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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58019 it is the complementary color #3A7FE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58019 shade: #CA8014, #DB9227, #ECA43A, #FDB64D and #FFC860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58019 shade: #C58019, #B46E06, #A35C00, #924A00 and #813800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58019 shade: #C68119, #C65219, #C62419 and #C61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58019 shade: #C68119, #C6AF19, #AEC619, #80C619 and #51C619

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58019 shade matches the following richer shades: #C68119 and #D88407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58019 shade: #C68119, #B47D2B, #A27A3E, #907650 and #7D7262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58019 shade: #C62219, #C65019, #C67E19, #C6AC19 and #B2C619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58019 shade: #7D5110, #A26915, #C68119, #E29726 and #E7A84B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58019 shade: #C58019, #3FC619 and #3919C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58019 shade: #C58019, #19C67E and #7E19C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58019 shade: #C58019, #3FC619, #1961C6 and #A119C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58019 shade: #C58019, #19C628, #1961C6 and #C619B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 87 / 23

HEX #C58019

RGB 197 128 25

HSL 35.93, 0.77%, 0.44%

LAB 59.32, 19.21, 60.34

 

Complementary color

CMYK 75 / 45 / 0 / 10

HEX #3A7FE6

RGB 58 127 230

HSL 215.93, 0.77%, 0.56%

LAB 53.81, 13.46, -58.47

 

CMYK 0 / 37 / 90 / 21

HEX #CA8014

RGB 202 128 20

HSL 35.6, 0.82%, 0.44%

LAB 59.93, 21.28, 62.4

 

CMYK 0 / 33 / 82 / 14

HEX #DB9227

RGB 219 146 39

HSL 35.67, 0.71%, 0.51%

LAB 66.34, 19.34, 62.92

 

CMYK 0 / 31 / 75 / 7

HEX #ECA43A

RGB 236 164 58

HSL 35.73, 0.82%, 0.58%

LAB 72.69, 17.64, 62.48

 

CMYK 0 / 28 / 70 / 1

HEX #FDB64D

RGB 253 182 77

HSL 35.8, 0.98%, 0.65%

LAB 78.97, 16.15, 61.55

 

CMYK 0 / 22 / 62 / 0

HEX #FFC860

RGB 255 200 96

HSL 39.25, 1%, 0.69%

LAB 83.66, 8.69, 58.26

 

CMYK 0 / 35 / 87 / 23

HEX #C58019

RGB 197 128 25

HSL 35.93, 0.77%, 0.44%

LAB 59.32, 19.21, 60.34

 

CMYK 0 / 39 / 97 / 29

HEX #B46E06

RGB 180 110 6

HSL 35.86, 0.94%, 0.36%

LAB 52.81, 21.34, 58.82

 

CMYK 0 / 44 / 100 / 36

HEX #A35C00

RGB 163 92 0

HSL 33.87, 1%, 0.32%

LAB 46.23, 23.76, 54.68

 

CMYK 0 / 49 / 100 / 43

HEX #924A00

RGB 146 74 0

HSL 30.41, 1%, 0.29%

LAB 39.59, 26.32, 49.32

 

CMYK 0 / 57 / 100 / 49

HEX #813800

RGB 129 56 0

HSL 26.05, 1%, 0.25%

LAB 32.91, 28.85, 43.94

 

CMYK 0 / 35 / 87 / 22

HEX #C68119

RGB 198 129 25

HSL 36.07, 0.78%, 0.44%

LAB 59.69, 19.1, 60.68

 

CMYK 0 / 59 / 87 / 22

HEX #C65219

RGB 198 82 25

HSL 19.77, 0.78%, 0.44%

LAB 49.63, 43.68, 52.62

 

CMYK 0 / 82 / 87 / 22

HEX #C62419

RGB 198 36 25

HSL 3.82, 0.78%, 0.44%

LAB 43.27, 60.98, 47.51

 

CMYK 0 / 87 / 87 / 22

HEX #C61919

RGB 198 25 25

HSL 0, 0.78%, 0.44%

LAB 42.42, 63.41, 46.83

 

CMYK 0 / 35 / 87 / 22

HEX #C68119

RGB 198 129 25

HSL 36.07, 0.78%, 0.44%

LAB 59.69, 19.1, 60.68

 

CMYK 0 / 12 / 87 / 22

HEX #C6AF19

RGB 198 175 25

HSL 52.02, 0.78%, 0.44%

LAB 71.38, -5.73, 70.06

 

CMYK 12 / 0 / 87 / 22

HEX #AEC619

RGB 174 198 25

HSL 68.32, 0.78%, 0.44%

LAB 75.73, -27.63, 72.78

 

CMYK 35 / 0 / 87 / 22

HEX #80C619

RGB 128 198 25

HSL 84.28, 0.78%, 0.44%

LAB 72.92, -45.63, 69.3

 

CMYK 59 / 0 / 87 / 22

HEX #51C619

RGB 81 198 25

HSL 100.58, 0.78%, 0.44%

LAB 71.01, -60.07, 66.91

 

CMYK 0 / 35 / 87 / 22

HEX #C68119

RGB 198 129 25

HSL 36.07, 0.78%, 0.44%

LAB 59.69, 19.1, 60.68

 

CMYK 0 / 39 / 97 / 15

HEX #D88407

RGB 216 132 7

HSL 35.89, 0.94%, 0.44%

LAB 62.61, 24.97, 67.54

 

CMYK 0 / 35 / 87 / 22

HEX #C68119

RGB 198 129 25

HSL 36.07, 0.78%, 0.44%

LAB 59.69, 19.1, 60.68

 

