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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49879 it is the complementary color #3B6786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49879 shade: #C99874, #DAAA87, #EBBC9A, #FCCEAD and #FFE0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49879 shade: #C49879, #B38666, #A27453, #916240 and #80502D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49879 shade: #C39778, #C38378 and #C37878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49879 shade: #C39778, #C3AB78, #C3C078, #B3C378 and #9EC378

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49879 shade matches the following richer shades: #C39778, #D39468, #E39258 and #F28F49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49879 shade: #C39778, #B49A87, #A49C97, #949FA7 and #85A2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49879 shade: #C37882, #C38278, #C39678, #C3AA78 and #C3BE78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49879 shade: #A26C47, #B7815B, #C39778, #D0AD94 and #DDC3B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49879 shade: #C49879, #96C378 and #7878C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49879 shade: #C49879, #78C396 and #9678C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49879 shade: #C49879, #96C378, #78A5C3 and #A578C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49879 shade: #C49879, #7FC378, #78A5C3 and #BC78C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 38 / 23

HEX #C49879

RGB 196 152 121

HSL 24.8, 0.39%, 0.62%

LAB 66.19, 12.26, 22.63

 

Complementary color

CMYK 56 / 23 / 0 / 47

HEX #3B6786

RGB 59 103 134

HSL 204.8, 0.39%, 0.38%

LAB 41.77, -5.66, -21.81

 

CMYK 0 / 24 / 42 / 21

HEX #C99874

RGB 201 152 116

HSL 25.41, 0.44%, 0.62%

LAB 66.62, 13.72, 26.04

 

CMYK 0 / 22 / 38 / 15

HEX #DAAA87

RGB 218 170 135

HSL 25.3, 0.53%, 0.69%

LAB 73.16, 12.94, 24.78

 

CMYK 0 / 20 / 34 / 8

HEX #EBBC9A

RGB 235 188 154

HSL 25.19, 0.67%, 0.76%

LAB 79.59, 12.25, 23.62

 

CMYK 0 / 18 / 31 / 1

HEX #FCCEAD

RGB 252 206 173

HSL 25.06, 0.93%, 0.83%

LAB 85.93, 11.64, 22.53

 

CMYK 0 / 12 / 25 / 0

HEX #FFE0C0

RGB 255 224 192

HSL 30.48, 1%, 0.88%

LAB 90.95, 5.94, 19.6

 

CMYK 0 / 22 / 38 / 23

HEX #C49879

RGB 196 152 121

HSL 24.8, 0.39%, 0.62%

LAB 66.19, 12.26, 22.63

 

CMYK 0 / 25 / 43 / 30

HEX #B38666

RGB 179 134 102

HSL 24.94, 0.34%, 0.55%

LAB 59.52, 13.07, 23.92

 

CMYK 0 / 28 / 49 / 36

HEX #A27453

RGB 162 116 83

HSL 25.06, 0.32%, 0.48%

LAB 52.73, 14.02, 25.34

 

CMYK 0 / 32 / 56 / 43

HEX #916240

RGB 145 98 64

HSL 25.19, 0.39%, 0.41%

LAB 45.81, 15.15, 26.92

 

CMYK 0 / 38 / 65 / 50

HEX #80502D

RGB 128 80 45

HSL 25.3, 0.48%, 0.34%

LAB 38.75, 16.52, 28.66

 

CMYK 0 / 23 / 38 / 24

HEX #C39778

RGB 195 151 120

HSL 24.8, 0.38%, 0.62%

LAB 65.82, 12.29, 22.66

 

CMYK 0 / 33 / 38 / 24

HEX #C38378

RGB 195 131 120

HSL 8.8, 0.38%, 0.62%

LAB 60.95, 23.3, 16.01

 

CMYK 0 / 38 / 38 / 24

HEX #C37878

RGB 195 120 120

HSL 0, 0.38%, 0.62%

LAB 58.41, 29.32, 12.47

 

CMYK 0 / 23 / 38 / 24

HEX #C39778

RGB 195 151 120

HSL 24.8, 0.38%, 0.62%

LAB 65.82, 12.29, 22.66

 

CMYK 0 / 12 / 38 / 24

HEX #C3AB78

RGB 195 171 120

HSL 40.8, 0.38%, 0.62%

LAB 70.93, 1.43, 29.47

 

CMYK 0 / 2 / 38 / 24

HEX #C3C078

RGB 195 192 120

HSL 57.6, 0.38%, 0.62%

LAB 76.47, -9.62, 36.66

 

CMYK 8 / 0 / 38 / 24

HEX #B3C378

RGB 179 195 120

HSL 72.8, 0.38%, 0.62%

LAB 76.05, -17.46, 35.87

 

CMYK 19 / 0 / 38 / 24

HEX #9EC378

RGB 158 195 120

HSL 89.6, 0.38%, 0.62%

LAB 74.61, -25.45, 33.72

 

CMYK 0 / 23 / 38 / 24

HEX #C39778

RGB 195 151 120

HSL 24.8, 0.38%, 0.62%

LAB 65.82, 12.29, 22.66

 

CMYK 0 / 30 / 51 / 17

HEX #D39468

RGB 211 148 104

HSL 24.67, 0.55%, 0.62%

LAB 66.54, 18.76, 32.66

 

CMYK 0 / 36 / 61 / 11

HEX #E39258

RGB 227 146 88

HSL 25.04, 0.71%, 0.62%

LAB 67.72, 25.1, 42.96

 

CMYK 0 / 41 / 70 / 5

HEX #F28F49

RGB 242 143 73

HSL 24.85, 0.87%, 0.62%

LAB 68.75, 31.87, 52.08

 

