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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D633DF it is the complementary color #29CC20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D633DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D633DF shade: #DB33DA, #EC45ED, #FD57FF, #FF69FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D633DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D633DF shade: #D633DF, #C521CC, #B40FB9, #A300A6 and #920093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D633DF shade: #D634DF, #DF34BA, #DF348B, #DF345D and #DF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D633DF shade: #D634DF, #A834DF, #7A34DF, #4B34DF and #3434DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D633DF shade matches the following richer shades: #D634DF and #E721F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D633DF shade: #D634DF, #C547CC, #B45AB9, #A36DA6 and #927F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D633DF shade: #7834DF, #A634DF, #D334DF, #DF34BD and #DF348F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D633DF shade: #9F1AA6, #C11FCA, #D634DF, #DD57E4 and #E47BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D633DF shade: #D633DF, #DF4A34 and #34DF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D633DF shade: #D633DF, #DFD334 and #34DFD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D633DF shade: #D633DF, #DF4A34, #3FDF34 and #34C8DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D633DF shade: #D633DF, #DF7E34, #3FDF34 and #3495DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 77 / 0 / 13

HEX #D633DF

RGB 214 51 223

HSL 296.86, 0.73%, 0.54%

LAB 54.02, 79.74, -53.39

 

Complementary color

CMYK 80 / 0 / 84 / 20

HEX #29CC20

RGB 41 204 32

HSL 116.86, 0.73%, 0.46%

LAB 72.07, -69.08, 65.99

 

CMYK 0 / 77 / 0 / 14

HEX #DB33DA

RGB 219 51 218

HSL 300.36, 0.7%, 0.53%

LAB 54.54, 79.93, -49.66

 

CMYK 0 / 71 / 0 / 7

HEX #EC45ED

RGB 236 69 237

HSL 299.64, 0.82%, 0.6%

LAB 60.07, 81.06, -51.41

 

CMYK 1 / 66 / 0 / 0

HEX #FD57FF

RGB 253 87 255

HSL 299.29, 1%, 0.67%

LAB 65.69, 81.46, -52.32

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 4 / 77 / 0 / 13

HEX #D633DF

RGB 214 51 223

HSL 296.86, 0.73%, 0.54%

LAB 54.02, 79.74, -53.39

 

CMYK 3 / 84 / 0 / 20

HEX #C521CC

RGB 197 33 204

HSL 297.54, 0.72%, 0.46%

LAB 48.66, 77.86, -51.25

 

CMYK 3 / 92 / 0 / 27

HEX #B40FB9

RGB 180 15 185

HSL 298.24, 0.85%, 0.39%

LAB 43.58, 74.9, -48.49

 

CMYK 2 / 100 / 0 / 35

HEX #A300A6

RGB 163 0 166

HSL 298.92, 1%, 0.33%

LAB 38.79, 70.75, -45.03

 

CMYK 1 / 100 / 0 / 42

HEX #920093

RGB 146 0 147

HSL 299.59, 1%, 0.29%

LAB 34.43, 65, -40.67

 

CMYK 4 / 77 / 0 / 13

HEX #D634DF

RGB 214 52 223

HSL 296.84, 0.73%, 0.54%

LAB 54.11, 79.47, -53.24

 

CMYK 0 / 77 / 17 / 13

HEX #DF34BA

RGB 223 52 186

HSL 312.98, 0.73%, 0.54%

LAB 53.7, 75.91, -32.58

 

CMYK 0 / 77 / 38 / 13

HEX #DF348B

RGB 223 52 139

HSL 329.47, 0.73%, 0.54%

LAB 51.85, 70.39, -7.7

 

CMYK 0 / 77 / 58 / 13

HEX #DF345D

RGB 223 52 93

HSL 345.61, 0.73%, 0.54%

LAB 50.61, 66.55, 18.33

 

CMYK 0 / 77 / 77 / 13

HEX #DF3434

RGB 223 52 52

HSL 0, 0.73%, 0.54%

LAB 49.97, 64.5, 41.66

 

CMYK 4 / 77 / 0 / 13

HEX #D634DF

RGB 214 52 223

HSL 296.84, 0.73%, 0.54%

LAB 54.11, 79.47, -53.24

 

CMYK 25 / 77 / 0 / 13

HEX #A834DF

RGB 168 52 223

HSL 280.7, 0.73%, 0.54%

LAB 47.12, 70.99, -64.86

 

CMYK 45 / 77 / 0 / 13

HEX #7A34DF

RGB 122 52 223

HSL 264.56, 0.73%, 0.54%

LAB 41.09, 63.56, -74.94

 

CMYK 66 / 77 / 0 / 13

HEX #4B34DF

RGB 75 52 223

HSL 248.07, 0.73%, 0.54%

LAB 36.52, 57.8, -82.63

 

CMYK 77 / 77 / 0 / 13

HEX #3434DF

RGB 52 52 223

HSL 240, 0.73%, 0.54%

LAB 35.03, 55.91, -85.13

 

CMYK 4 / 77 / 0 / 13

HEX #D634DF

RGB 214 52 223

HSL 296.84, 0.73%, 0.54%

LAB 54.11, 79.47, -53.24

 

CMYK 5 / 86 / 0 / 5

HEX #E721F2

RGB 231 33 242

HSL 296.84, 0.89%, 0.54%

LAB 56.57, 89.53, -59.84

 

