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Color name
HEX #C64B38

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64B38 it is the complementary color #39B4C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64B38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64B38 shade: #CB4B33, #DC5D46, #ED6F59, #FE816C and #FF937F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64B38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64B38 shade: #C64B38, #B53925, #A42712, #931500 and #820300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64B38 shade: #C64B38 and #C63838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64B38 shade: #C64B38, #C67138, #C69838, #C6BE38 and #A8C638

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64B38 shade matches the following richer shades: #C64B38, #DB3C23 and #F02C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64B38 shade: #C64B38, #B25A4C, #9D6961, #897875 and #74878A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64B38 shade: #C63871, #C6384B, #C64B38, #C67138 and #C69738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64B38 shade: #863225, #A63F2F, #C64B38, #CF6858 and #D98578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64B38 shade: #C64B38, #97C638 and #385EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64B38 shade: #C64B38, #38C64B and #4B38C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64B38 shade: #C64B38, #97C638, #38B3C6 and #6738C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64B38 shade: #C64B38, #6CC638, #38B3C6 and #9238C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

Complementary color

CMYK 71 / 10 / 0 / 22

HEX #39B4C7

RGB 57 180 199

HSL 188.03, 0.56%, 0.5%

LAB 67.75, -27.05, -19.39

 

CMYK 0 / 63 / 75 / 20

HEX #CB4B33

RGB 203 75 51

HSL 9.47, 0.6%, 0.5%

LAB 49.46, 49.53, 40.58

 

CMYK 0 / 58 / 68 / 14

HEX #DC5D46

RGB 220 93 70

HSL 9.2, 0.68%, 0.57%

LAB 55.57, 48.3, 37.89

 

CMYK 0 / 53 / 62 / 7

HEX #ED6F59

RGB 237 111 89

HSL 8.92, 0.8%, 0.64%

LAB 61.74, 47.01, 35.48

 

CMYK 0 / 49 / 57 / 0

HEX #FE816C

RGB 254 129 108

HSL 8.63, 0.99%, 0.71%

LAB 67.91, 45.75, 33.34

 

CMYK 0 / 42 / 50 / 0

HEX #FF937F

RGB 255 147 127

HSL 9.37, 1%, 0.75%

LAB 72, 38.61, 28.32

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 0 / 69 / 80 / 29

HEX #B53925

RGB 181 57 37

HSL 8.33, 0.66%, 0.43%

LAB 42.59, 49.03, 39.69

 

CMYK 0 / 76 / 89 / 36

HEX #A42712

RGB 164 39 18

HSL 8.63, 0.8%, 0.36%

LAB 36.72, 49.67, 42.6

 

CMYK 0 / 86 / 100 / 42

HEX #931500

RGB 147 21 0

HSL 8.57, 1%, 0.29%

LAB 31.21, 49.44, 44.47

 

CMYK 0 / 98 / 100 / 49

HEX #820300

RGB 130 3 0

HSL 1.38, 1%, 0.25%

LAB 26.19, 48.04, 38.84

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 0 / 43 / 72 / 22

HEX #C67138

RGB 198 113 56

HSL 24.08, 0.56%, 0.5%

LAB 56.19, 28.92, 45.05

 

CMYK 0 / 23 / 72 / 22

HEX #C69838

RGB 198 152 56

HSL 40.56, 0.56%, 0.5%

LAB 65.55, 7.65, 54.82

 

CMYK 0 / 4 / 72 / 22

HEX #C6BE38

RGB 198 190 56

HSL 56.62, 0.56%, 0.5%

LAB 75.52, -12.41, 64.69

 

CMYK 15 / 0 / 72 / 22

HEX #A8C638

RGB 168 198 56

HSL 72.68, 0.56%, 0.5%

LAB 75.45, -28.91, 63.84

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 0 / 73 / 84 / 14

HEX #DB3C23

RGB 219 60 35

HSL 8.15, 0.72%, 0.5%

LAB 49.99, 60.21, 50.17

 

CMYK 0 / 82 / 94 / 6

HEX #F02C0E

RGB 240 44 14

HSL 7.96, 0.89%, 0.5%

LAB 52.24, 70.67, 61.58

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 0 / 49 / 57 / 30

HEX #B25A4C

RGB 178 90 76

HSL 8.24, 0.4%, 0.5%

LAB 48.63, 34.42, 24.49

 

