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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63890 it is the complementary color #39C76F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63890. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63890 shade: #CB388B, #DC4A9E, #ED5CB1, #FE6EC4 and #FF80D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63890. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63890 shade: #C63890, #B5267D, #A4146A, #930257 and #820044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63890 shade: #C63890, #C6386A, #C63843 and #C63838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63890 shade: #C63890, #C638B7, #B038C6, #8938C6 and #6338C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63890 shade matches the following richer shades: #C63890, #DB2395 and #F00E9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63890 shade: #C63890, #B24C8B, #9D6186, #897581 and #748A7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63890 shade: #AF38C6, #C638B8, #C63892, #C6386C and #C63846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63890 shade: #862561, #A62F79, #C63890, #CF58A2 and #D978B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63890 shade: #C63890, #C68938 and #38C6C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63890 shade: #C63890, #92C638 and #3892C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63890 shade: #C63890, #C68938, #38C66C and #3875C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63890 shade: #C63890, #C6B338, #38C66C and #384BC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

Complementary color

CMYK 71 / 0 / 44 / 22

HEX #39C76F

RGB 57 199 111

HSL 142.82, 0.56%, 0.5%

LAB 71.46, -56.72, 33.45

 

CMYK 0 / 72 / 32 / 20

HEX #CB388B

RGB 203 56 139

HSL 326.12, 0.59%, 0.51%

LAB 48.75, 63.99, -12.71

 

CMYK 0 / 66 / 28 / 14

HEX #DC4A9E

RGB 220 74 158

HSL 325.48, 0.68%, 0.58%

LAB 54.64, 64.3, -14.82

 

CMYK 0 / 61 / 25 / 7

HEX #ED5CB1

RGB 237 92 177

HSL 324.83, 0.8%, 0.65%

LAB 60.63, 64.19, -16.52

 

CMYK 0 / 57 / 23 / 0

HEX #FE6EC4

RGB 254 110 196

HSL 324.17, 0.99%, 0.71%

LAB 66.68, 63.82, -17.92

 

CMYK 0 / 50 / 16 / 0

HEX #FF80D7

RGB 255 128 215

HSL 318.9, 1%, 0.75%

LAB 70.6, 58.55, -22.56

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 79 / 31 / 29

HEX #B5267D

RGB 181 38 125

HSL 323.5, 0.65%, 0.43%

LAB 42.29, 62.34, -14.34

 

CMYK 0 / 88 / 35 / 36

HEX #A4146A

RGB 164 20 106

HSL 324.17, 0.78%, 0.36%

LAB 36.81, 60.38, -11.09

 

CMYK 0 / 99 / 41 / 42

HEX #930257

RGB 147 2 87

HSL 324.83, 0.97%, 0.29%

LAB 31.66, 57.21, -6.94

 

CMYK 0 / 100 / 48 / 49

HEX #820044

RGB 130 0 68

HSL 328.62, 1%, 0.25%

LAB 27.19, 51.8, -1.32

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 72 / 46 / 22

HEX #C6386A

RGB 198 56 106

HSL 338.87, 0.56%, 0.5%

LAB 46.81, 59.18, 4.4

 

CMYK 0 / 72 / 66 / 22

HEX #C63843

RGB 198 56 67

HSL 355.35, 0.56%, 0.5%

LAB 45.96, 56.32, 27.11

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 72 / 8 / 22

HEX #C638B7

RGB 198 56 183

HSL 306.34, 0.56%, 0.5%

LAB 49.8, 68.68, -37.24

 

CMYK 11 / 72 / 0 / 22

HEX #B038C6

RGB 176 56 198

HSL 290.7, 0.56%, 0.5%

LAB 47.15, 66.37, -50.38

 

CMYK 31 / 72 / 0 / 22

HEX #8938C6

RGB 137 56 198

HSL 274.23, 0.56%, 0.5%

LAB 41.57, 58.49, -59.66

 

CMYK 50 / 72 / 0 / 22

HEX #6338C6

RGB 99 56 198

HSL 258.17, 0.56%, 0.5%

LAB 37.04, 51.73, -67.24

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 84 / 32 / 14

HEX #DB2395

RGB 219 35 149

HSL 322.83, 0.72%, 0.5%

LAB 50.02, 74.65, -16.51

 

CMYK 0 / 94 / 36 / 6

HEX #F00E9A

RGB 240 14 154

HSL 322.83, 0.89%, 0.5%

LAB 53.14, 82.6, -14.39

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 57 / 22 / 30

HEX #B24C8B

RGB 178 76 139

HSL 322.94, 0.4%, 0.5%

LAB 47.62, 48.69, -14.8

 

