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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C61186 it is the complementary color #39EE79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C61186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C61186 shade: #CB1181, #DC2394, #ED35A7, #FE47BA and #FF59CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C61186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C61186 shade: #C61186, #B50073, #A40060, #93004D and #82003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C61186 shade: #C51185, #C51154, #C51124 and #C51111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C61186 shade: #C51185, #C511B5, #A311C5, #7311C5 and #4211C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C61186 shade matches the following richer shades: #C51185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C61186 shade: #C51185, #B32280, #A2337B, #914576 and #7F5671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C61186 shade: #A411C5, #C511B6, #C51186, #C51156 and #C51126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C61186 shade: #790A52, #9F0D6B, #C51185, #EA149F and #ED3AAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C61186 shade: #C61186, #C57411 and #11C5BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C61186 shade: #C61186, #86C511 and #1186C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C61186 shade: #C61186, #C57411, #11C550 and #1162C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C61186 shade: #C61186, #C5AA11, #11C550 and #112CC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 32 / 22

HEX #C61186

RGB 198 17 134

HSL 321.22, 0.84%, 0.42%

LAB 44.42, 71.45, -16.34

 

Complementary color

CMYK 76 / 0 / 49 / 7

HEX #39EE79

RGB 57 238 121

HSL 141.22, 0.84%, 0.58%

LAB 83.65, -68.74, 43.96

 

CMYK 0 / 92 / 36 / 20

HEX #CB1181

RGB 203 17 129

HSL 323.87, 0.85%, 0.43%

LAB 45.2, 72.02, -12

 

CMYK 0 / 84 / 33 / 14

HEX #DC2394

RGB 220 35 148

HSL 323.35, 0.73%, 0.5%

LAB 50.16, 74.76, -15.67

 

CMYK 0 / 78 / 30 / 7

HEX #ED35A7

RGB 237 53 167

HSL 322.83, 0.84%, 0.57%

LAB 55.42, 76.5, -18.64

 

CMYK 0 / 72 / 27 / 0

HEX #FE47BA

RGB 254 71 186

HSL 322.3, 0.99%, 0.64%

LAB 60.89, 77.49, -21.05

 

CMYK 0 / 65 / 20 / 0

HEX #FF59CD

RGB 255 89 205

HSL 318.07, 1%, 0.67%

LAB 64.01, 73.88, -27.06

 

CMYK 0 / 91 / 32 / 22

HEX #C61186

RGB 198 17 134

HSL 321.22, 0.84%, 0.42%

LAB 44.42, 71.45, -16.34

 

CMYK 0 / 100 / 36 / 29

HEX #B50073

RGB 181 0 115

HSL 321.88, 1%, 0.35%

LAB 39.68, 67.68, -12.08

 

CMYK 0 / 100 / 41 / 36

HEX #A40060

RGB 164 0 96

HSL 324.88, 1%, 0.32%

LAB 35.47, 62.15, -6.7

 

CMYK 0 / 100 / 48 / 42

HEX #93004D

RGB 147 0 77

HSL 328.57, 1%, 0.29%

LAB 31.2, 56.58, -1.02

 

CMYK 0 / 100 / 55 / 49

HEX #82003A

RGB 130 0 58

HSL 333.23, 1%, 0.25%

LAB 26.88, 50.97, 5.03

 

CMYK 0 / 91 / 32 / 23

HEX #C51185

RGB 197 17 133

HSL 321.33, 0.84%, 0.42%

LAB 44.18, 71.13, -16.1

 

CMYK 0 / 91 / 57 / 23

HEX #C51154

RGB 197 17 84

HSL 337.67, 0.84%, 0.42%

LAB 42.63, 66.9, 12.16

 

CMYK 0 / 91 / 82 / 23

HEX #C51124

RGB 197 17 36

HSL 353.67, 0.84%, 0.42%

LAB 41.84, 64.7, 40.55

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 91 / 32 / 23

HEX #C51185

RGB 197 17 133

HSL 321.33, 0.84%, 0.42%

LAB 44.18, 71.13, -16.1

 

CMYK 0 / 91 / 8 / 23

HEX #C511B5

RGB 197 17 181

HSL 305.33, 0.84%, 0.42%

LAB 46.46, 77.06, -41.37

 

CMYK 17 / 91 / 0 / 23

HEX #A311C5

RGB 163 17 197

HSL 288.67, 0.84%, 0.42%

LAB 41.56, 73.88, -58.91

 

CMYK 42 / 91 / 0 / 23

HEX #7311C5

RGB 115 17 197

HSL 272.67, 0.84%, 0.42%

LAB 34.14, 67.49, -71.34

 

CMYK 66 / 91 / 0 / 23

HEX #4211C5

RGB 66 17 197

HSL 256.33, 0.84%, 0.42%

LAB 28.35, 63.26, -81.09

 

CMYK 0 / 91 / 32 / 23

HEX #C51185

RGB 197 17 133

HSL 321.33, 0.84%, 0.42%

LAB 44.18, 71.13, -16.1

 

CMYK 0 / 91 / 32 / 23

HEX #C51185

RGB 197 17 133

HSL 321.33, 0.84%, 0.42%

LAB 44.18, 71.13, -16.1

 

CMYK 0 / 81 / 28 / 30

HEX #B32280

RGB 179 34 128

HSL 321.1, 0.68%, 0.42%

LAB 41.67, 63.28, -17.18

 

