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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7FDB8 it is the complementary color #380247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7FDB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7FDB8 shade: #CCFDB3, #DDFFC6, #EEFFD9, #FFFFEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7FDB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7FDB8 shade: #C7FDB8, #B6EBA5, #A5D992, #94C77F and #83B56C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7FDB8 shade: #C8FDB9, #DAFDB9, #ECFDB9, #FDFBB9 and #FDE9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7FDB8 shade: #C8FDB9, #B9FDBC, #B9FDCF, #B9FDE1 and #B9FDF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7FDB8 shade matches the following richer shades: #C8FDB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7FDB8 shade: #C8FDB9, #CBF7BF, #CEF1C4, #D1EBCA and #D5E6D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7FDB8 shade: #EDFDB9, #DBFDB9, #C9FDB9, #B9FDBB and #B9FDCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7FDB8 shade: #88FB68, #A8FC91, #C8FDB9 and #E7FEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7FDB8 shade: #C7FDB8, #B9FDFA and #FDB9E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7FDB8 shade: #C7FDB8, #B9C9FD and #FDB9C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7FDB8 shade: #C7FDB8, #B9FDFA, #EDB9FD and #FDB9BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7FDB8 shade: #C7FDB8, #B9EBFD, #EDB9FD and #FDCBB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 27 / 1

HEX #C7FDB8

RGB 199 253 184

HSL 106.96, 0.95%, 0.86%

LAB 94.25, -29.5, 27.62

 

Complementary color

CMYK 21 / 97 / 0 / 72

HEX #380247

RGB 56 2 71

HSL 286.96, 0.95%, 0.14%

LAB 11.55, 35.5, -28.92

 

CMYK 19 / 0 / 29 / 1

HEX #CCFDB3

RGB 204 253 179

HSL 99.73, 0.95%, 0.85%

LAB 94.46, -28.56, 30.47

 

CMYK 13 / 0 / 22 / 0

HEX #DDFFC6

RGB 221 255 198

HSL 95.79, 1%, 0.89%

LAB 96.4, -20.85, 23.68

 

CMYK 7 / 0 / 15 / 0

HEX #EEFFD9

RGB 238 255 217

HSL 86.84, 1%, 0.93%

LAB 97.92, -12.06, 16.3

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 21 / 0 / 27 / 1

HEX #C7FDB8

RGB 199 253 184

HSL 106.96, 0.95%, 0.86%

LAB 94.25, -29.5, 27.62

 

CMYK 23 / 0 / 30 / 8

HEX #B6EBA5

RGB 182 235 165

HSL 105.43, 0.64%, 0.78%

LAB 88.01, -29.66, 28.63

 

CMYK 24 / 0 / 33 / 15

HEX #A5D992

RGB 165 217 146

HSL 103.94, 0.48%, 0.71%

LAB 81.68, -29.83, 29.7

 

CMYK 26 / 0 / 36 / 22

HEX #94C77F

RGB 148 199 127

HSL 102.5, 0.39%, 0.64%

LAB 75.25, -29.99, 30.82

 

CMYK 28 / 0 / 40 / 29

HEX #83B56C

RGB 131 181 108

HSL 101.1, 0.33%, 0.57%

LAB 68.72, -30.15, 32

 

CMYK 21 / 0 / 27 / 1

HEX #C8FDB9

RGB 200 253 185

HSL 106.76, 0.94%, 0.86%

LAB 94.33, -29.01, 27.22

 

CMYK 14 / 0 / 27 / 1

HEX #DAFDB9

RGB 218 253 185

HSL 90.88, 0.94%, 0.86%

LAB 95.44, -22.87, 28.92

 

CMYK 7 / 0 / 27 / 1

HEX #ECFDB9

RGB 236 253 185

HSL 75, 0.94%, 0.86%

LAB 96.65, -16.5, 30.77

 

CMYK 0 / 1 / 27 / 1

HEX #FDFBB9

RGB 253 251 185

HSL 58.24, 0.94%, 0.86%

LAB 97.38, -9.34, 31.97

 

CMYK 0 / 8 / 27 / 1

HEX #FDE9B9

RGB 253 233 185

HSL 42.35, 0.94%, 0.86%

LAB 92.87, -0.33, 25.83

 

CMYK 21 / 0 / 27 / 1

HEX #C8FDB9

RGB 200 253 185

HSL 106.76, 0.94%, 0.86%

LAB 94.33, -29.01, 27.22

 

CMYK 27 / 0 / 26 / 1

HEX #B9FDBC

RGB 185 253 188

HSL 122.65, 0.94%, 0.86%

LAB 93.54, -33.41, 24.48

 

CMYK 27 / 0 / 18 / 1

HEX #B9FDCF

RGB 185 253 207

HSL 139.41, 0.94%, 0.86%

LAB 93.91, -30.12, 15.3

 

CMYK 27 / 0 / 11 / 1

HEX #B9FDE1

RGB 185 253 225

HSL 155.29, 0.94%, 0.86%

LAB 94.31, -26.71, 6.61

 

CMYK 27 / 0 / 4 / 1

HEX #B9FDF3

RGB 185 253 243

HSL 171.18, 0.94%, 0.86%

LAB 94.75, -23.05, -2.04

 

CMYK 21 / 0 / 27 / 1

HEX #C8FDB9

RGB 200 253 185

HSL 106.76, 0.94%, 0.86%

LAB 94.33, -29.01, 27.22

 

