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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5A263 it is the complementary color #3A5D9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5A263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5A263 shade: #CAA25E, #DBB471, #ECC684, #FDD897 and #FFEAAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5A263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5A263 shade: #C5A263, #B49050, #A37E3D, #926C2A and #815A17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5A263 shade: #C5A162, #C58762, #C56C62 and #C56262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5A263 shade: #C5A162, #C5BC62, #B3C562, #98C562 and #7EC562

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5A263 shade matches the following richer shades: #C5A162, #D6A651, #E7AB3F and #F9B02E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5A263 shade: #C5A162, #B39D73, #A29885, #919396 and #7F8EA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5A263 shade: #C56C62, #C58662, #C5A162, #C5BB62 and #B4C562

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5A263 shade: #9B7839, #B98F44, #C5A162, #D0B380 and #DBC59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5A263 shade: #C5A263, #73C562 and #7962C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5A263 shade: #C5A263, #62C5A1 and #A162C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5A263 shade: #C5A263, #73C562, #6286C5 and #B462C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5A263 shade: #C5A263, #62C56F, #6286C5 and #C562B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 50 / 23

HEX #C5A263

RGB 197 162 99

HSL 38.57, 0.46%, 0.58%

LAB 68.47, 4.89, 37.43

 

Complementary color

CMYK 63 / 40 / 0 / 39

HEX #3A5D9C

RGB 58 93 156

HSL 218.57, 0.46%, 0.42%

LAB 39.8, 7.94, -38.12

 

CMYK 0 / 20 / 53 / 21

HEX #CAA25E

RGB 202 162 94

HSL 37.78, 0.5%, 0.58%

LAB 68.9, 6.54, 40.65

 

CMYK 0 / 18 / 48 / 14

HEX #DBB471

RGB 219 180 113

HSL 37.92, 0.6%, 0.65%

LAB 75.39, 5.69, 39.31

 

CMYK 0 / 16 / 44 / 7

HEX #ECC684

RGB 236 198 132

HSL 38.08, 0.73%, 0.72%

LAB 81.78, 4.95, 38.03

 

CMYK 0 / 15 / 40 / 1

HEX #FDD897

RGB 253 216 151

HSL 38.24, 0.96%, 0.79%

LAB 88.08, 4.31, 36.81

 

CMYK 0 / 8 / 33 / 0

HEX #FFEAAA

RGB 255 234 170

HSL 45.18, 1%, 0.83%

LAB 93.02, -1.95, 33.72

 

CMYK 0 / 18 / 50 / 23

HEX #C5A263

RGB 197 162 99

HSL 38.57, 0.46%, 0.58%

LAB 68.47, 4.89, 37.43

 

CMYK 0 / 20 / 56 / 29

HEX #B49050

RGB 180 144 80

HSL 38.4, 0.4%, 0.51%

LAB 61.85, 5.79, 38.79

 

CMYK 0 / 23 / 63 / 36

HEX #A37E3D

RGB 163 126 61

HSL 38.24, 0.46%, 0.44%

LAB 55.12, 6.86, 40.17

 

CMYK 0 / 26 / 71 / 43

HEX #926C2A

RGB 146 108 42

HSL 38.08, 0.55%, 0.37%

LAB 48.26, 8.17, 41.43

 

CMYK 0 / 30 / 82 / 49

HEX #815A17

RGB 129 90 23

HSL 37.92, 0.7%, 0.3%

LAB 41.28, 9.81, 42.25

 

CMYK 0 / 18 / 50 / 23

HEX #C5A162

RGB 197 161 98

HSL 38.18, 0.46%, 0.58%

LAB 68.2, 5.34, 37.61

 

CMYK 0 / 31 / 50 / 23

HEX #C58762

RGB 197 135 98

HSL 22.42, 0.46%, 0.58%

LAB 61.72, 19.55, 29.41

 

CMYK 0 / 45 / 50 / 23

HEX #C56C62

RGB 197 108 98

HSL 6.06, 0.46%, 0.58%

LAB 55.56, 34.21, 21.31

 

