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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4643B it is the complementary color #3B9BC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4643B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4643B shade: #C96436, #DA7649, #EB885C, #FC9A6F and #FFAC82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4643B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4643B shade: #C4643B, #B35228, #A24015, #912E02 and #801C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4643B shade: #C4633A, #C43E3A and #C43A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4643B shade: #C4633A, #C4893A, #C4AE3A, #B5C43A and #90C43A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4643B shade matches the following richer shades: #C4633A, #D85B26 and #ED5311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4643B shade: #C4633A, #AF6C4F, #9B7463, #867C78 and #71848D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4643B shade: #C43A5D, #C43C3A, #C4613A, #C4863A and #C4AB3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4643B shade: #844327, #A45331, #C4633A, #CD7C5A and #D7967A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4643B shade: #C4643B, #81C43A and #3A4AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4643B shade: #C4643B, #3AC461 and #613AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4643B shade: #C4643B, #81C43A, #3A9DC4 and #7D3AC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4643B shade: #C4643B, #58C43A, #3A9DC4 and #A63AC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 70 / 23

HEX #C4643B

RGB 196 100 59

HSL 17.96, 0.54%, 0.5%

LAB 53.13, 35.16, 40.07

 

Complementary color

CMYK 70 / 21 / 0 / 23

HEX #3B9BC4

RGB 59 155 196

HSL 197.96, 0.54%, 0.5%

LAB 60.21, -14.73, -29.28

 

CMYK 0 / 50 / 73 / 21

HEX #C96436

RGB 201 100 54

HSL 18.78, 0.58%, 0.5%

LAB 53.81, 36.89, 43.62

 

CMYK 0 / 46 / 67 / 15

HEX #DA7649

RGB 218 118 73

HSL 18.62, 0.66%, 0.57%

LAB 60.2, 35.31, 41.61

 

CMYK 0 / 42 / 61 / 8

HEX #EB885C

RGB 235 136 92

HSL 18.46, 0.78%, 0.64%

LAB 66.55, 33.86, 39.71

 

CMYK 0 / 39 / 56 / 1

HEX #FC9A6F

RGB 252 154 111

HSL 18.3, 0.96%, 0.71%

LAB 72.86, 32.54, 37.95

 

CMYK 0 / 33 / 49 / 0

HEX #FFAC82

RGB 255 172 130

HSL 20.16, 1%, 0.75%

LAB 77.51, 25.93, 33.93

 

CMYK 0 / 49 / 70 / 23

HEX #C4643B

RGB 196 100 59

HSL 17.96, 0.54%, 0.5%

LAB 53.13, 35.16, 40.07

 

CMYK 0 / 54 / 78 / 30

HEX #B35228

RGB 179 82 40

HSL 18.13, 0.63%, 0.43%

LAB 46.67, 36.81, 42.17

 

CMYK 0 / 60 / 87 / 36

HEX #A24015

RGB 162 64 21

HSL 18.3, 0.77%, 0.36%

LAB 40.25, 38.53, 44.03

 

CMYK 0 / 68 / 99 / 43

HEX #912E02

RGB 145 46 2

HSL 18.46, 0.97%, 0.29%

LAB 33.94, 40.14, 45.21

 

CMYK 0 / 78 / 100 / 50

HEX #801C00

RGB 128 28 0

HSL 13.13, 1%, 0.25%

LAB 27.9, 41.33, 40.16

 

CMYK 0 / 49 / 70 / 23

HEX #C4633A

RGB 196 99 58

HSL 17.83, 0.54%, 0.5%

LAB 52.91, 35.62, 40.35

 

CMYK 0 / 68 / 70 / 23

HEX #C43E3A

RGB 196 62 58

HSL 1.74, 0.54%, 0.5%

LAB 46.29, 52.92, 32.76

 

CMYK 0 / 70 / 70 / 23

HEX #C43A3A

RGB 196 58 58

HSL 0, 0.54%, 0.5%

LAB 45.73, 54.48, 32.09

 

CMYK 0 / 49 / 70 / 23

HEX #C4633A

RGB 196 99 58

HSL 17.83, 0.54%, 0.5%

LAB 52.91, 35.62, 40.35

 

CMYK 0 / 30 / 70 / 23

HEX #C4893A

RGB 196 137 58

HSL 34.35, 0.54%, 0.5%

LAB 61.6, 15.08, 49.78

 

CMYK 0 / 11 / 70 / 23

HEX #C4AE3A

RGB 196 174 58

HSL 50.43, 0.54%, 0.5%

LAB 71.09, -4.89, 59.52

 

CMYK 8 / 0 / 70 / 23

HEX #B5C43A

RGB 181 196 58

HSL 66.52, 0.54%, 0.5%

LAB 75.83, -22.5, 63.8

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 0 / 49 / 70 / 23

HEX #C4633A

RGB 196 99 58

HSL 17.83, 0.54%, 0.5%

LAB 52.91, 35.62, 40.35

 

CMYK 0 / 58 / 82 / 15

HEX #D85B26

RGB 216 91 38

HSL 17.87, 0.7%, 0.5%

LAB 54.26, 46.47, 52.43

 

CMYK 0 / 65 / 93 / 7

HEX #ED5311

RGB 237 83 17

HSL 18, 0.87%, 0.5%

LAB 56.32, 57.01, 62.98

 

CMYK 0 / 49 / 70 / 23

HEX #C4633A

RGB 196 99 58

HSL 17.83, 0.54%, 0.5%

LAB 52.91, 35.62, 40.35

 

