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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68061 it is the complementary color #397F9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68061. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68061 shade: #CB805C, #DC926F, #EDA482, #FEB695 and #FFC8A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68061. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68061 shade: #C68061, #B56E4E, #A45C3B, #934A28 and #823815

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68061 shade: #C68061, #C66561 and #C66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68061 shade: #C68061, #C69B61, #C6B661, #BAC661 and #9FC661

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68061 shade matches the following richer shades: #C68061, #D77950, #E8733E and #FA6C2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68061 shade: #C68061, #B48772, #A38D84, #929495 and #809BA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68061 shade: #C66179, #C66461, #C67F61, #C69A61 and #C6B561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68061 shade: #9C5738, #BB6843, #C68061, #D1987F and #DCB19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68061 shade: #C68061, #93C661 and #616BC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68061 shade: #C68061, #61C67F and #7F61C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68061 shade: #C68061, #93C661, #61A8C6 and #9361C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68061 shade: #C68061, #75C661, #61A8C6 and #B261C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

Complementary color

CMYK 64 / 20 / 0 / 38

HEX #397F9E

RGB 57 127 158

HSL 198.42, 0.47%, 0.42%

LAB 50.12, -12.12, -23.15

 

CMYK 0 / 37 / 55 / 20

HEX #CB805C

RGB 203 128 92

HSL 19.46, 0.52%, 0.58%

LAB 60.7, 25.3, 31.54

 

CMYK 0 / 34 / 50 / 14

HEX #DC926F

RGB 220 146 111

HSL 19.27, 0.61%, 0.65%

LAB 67.22, 24.14, 29.95

 

CMYK 0 / 31 / 45 / 7

HEX #EDA482

RGB 237 164 130

HSL 19.07, 0.75%, 0.72%

LAB 73.65, 23.1, 28.5

 

CMYK 0 / 28 / 41 / 0

HEX #FEB695

RGB 254 182 149

HSL 18.86, 0.98%, 0.79%

LAB 80.01, 22.18, 27.16

 

CMYK 0 / 22 / 34 / 0

HEX #FFC8A8

RGB 255 200 168

HSL 22.07, 1%, 0.83%

LAB 84.69, 15.29, 23.49

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 0 / 39 / 57 / 29

HEX #B56E4E

RGB 181 110 78

HSL 18.64, 0.41%, 0.51%

LAB 53.52, 24.95, 29.65

 

CMYK 0 / 44 / 64 / 36

HEX #A45C3B

RGB 164 92 59

HSL 18.86, 0.47%, 0.44%

LAB 46.79, 26.37, 31.53

 

CMYK 0 / 50 / 73 / 42

HEX #934A28

RGB 147 74 40

HSL 19.07, 0.57%, 0.37%

LAB 40, 27.99, 33.6

 

CMYK 0 / 57 / 84 / 49

HEX #823815

RGB 130 56 21

HSL 19.27, 0.72%, 0.3%

LAB 33.2, 29.79, 35.68

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 0 / 49 / 51 / 22

HEX #C66561

RGB 198 101 97

HSL 2.38, 0.47%, 0.58%

LAB 54.21, 38.17, 20.1

 

CMYK 0 / 51 / 51 / 22

HEX #C66161

RGB 198 97 97

HSL 0, 0.47%, 0.58%

LAB 53.4, 40.22, 19.01

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 0 / 22 / 51 / 22

HEX #C69B61

RGB 198 155 97

HSL 34.46, 0.47%, 0.58%

LAB 66.76, 8.92, 36.36

 

CMYK 0 / 8 / 51 / 22

HEX #C6B661

RGB 198 182 97

HSL 50.5, 0.47%, 0.58%

LAB 73.76, -5.51, 44.93

 

CMYK 6 / 0 / 51 / 22

HEX #BAC661

RGB 186 198 97

HSL 67.13, 0.47%, 0.58%

LAB 77.1, -18.63, 48.67

 

CMYK 20 / 0 / 51 / 22

HEX #9FC661

RGB 159 198 97

HSL 83.17, 0.47%, 0.58%

LAB 75.22, -29.24, 45.97

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 0 / 44 / 63 / 16

HEX #D77950

RGB 215 121 80

HSL 18.22, 0.63%, 0.58%

LAB 60.52, 32.98, 38.17

 

CMYK 0 / 50 / 73 / 9

HEX #E8733E

RGB 232 115 62

HSL 18.71, 0.79%, 0.58%

LAB 61.45, 41.72, 49.15

 