CMYK 0 / 50 / 50 / 23

HEX #C56262

RGB 197 98 98

HSL 0, 0.46%, 0.58%

LAB 53.48, 39.43, 18.5

 

CMYK 0 / 18 / 50 / 23

HEX #C5A162

RGB 197 161 98

HSL 38.18, 0.46%, 0.58%

LAB 68.2, 5.34, 37.61

 

CMYK 0 / 5 / 50 / 23

HEX #C5BC62

RGB 197 188 98

HSL 54.55, 0.46%, 0.58%

LAB 75.28, -8.96, 46.24

 

CMYK 9 / 0 / 50 / 23

HEX #B3C562

RGB 179 197 98

HSL 70.91, 0.46%, 0.58%

LAB 76.31, -20.84, 47.13

 

CMYK 23 / 0 / 50 / 23

HEX #98C562

RGB 152 197 98

HSL 87.27, 0.46%, 0.58%

LAB 74.5, -31.3, 44.53

 

CMYK 36 / 0 / 50 / 23

HEX #7EC562

RGB 126 197 98

HSL 103.03, 0.46%, 0.58%

LAB 73.06, -40.52, 42.44

 

CMYK 0 / 18 / 50 / 23

HEX #C5A162

RGB 197 161 98

HSL 38.18, 0.46%, 0.58%

LAB 68.2, 5.34, 37.61

 

CMYK 0 / 22 / 62 / 16

HEX #D6A651

RGB 214 166 81

HSL 38.35, 0.62%, 0.58%

LAB 70.98, 8.47, 49.84

 

CMYK 0 / 26 / 73 / 9

HEX #E7AB3F

RGB 231 171 63

HSL 38.57, 0.78%, 0.58%

LAB 73.85, 12.02, 61.43

 

CMYK 0 / 29 / 82 / 2

HEX #F9B02E

RGB 249 176 46

HSL 38.42, 0.94%, 0.58%

LAB 76.91, 16.38, 71.18

 

CMYK 0 / 18 / 50 / 23

HEX #C5A162

RGB 197 161 98

HSL 38.18, 0.46%, 0.58%

LAB 68.2, 5.34, 37.61

 

CMYK 0 / 12 / 36 / 30

HEX #B39D73

RGB 179 157 115

HSL 39.38, 0.3%, 0.58%

LAB 65.7, 1.89, 24.97

 

CMYK 0 / 6 / 18 / 36

HEX #A29885

RGB 162 152 133

HSL 39.31, 0.13%, 0.58%

LAB 63.2, 0.4, 11.32

 

CMYK 3 / 2 / 0 / 41

HEX #919396

RGB 145 147 150

HSL 216, 0.02%, 0.58%

LAB 60.86, -0.13, -1.84

 

CMYK 24 / 15 / 0 / 35

HEX #7F8EA7

RGB 127 142 167

HSL 217.5, 0.19%, 0.58%

LAB 58.65, 0.31, -14.97

 

CMYK 0 / 45 / 50 / 23

HEX #C56C62

RGB 197 108 98

HSL 6.06, 0.46%, 0.58%

LAB 55.56, 34.21, 21.31

 

CMYK 0 / 32 / 50 / 23

HEX #C58662

RGB 197 134 98

HSL 21.82, 0.46%, 0.58%

LAB 61.48, 20.1, 29.1

 

CMYK 0 / 18 / 50 / 23

HEX #C5A162

RGB 197 161 98

HSL 38.18, 0.46%, 0.58%

LAB 68.2, 5.34, 37.61

 

CMYK 0 / 5 / 50 / 23

HEX #C5BB62

RGB 197 187 98

HSL 53.94, 0.46%, 0.58%

LAB 75.01, -8.44, 45.92

 

CMYK 9 / 0 / 50 / 23

HEX #B4C562

RGB 180 197 98

HSL 70.3, 0.46%, 0.58%

LAB 76.39, -20.44, 47.24

 

