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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C547CC it is the complementary color #3AB833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C547CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C547CC shade: #CA47C7, #DB59DA, #EC6BED, #FD7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C547CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C547CC shade: #C547CC, #B435B9, #A323A6, #921193 and #810080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C547CC shade: #C546CC, #CC46AF, #CC468B, #CC4667 and #CC4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C547CC shade: #C546CC, #A146CC, #7D46CC, #5946CC and #4646CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C547CC shade matches the following richer shades: #C546CC, #D633DF and #E720F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C547CC shade: #C546CC, #B459B9, #A36CA6, #927F93 and #819280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C547CC shade: #7C46CC, #9F46CC, #C346CC, #CC46B1 and #CC468E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C547CC shade: #912997, #B032B7, #C546CC, #CF67D5 and #D987DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C547CC shade: #C547CC, #CC5846 and #46CC8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C547CC shade: #C547CC, #CCC346 and #46CCC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C547CC shade: #C547CC, #CC5846, #4FCC46 and #46BACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C547CC shade: #C547CC, #CC8046, #4FCC46 and #4692CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 65 / 0 / 20

HEX #C547CC

RGB 197 71 204

HSL 296.84, 0.57%, 0.54%

LAB 52.66, 66.41, -44.88

 

Complementary color

CMYK 68 / 0 / 72 / 28

HEX #3AB833

RGB 58 184 51

HSL 116.84, 0.57%, 0.46%

LAB 66.07, -58.96, 54.57

 

CMYK 0 / 65 / 1 / 21

HEX #CA47C7

RGB 202 71 199

HSL 301.37, 0.55%, 0.54%

LAB 53.15, 66.74, -41.18

 

CMYK 0 / 59 / 0 / 14

HEX #DB59DA

RGB 219 89 218

HSL 300.46, 0.64%, 0.6%

LAB 59.22, 66.74, -42.26

 

CMYK 0 / 55 / 0 / 7

HEX #EC6BED

RGB 236 107 237

HSL 299.54, 0.78%, 0.67%

LAB 65.33, 66.45, -43.11

 

CMYK 1 / 51 / 0 / 0

HEX #FD7DFF

RGB 253 125 255

HSL 299.08, 1%, 0.75%

LAB 71.4, 65.8, -43.32

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 3 / 65 / 0 / 20

HEX #C547CC

RGB 197 71 204

HSL 296.84, 0.57%, 0.54%

LAB 52.66, 66.41, -44.88

 

CMYK 3 / 71 / 0 / 27

HEX #B435B9

RGB 180 53 185

HSL 297.73, 0.55%, 0.47%

LAB 46.65, 66, -43.58

 

CMYK 2 / 79 / 0 / 35

HEX #A323A6

RGB 163 35 166

HSL 298.63, 0.65%, 0.39%

LAB 40.8, 64.87, -41.82

 

CMYK 1 / 88 / 0 / 42

HEX #921193

RGB 146 17 147

HSL 299.54, 0.79%, 0.32%

LAB 35.24, 62.62, -39.37

 

CMYK 0 / 100 / 1 / 49

HEX #810080

RGB 129 0 128

HSL 300.47, 1%, 0.25%

LAB 29.97, 59.11, -36.18

 

CMYK 3 / 66 / 0 / 20

HEX #C546CC

RGB 197 70 204

HSL 296.87, 0.57%, 0.54%

LAB 52.52, 66.8, -45.1

 

CMYK 0 / 66 / 14 / 20

HEX #CC46AF

RGB 204 70 175

HSL 312.99, 0.57%, 0.54%

LAB 52.19, 63.88, -28.76

 

CMYK 0 / 66 / 32 / 20

HEX #CC468B

RGB 204 70 139

HSL 329.1, 0.57%, 0.54%

LAB 50.78, 59.08, -9.63

 

CMYK 0 / 66 / 50 / 20

HEX #CC4667

RGB 204 70 103

HSL 345.22, 0.57%, 0.54%

LAB 49.73, 55.35, 10.53

 

CMYK 0 / 66 / 66 / 20

HEX #CC4646

RGB 204 70 70

HSL 0, 0.57%, 0.54%

LAB 49.08, 52.95, 29.44

 

CMYK 3 / 66 / 0 / 20

HEX #C546CC

RGB 197 70 204

HSL 296.87, 0.57%, 0.54%

LAB 52.52, 66.8, -45.1

 

CMYK 21 / 66 / 0 / 20

HEX #A146CC

RGB 161 70 204

HSL 280.75, 0.57%, 0.54%

LAB 47.39, 58.62, -53.59

 

CMYK 39 / 66 / 0 / 20

HEX #7D46CC

RGB 125 70 204

HSL 264.63, 0.57%, 0.54%

LAB 42.91, 50.93, -61.03

 

CMYK 56 / 66 / 0 / 20

HEX #5946CC

RGB 89 70 204

HSL 248.51, 0.57%, 0.54%

LAB 39.35, 44.29, -66.99

 

CMYK 66 / 66 / 0 / 20

HEX #4646CC

RGB 70 70 204

HSL 240, 0.57%, 0.54%

LAB 37.92, 41.44, -69.39

 

CMYK 3 / 66 / 0 / 20

HEX #C546CC

RGB 197 70 204

HSL 296.87, 0.57%, 0.54%

LAB 52.52, 66.8, -45.1

 

CMYK 4 / 77 / 0 / 13

HEX #D633DF

RGB 214 51 223

HSL 296.86, 0.73%, 0.54%

LAB 54.02, 79.74, -53.39

 

CMYK 5 / 87 / 0 / 5

HEX #E720F2

RGB 231 32 242

HSL 296.86, 0.89%, 0.54%

LAB 56.52, 89.69, -59.92

 