CMYK 0 / 69 / 24 / 36

HEX #A2337B

RGB 162 51 123

HSL 321.08, 0.52%, 0.42%

LAB 40.38, 52.7, -16.33

 

CMYK 0 / 52 / 19 / 43

HEX #914576

RGB 145 69 118

HSL 321.32, 0.36%, 0.42%

LAB 40.55, 38.39, -13.23

 

CMYK 0 / 32 / 11 / 50

HEX #7F5671

RGB 127 86 113

HSL 320.49, 0.19%, 0.42%

LAB 41.78, 21.5, -8.52

 

CMYK 17 / 91 / 0 / 23

HEX #A411C5

RGB 164 17 197

HSL 289, 0.84%, 0.42%

LAB 41.73, 74.03, -58.64

 

CMYK 0 / 91 / 8 / 23

HEX #C511B6

RGB 197 17 182

HSL 305, 0.84%, 0.42%

LAB 46.51, 77.2, -41.87

 

CMYK 0 / 91 / 32 / 23

HEX #C51186

RGB 197 17 134

HSL 321, 0.84%, 0.42%

LAB 44.22, 71.24, -16.65

 

CMYK 0 / 91 / 56 / 23

HEX #C51156

RGB 197 17 86

HSL 337, 0.84%, 0.42%

LAB 42.68, 67.04, 10.96

 

CMYK 0 / 91 / 81 / 23

HEX #C51126

RGB 197 17 38

HSL 353, 0.84%, 0.42%

LAB 41.86, 64.75, 39.45

 

CMYK 0 / 92 / 32 / 53

HEX #790A52

RGB 121 10 82

HSL 321.08, 0.85%, 0.26%

LAB 26.42, 49.32, -12.08

 

CMYK 0 / 92 / 33 / 38

HEX #9F0D6B

RGB 159 13 107

HSL 321.37, 0.85%, 0.34%

LAB 35.44, 60.52, -13.89

 

CMYK 0 / 91 / 32 / 23

HEX #C51185

RGB 197 17 133

HSL 321.33, 0.84%, 0.42%

LAB 44.18, 71.13, -16.1

 

CMYK 0 / 91 / 32 / 8

HEX #EA149F

RGB 234 20 159

HSL 321.03, 0.84%, 0.5%

LAB 52.39, 81.26, -18.59

 

CMYK 0 / 76 / 27 / 7

HEX #ED3AAE

RGB 237 58 174

HSL 321.12, 0.83%, 0.58%

LAB 56.17, 75.92, -21.58

 

CMYK 0 / 91 / 32 / 22

HEX #C61186

RGB 198 17 134

HSL 321.22, 0.84%, 0.42%

LAB 44.42, 71.45, -16.34

 

CMYK 0 / 41 / 91 / 23

HEX #C57411

RGB 197 116 17

HSL 33, 0.84%, 0.42%

LAB 56.49, 25.6, 60.24

 

CMYK 91 / 0 / 5 / 23

HEX #11C5BC

RGB 17 197 188

HSL 177, 0.84%, 0.42%

LAB 72.02, -41.71, -7.01

 

CMYK 0 / 91 / 32 / 22

HEX #C61186

RGB 198 17 134

HSL 321.22, 0.84%, 0.42%

LAB 44.42, 71.45, -16.34

 

CMYK 32 / 0 / 91 / 23

HEX #86C511

RGB 134 197 17

HSL 81, 0.84%, 0.42%

LAB 72.92, -43.22, 70.79

 

CMYK 91 / 32 / 0 / 23

HEX #1186C5

RGB 17 134 197

HSL 201, 0.84%, 0.42%

LAB 53.17, -6.64, -40.91

 

CMYK 0 / 91 / 32 / 22

HEX #C61186

RGB 198 17 134

HSL 321.22, 0.84%, 0.42%

LAB 44.42, 71.45, -16.34

 

CMYK 0 / 41 / 91 / 23

HEX #C57411

RGB 197 116 17

HSL 33, 0.84%, 0.42%

LAB 56.49, 25.6, 60.24

 

CMYK 91 / 0 / 59 / 23

HEX #11C550

RGB 17 197 80

HSL 141, 0.84%, 0.42%

LAB 69.92, -64.99, 46.49

 

CMYK 91 / 50 / 0 / 23

HEX #1162C5

RGB 17 98 197

HSL 213, 0.84%, 0.42%

LAB 42.59, 15.7, -57.81

 

CMYK 0 / 91 / 32 / 22

HEX #C61186

RGB 198 17 134

HSL 321.22, 0.84%, 0.42%

LAB 44.42, 71.45, -16.34

 

CMYK 0 / 14 / 91 / 23

HEX #C5AA11

RGB 197 170 17

HSL 51, 0.84%, 0.42%

LAB 69.94, -3.69, 70.4

 

CMYK 91 / 0 / 59 / 23

HEX #11C550

RGB 17 197 80

HSL 141, 0.84%, 0.42%

LAB 69.92, -64.99, 46.49

 

CMYK 91 / 78 / 0 / 23

HEX #112CC5

RGB 17 44 197

HSL 231, 0.84%, 0.42%

LAB 29.29, 49.98, -79.62

 

Description

Color code: HEX #C61186 | qconv.com Color code: HEX #C61186 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 17 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 17 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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