CMYK 0 / 31 / 76 / 29

HEX #B47D2B

RGB 180 125 43

HSL 35.91, 0.61%, 0.44%

LAB 56.63, 13.96, 50.75

 

CMYK 0 / 25 / 62 / 36

HEX #A27A3E

RGB 162 122 62

HSL 36, 0.45%, 0.44%

LAB 53.97, 8.75, 38.31

 

CMYK 0 / 18 / 44 / 44

HEX #907650

RGB 144 118 80

HSL 35.63, 0.29%, 0.44%

LAB 51.23, 4.76, 24.71

 

CMYK 0 / 9 / 22 / 51

HEX #7D7262

RGB 125 114 98

HSL 35.56, 0.12%, 0.44%

LAB 48.61, 1.45, 10.42

 

CMYK 0 / 83 / 87 / 22

HEX #C62219

RGB 198 34 25

HSL 3.12, 0.78%, 0.44%

LAB 43.09, 61.48, 47.37

 

CMYK 0 / 60 / 87 / 22

HEX #C65019

RGB 198 80 25

HSL 19.08, 0.78%, 0.44%

LAB 49.27, 44.62, 52.33

 

CMYK 0 / 36 / 87 / 22

HEX #C67E19

RGB 198 126 25

HSL 35.03, 0.78%, 0.44%

LAB 58.97, 20.74, 60.11

 

CMYK 0 / 13 / 87 / 22

HEX #C6AC19

RGB 198 172 25

HSL 50.98, 0.78%, 0.44%

LAB 70.58, -4.15, 69.42

 

CMYK 10 / 0 / 87 / 22

HEX #B2C619

RGB 178 198 25

HSL 66.94, 0.78%, 0.44%

LAB 76.02, -25.96, 73.13

 

CMYK 0 / 35 / 87 / 51

HEX #7D5110

RGB 125 81 16

HSL 35.78, 0.77%, 0.28%

LAB 38.34, 13.01, 42.1

 

CMYK 0 / 35 / 87 / 36

HEX #A26915

RGB 162 105 21

HSL 35.74, 0.77%, 0.36%

LAB 49.3, 16.36, 51.56

 

CMYK 0 / 35 / 87 / 22

HEX #C68119

RGB 198 129 25

HSL 36.07, 0.78%, 0.44%

LAB 59.69, 19.1, 60.68

 

CMYK 0 / 33 / 83 / 11

HEX #E29726

RGB 226 151 38

HSL 36.06, 0.76%, 0.52%

LAB 68.35, 19.63, 65.31

 

CMYK 0 / 27 / 68 / 9

HEX #E7A84B

RGB 231 168 75

HSL 35.77, 0.76%, 0.6%

LAB 73.22, 14.23, 55.61

 

CMYK 0 / 35 / 87 / 23

HEX #C58019

RGB 197 128 25

HSL 35.93, 0.77%, 0.44%

LAB 59.32, 19.21, 60.34

 

CMYK 68 / 0 / 87 / 22

HEX #3FC619

RGB 63 198 25

HSL 106.82, 0.78%, 0.44%

LAB 70.54, -64.06, 66.31

 

CMYK 71 / 87 / 0 / 22

HEX #3919C6

RGB 57 25 198

HSL 251.1, 0.78%, 0.44%

LAB 28.49, 60.64, -81.47

 

CMYK 0 / 35 / 87 / 23

HEX #C58019

RGB 197 128 25

HSL 35.93, 0.77%, 0.44%

LAB 59.32, 19.21, 60.34

 

CMYK 87 / 0 / 36 / 22

HEX #19C67E

RGB 25 198 126

HSL 155.03, 0.78%, 0.44%

LAB 70.94, -57.14, 24.9

 

CMYK 36 / 87 / 0 / 22

HEX #7E19C6

RGB 126 25 198

HSL 275.03, 0.78%, 0.44%

LAB 36.38, 67.31, -68.19

 

CMYK 0 / 35 / 87 / 23

HEX #C58019

RGB 197 128 25

HSL 35.93, 0.77%, 0.44%

LAB 59.32, 19.21, 60.34

 

CMYK 68 / 0 / 87 / 22

HEX #3FC619

RGB 63 198 25

HSL 106.82, 0.78%, 0.44%

LAB 70.54, -64.06, 66.31

 

CMYK 87 / 51 / 0 / 22

HEX #1961C6

RGB 25 97 198

HSL 215.03, 0.78%, 0.44%

LAB 42.51, 17.21, -58.52

 

CMYK 19 / 87 / 0 / 22

HEX #A119C6

RGB 161 25 198

HSL 287.17, 0.78%, 0.44%

LAB 41.77, 72.38, -59.18

 

CMYK 0 / 35 / 87 / 23

HEX #C58019

RGB 197 128 25

HSL 35.93, 0.77%, 0.44%

LAB 59.32, 19.21, 60.34

 

CMYK 87 / 0 / 80 / 22

HEX #19C628

RGB 25 198 40

HSL 125.2, 0.78%, 0.44%

LAB 70, -68.52, 61.91

 

CMYK 87 / 51 / 0 / 22

HEX #1961C6

RGB 25 97 198

HSL 215.03, 0.78%, 0.44%

LAB 42.51, 17.21, -58.52

 

CMYK 0 / 87 / 7 / 22

HEX #C619B8

RGB 198 25 184

HSL 304.86, 0.78%, 0.44%

LAB 47.19, 76.52, -41.96

 

Description

Color code: HEX #C58019 | qconv.com Color code: HEX #C58019 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 128 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 128 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 87 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 87% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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