CMYK 0 / 23 / 63 / 39

HEX #9B7839

RGB 155 120 57

HSL 38.57, 0.46%, 0.42%

LAB 52.62, 6.38, 39.11

 

CMYK 0 / 23 / 63 / 27

HEX #B98F44

RGB 185 143 68

HSL 38.46, 0.46%, 0.5%

LAB 61.98, 7.59, 45.11

 

CMYK 0 / 18 / 50 / 23

HEX #C5A162

RGB 197 161 98

HSL 38.18, 0.46%, 0.58%

LAB 68.2, 5.34, 37.61

 

CMYK 0 / 14 / 38 / 18

HEX #D0B380

RGB 208 179 128

HSL 38.25, 0.46%, 0.66%

LAB 74.32, 3.32, 29.91

 

CMYK 0 / 10 / 28 / 14

HEX #DBC59E

RGB 219 197 158

HSL 38.36, 0.46%, 0.74%

LAB 80.44, 1.86, 22.41

 

CMYK 0 / 18 / 50 / 23

HEX #C5A263

RGB 197 162 99

HSL 38.57, 0.46%, 0.58%

LAB 68.47, 4.89, 37.43

 

CMYK 42 / 0 / 50 / 23

HEX #73C562

RGB 115 197 98

HSL 109.7, 0.46%, 0.58%

LAB 72.53, -44.08, 41.68

 

CMYK 39 / 50 / 0 / 23

HEX #7962C5

RGB 121 98 197

HSL 253.94, 0.46%, 0.58%

LAB 48.05, 32.46, -48.75

 

CMYK 0 / 18 / 50 / 23

HEX #C5A263

RGB 197 162 99

HSL 38.57, 0.46%, 0.58%

LAB 68.47, 4.89, 37.43

 

CMYK 50 / 0 / 18 / 23

HEX #62C5A1

RGB 98 197 161

HSL 158.18, 0.46%, 0.58%

LAB 72.96, -37.66, 9.23

 

CMYK 18 / 50 / 0 / 23

HEX #A162C5

RGB 161 98 197

HSL 278.18, 0.46%, 0.58%

LAB 52.22, 43.09, -41.86

 

CMYK 0 / 18 / 50 / 23

HEX #C5A263

RGB 197 162 99

HSL 38.57, 0.46%, 0.58%

LAB 68.47, 4.89, 37.43

 

CMYK 42 / 0 / 50 / 23

HEX #73C562

RGB 115 197 98

HSL 109.7, 0.46%, 0.58%

LAB 72.53, -44.08, 41.68

 

CMYK 50 / 32 / 0 / 23

HEX #6286C5

RGB 98 134 197

HSL 218.18, 0.46%, 0.58%

LAB 55.76, 5.11, -36.65

 

CMYK 9 / 50 / 0 / 23

HEX #B462C5

RGB 180 98 197

HSL 289.7, 0.46%, 0.58%

LAB 54.52, 48.4, -38.08

 

CMYK 0 / 18 / 50 / 23

HEX #C5A263

RGB 197 162 99

HSL 38.57, 0.46%, 0.58%

LAB 68.47, 4.89, 37.43

 

CMYK 50 / 0 / 44 / 23

HEX #62C56F

RGB 98 197 111

HSL 127.88, 0.46%, 0.58%

LAB 72.01, -47.18, 34.38

 

CMYK 50 / 32 / 0 / 23

HEX #6286C5

RGB 98 134 197

HSL 218.18, 0.46%, 0.58%

LAB 55.76, 5.11, -36.65

 

CMYK 0 / 50 / 7 / 23

HEX #C562B8

RGB 197 98 184

HSL 307.88, 0.46%, 0.58%

LAB 56.15, 50.91, -27.91

 

Description

Color code: HEX #C5A263 | qconv.com Color code: HEX #C5A263 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 162 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 162 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 50 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 50% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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