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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C595AE it is the complementary color #3A6A51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C595AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C595AE shade: #CA95A9, #DBA7BC, #ECB9CF, #FDCBE2 and #FFDDF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C595AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C595AE shade: #C595AE, #B4839B, #A37188, #925F75 and #814D62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C595AE shade: #C595AE, #C595A1 and #C59595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C595AE shade: #C595AE, #C595BB, #C295C5, #B595C5 and #A895C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C595AE shade matches the following richer shades: #C595AE, #D288AE, #DF7BAF, #EC6EB0 and #F960B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C595AE shade: #C595AE, #B7A2AD, #AAB0AD, #9DBDAC and #90CAAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C595AE shade: #C195C5, #C595BB, #C595AE, #C595A2 and #C59595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C595AE shade: #A76085, #B67B9A, #C595AE, #D3B0C2 and #E2CAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C595AE shade: #C595AE, #C5B595 and #95C1C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C595AE shade: #C595AE, #AEC595 and #95AEC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C595AE shade: #C595AE, #C5B595, #95C5AB and #95A5C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C595AE shade: #C595AE, #C5C395, #95C5AB and #9597C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

Complementary color

CMYK 45 / 0 / 24 / 58

HEX #3A6A51

RGB 58 106 81

HSL 148.75, 0.29%, 0.32%

LAB 40.9, -22.68, 9.02

 

CMYK 0 / 26 / 16 / 21

HEX #CA95A9

RGB 202 149 169

HSL 337.36, 0.33%, 0.69%

LAB 67.21, 22.96, -2.62

 

CMYK 0 / 24 / 14 / 14

HEX #DBA7BC

RGB 219 167 188

HSL 335.77, 0.42%, 0.76%

LAB 73.76, 22.34, -3.33

 

CMYK 0 / 22 / 12 / 7

HEX #ECB9CF

RGB 236 185 207

HSL 334.12, 0.57%, 0.83%

LAB 80.2, 21.77, -4

 

CMYK 0 / 20 / 11 / 1

HEX #FDCBE2

RGB 253 203 226

HSL 332.4, 0.93%, 0.89%

LAB 86.55, 21.24, -4.64

 

CMYK 0 / 13 / 4 / 0

HEX #FFDDF5

RGB 255 221 245

HSL 317.65, 1%, 0.93%

LAB 91.49, 15.7, -7.34

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 27 / 14 / 29

HEX #B4839B

RGB 180 131 155

HSL 330.61, 0.25%, 0.61%

LAB 60.16, 22.63, -5.35

 

CMYK 0 / 31 / 17 / 36

HEX #A37188

RGB 163 113 136

HSL 332.4, 0.21%, 0.54%

LAB 53.36, 23.33, -4.62

 

CMYK 0 / 35 / 20 / 43

HEX #925F75

RGB 146 95 117

HSL 334.12, 0.21%, 0.47%

LAB 46.42, 24.11, -3.8

 

CMYK 0 / 40 / 24 / 49

HEX #814D62

RGB 129 77 98

HSL 335.77, 0.25%, 0.4%

LAB 39.34, 24.98, -2.86

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 24 / 18 / 23

HEX #C595A1

RGB 197 149 161

HSL 345, 0.29%, 0.68%

LAB 66.47, 19.85, 0.72

 

CMYK 0 / 24 / 24 / 23

HEX #C59595

RGB 197 149 149

HSL 0, 0.29%, 0.68%

LAB 66.16, 18.02, 7.01

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 24 / 5 / 23

HEX #C595BB

RGB 197 149 187

HSL 312.5, 0.29%, 0.68%

LAB 67.24, 24.27, -12.7

 

CMYK 2 / 24 / 0 / 23

HEX #C295C5

RGB 194 149 197

HSL 296.25, 0.29%, 0.68%

LAB 67.27, 25.12, -18.27

 

CMYK 8 / 24 / 0 / 23

HEX #B595C5

RGB 181 149 197

HSL 280, 0.29%, 0.68%

LAB 66.02, 20.79, -20.29

 

CMYK 15 / 24 / 0 / 23

HEX #A895C5

RGB 168 149 197

HSL 263.75, 0.29%, 0.68%

LAB 64.84, 16.53, -22.19

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 35 / 17 / 18

HEX #D288AE

RGB 210 136 174

HSL 329.19, 0.45%, 0.68%

LAB 65.25, 33.68, -8.23

 

CMYK 0 / 45 / 22 / 13

HEX #DF7BAF

RGB 223 123 175

HSL 328.8, 0.61%, 0.68%

LAB 64.12, 45.08, -10.32

 

CMYK 0 / 53 / 25 / 7

HEX #EC6EB0

RGB 236 110 176

HSL 328.57, 0.77%, 0.68%

LAB 63.44, 55.76, -11.72

 

