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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5627B it is the complementary color #3A9D84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5627B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5627B shade: #CA6276, #DB7489, #EC869C, #FD98AF and #FFAAC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5627B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5627B shade: #C5627B, #B45068, #A33E55, #922C42 and #811A2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5627B shade: #C5627B and #C56262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5627B shade: #C5627B, #C56296, #C562B0, #BF62C5 and #A462C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5627B shade matches the following richer shades: #C5627B, #D65172, #E73F6A and #F92E61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5627B shade: #C5627B, #B37384, #A2858C, #919695 and #7FA79D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5627B shade: #C562B1, #C56297, #C5627C, #C56262 and #C57C62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5627B shade: #9B3952, #B94462, #C5627B, #D08094 and #DB9EAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5627B shade: #C5627B, #C5BE62 and #62A4C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5627B shade: #C5627B, #7CC562 and #627CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5627B shade: #C5627B, #C5BE62, #62C5AA and #6269C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5627B shade: #C5627B, #AEC562, #62C5AA and #7962C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

Complementary color

CMYK 63 / 0 / 16 / 38

HEX #3A9D84

RGB 58 157 132

HSL 164.85, 0.46%, 0.42%

LAB 58.68, -34.93, 4.62

 

CMYK 0 / 51 / 42 / 21

HEX #CA6276

RGB 202 98 118

HSL 348.46, 0.5%, 0.59%

LAB 54.66, 43.26, 8.49

 

CMYK 0 / 47 / 37 / 14

HEX #DB7489

RGB 219 116 137

HSL 347.77, 0.59%, 0.66%

LAB 61.1, 42.31, 6.92

 

CMYK 0 / 43 / 34 / 7

HEX #EC869C

RGB 236 134 156

HSL 347.06, 0.73%, 0.73%

LAB 67.49, 41.37, 5.57

 

CMYK 0 / 40 / 31 / 1

HEX #FD98AF

RGB 253 152 175

HSL 346.34, 0.96%, 0.79%

LAB 73.83, 40.48, 4.38

 

CMYK 0 / 33 / 24 / 0

HEX #FFAAC2

RGB 255 170 194

HSL 343.06, 1%, 0.83%

LAB 78.41, 34.39, 0.64

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 0 / 56 / 42 / 29

HEX #B45068

RGB 180 80 104

HSL 345.6, 0.4%, 0.51%

LAB 47.55, 42.95, 6.28

 

CMYK 0 / 62 / 48 / 36

HEX #A33E55

RGB 163 62 85

HSL 346.34, 0.45%, 0.44%

LAB 41.04, 43.74, 8.36

 

CMYK 0 / 70 / 55 / 43

HEX #922C42

RGB 146 44 66

HSL 347.06, 0.54%, 0.37%

LAB 34.61, 44.25, 11.01

 

CMYK 0 / 80 / 64 / 49

HEX #811A2F

RGB 129 26 47

HSL 347.77, 0.66%, 0.3%

LAB 28.41, 44.12, 14.54

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 0 / 50 / 50 / 23

HEX #C56262

RGB 197 98 98

HSL 0, 0.46%, 0.58%

LAB 53.48, 39.43, 18.5

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 0 / 50 / 24 / 23

HEX #C56296

RGB 197 98 150

HSL 328.48, 0.46%, 0.58%

LAB 54.87, 45.57, -10.11

 

CMYK 0 / 50 / 11 / 23

HEX #C562B0

RGB 197 98 176

HSL 312.73, 0.46%, 0.58%

LAB 55.83, 49.57, -23.8

 

CMYK 3 / 50 / 0 / 23

HEX #BF62C5

RGB 191 98 197

HSL 296.36, 0.46%, 0.58%

LAB 55.93, 51.49, -35.78

 

CMYK 17 / 50 / 0 / 23

HEX #A462C5

RGB 164 98 197

HSL 280, 0.46%, 0.58%

LAB 52.57, 43.93, -41.28

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 0 / 62 / 47 / 16

HEX #D65172

RGB 214 81 114

HSL 345.11, 0.62%, 0.58%

LAB 53.38, 54.88, 9.3

 

CMYK 0 / 73 / 54 / 9

HEX #E73F6A

RGB 231 63 106

HSL 344.64, 0.78%, 0.58%

LAB 53.58, 66.25, 14.8

 

CMYK 0 / 82 / 61 / 2

HEX #F92E61

RGB 249 46 97

HSL 344.93, 0.94%, 0.58%

LAB 55.03, 75.29, 22.69

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 0 / 36 / 26 / 30

HEX #B37384

RGB 179 115 132

HSL 344.06, 0.3%, 0.58%

LAB 55.59, 27.57, 1.22

 

