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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6A366 it is the complementary color #395C99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6A366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6A366 shade: #CBA361, #DCB574, #EDC787, #FED99A and #FFEBAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6A366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6A366 shade: #C6A366, #B59153, #A47F40, #936D2D and #825B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6A366 shade: #C6A366, #C68966, #C66F66 and #C66666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6A366 shade: #C6A366, #C6BD66, #B5C666, #9BC666 and #81C666

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6A366 shade matches the following richer shades: #C6A366, #D7A855, #E8AC44 and #F9B133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6A366 shade: #C6A366, #B59E77, #A49A88, #939599 and #8291AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6A366 shade: #C66F66, #C68966, #C6A366, #C6BC66 and #B6C666

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6A366 shade: #9F7A3A, #BB9148, #C6A366, #D1B584 and #DCC7A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6A366 shade: #C6A366, #76C666 and #7C66C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6A366 shade: #C6A366, #66C6A3 and #A366C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6A366 shade: #C6A366, #76C666, #6689C6 and #B666C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6A366 shade: #C6A366, #66C673, #6689C6 and #C666B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

Complementary color

CMYK 63 / 40 / 0 / 40

HEX #395C99

RGB 57 92 153

HSL 218.13, 0.46%, 0.41%

LAB 39.28, 7.31, -37.15

 

CMYK 0 / 20 / 52 / 20

HEX #CBA361

RGB 203 163 97

HSL 37.36, 0.5%, 0.59%

LAB 69.29, 6.68, 39.62

 

CMYK 0 / 18 / 47 / 14

HEX #DCB574

RGB 220 181 116

HSL 37.5, 0.6%, 0.66%

LAB 75.78, 5.85, 38.28

 

CMYK 0 / 16 / 43 / 7

HEX #EDC787

RGB 237 199 135

HSL 37.65, 0.74%, 0.73%

LAB 82.16, 5.13, 37.01

 

CMYK 0 / 15 / 39 / 0

HEX #FED99A

RGB 254 217 154

HSL 37.8, 0.98%, 0.8%

LAB 88.46, 4.51, 35.8

 

CMYK 0 / 8 / 32 / 0

HEX #FFEBAD

RGB 255 235 173

HSL 45.37, 1%, 0.84%

LAB 93.32, -2.1, 32.6

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 0 / 20 / 54 / 29

HEX #B59153

RGB 181 145 83

HSL 37.96, 0.4%, 0.52%

LAB 62.25, 5.92, 37.74

 

CMYK 0 / 23 / 61 / 36

HEX #A47F40

RGB 164 127 64

HSL 37.8, 0.44%, 0.45%

LAB 55.52, 6.96, 39.14

 

CMYK 0 / 26 / 69 / 42

HEX #936D2D

RGB 147 109 45

HSL 37.65, 0.53%, 0.38%

LAB 48.67, 8.24, 40.46

 

CMYK 0 / 30 / 80 / 49

HEX #825B1A

RGB 130 91 26

HSL 37.5, 0.67%, 0.31%

LAB 41.69, 9.82, 41.44

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 0 / 31 / 48 / 22

HEX #C68966

RGB 198 137 102

HSL 21.88, 0.46%, 0.59%

LAB 62.39, 19.25, 28.09

 

CMYK 0 / 44 / 48 / 22

HEX #C66F66

RGB 198 111 102

HSL 5.63, 0.46%, 0.59%

LAB 56.42, 33.39, 20.18

 

CMYK 0 / 48 / 48 / 22

HEX #C66666

RGB 198 102 102

HSL 0, 0.46%, 0.59%

LAB 54.52, 38.12, 17.6

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 0 / 5 / 48 / 22

HEX #C6BD66

RGB 198 189 102

HSL 54.38, 0.46%, 0.59%

LAB 75.67, -8.7, 44.78

 

CMYK 9 / 0 / 48 / 22

HEX #B5C666

RGB 181 198 102

HSL 70.63, 0.46%, 0.59%

LAB 76.78, -20.15, 45.8

 

CMYK 22 / 0 / 48 / 22

HEX #9BC666

RGB 155 198 102

HSL 86.88, 0.46%, 0.59%

LAB 75.02, -30.21, 43.26

 

CMYK 35 / 0 / 48 / 22

HEX #81C666

RGB 129 198 102

HSL 103.13, 0.46%, 0.59%

LAB 73.56, -39.47, 41.13

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 0 / 22 / 60 / 16

HEX #D7A855

RGB 215 168 85

HSL 38.31, 0.62%, 0.59%

LAB 71.63, 8.1, 48.68

 

