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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6A27F it is the complementary color #395D80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6A27F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6A27F shade: #CBA27A, #DCB48D, #EDC6A0, #FED8B3 and #FFEAC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6A27F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6A27F shade: #C6A27F, #B5906C, #A47E59, #936C46 and #825A33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6A27F shade: #C6A280, #C68F80 and #C68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6A27F shade: #C6A280, #C6B580, #C3C680, #B1C680 and #9EC680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6A27F shade matches the following richer shades: #C6A280, #D4A271, #E3A262 and #F2A253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6A27F shade: #C6A280, #B7A28F, #A8A39E, #99A3AC and #8AA3BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6A27F shade: #C68083, #C68F80, #C6A280, #C6B480 and #C4C680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6A27F shade: #A8794B, #B98D63, #C6A280, #D2B79C and #DFCCB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6A27F shade: #C6A27F, #96C680 and #8680C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6A27F shade: #C6A27F, #80C6A2 and #A280C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6A27F shade: #C6A27F, #96C680, #80A4C6 and #AF80C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6A27F shade: #C6A27F, #81C680, #80A4C6 and #C480C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 36 / 22

HEX #C6A27F

RGB 198 162 127

HSL 29.58, 0.38%, 0.64%

LAB 69.02, 8.33, 23.2

 

Complementary color

CMYK 55 / 27 / 0 / 50

HEX #395D80

RGB 57 93 128

HSL 209.58, 0.38%, 0.36%

LAB 38.3, -2.03, -23.56

 

CMYK 0 / 20 / 40 / 20

HEX #CBA27A

RGB 203 162 122

HSL 29.63, 0.44%, 0.64%

LAB 69.43, 9.75, 26.55

 

CMYK 0 / 18 / 36 / 14

HEX #DCB48D

RGB 220 180 141

HSL 29.62, 0.53%, 0.71%

LAB 75.93, 9.08, 25.34

 

CMYK 0 / 16 / 32 / 7

HEX #EDC6A0

RGB 237 198 160

HSL 29.61, 0.68%, 0.78%

LAB 82.34, 8.49, 24.22

 

CMYK 0 / 15 / 30 / 0

HEX #FED8B3

RGB 254 216 179

HSL 29.6, 0.97%, 0.85%

LAB 88.66, 7.97, 23.17

 

CMYK 0 / 8 / 22 / 0

HEX #FFEAC6

RGB 255 234 198

HSL 37.89, 1%, 0.89%

LAB 93.53, 1.65, 20.09

 

CMYK 0 / 18 / 36 / 22

HEX #C6A27F

RGB 198 162 127

HSL 29.58, 0.38%, 0.64%

LAB 69.02, 8.33, 23.2

 

CMYK 0 / 20 / 40 / 29

HEX #B5906C

RGB 181 144 108

HSL 29.59, 0.33%, 0.57%

LAB 62.38, 9.02, 24.43

 

CMYK 0 / 23 / 46 / 36

HEX #A47E59

RGB 164 126 89

HSL 29.6, 0.3%, 0.5%

LAB 55.62, 9.82, 25.77

 

CMYK 0 / 27 / 52 / 42

HEX #936C46

RGB 147 108 70

HSL 29.61, 0.35%, 0.43%

LAB 48.72, 10.79, 27.23

 

CMYK 0 / 31 / 61 / 49

HEX #825A33

RGB 130 90 51

HSL 29.62, 0.44%, 0.35%

LAB 41.68, 11.98, 28.82

 

CMYK 0 / 18 / 35 / 22

HEX #C6A280

RGB 198 162 128

HSL 29.14, 0.38%, 0.64%

LAB 69.04, 8.46, 22.68

 

CMYK 0 / 28 / 35 / 22

HEX #C68F80

RGB 198 143 128

HSL 12.86, 0.38%, 0.64%

LAB 64.33, 18.86, 16.23

 

CMYK 0 / 35 / 35 / 22

HEX #C68080

RGB 198 128 128

HSL 0, 0.38%, 0.64%

LAB 60.78, 27.09, 11.27

 

CMYK 0 / 18 / 35 / 22

HEX #C6A280

RGB 198 162 128

HSL 29.14, 0.38%, 0.64%

LAB 69.04, 8.46, 22.68

 

CMYK 0 / 9 / 35 / 22

HEX #C6B580

RGB 198 181 128

HSL 45.43, 0.38%, 0.64%

LAB 73.94, -1.74, 29.24

 

CMYK 2 / 0 / 35 / 22

HEX #C3C680

RGB 195 198 128

HSL 62.57, 0.38%, 0.64%

LAB 78.2, -11.77, 34.77

 

CMYK 11 / 0 / 35 / 22

HEX #B1C680

RGB 177 198 128

HSL 78, 0.38%, 0.64%

LAB 76.86, -18.74, 32.77

 

CMYK 20 / 0 / 35 / 22

HEX #9EC680

RGB 158 198 128

HSL 94.29, 0.38%, 0.64%

LAB 75.59, -25.81, 30.86

 

CMYK 0 / 18 / 35 / 22

HEX #C6A280

RGB 198 162 128

HSL 29.14, 0.38%, 0.64%

LAB 69.04, 8.46, 22.68

 

CMYK 0 / 24 / 47 / 17

HEX #D4A271

RGB 212 162 113

HSL 29.7, 0.54%, 0.64%

LAB 70.2, 12.45, 32.56

 

CMYK 0 / 29 / 57 / 11

HEX #E3A262

RGB 227 162 98

HSL 29.77, 0.7%, 0.64%

LAB 71.59, 17.29, 42.49

 