CMYK 0 / 18 / 14 / 36

HEX #A2858C

RGB 162 133 140

HSL 345.52, 0.13%, 0.58%

LAB 58.37, 12.23, 0.4

 

CMYK 3 / 0 / 1 / 41

HEX #919695

RGB 145 150 149

HSL 168, 0.02%, 0.58%

LAB 61.66, -2, -0.11

 

CMYK 24 / 0 / 6 / 35

HEX #7FA79D

RGB 127 167 157

HSL 165, 0.19%, 0.58%

LAB 65.42, -15.69, 0.74

 

CMYK 0 / 50 / 10 / 23

HEX #C562B1

RGB 197 98 177

HSL 312.12, 0.46%, 0.58%

LAB 55.87, 49.73, -24.32

 

CMYK 0 / 50 / 23 / 23

HEX #C56297

RGB 197 98 151

HSL 327.88, 0.46%, 0.58%

LAB 54.91, 45.71, -10.65

 

CMYK 0 / 50 / 37 / 23

HEX #C5627C

RGB 197 98 124

HSL 344.24, 0.46%, 0.58%

LAB 54.09, 42.17, 4.04

 

CMYK 0 / 50 / 50 / 23

HEX #C56262

RGB 197 98 98

HSL 0, 0.46%, 0.58%

LAB 53.48, 39.43, 18.5

 

CMYK 0 / 37 / 50 / 23

HEX #C57C62

RGB 197 124 98

HSL 15.76, 0.46%, 0.58%

LAB 59.13, 25.58, 26.03

 

CMYK 0 / 63 / 47 / 39

HEX #9B3952

RGB 155 57 82

HSL 344.69, 0.46%, 0.42%

LAB 38.73, 43.03, 6.79

 

CMYK 0 / 63 / 47 / 27

HEX #B94462

RGB 185 68 98

HSL 344.62, 0.46%, 0.5%

LAB 46.08, 49.65, 7.97

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 0 / 38 / 29 / 18

HEX #D08094

RGB 208 128 148

HSL 345, 0.46%, 0.66%

LAB 62.5, 33.44, 2.45

 

CMYK 0 / 28 / 21 / 14

HEX #DB9EAE

RGB 219 158 174

HSL 344.26, 0.46%, 0.74%

LAB 71.26, 25.01, 0.74

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 0 / 4 / 50 / 23

HEX #C5BE62

RGB 197 190 98

HSL 55.76, 0.46%, 0.58%

LAB 75.81, -9.99, 46.88

 

CMYK 50 / 17 / 0 / 23

HEX #62A4C5

RGB 98 164 197

HSL 200, 0.46%, 0.58%

LAB 64.31, -11.91, -23.42

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 37 / 0 / 50 / 23

HEX #7CC562

RGB 124 197 98

HSL 104.24, 0.46%, 0.58%

LAB 72.96, -41.19, 42.3

 

CMYK 50 / 37 / 0 / 23

HEX #627CC5

RGB 98 124 197

HSL 224.24, 0.46%, 0.58%

LAB 53, 11.09, -41

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 0 / 4 / 50 / 23

HEX #C5BE62

RGB 197 190 98

HSL 55.76, 0.46%, 0.58%

LAB 75.81, -9.99, 46.88

 

CMYK 50 / 0 / 14 / 23

HEX #62C5AA

RGB 98 197 170

HSL 163.64, 0.46%, 0.58%

LAB 73.18, -35.6, 4.67

 

CMYK 50 / 47 / 0 / 23

HEX #6269C5

RGB 98 105 197

HSL 235.76, 0.46%, 0.58%

LAB 47.92, 22.7, -49.07

 

CMYK 0 / 50 / 38 / 23

HEX #C5627B

RGB 197 98 123

HSL 344.85, 0.46%, 0.58%

LAB 54.06, 42.05, 4.59

 

CMYK 12 / 0 / 50 / 23

HEX #AEC562

RGB 174 197 98

HSL 73.94, 0.46%, 0.58%

LAB 75.95, -22.83, 46.62

 

CMYK 50 / 0 / 14 / 23

HEX #62C5AA

RGB 98 197 170

HSL 163.64, 0.46%, 0.58%

LAB 73.18, -35.6, 4.67

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

Description

Color code: HEX #C5627B | qconv.com Color code: HEX #C5627B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 98 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 98 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 38 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 38% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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