CMYK 0 / 57 / 82 / 2

HEX #FA6C2D

RGB 250 108 45

HSL 18.44, 0.95%, 0.58%

LAB 62.71, 51.19, 59.06

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 0 / 25 / 37 / 29

HEX #B48772

RGB 180 135 114

HSL 19.09, 0.31%, 0.58%

LAB 60.11, 14.34, 17.99

 

CMYK 0 / 13 / 19 / 36

HEX #A38D84

RGB 163 141 132

HSL 17.42, 0.14%, 0.58%

LAB 60.34, 6.76, 7.84

 

CMYK 2 / 1 / 0 / 42

HEX #929495

RGB 146 148 149

HSL 200, 0.01%, 0.58%

LAB 61.19, -0.53, -0.79

 

CMYK 23 / 7 / 0 / 35

HEX #809BA6

RGB 128 155 166

HSL 197.37, 0.18%, 0.58%

LAB 62.33, -6.89, -8.87

 

CMYK 0 / 51 / 39 / 22

HEX #C66179

RGB 198 97 121

HSL 345.74, 0.47%, 0.58%

LAB 53.96, 42.68, 5.64

 

CMYK 0 / 49 / 51 / 22

HEX #C66461

RGB 198 100 97

HSL 1.78, 0.47%, 0.58%

LAB 54.01, 38.68, 19.83

 

CMYK 0 / 36 / 51 / 22

HEX #C67F61

RGB 198 127 97

HSL 17.82, 0.47%, 0.58%

LAB 59.93, 24.26, 27.66

 

CMYK 0 / 22 / 51 / 22

HEX #C69A61

RGB 198 154 97

HSL 33.86, 0.47%, 0.58%

LAB 66.5, 9.47, 36.05

 

CMYK 0 / 9 / 51 / 22

HEX #C6B561

RGB 198 181 97

HSL 49.9, 0.47%, 0.58%

LAB 73.49, -4.99, 44.61

 

CMYK 0 / 44 / 64 / 39

HEX #9C5738

RGB 156 87 56

HSL 18.6, 0.47%, 0.42%

LAB 44.48, 25.57, 30.17

 

CMYK 0 / 44 / 64 / 27

HEX #BB6843

RGB 187 104 67

HSL 18.5, 0.47%, 0.5%

LAB 52.81, 29.88, 35.06

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 0 / 27 / 39 / 18

HEX #D1987F

RGB 209 152 127

HSL 18.29, 0.47%, 0.66%

LAB 67.68, 18.17, 21.58

 

CMYK 0 / 20 / 28 / 14

HEX #DCB19E

RGB 220 177 158

HSL 18.39, 0.47%, 0.74%

LAB 75.53, 12.85, 15.63

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 26 / 0 / 51 / 22

HEX #93C661

RGB 147 198 97

HSL 90.3, 0.47%, 0.58%

LAB 74.48, -33.73, 44.91

 

CMYK 51 / 46 / 0 / 22

HEX #616BC6

RGB 97 107 198

HSL 234.06, 0.47%, 0.58%

LAB 48.43, 21.56, -48.83

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 51 / 0 / 36 / 22

HEX #61C67F

RGB 97 198 127

HSL 137.82, 0.47%, 0.58%

LAB 72.54, -45.19, 26.79

 

CMYK 36 / 51 / 0 / 22

HEX #7F61C6

RGB 127 97 198

HSL 257.82, 0.47%, 0.58%

LAB 48.43, 34.83, -48.68

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 26 / 0 / 51 / 22

HEX #93C661

RGB 147 198 97

HSL 90.3, 0.47%, 0.58%

LAB 74.48, -33.73, 44.91

 

CMYK 51 / 15 / 0 / 22

HEX #61A8C6

RGB 97 168 198

HSL 197.82, 0.47%, 0.58%

LAB 65.45, -14.01, -22.22

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 0 / 35 / 51 / 22

HEX #C68061

RGB 198 128 97

HSL 18.42, 0.47%, 0.58%

LAB 60.17, 23.71, 27.97

 

CMYK 41 / 0 / 51 / 22

HEX #75C661

RGB 117 198 97

HSL 108.12, 0.47%, 0.58%

LAB 72.91, -44, 42.65

 

CMYK 51 / 15 / 0 / 22

HEX #61A8C6

RGB 97 168 198

HSL 197.82, 0.47%, 0.58%

LAB 65.45, -14.01, -22.22

 

CMYK 10 / 51 / 0 / 22

HEX #B261C6

RGB 178 97 198

HSL 288.12, 0.47%, 0.58%

LAB 54.12, 48.55, -39.3

 

Description

Color code: HEX #C68061 | qconv.com Color code: HEX #C68061 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 128 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 128 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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