CMYK 21 / 0 / 27 / 1

HEX #C8FDB9

RGB 200 253 185

HSL 106.76, 0.94%, 0.86%

LAB 94.33, -29.01, 27.22

 

CMYK 18 / 0 / 23 / 3

HEX #CBF7BF

RGB 203 247 191

HSL 107.14, 0.78%, 0.86%

LAB 93.01, -24.21, 22.38

 

CMYK 15 / 0 / 19 / 5

HEX #CEF1C4

RGB 206 241 196

HSL 106.67, 0.62%, 0.86%

LAB 91.69, -19.49, 18.02

 

CMYK 11 / 0 / 14 / 8

HEX #D1EBCA

RGB 209 235 202

HSL 107.27, 0.45%, 0.86%

LAB 90.43, -14.51, 13.16

 

CMYK 7 / 0 / 10 / 10

HEX #D5E6D0

RGB 213 230 208

HSL 106.36, 0.31%, 0.86%

LAB 89.53, -9.61, 8.79

 

CMYK 6 / 0 / 27 / 1

HEX #EDFDB9

RGB 237 253 185

HSL 74.12, 0.94%, 0.86%

LAB 96.72, -16.14, 30.88

 

CMYK 13 / 0 / 27 / 1

HEX #DBFDB9

RGB 219 253 185

HSL 90, 0.94%, 0.86%

LAB 95.5, -22.52, 29.02

 

CMYK 21 / 0 / 27 / 1

HEX #C9FDB9

RGB 201 253 185

HSL 105.88, 0.94%, 0.86%

LAB 94.39, -28.67, 27.31

 

CMYK 27 / 0 / 26 / 1

HEX #B9FDBB

RGB 185 253 187

HSL 121.76, 0.94%, 0.86%

LAB 93.52, -33.58, 24.96

 

CMYK 27 / 0 / 19 / 1

HEX #B9FDCD

RGB 185 253 205

HSL 137.65, 0.94%, 0.86%

LAB 93.87, -30.48, 16.27

 

CMYK 46 / 0 / 59 / 2

HEX #88FB68

RGB 136 251 104

HSL 106.94, 0.95%, 0.7%

LAB 89.5, -58.93, 59.21

 

CMYK 33 / 0 / 42 / 1

HEX #A8FC91

RGB 168 252 145

HSL 107.1, 0.95%, 0.78%

LAB 91.68, -44.8, 43.29

 

CMYK 21 / 0 / 27 / 1

HEX #C8FDB9

RGB 200 253 185

HSL 106.76, 0.94%, 0.86%

LAB 94.33, -29.01, 27.22

 

CMYK 9 / 0 / 11 / 0

HEX #E7FEE1

RGB 231 254 225

HSL 107.59, 0.94%, 0.94%

LAB 97.35, -12.63, 11.34

 

CMYK 21 / 0 / 27 / 1

HEX #C7FDB8

RGB 199 253 184

HSL 106.96, 0.95%, 0.86%

LAB 94.25, -29.5, 27.62

 

CMYK 27 / 0 / 1 / 1

HEX #B9FDFA

RGB 185 253 250

HSL 177.35, 0.94%, 0.86%

LAB 94.94, -21.56, -5.39

 

CMYK 0 / 27 / 10 / 1

HEX #FDB9E4

RGB 253 185 228

HSL 322.06, 0.94%, 0.86%

LAB 82.48, 31.03, -11.75

 

CMYK 21 / 0 / 27 / 1

HEX #C7FDB8

RGB 199 253 184

HSL 106.96, 0.95%, 0.86%

LAB 94.25, -29.5, 27.62

 

CMYK 27 / 21 / 0 / 1

HEX #B9C9FD

RGB 185 201 253

HSL 225.88, 0.94%, 0.86%

LAB 81.39, 5.83, -27.31

 

CMYK 0 / 27 / 21 / 1

HEX #FDB9C9

RGB 253 185 201

HSL 345.88, 0.94%, 0.86%

LAB 81.73, 26.82, 1.67

 

CMYK 21 / 0 / 27 / 1

HEX #C7FDB8

RGB 199 253 184

HSL 106.96, 0.95%, 0.86%

LAB 94.25, -29.5, 27.62

 

CMYK 27 / 0 / 1 / 1

HEX #B9FDFA

RGB 185 253 250

HSL 177.35, 0.94%, 0.86%

LAB 94.94, -21.56, -5.39

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 0 / 27 / 26 / 1

HEX #FDB9BB

RGB 253 185 187

HSL 358.24, 0.94%, 0.86%

LAB 81.38, 24.85, 8.71

 

CMYK 21 / 0 / 27 / 1

HEX #C7FDB8

RGB 199 253 184

HSL 106.96, 0.95%, 0.86%

LAB 94.25, -29.5, 27.62

 

CMYK 27 / 7 / 0 / 1

HEX #B9EBFD

RGB 185 235 253

HSL 195.88, 0.94%, 0.86%

LAB 90.24, -11.96, -13.92

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 0 / 20 / 27 / 1

HEX #FDCBB9

RGB 253 203 185

HSL 15.88, 0.94%, 0.86%

LAB 85.55, 15.14, 15.69

 

Description

Color code: HEX #C7FDB8 | qconv.com Color code: HEX #C7FDB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 253 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 253 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 27% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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