CMYK 0 / 23 / 38 / 24

HEX #C39778

RGB 195 151 120

HSL 24.8, 0.38%, 0.62%

LAB 65.82, 12.29, 22.66

 

CMYK 0 / 14 / 25 / 29

HEX #B49A87

RGB 180 154 135

HSL 25.33, 0.23%, 0.62%

LAB 65.41, 6.64, 13.54

 

CMYK 0 / 5 / 8 / 36

HEX #A49C97

RGB 164 156 151

HSL 23.08, 0.07%, 0.62%

LAB 64.89, 2.01, 3.65

 

CMYK 11 / 5 / 0 / 35

HEX #949FA7

RGB 148 159 167

HSL 205.26, 0.1%, 0.62%

LAB 64.87, -2.24, -5.5

 

CMYK 27 / 11 / 0 / 28

HEX #85A2B7

RGB 133 162 183

HSL 205.2, 0.26%, 0.62%

LAB 65.16, -5.12, -14.14

 

CMYK 0 / 38 / 33 / 24

HEX #C37882

RGB 195 120 130

HSL 352, 0.38%, 0.62%

LAB 58.65, 30.56, 7.04

 

CMYK 0 / 33 / 38 / 24

HEX #C38278

RGB 195 130 120

HSL 8, 0.38%, 0.62%

LAB 60.71, 23.85, 15.68

 

CMYK 0 / 23 / 38 / 24

HEX #C39678

RGB 195 150 120

HSL 24, 0.38%, 0.62%

LAB 65.57, 12.84, 22.32

 

CMYK 0 / 13 / 38 / 24

HEX #C3AA78

RGB 195 170 120

HSL 40, 0.38%, 0.62%

LAB 70.67, 1.96, 29.13

 

CMYK 0 / 3 / 38 / 24

HEX #C3BE78

RGB 195 190 120

HSL 56, 0.38%, 0.62%

LAB 75.94, -8.59, 35.97

 

CMYK 0 / 33 / 56 / 36

HEX #A26C47

RGB 162 108 71

HSL 24.4, 0.39%, 0.46%

LAB 50.52, 17.43, 29.31

 

CMYK 0 / 30 / 50 / 28

HEX #B7815B

RGB 183 129 91

HSL 24.78, 0.39%, 0.54%

LAB 58.53, 16.39, 28.83

 

CMYK 0 / 23 / 38 / 24

HEX #C39778

RGB 195 151 120

HSL 24.8, 0.38%, 0.62%

LAB 65.82, 12.29, 22.66

 

CMYK 0 / 17 / 29 / 18

HEX #D0AD94

RGB 208 173 148

HSL 25, 0.39%, 0.7%

LAB 73.18, 9.03, 17.61

 

CMYK 0 / 12 / 20 / 13

HEX #DDC3B1

RGB 221 195 177

HSL 24.55, 0.39%, 0.78%

LAB 80.5, 6.35, 12.4

 

CMYK 0 / 22 / 38 / 23

HEX #C49879

RGB 196 152 121

HSL 24.8, 0.39%, 0.62%

LAB 66.19, 12.26, 22.63

 

CMYK 23 / 0 / 38 / 24

HEX #96C378

RGB 150 195 120

HSL 96, 0.38%, 0.62%

LAB 74.11, -28.37, 32.98

 

CMYK 38 / 38 / 0 / 24

HEX #7878C3

RGB 120 120 195

HSL 240, 0.38%, 0.62%

LAB 53.35, 18.48, -39.2

 

CMYK 0 / 22 / 38 / 23

HEX #C49879

RGB 196 152 121

HSL 24.8, 0.39%, 0.62%

LAB 66.19, 12.26, 22.63

 

CMYK 38 / 0 / 23 / 24

HEX #78C396

RGB 120 195 150

HSL 144, 0.38%, 0.62%

LAB 73.04, -33.2, 15.4

 

CMYK 23 / 38 / 0 / 24

HEX #9678C3

RGB 150 120 195

HSL 264, 0.38%, 0.62%

LAB 55.94, 27.06, -34.95

 

CMYK 0 / 22 / 38 / 23

HEX #C49879

RGB 196 152 121

HSL 24.8, 0.39%, 0.62%

LAB 66.19, 12.26, 22.63

 

CMYK 23 / 0 / 38 / 24

HEX #96C378

RGB 150 195 120

HSL 96, 0.38%, 0.62%

LAB 74.11, -28.37, 32.98

 

CMYK 38 / 15 / 0 / 24

HEX #78A5C3

RGB 120 165 195

HSL 204, 0.38%, 0.62%

LAB 65.63, -7.48, -20.19

 

CMYK 15 / 38 / 0 / 24

HEX #A578C3

RGB 165 120 195

HSL 276, 0.38%, 0.62%

LAB 57.44, 31.6, -32.51

 

CMYK 0 / 22 / 38 / 23

HEX #C49879

RGB 196 152 121

HSL 24.8, 0.39%, 0.62%

LAB 66.19, 12.26, 22.63

 

CMYK 35 / 0 / 38 / 24

HEX #7FC378

RGB 127 195 120

HSL 114.4, 0.38%, 0.62%

LAB 72.82, -36.28, 31.06

 

CMYK 38 / 15 / 0 / 24

HEX #78A5C3

RGB 120 165 195

HSL 204, 0.38%, 0.62%

LAB 65.63, -7.48, -20.19

 

CMYK 4 / 38 / 0 / 24

HEX #BC78C3

RGB 188 120 195

HSL 294.4, 0.38%, 0.62%

LAB 59.95, 38.73, -28.42

 

Description

Color code: HEX #C49879 | qconv.com Color code: HEX #C49879 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 152 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 152 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 38 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 38% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - 小顔矯正の無料お試し有。口コミでモデルさ...
Link: http://www.karadano.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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