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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C48254 it is the complementary color #3B7DAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C48254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C48254 shade: #C9824F, #DA9462, #EBA675, #FCB888 and #FFCA9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C48254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C48254 shade: #C48254, #B37041, #A25E2E, #914C1B and #803A08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C48254 shade: #C48254, #C46354 and #C45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C48254 shade: #C48254, #C4A054, #C4BE54, #ABC454 and #8DC454

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C48254 shade matches the following richer shades: #C48254, #D77E41, #E97B2E and #FC781C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C48254 shade: #C48254, #B18566, #9F8879, #8C8C8B and #7A8F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C48254 shade: #C45463, #C46354, #C48154, #C49E54 and #C4BC54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C48254 shade: #935A32, #B26D3D, #C48254, #CE9872 and #D9AF91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C48254 shade: #C48254, #81C454 and #5454C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C48254 shade: #C48254, #54C481 and #8154C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C48254 shade: #C48254, #81C454, #5497C4 and #9754C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C48254 shade: #C48254, #5FC454, #5497C4 and #B954C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

Complementary color

CMYK 65 / 27 / 0 / 33

HEX #3B7DAB

RGB 59 125 171

HSL 204.64, 0.49%, 0.45%

LAB 50.14, -6.24, -30.66

 

CMYK 0 / 35 / 61 / 21

HEX #C9824F

RGB 201 130 79

HSL 25.08, 0.53%, 0.55%

LAB 60.74, 22.37, 38.54

 

CMYK 0 / 32 / 55 / 15

HEX #DA9462

RGB 218 148 98

HSL 25, 0.62%, 0.62%

LAB 67.25, 21.11, 36.93

 

CMYK 0 / 29 / 50 / 8

HEX #EBA675

RGB 235 166 117

HSL 24.92, 0.75%, 0.69%

LAB 73.69, 20, 35.42

 

CMYK 0 / 27 / 46 / 1

HEX #FCB888

RGB 252 184 136

HSL 24.83, 0.95%, 0.76%

LAB 80.04, 19.03, 34.02

 

CMYK 0 / 21 / 39 / 0

HEX #FFCA9B

RGB 255 202 155

HSL 28.2, 1%, 0.8%

LAB 84.93, 12.76, 30.63

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 0 / 37 / 64 / 30

HEX #B37041

RGB 179 112 65

HSL 24.74, 0.47%, 0.48%

LAB 53.55, 22.01, 36.76

 

CMYK 0 / 42 / 72 / 36

HEX #A25E2E

RGB 162 94 46

HSL 24.83, 0.56%, 0.41%

LAB 46.82, 23.59, 38.51

 

CMYK 0 / 48 / 81 / 43

HEX #914C1B

RGB 145 76 27

HSL 24.92, 0.69%, 0.34%

LAB 40.03, 25.42, 40.14

 

CMYK 0 / 55 / 94 / 50

HEX #803A08

RGB 128 58 8

HSL 25, 0.88%, 0.27%

LAB 33.21, 27.5, 40.93

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 0 / 49 / 57 / 23

HEX #C46354

RGB 196 99 84

HSL 8.04, 0.49%, 0.55%

LAB 53.28, 37.33, 26.35

 

CMYK 0 / 57 / 57 / 23

HEX #C45454

RGB 196 84 84

HSL 0, 0.49%, 0.55%

LAB 50.35, 44.83, 22.55

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 0 / 18 / 57 / 23

HEX #C4A054

RGB 196 160 84

HSL 40.71, 0.49%, 0.55%

LAB 67.66, 4.25, 44.07

 

CMYK 0 / 3 / 57 / 23

HEX #C4BE54

RGB 196 190 84

HSL 56.79, 0.49%, 0.55%

LAB 75.58, -11.55, 53.17

 

CMYK 13 / 0 / 57 / 23

HEX #ABC454

RGB 171 196 84

HSL 73.39, 0.49%, 0.55%

LAB 75.31, -24.81, 52.35

 

CMYK 28 / 0 / 57 / 23

HEX #8DC454

RGB 141 196 84

HSL 89.46, 0.49%, 0.55%

LAB 73.4, -36.36, 49.67

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 0 / 41 / 70 / 16

HEX #D77E41

RGB 215 126 65

HSL 24.4, 0.65%, 0.55%

LAB 61.44, 29.44, 46.97

 

CMYK 0 / 47 / 80 / 9

HEX #E97B2E

RGB 233 123 46

HSL 24.71, 0.81%, 0.55%

LAB 63.08, 37.47, 58.06

 