CMYK 0 / 38 / 15 / 38

HEX #9D6186

RGB 157 97 134

HSL 323, 0.24%, 0.5%

LAB 48.81, 29.88, -10.3

 

CMYK 0 / 15 / 6 / 46

HEX #897581

RGB 137 117 129

HSL 324, 0.08%, 0.5%

LAB 51.41, 9.97, -3.69

 

CMYK 16 / 0 / 10 / 46

HEX #748A7C

RGB 116 138 124

HSL 141.82, 0.09%, 0.5%

LAB 55.43, -10.83, 4.86

 

CMYK 12 / 72 / 0 / 22

HEX #AF38C6

RGB 175 56 198

HSL 290.28, 0.56%, 0.5%

LAB 47, 66.16, -50.64

 

CMYK 0 / 72 / 7 / 22

HEX #C638B8

RGB 198 56 184

HSL 305.92, 0.56%, 0.5%

LAB 49.85, 68.83, -37.74

 

CMYK 0 / 72 / 26 / 22

HEX #C63892

RGB 198 56 146

HSL 321.97, 0.56%, 0.5%

LAB 48.15, 63.53, -17.91

 

CMYK 0 / 72 / 45 / 22

HEX #C6386C

RGB 198 56 108

HSL 338.03, 0.56%, 0.5%

LAB 46.87, 59.37, 3.26

 

CMYK 0 / 72 / 65 / 22

HEX #C63846

RGB 198 56 70

HSL 354.08, 0.56%, 0.5%

LAB 46.01, 56.49, 25.36

 

CMYK 0 / 72 / 28 / 47

HEX #862561

RGB 134 37 97

HSL 322.89, 0.57%, 0.34%

LAB 32.38, 46.76, -12.59

 

CMYK 0 / 72 / 27 / 35

HEX #A62F79

RGB 166 47 121

HSL 322.69, 0.56%, 0.42%

LAB 40.44, 55.06, -14.93

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 57 / 22 / 19

HEX #CF58A2

RGB 207 88 162

HSL 322.69, 0.55%, 0.58%

LAB 54.92, 55.21, -16.92

 

CMYK 0 / 45 / 17 / 15

HEX #D978B4

RGB 217 120 180

HSL 322.89, 0.56%, 0.66%

LAB 62.91, 45.39, -15.05

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 31 / 72 / 22

HEX #C68938

RGB 198 137 56

HSL 34.23, 0.56%, 0.5%

LAB 61.81, 15.84, 50.99

 

CMYK 72 / 0 / 2 / 22

HEX #38C6C2

RGB 56 198 194

HSL 178.31, 0.56%, 0.5%

LAB 72.97, -37.26, -8.8

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 26 / 0 / 72 / 22

HEX #92C638

RGB 146 198 56

HSL 81.97, 0.56%, 0.5%

LAB 74.05, -37.58, 61.99

 

CMYK 72 / 26 / 0 / 22

HEX #3892C6

RGB 56 146 198

HSL 201.97, 0.56%, 0.5%

LAB 57.54, -9.49, -34.57

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 31 / 72 / 22

HEX #C68938

RGB 198 137 56

HSL 34.23, 0.56%, 0.5%

LAB 61.81, 15.84, 50.99

 

CMYK 72 / 0 / 45 / 22

HEX #38C66C

RGB 56 198 108

HSL 141.97, 0.56%, 0.5%

LAB 71.09, -57.02, 34.48

 

CMYK 72 / 41 / 0 / 22

HEX #3875C6

RGB 56 117 198

HSL 214.23, 0.56%, 0.5%

LAB 49.06, 7.69, -47.95

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 0 / 10 / 72 / 22

HEX #C6B338

RGB 198 179 56

HSL 51.97, 0.56%, 0.5%

LAB 72.58, -6.74, 61.83

 

CMYK 72 / 0 / 45 / 22

HEX #38C66C

RGB 56 198 108

HSL 141.97, 0.56%, 0.5%

LAB 71.09, -57.02, 34.48

 

CMYK 72 / 62 / 0 / 22

HEX #384BC6

RGB 56 75 198

HSL 231.97, 0.56%, 0.5%

LAB 37.75, 34.49, -66.21

 

Description

Color code: HEX #C63890 | qconv.com Color code: HEX #C63890 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 56 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 56 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 27 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 27% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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