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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67254 it is the complementary color #398DAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67254 shade: #CB724F, #DC8462, #ED9675, #FEA888 and #FFBA9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67254 shade: #C67254, #B56041, #A44E2E, #933C1B and #822A08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67254 shade: #C57152 and #C55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67254 shade: #C57152, #C59052, #C5AE52, #BDC552 and #9EC552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67254 shade matches the following richer shades: #C57152, #D86840, #EA5F2D and #FD561B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67254 shade: #C57152, #B37965, #A08278, #8D8B8A and #7B949D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67254 shade: #C55273, #C55254, #C56F52, #C58E52 and #C5AC52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67254 shade: #944B31, #B35B3B, #C57152, #CF8A71 and #DAA490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67254 shade: #C67254, #91C552 and #5264C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67254 shade: #C67254, #52C56F and #6F52C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67254 shade: #C67254, #91C552, #52A8C5 and #8652C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67254 shade: #C67254, #6FC552, #52A8C5 and #A852C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 58 / 22

HEX #C67254

RGB 198 114 84

HSL 15.79, 0.5%, 0.55%

LAB 56.76, 30.19, 30.85

 

Complementary color

CMYK 67 / 18 / 0 / 33

HEX #398DAB

RGB 57 141 171

HSL 195.79, 0.5%, 0.45%

LAB 54.93, -15.63, -23.26

 

CMYK 0 / 44 / 61 / 20

HEX #CB724F

RGB 203 114 79

HSL 16.94, 0.54%, 0.55%

LAB 57.36, 31.83, 34.51

 

CMYK 0 / 40 / 55 / 14

HEX #DC8462

RGB 220 132 98

HSL 16.72, 0.64%, 0.62%

LAB 63.84, 30.48, 32.68

 

CMYK 0 / 37 / 51 / 7

HEX #ED9675

RGB 237 150 117

HSL 16.5, 0.77%, 0.69%

LAB 70.25, 29.28, 31.03

 

CMYK 0 / 34 / 46 / 0

HEX #FEA888

RGB 254 168 136

HSL 16.27, 0.98%, 0.76%

LAB 76.59, 28.19, 29.52

 

CMYK 0 / 27 / 39 / 0

HEX #FFBA9B

RGB 255 186 155

HSL 18.6, 1%, 0.8%

LAB 81.15, 21.12, 25.54

 

CMYK 0 / 42 / 58 / 22

HEX #C67254

RGB 198 114 84

HSL 15.79, 0.5%, 0.55%

LAB 56.76, 30.19, 30.85

 

CMYK 0 / 47 / 64 / 29

HEX #B56041

RGB 181 96 65

HSL 16.03, 0.47%, 0.48%

LAB 50.18, 31.61, 32.82

 

CMYK 0 / 52 / 72 / 36

HEX #A44E2E

RGB 164 78 46

HSL 16.27, 0.56%, 0.41%

LAB 43.56, 33.17, 35.01

 

CMYK 0 / 59 / 82 / 42

HEX #933C1B

RGB 147 60 27

HSL 16.5, 0.69%, 0.34%

LAB 36.96, 34.83, 37.3

 

CMYK 0 / 68 / 94 / 49

HEX #822A08

RGB 130 42 8

HSL 16.72, 0.88%, 0.27%

LAB 30.45, 36.45, 39.08

 

CMYK 0 / 43 / 58 / 23

HEX #C57152

RGB 197 113 82

HSL 16.17, 0.5%, 0.55%

LAB 56.38, 30.17, 31.45

 

CMYK 0 / 58 / 58 / 23

HEX #C55252

RGB 197 82 82

HSL 0, 0.5%, 0.55%

LAB 50.11, 45.99, 23.44

 

CMYK 0 / 43 / 58 / 23

HEX #C57152

RGB 197 113 82

HSL 16.17, 0.5%, 0.55%

LAB 56.38, 30.17, 31.45

 

CMYK 0 / 27 / 58 / 23

HEX #C59052

RGB 197 144 82

HSL 32.35, 0.5%, 0.55%

LAB 63.69, 13.24, 40.4

 

CMYK 0 / 12 / 58 / 23

HEX #C5AE52

RGB 197 174 82

HSL 48, 0.5%, 0.55%

LAB 71.39, -2.96, 49.38

 

CMYK 4 / 0 / 58 / 23

HEX #BDC552

RGB 189 197 82

HSL 64.17, 0.5%, 0.55%

LAB 76.9, -18.15, 55.39

 

CMYK 20 / 0 / 58 / 23

HEX #9EC552

RGB 158 197 82

HSL 80.35, 0.5%, 0.55%

LAB 74.71, -30.59, 52.33

 

CMYK 0 / 43 / 58 / 23

HEX #C57152

RGB 197 113 82

HSL 16.17, 0.5%, 0.55%

LAB 56.38, 30.17, 31.45

 

CMYK 0 / 52 / 70 / 15

HEX #D86840

RGB 216 104 64

HSL 15.79, 0.66%, 0.55%

LAB 56.95, 41.18, 42.54

 

CMYK 0 / 59 / 81 / 8

HEX #EA5F2D

RGB 234 95 45

HSL 15.87, 0.82%, 0.55%

LAB 57.91, 51.37, 53.74

 

CMYK 0 / 66 / 89 / 1

HEX #FD561B

RGB 253 86 27

HSL 15.66, 0.98%, 0.55%

LAB 59.54, 61.28, 63.5

 

