEX #C78D46

RGB 199 141 70

HSL 33.02, 0.54%, 0.53%

LAB 63.04, 14.89, 45.74

 

CMYK 0 / 12 / 65 / 22

HEX #C7B046

RGB 199 176 70

HSL 49.3, 0.54%, 0.53%

LAB 71.98, -3.97, 55.54

 

CMYK 5 / 0 / 65 / 22

HEX #BDC746

RGB 189 199 70

HSL 64.65, 0.54%, 0.53%

LAB 77.35, -19.96, 60.94

 

CMYK 23 / 0 / 65 / 22

HEX #9AC746

RGB 154 199 70

HSL 80.93, 0.54%, 0.53%

LAB 74.93, -34.03, 57.65

 

CMYK 0 / 12 / 70 / 44

HEX #907F2B

RGB 144 127 43

HSL 49.9, 0.54%, 0.37%

LAB 53.26, -3.49, 46.09

 

CMYK 0 / 12 / 70 / 31

HEX #B09B34

RGB 176 155 52

HSL 49.84, 0.54%, 0.45%

LAB 64.1, -3.89, 54.3

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 0 / 9 / 51 / 18

HEX #D1BF66

RGB 209 191 102

HSL 49.91, 0.54%, 0.61%

LAB 77.15, -5.2, 46.78

 

CMYK 0 / 6 / 39 / 15

HEX #DACC85

RGB 218 204 133

HSL 50.12, 0.53%, 0.69%

LAB 81.72, -5.21, 37.13

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 65 / 0 / 64 / 22

HEX #46C748

RGB 70 199 72

HSL 120.93, 0.54%, 0.53%

LAB 71.29, -59.72, 51.81

 

CMYK 38 / 65 / 0 / 22

HEX #7C46C7

RGB 124 70 199

HSL 265.12, 0.54%, 0.53%

LAB 42.44, 49.45, -58.91

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 65 / 0 / 12 / 22

HEX #46C7B0

RGB 70 199 176

HSL 169.3, 0.54%, 0.53%

LAB 73.08, -40.58, 1.17

 

CMYK 12 / 65 / 0 / 22

HEX #B046C7

RGB 176 70 199

HSL 289.3, 0.54%, 0.53%

LAB 49.17, 61.04, -47.74

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 65 / 0 / 64 / 22

HEX #46C748

RGB 70 199 72

HSL 120.93, 0.54%, 0.53%

LAB 71.29, -59.72, 51.81

 

CMYK 65 / 53 / 0 / 22

HEX #465EC7

RGB 70 94 199

HSL 228.84, 0.54%, 0.53%

LAB 43.41, 24.75, -57.57

 

CMYK 0 / 65 / 1 / 22

HEX #C746C5

RGB 199 70 197

HSL 300.93, 0.54%, 0.53%

LAB 52.46, 66.09, -41.16

 

CMYK 0 / 11 / 65 / 22

HEX #C7B146

RGB 199 177 70

HSL 49.77, 0.54%, 0.53%

LAB 72.25, -4.5, 55.83

 

CMYK 65 / 0 / 44 / 22

HEX #46C76F

RGB 70 199 111

HSL 139.07, 0.54%, 0.53%

LAB 71.76, -54.44, 33.88

 

CMYK 65 / 53 / 0 / 22

HEX #465EC7

RGB 70 94 199

HSL 228.84, 0.54%, 0.53%

LAB 43.41, 24.75, -57.57

 

CMYK 0 / 65 / 21 / 22

HEX #C7469E

RGB 199 70 158

HSL 319.07, 0.54%, 0.53%

LAB 50.68, 60.13, -21.17

 

Description

Color code: HEX #C7B146 | qconv.com Color code: HEX #C7B146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 177 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 177 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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