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Color name
HEX #C4AF3A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AF3A it is the complementary color #3B50C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AF3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AF3A shade: #C9AF35, #DAC148, #EBD35B, #FCE56E and #FFF781

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AF3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AF3A shade: #C4AF3A, #B39D27, #A28B14, #917901 and #806700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AF3A shade: #C4AF3A, #C48A3A, #C4653A, #C43F3A and #C43A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AF3A shade: #C4AF3A, #B4C43A, #8FC43A, #69C43A and #44C43A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AF3A shade matches the following richer shades: #C4AF3A, #D8BD26 and #EDCC11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AF3A shade: #C4AF3A, #AFA14F, #9B9263, #868478 and #71758D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AF3A shade: #C4633A, #C4883A, #C4AD3A, #B6C43A and #91C43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AF3A shade: #847627, #A49331, #C4AF3A, #CDBC5A and #D7C97A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AF3A shade: #C4AF3A, #3AC43F and #763AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AF3A shade: #C4AF3A, #3AC4AD and #AD3AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AF3A shade: #C4AF3A, #3AC43F, #3A51C4 and #C43ABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AF3A shade: #C4AF3A, #3AC468, #3A51C4 and #C43A96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

Complementary color

CMYK 70 / 59 / 0 / 23

HEX #3B50C5

RGB 59 80 197

HSL 230.87, 0.54%, 0.5%

LAB 39.07, 31.33, -63.47

 

CMYK 0 / 13 / 74 / 21

HEX #C9AF35

RGB 201 175 53

HSL 49.46, 0.58%, 0.5%

LAB 71.78, -3.49, 62.27

 

CMYK 0 / 11 / 67 / 15

HEX #DAC148

RGB 218 193 72

HSL 49.73, 0.66%, 0.57%

LAB 78.18, -4.6, 61.74

 

CMYK 0 / 10 / 61 / 8

HEX #EBD35B

RGB 235 211 91

HSL 50, 0.78%, 0.64%

LAB 84.49, -5.55, 60.88

 

CMYK 0 / 9 / 56 / 1

HEX #FCE56E

RGB 252 229 110

HSL 50.28, 0.96%, 0.71%

LAB 90.72, -6.35, 59.85

 

CMYK 0 / 3 / 49 / 0

HEX #FFF781

RGB 255 247 129

HSL 56.19, 1%, 0.75%

LAB 95.73, -12.57, 57.11

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 0 / 12 / 78 / 30

HEX #B39D27

RGB 179 157 39

HSL 50.57, 0.64%, 0.43%

LAB 64.84, -4.22, 59.96

 

CMYK 0 / 14 / 88 / 36

HEX #A28B14

RGB 162 139 20

HSL 50.28, 0.78%, 0.36%

LAB 58.22, -2.77, 59.13

 

CMYK 0 / 17 / 99 / 43

HEX #917901

RGB 145 121 1

HSL 50, 0.99%, 0.29%

LAB 51.49, -1.05, 56.95

 

CMYK 0 / 20 / 100 / 50

HEX #806700

RGB 128 103 0

HSL 48.28, 1%, 0.25%

LAB 44.65, 1.09, 51.5

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 0 / 30 / 70 / 23

HEX #C48A3A

RGB 196 138 58

HSL 34.78, 0.54%, 0.5%

LAB 61.84, 14.53, 50.04

 

CMYK 0 / 48 / 70 / 23

HEX #C4653A

RGB 196 101 58

HSL 18.7, 0.54%, 0.5%

LAB 53.33, 34.58, 40.82

 

CMYK 0 / 68 / 70 / 23

HEX #C43F3A

RGB 196 63 58

HSL 2.17, 0.54%, 0.5%

LAB 46.44, 52.52, 32.93

 

CMYK 0 / 70 / 70 / 23

HEX #C43A3A

RGB 196 58 58

HSL 0, 0.54%, 0.5%

LAB 45.73, 54.48, 32.09

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 8 / 0 / 70 / 23

HEX #B4C43A

RGB 180 196 58

HSL 66.96, 0.54%, 0.5%

LAB 75.75, -22.91, 63.71

 

CMYK 27 / 0 / 70 / 23

HEX #8FC43A

RGB 143 196 58

HSL 83.04, 0.54%, 0.5%

LAB 73.3, -37.7, 60.45

 

CMYK 46 / 0 / 70 / 23

HEX #69C43A

RGB 105 196 58

HSL 99.57, 0.54%, 0.5%

LAB 71.41, -50.83, 57.92

 

CMYK 65 / 0 / 70 / 23

HEX #44C43A

RGB 68 196 58

HSL 115.65, 0.54%, 0.5%

LAB 70.19, -60.42, 56.26

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 0 / 13 / 82 / 15

HEX #D8BD26

RGB 216 189 38

HSL 50.9, 0.7%, 0.5%

LAB 76.76, -4.82, 72.06

 