CMYK 0 / 33 / 38 / 38

HEX #9D6961

RGB 157 105 97

HSL 8, 0.24%, 0.5%

LAB 49.66, 19.81, 12.99

 

CMYK 0 / 12 / 15 / 46

HEX #897875

RGB 137 120 117

HSL 9, 0.08%, 0.5%

LAB 51.88, 6.02, 4.05

 

CMYK 16 / 2 / 0 / 46

HEX #74878A

RGB 116 135 138

HSL 188.18, 0.09%, 0.5%

LAB 54.94, -6.17, -3.92

 

CMYK 0 / 72 / 43 / 22

HEX #C63871

RGB 198 56 113

HSL 335.92, 0.56%, 0.5%

LAB 47.01, 59.84, 0.4

 

CMYK 0 / 72 / 62 / 22

HEX #C6384B

RGB 198 56 75

HSL 351.97, 0.56%, 0.5%

LAB 46.1, 56.79, 22.44

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 0 / 43 / 72 / 22

HEX #C67138

RGB 198 113 56

HSL 24.08, 0.56%, 0.5%

LAB 56.19, 28.92, 45.05

 

CMYK 0 / 24 / 72 / 22

HEX #C69738

RGB 198 151 56

HSL 40.14, 0.56%, 0.5%

LAB 65.3, 8.2, 54.57

 

CMYK 0 / 63 / 72 / 47

HEX #863225

RGB 134 50 37

HSL 8.04, 0.57%, 0.34%

LAB 32.88, 35.2, 26.7

 

CMYK 0 / 62 / 72 / 35

HEX #A63F2F

RGB 166 63 47

HSL 8.07, 0.56%, 0.42%

LAB 41, 41.51, 31.63

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 0 / 50 / 57 / 19

HEX #CF6858

RGB 207 104 88

HSL 8.07, 0.55%, 0.58%

LAB 55.96, 39.27, 27.83

 

CMYK 0 / 39 / 45 / 15

HEX #D98578

RGB 217 133 120

HSL 8.04, 0.56%, 0.66%

LAB 64.07, 30.81, 20.71

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 24 / 0 / 72 / 22

HEX #97C638

RGB 151 198 56

HSL 79.86, 0.56%, 0.5%

LAB 74.35, -35.66, 62.38

 

CMYK 72 / 53 / 0 / 22

HEX #385EC6

RGB 56 94 198

HSL 223.94, 0.56%, 0.5%

LAB 42.65, 22.29, -58.25

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 72 / 0 / 62 / 22

HEX #38C64B

RGB 56 198 75

HSL 128.03, 0.56%, 0.5%

LAB 70.69, -61.65, 49.75

 

CMYK 62 / 72 / 0 / 22

HEX #4B38C6

RGB 75 56 198

HSL 248.03, 0.56%, 0.5%

LAB 34.81, 48.23, -70.99

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 24 / 0 / 72 / 22

HEX #97C638

RGB 151 198 56

HSL 79.86, 0.56%, 0.5%

LAB 74.35, -35.66, 62.38

 

CMYK 72 / 10 / 0 / 22

HEX #38B3C6

RGB 56 179 198

HSL 188.03, 0.56%, 0.5%

LAB 67.4, -26.99, -19.38

 

CMYK 48 / 72 / 0 / 22

HEX #6738C6

RGB 103 56 198

HSL 259.86, 0.56%, 0.5%

LAB 37.46, 52.38, -66.53

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 45 / 0 / 72 / 22

HEX #6CC638

RGB 108 198 56

HSL 98.03, 0.56%, 0.5%

LAB 72.14, -50.84, 59.44

 

CMYK 72 / 10 / 0 / 22

HEX #38B3C6

RGB 56 179 198

HSL 188.03, 0.56%, 0.5%

LAB 67.4, -26.99, -19.38

 

CMYK 26 / 72 / 0 / 22

HEX #9238C6

RGB 146 56 198

HSL 278.03, 0.56%, 0.5%

LAB 42.79, 60.25, -57.63

 

Description

Color code: HEX #C64B38 | qconv.com Color code: HEX #C64B38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 75 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 75 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 72% 22% C M Y K

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Provide designers and agencies with accurate color values.

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