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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55315 it is the complementary color #3AACEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C55315 shade: #CA5310, #DB6523, #EC7736, #FD8949 and #FF9B5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C55315 shade: #C55315, #B44102, #A32F00, #921D00 and #810B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C55315 shade: #C65314, #C62314 and #C61414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C55315 shade: #C65314, #C68314, #C6B314, #A9C614 and #79C614

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C55315 shade matches the following richer shades: #C65314 and #D84E03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C55315 shade: #C65314, #B45826, #A25D38, #91634A and #7F685B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C55315 shade: #C61435, #C62314, #C65314, #C68214 and #C6B114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C55315 shade: #7B340C, #A14310, #C65314, #E7641D and #EB7E42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C55315 shade: #C55315, #64C614 and #141DC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C55315 shade: #C55315, #14C653 and #5314C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C55315 shade: #C55315, #64C614, #1488C6 and #7614C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C55315 shade: #C55315, #2FC614, #1488C6 and #AB14C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 89 / 23

HEX #C55315

RGB 197 83 21

HSL 21.14, 0.81%, 0.43%

LAB 49.63, 42.74, 53.97

 

Complementary color

CMYK 75 / 26 / 0 / 8

HEX #3AACEA

RGB 58 172 234

HSL 201.14, 0.81%, 0.57%

LAB 66.78, -11.36, -40.12

 

CMYK 0 / 59 / 92 / 21

HEX #CA5310

RGB 202 83 16

HSL 21.61, 0.85%, 0.43%

LAB 50.43, 44.54, 56.48

 

CMYK 0 / 54 / 84 / 14

HEX #DB6523

RGB 219 101 35

HSL 21.52, 0.72%, 0.5%

LAB 56.57, 42.71, 55.9

 

CMYK 0 / 50 / 77 / 7

HEX #EC7736

RGB 236 119 54

HSL 21.43, 0.83%, 0.57%

LAB 62.75, 40.94, 54.44

 

CMYK 0 / 46 / 71 / 1

HEX #FD8949

RGB 253 137 73

HSL 21.33, 0.98%, 0.64%

LAB 68.94, 39.28, 52.7

 

CMYK 0 / 39 / 64 / 0

HEX #FF9B5C

RGB 255 155 92

HSL 23.19, 1%, 0.68%

LAB 73.2, 31.89, 48.24

 

CMYK 0 / 58 / 89 / 23

HEX #C55315

RGB 197 83 21

HSL 21.14, 0.81%, 0.43%

LAB 49.63, 42.74, 53.97

 

CMYK 0 / 64 / 99 / 29

HEX #B44102

RGB 180 65 2

HSL 21.24, 0.98%, 0.36%

LAB 43.49, 44.52, 53.9

 

CMYK 0 / 71 / 100 / 36

HEX #A32F00

RGB 163 47 0

HSL 17.3, 1%, 0.32%

LAB 37.52, 46.1, 49.76

 

CMYK 0 / 80 / 100 / 43

HEX #921D00

RGB 146 29 0

HSL 11.92, 1%, 0.29%

LAB 31.78, 46.9, 44.77

 

CMYK 0 / 91 / 100 / 49

HEX #810B00

RGB 129 11 0

HSL 5.12, 1%, 0.25%

LAB 26.47, 46.3, 39

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 0 / 82 / 90 / 22

HEX #C62314

RGB 198 35 20

HSL 5.06, 0.82%, 0.43%

LAB 43.15, 61.14, 49.61

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 0 / 34 / 90 / 22

HEX #C68314

RGB 198 131 20

HSL 37.42, 0.82%, 0.43%

LAB 60.15, 17.9, 62.35

 

CMYK 0 / 10 / 90 / 22

HEX #C6B314

RGB 198 179 20

HSL 53.6, 0.82%, 0.43%

LAB 72.43, -7.91, 71.85

 

CMYK 15 / 0 / 90 / 22

HEX #A9C614

RGB 169 198 20

HSL 69.78, 0.82%, 0.43%

LAB 75.37, -29.81, 73.21

 

CMYK 39 / 0 / 90 / 22

HEX #79C614

RGB 121 198 20

HSL 85.96, 0.82%, 0.43%

LAB 72.56, -48.24, 69.76

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 0 / 64 / 99 / 15

HEX #D84E03

RGB 216 78 3

HSL 21.13, 0.97%, 0.43%

LAB 51.9, 51.73, 61.62

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 0 / 51 / 79 / 29

HEX #B45826

RGB 180 88 38

HSL 21.13, 0.65%, 0.43%

LAB 48.04, 34.03, 44.56

 

CMYK 0 / 43 / 65 / 36

HEX #A25D38

RGB 162 93 56

HSL 20.94, 0.49%, 0.43%

LAB 46.71, 24.76, 33.03

 