CMYK 0 / 33 / 66 / 5

HEX #F2A253

RGB 242 162 83

HSL 29.81, 0.86%, 0.64%

LAB 73.12, 22.44, 52.13

 

CMYK 0 / 18 / 35 / 22

HEX #C6A280

RGB 198 162 128

HSL 29.14, 0.38%, 0.64%

LAB 69.04, 8.46, 22.68

 

CMYK 0 / 11 / 22 / 28

HEX #B7A28F

RGB 183 162 143

HSL 28.5, 0.22%, 0.64%

LAB 67.94, 4.6, 12.69

 

CMYK 0 / 3 / 6 / 34

HEX #A8A39E

RGB 168 163 158

HSL 30, 0.05%, 0.64%

LAB 67.27, 0.89, 3.22

 

CMYK 11 / 5 / 0 / 33

HEX #99A3AC

RGB 153 163 172

HSL 208.42, 0.1%, 0.64%

LAB 66.48, -1.69, -5.88

 

CMYK 26 / 13 / 0 / 27

HEX #8AA3BB

RGB 138 163 187

HSL 209.39, 0.26%, 0.64%

LAB 65.89, -3.18, -15.23

 

CMYK 0 / 35 / 34 / 22

HEX #C68083

RGB 198 128 131

HSL 357.43, 0.38%, 0.64%

LAB 60.85, 27.47, 9.66

 

CMYK 0 / 28 / 35 / 22

HEX #C68F80

RGB 198 143 128

HSL 12.86, 0.38%, 0.64%

LAB 64.33, 18.86, 16.23

 

CMYK 0 / 18 / 35 / 22

HEX #C6A280

RGB 198 162 128

HSL 29.14, 0.38%, 0.64%

LAB 69.04, 8.46, 22.68

 

CMYK 0 / 9 / 35 / 22

HEX #C6B480

RGB 198 180 128

HSL 44.57, 0.38%, 0.64%

LAB 73.68, -1.21, 28.9

 

CMYK 1 / 0 / 35 / 22

HEX #C4C680

RGB 196 198 128

HSL 61.71, 0.38%, 0.64%

LAB 78.28, -11.38, 34.89

 

CMYK 0 / 28 / 55 / 34

HEX #A8794B

RGB 168 121 75

HSL 29.68, 0.38%, 0.48%

LAB 54.56, 13, 32.26

 

CMYK 0 / 24 / 46 / 27

HEX #B98D63

RGB 185 141 99

HSL 29.3, 0.38%, 0.56%

LAB 61.88, 11.35, 28.8

 

CMYK 0 / 18 / 35 / 22

HEX #C6A280

RGB 198 162 128

HSL 29.14, 0.38%, 0.64%

LAB 69.04, 8.46, 22.68

 

CMYK 0 / 13 / 26 / 18

HEX #D2B79C

RGB 210 183 156

HSL 30, 0.38%, 0.72%

LAB 76.05, 5.54, 17.3

 

CMYK 0 / 9 / 17 / 13

HEX #DFCCB9

RGB 223 204 185

HSL 30, 0.37%, 0.8%

LAB 83.11, 3.56, 11.86

 

CMYK 0 / 18 / 36 / 22

HEX #C6A27F

RGB 198 162 127

HSL 29.58, 0.38%, 0.64%

LAB 69.02, 8.33, 23.2

 

CMYK 24 / 0 / 35 / 22

HEX #96C680

RGB 150 198 128

HSL 101.14, 0.38%, 0.64%

LAB 75.1, -28.67, 30.13

 

CMYK 32 / 35 / 0 / 22

HEX #8680C6

RGB 134 128 198

HSL 245.14, 0.38%, 0.64%

LAB 56.67, 18.45, -35.62

 

CMYK 0 / 18 / 36 / 22

HEX #C6A27F

RGB 198 162 127

HSL 29.58, 0.38%, 0.64%

LAB 69.02, 8.33, 23.2

 

CMYK 35 / 0 / 18 / 22

HEX #80C6A2

RGB 128 198 162

HSL 149.14, 0.38%, 0.64%

LAB 74.56, -29.88, 11.15

 

CMYK 18 / 35 / 0 / 22

HEX #A280C6

RGB 162 128 198

HSL 269.14, 0.38%, 0.64%

LAB 59.16, 26.81, -31.56

 

CMYK 0 / 18 / 36 / 22

HEX #C6A27F

RGB 198 162 127

HSL 29.58, 0.38%, 0.64%

LAB 69.02, 8.33, 23.2

 

CMYK 24 / 0 / 35 / 22

HEX #96C680

RGB 150 198 128

HSL 101.14, 0.38%, 0.64%

LAB 75.1, -28.67, 30.13

 

CMYK 35 / 17 / 0 / 22

HEX #80A4C6

RGB 128 164 198

HSL 209.14, 0.38%, 0.64%

LAB 65.92, -3.92, -21.37

 

CMYK 12 / 35 / 0 / 22

HEX #AF80C6

RGB 175 128 198

HSL 280.29, 0.38%, 0.64%

LAB 60.45, 30.85, -29.44

 

CMYK 0 / 18 / 36 / 22

HEX #C6A27F

RGB 198 162 127

HSL 29.58, 0.38%, 0.64%

LAB 69.02, 8.33, 23.2

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 35 / 17 / 0 / 22

HEX #80A4C6

RGB 128 164 198

HSL 209.14, 0.38%, 0.64%

LAB 65.92, -3.92, -21.37

 

CMYK 1 / 35 / 0 / 22

HEX #C480C6

RGB 196 128 198

HSL 298.29, 0.38%, 0.64%

LAB 62.72, 37.49, -25.76

 

Description

Color code: HEX #C6A27F | qconv.com Color code: HEX #C6A27F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 162 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 162 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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