CMYK 3 / 66 / 0 / 20

HEX #C546CC

RGB 197 70 204

HSL 296.87, 0.57%, 0.54%

LAB 52.52, 66.8, -45.1

 

CMYK 3 / 52 / 0 / 27

HEX #B459B9

RGB 180 89 185

HSL 296.88, 0.41%, 0.54%

LAB 52.23, 50.63, -34.77

 

CMYK 2 / 35 / 0 / 35

HEX #A36CA6

RGB 163 108 166

HSL 296.9, 0.25%, 0.54%

LAB 53.24, 31.66, -22.34

 

CMYK 1 / 14 / 0 / 42

HEX #927F93

RGB 146 127 147

HSL 297, 0.08%, 0.54%

LAB 55.48, 11.02, -8.07

 

CMYK 12 / 0 / 12 / 43

HEX #819280

RGB 129 146 128

HSL 116.67, 0.08%, 0.54%

LAB 58.77, -9.69, 7.49

 

CMYK 39 / 66 / 0 / 20

HEX #7C46CC

RGB 124 70 204

HSL 264.18, 0.57%, 0.54%

LAB 42.8, 50.73, -61.22

 

CMYK 22 / 66 / 0 / 20

HEX #9F46CC

RGB 159 70 204

HSL 279.85, 0.57%, 0.54%

LAB 47.12, 58.18, -54.03

 

CMYK 4 / 66 / 0 / 20

HEX #C346CC

RGB 195 70 204

HSL 295.97, 0.57%, 0.54%

LAB 52.22, 66.34, -45.59

 

CMYK 0 / 66 / 13 / 20

HEX #CC46B1

RGB 204 70 177

HSL 312.09, 0.57%, 0.54%

LAB 52.28, 64.18, -29.79

 

CMYK 0 / 66 / 30 / 20

HEX #CC468E

RGB 204 70 142

HSL 327.76, 0.57%, 0.54%

LAB 50.89, 59.44, -11.26

 

CMYK 4 / 73 / 0 / 41

HEX #912997

RGB 145 41 151

HSL 296.73, 0.57%, 0.38%

LAB 37.55, 56.59, -38.13

 

CMYK 4 / 73 / 0 / 28

HEX #B032B7

RGB 176 50 183

HSL 296.84, 0.57%, 0.46%

LAB 45.54, 65.82, -44.22

 

CMYK 3 / 66 / 0 / 20

HEX #C546CC

RGB 197 70 204

HSL 296.87, 0.57%, 0.54%

LAB 52.52, 66.8, -45.1

 

CMYK 3 / 52 / 0 / 16

HEX #CF67D5

RGB 207 103 213

HSL 296.73, 0.57%, 0.62%

LAB 59.68, 56.41, -38.83

 

CMYK 2 / 39 / 0 / 13

HEX #D987DE

RGB 217 135 222

HSL 296.55, 0.57%, 0.7%

LAB 67.54, 44.78, -31.53

 

CMYK 3 / 65 / 0 / 20

HEX #C547CC

RGB 197 71 204

HSL 296.84, 0.57%, 0.54%

LAB 52.66, 66.41, -44.88

 

CMYK 0 / 57 / 66 / 20

HEX #CC5846

RGB 204 88 70

HSL 8.06, 0.57%, 0.54%

LAB 52.13, 44.86, 33.18

 

CMYK 66 / 0 / 30 / 20

HEX #46CC8E

RGB 70 204 142

HSL 152.24, 0.57%, 0.54%

LAB 73.83, -50.59, 20.5

 

CMYK 3 / 65 / 0 / 20

HEX #C547CC

RGB 197 71 204

HSL 296.84, 0.57%, 0.54%

LAB 52.66, 66.41, -44.88

 

CMYK 0 / 4 / 66 / 20

HEX #CCC346

RGB 204 195 70

HSL 55.97, 0.57%, 0.54%

LAB 77.47, -11.67, 61.44

 

CMYK 66 / 0 / 4 / 20

HEX #46CCC3

RGB 70 204 195

HSL 175.97, 0.57%, 0.54%

LAB 75.09, -37.82, -6.17

 

CMYK 3 / 65 / 0 / 20

HEX #C547CC

RGB 197 71 204

HSL 296.84, 0.57%, 0.54%

LAB 52.66, 66.41, -44.88

 

CMYK 0 / 57 / 66 / 20

HEX #CC5846

RGB 204 88 70

HSL 8.06, 0.57%, 0.54%

LAB 52.13, 44.86, 33.18

 

CMYK 61 / 0 / 66 / 20

HEX #4FCC46

RGB 79 204 70

HSL 115.97, 0.57%, 0.54%

LAB 73.08, -59.72, 54.68

 

CMYK 66 / 9 / 0 / 20

HEX #46BACC

RGB 70 186 204

HSL 188.06, 0.57%, 0.54%

LAB 70.02, -26.67, -18.67

 

CMYK 3 / 65 / 0 / 20

HEX #C547CC

RGB 197 71 204

HSL 296.84, 0.57%, 0.54%

LAB 52.66, 66.41, -44.88

 

CMYK 0 / 37 / 66 / 20

HEX #CC8046

RGB 204 128 70

HSL 25.97, 0.57%, 0.54%

LAB 60.53, 24.1, 43.06

 

CMYK 61 / 0 / 66 / 20

HEX #4FCC46

RGB 79 204 70

HSL 115.97, 0.57%, 0.54%

LAB 73.08, -59.72, 54.68

 

CMYK 66 / 28 / 0 / 20

HEX #4692CC

RGB 70 146 204

HSL 205.97, 0.57%, 0.54%

LAB 58.24, -5.3, -36.81

 

Description

Color code: HEX #C547CC | qconv.com Color code: HEX #C547CC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 71 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 71 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 65 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 65% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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