CMYK 0 / 32 / 49 / 43

HEX #91634A

RGB 145 99 74

HSL 21.13, 0.32%, 0.43%

LAB 46.23, 15.54, 21.67

 

CMYK 0 / 18 / 28 / 50

HEX #7F685B

RGB 127 104 91

HSL 21.67, 0.17%, 0.43%

LAB 45.86, 7.05, 10.76

 

CMYK 0 / 90 / 73 / 22

HEX #C61435

RGB 198 20 53

HSL 348.88, 0.82%, 0.43%

LAB 42.4, 65.08, 31.26

 

CMYK 0 / 82 / 90 / 22

HEX #C62314

RGB 198 35 20

HSL 5.06, 0.82%, 0.43%

LAB 43.15, 61.14, 49.61

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

CMYK 0 / 11 / 90 / 22

HEX #C6B114

RGB 198 177 20

HSL 52.92, 0.82%, 0.43%

LAB 71.89, -6.87, 71.44

 

CMYK 0 / 58 / 90 / 52

HEX #7B340C

RGB 123 52 12

HSL 21.62, 0.82%, 0.26%

LAB 31.1, 28.73, 37.44

 

CMYK 0 / 58 / 90 / 37

HEX #A14310

RGB 161 67 16

HSL 21.1, 0.82%, 0.35%

LAB 40.62, 36.54, 46.21

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 0 / 57 / 87 / 9

HEX #E7641D

RGB 231 100 29

HSL 21.09, 0.81%, 0.51%

LAB 58.22, 47.57, 60.23

 

CMYK 0 / 46 / 72 / 8

HEX #EB7E42

RGB 235 126 66

HSL 21.3, 0.81%, 0.59%

LAB 64.14, 37.52, 50.2

 

CMYK 0 / 58 / 89 / 23

HEX #C55315

RGB 197 83 21

HSL 21.14, 0.81%, 0.43%

LAB 49.63, 42.74, 53.97

 

CMYK 49 / 0 / 90 / 22

HEX #64C614

RGB 100 198 20

HSL 93.03, 0.82%, 0.43%

LAB 71.66, -55.02, 68.63

 

CMYK 90 / 85 / 0 / 22

HEX #141DC6

RGB 20 29 198

HSL 236.97, 0.82%, 0.43%

LAB 27.03, 57.6, -83.96

 

CMYK 0 / 58 / 89 / 23

HEX #C55315

RGB 197 83 21

HSL 21.14, 0.81%, 0.43%

LAB 49.63, 42.74, 53.97

 

CMYK 90 / 0 / 58 / 22

HEX #14C653

RGB 20 198 83

HSL 141.24, 0.82%, 0.43%

LAB 70.29, -64.74, 45.56

 

CMYK 58 / 90 / 0 / 22

HEX #5314C6

RGB 83 20 198

HSL 261.24, 0.82%, 0.43%

LAB 30.44, 63.95, -78.17

 

CMYK 0 / 58 / 89 / 23

HEX #C55315

RGB 197 83 21

HSL 21.14, 0.81%, 0.43%

LAB 49.63, 42.74, 53.97

 

CMYK 49 / 0 / 90 / 22

HEX #64C614

RGB 100 198 20

HSL 93.03, 0.82%, 0.43%

LAB 71.66, -55.02, 68.63

 

CMYK 90 / 31 / 0 / 22

HEX #1488C6

RGB 20 136 198

HSL 200.9, 0.82%, 0.43%

LAB 53.85, -7.27, -40.4

 

CMYK 40 / 90 / 0 / 22

HEX #7614C6

RGB 118 20 198

HSL 273.03, 0.82%, 0.43%

LAB 34.86, 67.45, -70.72

 

CMYK 0 / 58 / 89 / 23

HEX #C55315

RGB 197 83 21

HSL 21.14, 0.81%, 0.43%

LAB 49.63, 42.74, 53.97

 

CMYK 76 / 0 / 90 / 22

HEX #2FC614

RGB 47 198 20

HSL 110.9, 0.82%, 0.43%

LAB 70.21, -66.96, 66.83

 

CMYK 90 / 31 / 0 / 22

HEX #1488C6

RGB 20 136 198

HSL 200.9, 0.82%, 0.43%

LAB 53.85, -7.27, -40.4

 

CMYK 14 / 90 / 0 / 22

HEX #AB14C6

RGB 171 20 198

HSL 290.9, 0.82%, 0.43%

LAB 43.12, 74.84, -56.92

 

Description

Color code: HEX #C55315 | qconv.com Color code: HEX #C55315 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 83 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 83 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 89% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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