CMYK 0 / 61 / 29 / 2

HEX #F960B0

RGB 249 96 176

HSL 328.63, 0.93%, 0.68%

LAB 63.04, 65.82, -12.13

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 11 / 5 / 28

HEX #B7A2AD

RGB 183 162 173

HSL 328.57, 0.13%, 0.68%

LAB 68.7, 9.6, -2.88

 

CMYK 3 / 0 / 2 / 31

HEX #AAB0AD

RGB 170 176 173

HSL 150, 0.04%, 0.68%

LAB 71.29, -2.67, 0.79

 

CMYK 17 / 0 / 9 / 26

HEX #9DBDAC

RGB 157 189 172

HSL 148.13, 0.2%, 0.68%

LAB 73.9, -14.2, 5

 

CMYK 29 / 0 / 15 / 21

HEX #90CAAC

RGB 144 202 172

HSL 148.97, 0.35%, 0.68%

LAB 76.77, -24.96, 9.02

 

CMYK 2 / 24 / 0 / 23

HEX #C195C5

RGB 193 149 197

HSL 295, 0.29%, 0.68%

LAB 67.17, 24.78, -18.42

 

CMYK 0 / 24 / 5 / 23

HEX #C595BB

RGB 197 149 187

HSL 312.5, 0.29%, 0.68%

LAB 67.24, 24.27, -12.7

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 24 / 18 / 23

HEX #C595A2

RGB 197 149 162

HSL 343.75, 0.29%, 0.68%

LAB 66.5, 20.01, 0.2

 

CMYK 0 / 24 / 24 / 23

HEX #C59595

RGB 197 149 149

HSL 0, 0.29%, 0.68%

LAB 66.16, 18.02, 7.01

 

CMYK 0 / 43 / 20 / 35

HEX #A76085

RGB 167 96 133

HSL 328.73, 0.29%, 0.52%

LAB 49.83, 33.83, -8.04

 

CMYK 0 / 32 / 15 / 29

HEX #B67B9A

RGB 182 123 154

HSL 328.47, 0.29%, 0.6%

LAB 58.46, 27.65, -7.29

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 17 / 8 / 17

HEX #D3B0C2

RGB 211 176 194

HSL 329.14, 0.28%, 0.76%

LAB 75.32, 15.64, -4.4

 

CMYK 0 / 11 / 5 / 11

HEX #E2CAD7

RGB 226 202 215

HSL 327.5, 0.29%, 0.84%

LAB 83.61, 10.6, -3.39

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 8 / 24 / 23

HEX #C5B595

RGB 197 181 149

HSL 40, 0.29%, 0.68%

LAB 74.25, 0.63, 18.39

 

CMYK 24 / 2 / 0 / 23

HEX #95C1C5

RGB 149 193 197

HSL 185, 0.29%, 0.68%

LAB 75.18, -13.56, -6.77

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 12 / 0 / 24 / 23

HEX #AEC595

RGB 174 197 149

HSL 88.75, 0.29%, 0.68%

LAB 76.74, -16.36, 21.55

 

CMYK 24 / 12 / 0 / 23

HEX #95AEC5

RGB 149 174 197

HSL 208.75, 0.29%, 0.68%

LAB 69.96, -3.44, -14.56

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 8 / 24 / 23

HEX #C5B595

RGB 197 181 149

HSL 40, 0.29%, 0.68%

LAB 74.25, 0.63, 18.39

 

CMYK 24 / 0 / 13 / 23

HEX #95C5AB

RGB 149 197 171

HSL 147.5, 0.29%, 0.68%

LAB 75.61, -21.1, 7.95

 

CMYK 24 / 16 / 0 / 23

HEX #95A5C5

RGB 149 165 197

HSL 220, 0.29%, 0.68%

LAB 67.52, 1.5, -18.24

 

CMYK 0 / 24 / 12 / 23

HEX #C595AE

RGB 197 149 174

HSL 328.75, 0.29%, 0.68%

LAB 66.84, 21.99, -6.03

 

CMYK 0 / 1 / 24 / 23

HEX #C5C395

RGB 197 195 149

HSL 57.5, 0.29%, 0.68%

LAB 77.92, -6.73, 23.44

 

CMYK 24 / 0 / 13 / 23

HEX #95C5AB

RGB 149 197 171

HSL 147.5, 0.29%, 0.68%

LAB 75.61, -21.1, 7.95

 

CMYK 24 / 23 / 0 / 23

HEX #9597C5

RGB 149 151 197

HSL 237.5, 0.29%, 0.68%

LAB 63.8, 9.37, -23.92

 

Description

Color code: HEX #C595AE | qconv.com Color code: HEX #C595AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 149 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 149 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 12 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 12% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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