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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58555 it is the complementary color #3A7AAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58555. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58555 shade: #CA8550, #DB9763, #ECA976, #FDBB89 and #FFCD9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58555. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58555 shade: #C58555, #B47342, #A3612F, #924F1C and #813D09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58555 shade: #C48454, #C46554 and #C45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58555 shade: #C48454, #C4A254, #C4C054, #A9C454 and #8BC454

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58555 shade matches the following richer shades: #C48454, #D78141, #E97E2E and #FC7C1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58555 shade: #C48454, #B18666, #9F8979, #8C8C8B and #7A8E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58555 shade: #C45461, #C46454, #C48254, #C4A054 and #C4BE54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58555 shade: #935C32, #B26F3D, #C48454, #CE9A72 and #D9B091

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58555 shade: #C58555, #7FC454 and #5554C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58555 shade: #C58555, #54C482 and #8254C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58555 shade: #C58555, #7FC454, #5495C4 and #9954C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58555 shade: #C58555, #5DC454, #5495C4 and #BB54C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 57 / 23

HEX #C58555

RGB 197 133 85

HSL 25.71, 0.49%, 0.55%

LAB 61.05, 19.51, 35.62

 

Complementary color

CMYK 66 / 28 / 0 / 33

HEX #3A7AAA

RGB 58 122 170

HSL 205.71, 0.49%, 0.45%

LAB 49.16, -5, -31.63

 

CMYK 0 / 34 / 60 / 21

HEX #CA8550

RGB 202 133 80

HSL 26.07, 0.54%, 0.55%

LAB 61.58, 21.22, 39.05

 

CMYK 0 / 31 / 55 / 14

HEX #DB9763

RGB 219 151 99

HSL 26, 0.63%, 0.62%

LAB 68.09, 19.98, 37.47

 

CMYK 0 / 28 / 50 / 7

HEX #ECA976

RGB 236 169 118

HSL 25.93, 0.76%, 0.69%

LAB 74.52, 18.9, 35.98

 

CMYK 0 / 26 / 46 / 1

HEX #FDBB89

RGB 253 187 137

HSL 25.86, 0.97%, 0.76%

LAB 80.87, 17.95, 34.6

 

CMYK 0 / 20 / 39 / 0

HEX #FFCD9C

RGB 255 205 156

HSL 29.7, 1%, 0.81%

LAB 85.67, 11.31, 31.09

 

CMYK 0 / 32 / 57 / 23

HEX #C58555

RGB 197 133 85

HSL 25.71, 0.49%, 0.55%

LAB 61.05, 19.51, 35.62

 

CMYK 0 / 36 / 63 / 29

HEX #B47342

RGB 180 115 66

HSL 25.79, 0.46%, 0.48%

LAB 54.4, 20.84, 37.26

 

CMYK 0 / 40 / 71 / 36

HEX #A3612F

RGB 163 97 47

HSL 25.86, 0.55%, 0.41%

LAB 47.68, 22.39, 38.97

 

CMYK 0 / 46 / 81 / 43

HEX #924F1C

RGB 146 79 28

HSL 25.93, 0.68%, 0.34%

LAB 40.88, 24.2, 40.54

 

CMYK 0 / 53 / 93 / 49

HEX #813D09

RGB 129 61 9

HSL 26, 0.87%, 0.27%

LAB 34.03, 26.3, 41.27

 

CMYK 0 / 33 / 57 / 23

HEX #C48454

RGB 196 132 84

HSL 25.71, 0.49%, 0.55%

LAB 60.67, 19.56, 35.67

 

CMYK 0 / 48 / 57 / 23

HEX #C46554

RGB 196 101 84

HSL 9.11, 0.49%, 0.55%

LAB 53.69, 36.3, 26.88

 

CMYK 0 / 57 / 57 / 23

HEX #C45454

RGB 196 84 84

HSL 0, 0.49%, 0.55%

LAB 50.35, 44.83, 22.55

 

CMYK 0 / 33 / 57 / 23

HEX #C48454

RGB 196 132 84

HSL 25.71, 0.49%, 0.55%

LAB 60.67, 19.56, 35.67

 

CMYK 0 / 17 / 57 / 23

HEX #C4A254

RGB 196 162 84

HSL 41.79, 0.49%, 0.55%

LAB 68.18, 3.17, 44.68

 

CMYK 0 / 2 / 57 / 23

HEX #C4C054

RGB 196 192 84

HSL 57.86, 0.49%, 0.55%

LAB 76.12, -12.57, 53.78

 

CMYK 14 / 0 / 57 / 23

HEX #A9C454

RGB 169 196 84

HSL 74.46, 0.49%, 0.55%

LAB 75.17, -25.61, 52.16

 

CMYK 29 / 0 / 57 / 23

HEX #8BC454

RGB 139 196 84

HSL 90.54, 0.49%, 0.55%

LAB 73.29, -37.08, 49.51

 

CMYK 0 / 33 / 57 / 23

HEX #C48454

RGB 196 132 84

HSL 25.71, 0.49%, 0.55%

LAB 60.67, 19.56, 35.67

 

CMYK 0 / 40 / 70 / 16

HEX #D78141

RGB 215 129 65

HSL 25.6, 0.65%, 0.55%

LAB 62.11, 27.85, 47.7

 

CMYK 0 / 46 / 80 / 9

HEX #E97E2E

RGB 233 126 46

HSL 25.67, 0.81%, 0.55%

LAB 63.71, 35.93, 58.64

 

CMYK 0 / 51 / 89 / 1

HEX #FC7C1C

RGB 252 124 28

HSL 25.71, 0.97%, 0.55%

LAB 65.9, 43.94, 67.79

 