CMYK 0 / 52 / 89 / 1

HEX #FC781C

RGB 252 120 28

HSL 24.64, 0.97%, 0.55%

LAB 65.13, 45.89, 67.22

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 0 / 25 / 42 / 31

HEX #B18566

RGB 177 133 102

HSL 24.8, 0.32%, 0.55%

LAB 59.05, 12.8, 23.26

 

CMYK 0 / 14 / 24 / 38

HEX #9F8879

RGB 159 136 121

HSL 23.68, 0.17%, 0.55%

LAB 58.38, 6.27, 11.27

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 23 / 9 / 0 / 38

HEX #7A8F9E

RGB 122 143 158

HSL 205, 0.16%, 0.55%

LAB 58.27, -4.03, -10.43

 

CMYK 0 / 57 / 49 / 23

HEX #C45463

RGB 196 84 99

HSL 351.96, 0.49%, 0.55%

LAB 50.66, 46.1, 14.03

 

CMYK 0 / 49 / 57 / 23

HEX #C46354

RGB 196 99 84

HSL 8.04, 0.49%, 0.55%

LAB 53.28, 37.33, 26.35

 

CMYK 0 / 34 / 57 / 23

HEX #C48154

RGB 196 129 84

HSL 24.11, 0.49%, 0.55%

LAB 59.96, 21.21, 34.78

 

CMYK 0 / 19 / 57 / 23

HEX #C49E54

RGB 196 158 84

HSL 39.64, 0.49%, 0.55%

LAB 67.15, 5.34, 43.46

 

CMYK 0 / 4 / 57 / 23

HEX #C4BC54

RGB 196 188 84

HSL 55.71, 0.49%, 0.55%

LAB 75.04, -10.53, 52.57

 

CMYK 0 / 39 / 66 / 42

HEX #935A32

RGB 147 90 50

HSL 24.74, 0.49%, 0.39%

LAB 43.87, 19.55, 32.5

 

CMYK 0 / 39 / 66 / 30

HEX #B26D3D

RGB 178 109 61

HSL 24.62, 0.49%, 0.47%

LAB 52.66, 22.99, 37.82

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 0 / 26 / 45 / 19

HEX #CE9872

RGB 206 152 114

HSL 24.78, 0.48%, 0.63%

LAB 67.12, 15.53, 27.89

 

CMYK 0 / 19 / 33 / 15

HEX #D9AF91

RGB 217 175 145

HSL 25, 0.49%, 0.71%

LAB 74.48, 11.07, 21.17

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 34 / 0 / 57 / 23

HEX #81C454

RGB 129 196 84

HSL 95.89, 0.49%, 0.55%

LAB 72.75, -40.64, 48.75

 

CMYK 57 / 57 / 0 / 23

HEX #5454C4

RGB 84 84 196

HSL 240, 0.49%, 0.55%

LAB 41.55, 32.49, -58.79

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 57 / 0 / 34 / 23

HEX #54C481

RGB 84 196 129

HSL 144.11, 0.49%, 0.55%

LAB 71.52, -47.11, 24.3

 

CMYK 34 / 57 / 0 / 23

HEX #8154C4

RGB 129 84 196

HSL 264.11, 0.49%, 0.55%

LAB 45.63, 42.24, -52.01

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 34 / 0 / 57 / 23

HEX #81C454

RGB 129 196 84

HSL 95.89, 0.49%, 0.55%

LAB 72.75, -40.64, 48.75

 

CMYK 57 / 23 / 0 / 23

HEX #5497C4

RGB 84 151 196

HSL 204.11, 0.49%, 0.55%

LAB 59.89, -8.11, -29.71

 

CMYK 23 / 57 / 0 / 23

HEX #9754C4

RGB 151 84 196

HSL 275.89, 0.49%, 0.55%

LAB 48.14, 47.68, -47.84

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 52 / 0 / 57 / 23

HEX #5FC454

RGB 95 196 84

HSL 114.11, 0.49%, 0.55%

LAB 71.25, -51.26, 46.62

 

CMYK 57 / 23 / 0 / 23

HEX #5497C4

RGB 84 151 196

HSL 204.11, 0.49%, 0.55%

LAB 59.89, -8.11, -29.71

 

CMYK 6 / 57 / 0 / 23

HEX #B954C4

RGB 185 84 196

HSL 294.11, 0.49%, 0.55%

LAB 52.55, 56.43, -40.56

 

Description

Color code: HEX #C48254 | qconv.com Color code: HEX #C48254 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 130 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 130 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 57 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 57% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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