CMYK 0 / 14 / 93 / 7

HEX #EDCC11

RGB 237 204 17

HSL 51, 0.87%, 0.5%

LAB 82.5, -3.87, 81.55

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 0 / 6 / 36 / 39

HEX #9B9263

RGB 155 146 99

HSL 50.36, 0.22%, 0.5%

LAB 60.27, -3.98, 26.14

 

CMYK 0 / 1 / 10 / 47

HEX #868478

RGB 134 132 120

HSL 51.43, 0.06%, 0.5%

LAB 55, -1.5, 6.74

 

CMYK 20 / 17 / 0 / 45

HEX #71758D

RGB 113 117 141

HSL 231.43, 0.11%, 0.5%

LAB 49.69, 3.89, -13.56

 

CMYK 0 / 49 / 70 / 23

HEX #C4633A

RGB 196 99 58

HSL 17.83, 0.54%, 0.5%

LAB 52.91, 35.62, 40.35

 

CMYK 0 / 31 / 70 / 23

HEX #C4883A

RGB 196 136 58

HSL 33.91, 0.54%, 0.5%

LAB 61.35, 15.63, 49.52

 

CMYK 0 / 12 / 70 / 23

HEX #C4AD3A

RGB 196 173 58

HSL 50, 0.54%, 0.5%

LAB 70.82, -4.37, 59.25

 

CMYK 7 / 0 / 70 / 23

HEX #B6C43A

RGB 182 196 58

HSL 66.09, 0.54%, 0.5%

LAB 75.9, -22.08, 63.9

 

CMYK 26 / 0 / 70 / 23

HEX #91C43A

RGB 145 196 58

HSL 82.17, 0.54%, 0.5%

LAB 73.42, -36.94, 60.61

 

CMYK 0 / 11 / 70 / 48

HEX #847627

RGB 132 118 39

HSL 50.97, 0.54%, 0.34%

LAB 49.51, -4.22, 43.62

 

CMYK 0 / 10 / 70 / 36

HEX #A49331

RGB 164 147 49

HSL 51.13, 0.54%, 0.42%

LAB 60.77, -5.08, 51.8

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 0 / 8 / 56 / 20

HEX #CDBC5A

RGB 205 188 90

HSL 51.13, 0.53%, 0.58%

LAB 75.87, -6.3, 50.94

 

CMYK 0 / 7 / 43 / 16

HEX #D7C97A

RGB 215 201 122

HSL 50.97, 0.54%, 0.66%

LAB 80.53, -6.03, 41.14

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 70 / 0 / 68 / 23

HEX #3AC43F

RGB 58 196 63

HSL 122.17, 0.54%, 0.5%

LAB 69.99, -61.89, 54.04

 

CMYK 40 / 70 / 0 / 23

HEX #763AC4

RGB 118 58 196

HSL 266.09, 0.54%, 0.5%

LAB 39.35, 53.51, -62.22

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 70 / 0 / 12 / 23

HEX #3AC4AD

RGB 58 196 173

HSL 170, 0.54%, 0.5%

LAB 71.82, -41.83, 0.93

 

CMYK 12 / 70 / 0 / 23

HEX #AD3AC4

RGB 173 58 196

HSL 290, 0.54%, 0.5%

LAB 46.84, 64.63, -49.75

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 70 / 0 / 68 / 23

HEX #3AC43F

RGB 58 196 63

HSL 122.17, 0.54%, 0.5%

LAB 69.99, -61.89, 54.04

 

CMYK 70 / 59 / 0 / 23

HEX #3A51C4

RGB 58 81 196

HSL 230, 0.54%, 0.5%

LAB 39.19, 30.2, -62.69

 

CMYK 0 / 70 / 3 / 23

HEX #C43ABF

RGB 196 58 191

HSL 302.17, 0.54%, 0.5%

LAB 50.12, 68.8, -41.41

 

CMYK 0 / 11 / 70 / 23

HEX #C4AF3A

RGB 196 175 58

HSL 50.87, 0.54%, 0.5%

LAB 71.35, -5.42, 59.78

 

CMYK 70 / 0 / 47 / 23

HEX #3AC468

RGB 58 196 104

HSL 140, 0.54%, 0.5%

LAB 70.44, -56.63, 35.69

 

CMYK 70 / 59 / 0 / 23

HEX #3A51C4

RGB 58 81 196

HSL 230, 0.54%, 0.5%

LAB 39.19, 30.2, -62.69

 

CMYK 0 / 70 / 23 / 23

HEX #C43A96

RGB 196 58 150

HSL 320, 0.54%, 0.5%

LAB 48.21, 62.82, -20.23

 

Description

Color code: HEX #C4AF3A | qconv.com Color code: HEX #C4AF3A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 175 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 175 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 70% 23% C M Y K

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