CMYK 0 / 33 / 57 / 23

HEX #C48454

RGB 196 132 84

HSL 25.71, 0.49%, 0.55%

LAB 60.67, 19.56, 35.67

 

CMYK 0 / 24 / 42 / 31

HEX #B18666

RGB 177 134 102

HSL 25.6, 0.32%, 0.55%

LAB 59.3, 12.24, 23.6

 

CMYK 0 / 14 / 24 / 38

HEX #9F8979

RGB 159 137 121

HSL 25.26, 0.17%, 0.55%

LAB 58.64, 5.71, 11.65

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 23 / 10 / 0 / 38

HEX #7A8E9E

RGB 122 142 158

HSL 206.67, 0.16%, 0.55%

LAB 57.99, -3.47, -10.85

 

CMYK 0 / 57 / 51 / 23

HEX #C45461

RGB 196 84 97

HSL 353.04, 0.49%, 0.55%

LAB 50.62, 45.92, 15.17

 

CMYK 0 / 49 / 57 / 23

HEX #C46454

RGB 196 100 84

HSL 8.57, 0.49%, 0.55%

LAB 53.48, 36.82, 26.62

 

CMYK 0 / 34 / 57 / 23

HEX #C48254

RGB 196 130 84

HSL 24.64, 0.49%, 0.55%

LAB 60.2, 20.66, 35.08

 

CMYK 0 / 18 / 57 / 23

HEX #C4A054

RGB 196 160 84

HSL 40.71, 0.49%, 0.55%

LAB 67.66, 4.25, 44.07

 

CMYK 0 / 3 / 57 / 23

HEX #C4BE54

RGB 196 190 84

HSL 56.79, 0.49%, 0.55%

LAB 75.58, -11.55, 53.17

 

CMYK 0 / 37 / 66 / 42

HEX #935C32

RGB 147 92 50

HSL 25.98, 0.49%, 0.39%

LAB 44.36, 18.39, 33.07

 

CMYK 0 / 38 / 66 / 30

HEX #B26F3D

RGB 178 111 61

HSL 25.64, 0.49%, 0.47%

LAB 53.14, 21.88, 38.36

 

CMYK 0 / 33 / 57 / 23

HEX #C48454

RGB 196 132 84

HSL 25.71, 0.49%, 0.55%

LAB 60.67, 19.56, 35.67

 

CMYK 0 / 25 / 45 / 19

HEX #CE9A72

RGB 206 154 114

HSL 26.09, 0.48%, 0.63%

LAB 67.61, 14.44, 28.54

 

CMYK 0 / 19 / 33 / 15

HEX #D9B091

RGB 217 176 145

HSL 25.83, 0.49%, 0.71%

LAB 74.73, 10.53, 21.51

 

CMYK 0 / 32 / 57 / 23

HEX #C58555

RGB 197 133 85

HSL 25.71, 0.49%, 0.55%

LAB 61.05, 19.51, 35.62

 

CMYK 35 / 0 / 57 / 23

HEX #7FC454

RGB 127 196 84

HSL 96.96, 0.49%, 0.55%

LAB 72.65, -41.33, 48.6

 

CMYK 57 / 57 / 0 / 23

HEX #5554C4

RGB 85 84 196

HSL 240.54, 0.49%, 0.55%

LAB 41.62, 32.68, -58.67

 

CMYK 0 / 32 / 57 / 23

HEX #C58555

RGB 197 133 85

HSL 25.71, 0.49%, 0.55%

LAB 61.05, 19.51, 35.62

 

CMYK 57 / 0 / 34 / 23

HEX #54C482

RGB 84 196 130

HSL 144.64, 0.49%, 0.55%

LAB 71.54, -46.92, 23.79

 

CMYK 34 / 57 / 0 / 23

HEX #8254C4

RGB 130 84 196

HSL 264.64, 0.49%, 0.55%

LAB 45.73, 42.48, -51.83

 

CMYK 0 / 32 / 57 / 23

HEX #C58555

RGB 197 133 85

HSL 25.71, 0.49%, 0.55%

LAB 61.05, 19.51, 35.62

 

CMYK 35 / 0 / 57 / 23

HEX #7FC454

RGB 127 196 84

HSL 96.96, 0.49%, 0.55%

LAB 72.65, -41.33, 48.6

 

CMYK 57 / 24 / 0 / 23

HEX #5495C4

RGB 84 149 196

HSL 205.18, 0.49%, 0.55%

LAB 59.31, -6.98, -30.61

 

CMYK 22 / 57 / 0 / 23

HEX #9954C4

RGB 153 84 196

HSL 276.96, 0.49%, 0.55%

LAB 48.38, 48.18, -47.44

 

CMYK 0 / 32 / 57 / 23

HEX #C58555

RGB 197 133 85

HSL 25.71, 0.49%, 0.55%

LAB 61.05, 19.51, 35.62

 

CMYK 53 / 0 / 57 / 23

HEX #5DC454

RGB 93 196 84

HSL 115.18, 0.49%, 0.55%

LAB 71.18, -51.8, 46.52

 

CMYK 57 / 24 / 0 / 23

HEX #5495C4

RGB 84 149 196

HSL 205.18, 0.49%, 0.55%

LAB 59.31, -6.98, -30.61

 

CMYK 5 / 57 / 0 / 23

HEX #BB54C4

RGB 187 84 196

HSL 295.18, 0.49%, 0.55%

LAB 52.83, 56.95, -40.11

 

Description

Color code: HEX #C58555 | qconv.com Color code: HEX #C58555 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 133 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 133 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 57 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 57% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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