CMYK 0 / 38 / 55 / 31

HEX #AF6C4F

RGB 175 108 79

HSL 18.13, 0.38%, 0.5%

LAB 52.29, 23.65, 27.37

 

CMYK 0 / 25 / 36 / 39

HEX #9B7463

RGB 155 116 99

HSL 18.21, 0.22%, 0.5%

LAB 52.24, 12.92, 15.35

 

CMYK 0 / 7 / 10 / 47

HEX #867C78

RGB 134 124 120

HSL 17.14, 0.06%, 0.5%

LAB 52.77, 3.07, 3.55

 

CMYK 20 / 6 / 0 / 45

HEX #71848D

RGB 113 132 141

HSL 199.29, 0.11%, 0.5%

LAB 53.96, -4.8, -7.15

 

CMYK 0 / 70 / 53 / 23

HEX #C43A5D

RGB 196 58 93

HSL 344.78, 0.54%, 0.5%

LAB 46.38, 56.74, 11.73

 

CMYK 0 / 69 / 70 / 23

HEX #C43C3A

RGB 196 60 58

HSL 0.87, 0.54%, 0.5%

LAB 46.01, 53.71, 32.42

 

CMYK 0 / 51 / 70 / 23

HEX #C4613A

RGB 196 97 58

HSL 16.96, 0.54%, 0.5%

LAB 52.5, 36.66, 39.89

 

CMYK 0 / 32 / 70 / 23

HEX #C4863A

RGB 196 134 58

HSL 33.04, 0.54%, 0.5%

LAB 60.86, 16.73, 49

 

CMYK 0 / 13 / 70 / 23

HEX #C4AB3A

RGB 196 171 58

HSL 49.13, 0.54%, 0.5%

LAB 70.29, -3.31, 58.72

 

CMYK 0 / 49 / 70 / 48

HEX #844327

RGB 132 67 39

HSL 18.06, 0.54%, 0.34%

LAB 36.11, 25.44, 29.16

 

CMYK 0 / 49 / 70 / 36

HEX #A45331

RGB 164 83 49

HSL 17.74, 0.54%, 0.42%

LAB 44.66, 30.66, 34.6

 

CMYK 0 / 49 / 70 / 23

HEX #C4633A

RGB 196 99 58

HSL 17.83, 0.54%, 0.5%

LAB 52.91, 35.62, 40.35

 

CMYK 0 / 40 / 56 / 20

HEX #CD7C5A

RGB 205 124 90

HSL 17.74, 0.53%, 0.58%

LAB 60.01, 28.11, 31.82

 

CMYK 0 / 30 / 43 / 16

HEX #D7967A

RGB 215 150 122

HSL 18.06, 0.54%, 0.66%

LAB 67.77, 21.08, 24.56

 

CMYK 0 / 49 / 70 / 23

HEX #C4643B

RGB 196 100 59

HSL 17.96, 0.54%, 0.5%

LAB 53.13, 35.16, 40.07

 

CMYK 34 / 0 / 70 / 23

HEX #81C43A

RGB 129 196 58

HSL 89.13, 0.54%, 0.5%

LAB 72.53, -42.85, 59.42

 

CMYK 70 / 62 / 0 / 23

HEX #3A4AC4

RGB 58 74 196

HSL 233.04, 0.54%, 0.5%

LAB 37.45, 34.66, -65.53

 

CMYK 0 / 49 / 70 / 23

HEX #C4643B

RGB 196 100 59

HSL 17.96, 0.54%, 0.5%

LAB 53.13, 35.16, 40.07

 

CMYK 70 / 0 / 51 / 23

HEX #3AC461

RGB 58 196 97

HSL 136.96, 0.54%, 0.5%

LAB 70.35, -57.73, 39.06

 

CMYK 51 / 70 / 0 / 23

HEX #613AC4

RGB 97 58 196

HSL 256.96, 0.54%, 0.5%

LAB 37.03, 49.83, -66.1

 

CMYK 0 / 49 / 70 / 23

HEX #C4643B

RGB 196 100 59

HSL 17.96, 0.54%, 0.5%

LAB 53.13, 35.16, 40.07

 

CMYK 34 / 0 / 70 / 23

HEX #81C43A

RGB 129 196 58

HSL 89.13, 0.54%, 0.5%

LAB 72.53, -42.85, 59.42

 

CMYK 70 / 20 / 0 / 23

HEX #3A9DC4

RGB 58 157 196

HSL 196.96, 0.54%, 0.5%

LAB 60.78, -15.95, -28.4

 

CMYK 36 / 70 / 0 / 23

HEX #7D3AC4

RGB 125 58 196

HSL 269.13, 0.54%, 0.5%

LAB 40.2, 54.83, -60.8

 

CMYK 0 / 49 / 70 / 23

HEX #C4643B

RGB 196 100 59

HSL 17.96, 0.54%, 0.5%

LAB 53.13, 35.16, 40.07

 

CMYK 55 / 0 / 70 / 23

HEX #58C43A

RGB 88 196 58

HSL 106.96, 0.54%, 0.5%

LAB 70.77, -55.7, 57.06

 

CMYK 70 / 20 / 0 / 23

HEX #3A9DC4

RGB 58 157 196

HSL 196.96, 0.54%, 0.5%

LAB 60.78, -15.95, -28.4

 

CMYK 15 / 70 / 0 / 23

HEX #A63AC4

RGB 166 58 196

HSL 286.96, 0.54%, 0.5%

LAB 45.8, 63.14, -51.48

 

Description

Color code: HEX #C4643B | qconv.com Color code: HEX #C4643B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 100 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 100 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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