CMYK 4 / 77 / 0 / 13

HEX #D634DF

RGB 214 52 223

HSL 296.84, 0.73%, 0.54%

LAB 54.11, 79.47, -53.24

 

CMYK 3 / 65 / 0 / 20

HEX #C547CC

RGB 197 71 204

HSL 296.84, 0.57%, 0.54%

LAB 52.66, 66.41, -44.88

 

CMYK 3 / 51 / 0 / 27

HEX #B45AB9

RGB 180 90 185

HSL 296.84, 0.4%, 0.54%

LAB 52.42, 50.14, -34.48

 

CMYK 2 / 34 / 0 / 35

HEX #A36DA6

RGB 163 109 166

HSL 296.84, 0.24%, 0.54%

LAB 53.47, 31.09, -21.99

 

CMYK 1 / 14 / 0 / 42

HEX #927F93

RGB 146 127 147

HSL 297, 0.08%, 0.54%

LAB 55.48, 11.02, -8.07

 

CMYK 46 / 77 / 0 / 13

HEX #7834DF

RGB 120 52 223

HSL 263.86, 0.73%, 0.54%

LAB 40.86, 63.27, -75.33

 

CMYK 26 / 77 / 0 / 13

HEX #A634DF

RGB 166 52 223

HSL 280, 0.73%, 0.54%

LAB 46.83, 70.64, -65.33

 

CMYK 5 / 77 / 0 / 13

HEX #D334DF

RGB 211 52 223

HSL 295.79, 0.73%, 0.54%

LAB 53.63, 78.9, -54.02

 

CMYK 0 / 77 / 15 / 13

HEX #DF34BD

RGB 223 52 189

HSL 311.93, 0.73%, 0.54%

LAB 53.83, 76.31, -34.11

 

CMYK 0 / 77 / 36 / 13

HEX #DF348F

RGB 223 52 143

HSL 328.07, 0.73%, 0.54%

LAB 51.98, 70.8, -9.89

 

CMYK 4 / 84 / 0 / 35

HEX #9F1AA6

RGB 159 26 166

HSL 297, 0.73%, 0.38%

LAB 39.35, 66.32, -44.18

 

CMYK 4 / 85 / 0 / 21

HEX #C11FCA

RGB 193 31 202

HSL 296.84, 0.73%, 0.46%

LAB 47.73, 77.24, -51.62

 

CMYK 4 / 77 / 0 / 13

HEX #D634DF

RGB 214 52 223

HSL 296.84, 0.73%, 0.54%

LAB 54.11, 79.47, -53.24

 

CMYK 3 / 62 / 0 / 11

HEX #DD57E4

RGB 221 87 228

HSL 297.02, 0.72%, 0.62%

LAB 59.7, 69.75, -47.11

 

CMYK 3 / 47 / 0 / 8

HEX #E47BEA

RGB 228 123 234

HSL 296.76, 0.73%, 0.7%

LAB 66.98, 56.28, -38.95

 

CMYK 4 / 77 / 0 / 13

HEX #D633DF

RGB 214 51 223

HSL 296.86, 0.73%, 0.54%

LAB 54.02, 79.74, -53.39

 

CMYK 0 / 67 / 77 / 13

HEX #DF4A34

RGB 223 74 52

HSL 7.72, 0.73%, 0.54%

LAB 52.77, 56.78, 44.61

 

CMYK 77 / 0 / 36 / 13

HEX #34DF8F

RGB 52 223 143

HSL 151.93, 0.73%, 0.54%

LAB 79.32, -60.3, 27.38

 

CMYK 4 / 77 / 0 / 13

HEX #D633DF

RGB 214 51 223

HSL 296.86, 0.73%, 0.54%

LAB 54.02, 79.74, -53.39

 

CMYK 0 / 5 / 77 / 13

HEX #DFD334

RGB 223 211 52

HSL 55.79, 0.73%, 0.54%

LAB 83.19, -12.55, 73.94

 

CMYK 77 / 0 / 5 / 13

HEX #34DFD3

RGB 52 223 211

HSL 175.79, 0.73%, 0.54%

LAB 80.85, -44.16, -6.26

 

CMYK 4 / 77 / 0 / 13

HEX #D633DF

RGB 214 51 223

HSL 296.86, 0.73%, 0.54%

LAB 54.02, 79.74, -53.39

 

CMYK 0 / 67 / 77 / 13

HEX #DF4A34

RGB 223 74 52

HSL 7.72, 0.73%, 0.54%

LAB 52.77, 56.78, 44.61

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 77 / 10 / 0 / 13

HEX #34C8DF

RGB 52 200 223

HSL 188.07, 0.73%, 0.54%

LAB 74.42, -30.05, -22.35

 

CMYK 4 / 77 / 0 / 13

HEX #D633DF

RGB 214 51 223

HSL 296.86, 0.73%, 0.54%

LAB 54.02, 79.74, -53.39

 

CMYK 0 / 43 / 77 / 13

HEX #DF7E34

RGB 223 126 52

HSL 25.96, 0.73%, 0.54%

LAB 62.39, 32.11, 54.37

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 77 / 33 / 0 / 13

HEX #3495DF

RGB 52 149 223

HSL 205.96, 0.73%, 0.54%

LAB 59.48, -2.95, -45.53

 

Description

Color code: HEX #D633DF | qconv.com Color code: HEX #D633DF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 51 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 51 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 77 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 77% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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