CMYK 0 / 43 / 58 / 23

HEX #C57152

RGB 197 113 82

HSL 16.17, 0.5%, 0.55%

LAB 56.38, 30.17, 31.45

 

CMYK 0 / 32 / 44 / 30

HEX #B37965

RGB 179 121 101

HSL 15.38, 0.34%, 0.55%

LAB 56.29, 20.23, 20.16

 

CMYK 0 / 19 / 25 / 37

HEX #A08278

RGB 160 130 120

HSL 15, 0.17%, 0.55%

LAB 56.88, 9.92, 9.74

 

CMYK 0 / 1 / 2 / 45

HEX #8D8B8A

RGB 141 139 138

HSL 20, 0.01%, 0.55%

LAB 58, 0.55, 0.79

 

CMYK 22 / 6 / 0 / 38

HEX #7B949D

RGB 123 148 157

HSL 195.88, 0.15%, 0.55%

LAB 59.73, -6.73, -7.68

 

CMYK 0 / 58 / 42 / 23

HEX #C55273

RGB 197 82 115

HSL 342.78, 0.5%, 0.55%

LAB 50.85, 48.98, 4.73

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 0 / 44 / 58 / 23

HEX #C56F52

RGB 197 111 82

HSL 15.13, 0.5%, 0.55%

LAB 55.94, 31.25, 30.9

 

CMYK 0 / 28 / 58 / 23

HEX #C58E52

RGB 197 142 82

HSL 31.3, 0.5%, 0.55%

LAB 63.2, 14.33, 39.81

 

CMYK 0 / 13 / 58 / 23

HEX #C5AC52

RGB 197 172 82

HSL 46.96, 0.5%, 0.55%

LAB 70.86, -1.9, 48.78

 

CMYK 0 / 49 / 67 / 42

HEX #944B31

RGB 148 75 49

HSL 15.76, 0.5%, 0.39%

LAB 40.49, 28.39, 29.14

 

CMYK 0 / 49 / 67 / 30

HEX #B35B3B

RGB 179 91 59

HSL 16, 0.5%, 0.47%

LAB 48.74, 33.08, 34.37

 

CMYK 0 / 43 / 58 / 23

HEX #C57152

RGB 197 113 82

HSL 16.17, 0.5%, 0.55%

LAB 56.38, 30.17, 31.45

 

CMYK 0 / 33 / 45 / 19

HEX #CF8A71

RGB 207 138 113

HSL 15.96, 0.49%, 0.63%

LAB 63.86, 23.46, 24.14

 

CMYK 0 / 25 / 34 / 15

HEX #DAA490

RGB 218 164 144

HSL 16.22, 0.5%, 0.71%

LAB 71.87, 17.25, 18.14

 

CMYK 0 / 42 / 58 / 22

HEX #C67254

RGB 198 114 84

HSL 15.79, 0.5%, 0.55%

LAB 56.76, 30.19, 30.85

 

CMYK 26 / 0 / 58 / 23

HEX #91C552

RGB 145 197 82

HSL 87.13, 0.5%, 0.55%

LAB 73.91, -35.53, 51.21

 

CMYK 58 / 49 / 0 / 23

HEX #5264C5

RGB 82 100 197

HSL 230.61, 0.5%, 0.55%

LAB 45.55, 22.44, -52.92

 

CMYK 0 / 42 / 58 / 22

HEX #C67254

RGB 198 114 84

HSL 15.79, 0.5%, 0.55%

LAB 56.76, 30.19, 30.85

 

CMYK 58 / 0 / 44 / 23

HEX #52C56F

RGB 82 197 111

HSL 135.13, 0.5%, 0.55%

LAB 71.47, -51.14, 33.58

 

CMYK 44 / 58 / 0 / 23

HEX #6F52C5

RGB 111 82 197

HSL 255.13, 0.5%, 0.55%

LAB 43.43, 39.5, -56.22

 

CMYK 0 / 42 / 58 / 22

HEX #C67254

RGB 198 114 84

HSL 15.79, 0.5%, 0.55%

LAB 56.76, 30.19, 30.85

 

CMYK 26 / 0 / 58 / 23

HEX #91C552

RGB 145 197 82

HSL 87.13, 0.5%, 0.55%

LAB 73.91, -35.53, 51.21

 

CMYK 58 / 15 / 0 / 23

HEX #52A8C5

RGB 82 168 197

HSL 195.13, 0.5%, 0.55%

LAB 64.83, -17.45, -22.68

 

CMYK 32 / 58 / 0 / 23

HEX #8652C5

RGB 134 82 197

HSL 267.13, 0.5%, 0.55%

LAB 45.82, 44.79, -52.25

 

CMYK 0 / 42 / 58 / 22

HEX #C67254

RGB 198 114 84

HSL 15.79, 0.5%, 0.55%

LAB 56.76, 30.19, 30.85

 

CMYK 44 / 0 / 58 / 23

HEX #6FC552

RGB 111 197 82

HSL 104.87, 0.5%, 0.55%

LAB 72.18, -47.2, 48.77

 

CMYK 58 / 15 / 0 / 23

HEX #52A8C5

RGB 82 168 197

HSL 195.13, 0.5%, 0.55%

LAB 64.83, -17.45, -22.68

 

CMYK 15 / 58 / 0 / 23

HEX #A852C5

RGB 168 82 197

HSL 284.87, 0.5%, 0.55%

LAB 49.97, 53.21, -45.38

 

Description

Color code: HEX #C67254 | qconv.com Color code: HEX #C67254 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 114 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 114 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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