CMYK 0 / 26 / 71 / 9

HEX #E8AC44

RGB 232 172 68

HSL 38.05, 0.78%, 0.59%

LAB 74.24, 12.16, 59.78

 

CMYK 0 / 29 / 80 / 2

HEX #F9B133

RGB 249 177 51

HSL 38.18, 0.94%, 0.59%

LAB 77.17, 16.01, 69.77

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 0 / 13 / 34 / 29

HEX #B59E77

RGB 181 158 119

HSL 37.74, 0.3%, 0.59%

LAB 66.22, 2.66, 23.51

 

CMYK 0 / 6 / 17 / 36

HEX #A49A88

RGB 164 154 136

HSL 38.57, 0.13%, 0.59%

LAB 63.98, 0.56, 10.77

 

CMYK 4 / 3 / 0 / 40

HEX #939599

RGB 147 149 153

HSL 220, 0.03%, 0.59%

LAB 61.65, 0.07, -2.36

 

CMYK 24 / 15 / 0 / 33

HEX #8291AA

RGB 130 145 170

HSL 217.5, 0.19%, 0.59%

LAB 59.8, 0.29, -14.92

 

CMYK 0 / 44 / 48 / 22

HEX #C66F66

RGB 198 111 102

HSL 5.63, 0.46%, 0.59%

LAB 56.42, 33.39, 20.18

 

CMYK 0 / 31 / 48 / 22

HEX #C68966

RGB 198 137 102

HSL 21.88, 0.46%, 0.59%

LAB 62.39, 19.25, 28.09

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 0 / 5 / 48 / 22

HEX #C6BC66

RGB 198 188 102

HSL 53.75, 0.46%, 0.59%

LAB 75.41, -8.18, 44.46

 

CMYK 8 / 0 / 48 / 22

HEX #B6C666

RGB 182 198 102

HSL 70, 0.46%, 0.59%

LAB 76.86, -19.75, 45.91

 

CMYK 0 / 23 / 64 / 38

HEX #9F7A3A

RGB 159 122 58

HSL 38.02, 0.47%, 0.43%

LAB 53.6, 7.12, 39.83

 

CMYK 0 / 22 / 61 / 27

HEX #BB9148

RGB 187 145 72

HSL 38.09, 0.46%, 0.51%

LAB 62.75, 7.64, 44.07

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 0 / 13 / 37 / 18

HEX #D1B584

RGB 209 181 132

HSL 38.18, 0.46%, 0.67%

LAB 74.99, 3.12, 28.7

 

CMYK 0 / 10 / 26 / 14

HEX #DCC7A2

RGB 220 199 162

HSL 38.28, 0.45%, 0.75%

LAB 81.11, 1.73, 21.23

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 37 / 48 / 0 / 22

HEX #7C66C6

RGB 124 102 198

HSL 253.75, 0.46%, 0.59%

LAB 49.33, 31.13, -47.26

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 48 / 0 / 18 / 22

HEX #66C6A3

RGB 102 198 163

HSL 158.13, 0.46%, 0.59%

LAB 73.45, -36.71, 8.87

 

CMYK 18 / 48 / 0 / 22

HEX #A366C6

RGB 163 102 198

HSL 278.13, 0.46%, 0.59%

LAB 53.35, 41.7, -40.64

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 48 / 31 / 0 / 22

HEX #6689C6

RGB 102 137 198

HSL 218.13, 0.46%, 0.59%

LAB 56.87, 4.61, -35.46

 

CMYK 8 / 48 / 0 / 22

HEX #B666C6

RGB 182 102 198

HSL 290, 0.46%, 0.59%

LAB 55.61, 47.09, -36.93

 

CMYK 0 / 18 / 48 / 22

HEX #C6A366

RGB 198 163 102

HSL 38.13, 0.46%, 0.59%

LAB 68.87, 5.05, 36.38

 

CMYK 48 / 0 / 42 / 22

HEX #66C673

RGB 102 198 115

HSL 128.13, 0.46%, 0.59%

LAB 72.53, -45.88, 33.04

 

CMYK 48 / 31 / 0 / 22

HEX #6689C6

RGB 102 137 198

HSL 218.13, 0.46%, 0.59%

LAB 56.87, 4.61, -35.46

 

CMYK 0 / 48 / 7 / 22

HEX #C666B9

RGB 198 102 185

HSL 308.13, 0.46%, 0.59%

LAB 57.09, 49.39, -27.03

 

Description

Color code: HEX #C6A366 | qconv.com Color code: HEX #C6A366 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 163 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 163 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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