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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6D359 it is the complementary color #392CA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6D359. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6D359 shade: #CBD354, #DCE567, #EDF77A, #FEFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6D359. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6D359 shade: #C6D359, #B5C146, #A4AF33, #939D20 and #828B0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6D359 shade: #C6D359, #D3BF59, #D39E59, #D37D59 and #D35D59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6D359 shade: #C6D359, #A5D359, #84D359, #64D359 and #59D370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6D359 shade matches the following richer shades: #C6D359, #D3E448 and #E0F437

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6D359 shade: #C6D359, #B8C26A, #ABB17B, #9EA08C and #908F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6D359 shade: #D39E59, #D3BE59, #C6D359, #A6D359 and #86D359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6D359 shade: #9FAC2D, #BACA39, #C6D359, #D1DB7A and #DCE49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6D359 shade: #C6D359, #59D37E and #AE59D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6D359 shade: #C6D359, #59C6D3 and #D359C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6D359 shade: #C6D359, #59D37E, #6559D3 and #D359AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6D359 shade: #C6D359, #59D3A2, #6559D3 and #D3598A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

Complementary color

CMYK 66 / 73 / 0 / 35

HEX #392CA6

RGB 57 44 166

HSL 246.39, 0.58%, 0.41%

LAB 27.91, 42.53, -63.38

 

CMYK 4 / 0 / 60 / 17

HEX #CBD354

RGB 203 211 84

HSL 63.78, 0.59%, 0.58%

LAB 81.8, -19.2, 60.2

 

CMYK 4 / 0 / 55 / 10

HEX #DCE567

RGB 220 229 103

HSL 64.29, 0.71%, 0.65%

LAB 88.08, -19.75, 59.29

 

CMYK 4 / 0 / 51 / 3

HEX #EDF77A

RGB 237 247 122

HSL 64.8, 0.89%, 0.72%

LAB 94.28, -20.2, 58.26

 

CMYK 0 / 0 / 45 / 0

HEX #FEFF8D

RGB 254 255 141

HSL 60.53, 1%, 0.78%

LAB 97.84, -15.78, 54.06

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 6 / 0 / 64 / 24

HEX #B5C146

RGB 181 193 70

HSL 65.85, 0.5%, 0.52%

LAB 75.08, -20.31, 58.38

 

CMYK 6 / 0 / 71 / 31

HEX #A4AF33

RGB 164 175 51

HSL 65.32, 0.55%, 0.44%

LAB 68.6, -19.61, 58.83

 

CMYK 6 / 0 / 80 / 38

HEX #939D20

RGB 147 157 32

HSL 64.8, 0.66%, 0.37%

LAB 62.02, -18.72, 58.59

 

CMYK 6 / 0 / 91 / 45

HEX #828B0D

RGB 130 139 13

HSL 64.29, 0.83%, 0.3%

LAB 55.32, -17.58, 57.09

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 0 / 9 / 58 / 17

HEX #D3BF59

RGB 211 191 89

HSL 50.16, 0.58%, 0.59%

LAB 77.18, -5.42, 53.04

 

CMYK 0 / 25 / 58 / 17

HEX #D39E59

RGB 211 158 89

HSL 33.93, 0.58%, 0.59%

LAB 68.77, 12.08, 43.25

 

CMYK 0 / 41 / 58 / 17

HEX #D37D59

RGB 211 125 89

HSL 17.7, 0.58%, 0.59%

LAB 60.99, 29.91, 33.76

 

CMYK 0 / 56 / 58 / 17

HEX #D35D59

RGB 211 93 89

HSL 1.97, 0.58%, 0.59%

LAB 54.45, 46.28, 25.42

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 22 / 0 / 58 / 17

HEX #A5D359

RGB 165 211 89

HSL 82.62, 0.58%, 0.59%

LAB 79.22, -33.82, 54.43

 

CMYK 37 / 0 / 58 / 17

HEX #84D359

RGB 132 211 89

HSL 98.85, 0.58%, 0.59%

LAB 77.41, -45.57, 51.89

 

CMYK 53 / 0 / 58 / 17

HEX #64D359

RGB 100 211 89

HSL 114.59, 0.58%, 0.59%

LAB 76.08, -55.14, 50.01

 

CMYK 58 / 0 / 47 / 17

HEX #59D370

RGB 89 211 112

HSL 131.31, 0.58%, 0.59%

LAB 76, -54.83, 38.89

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 7 / 0 / 68 / 11

HEX #D3E448

RGB 211 228 72

HSL 66.54, 0.74%, 0.59%

LAB 86.9, -24.93, 70.43

 

CMYK 8 / 0 / 77 / 4

HEX #E0F437

RGB 224 244 55

HSL 66.35, 0.9%, 0.59%

LAB 92.05, -28, 81.08

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 5 / 0 / 45 / 24

HEX #B8C26A

RGB 184 194 106

HSL 66.82, 0.42%, 0.59%

LAB 75.96, -16.55, 42.89

 

CMYK 3 / 0 / 31 / 31

HEX #ABB17B

RGB 171 177 123

HSL 66.67, 0.26%, 0.59%

LAB 70.55, -10.98, 26.99

 

CMYK 1 / 0 / 13 / 37

HEX #9EA08C

RGB 158 160 140

HSL 66, 0.1%, 0.59%

LAB 65.2, -4.35, 10.19

 

CMYK 8 / 9 / 0 / 38

HEX #908F9D

RGB 144 143 157

HSL 244.29, 0.07%, 0.59%

LAB 59.9, 3.2, -7.26

 

CMYK 0 / 25 / 58 / 17

HEX #D39E59

RGB 211 158 89

HSL 33.93, 0.58%, 0.59%

LAB 68.77, 12.08, 43.25

 

CMYK 0 / 10 / 58 / 17

HEX #D3BE59

RGB 211 190 89

HSL 49.67, 0.58%, 0.59%

LAB 76.92, -4.9, 52.74

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 21 / 0 / 58 / 17

HEX #A6D359

RGB 166 211 89

HSL 82.13, 0.58%, 0.59%

LAB 79.28, -33.45, 54.52

 

CMYK 36 / 0 / 58 / 17

HEX #86D359

RGB 134 211 89

HSL 97.87, 0.58%, 0.59%

LAB 77.51, -44.91, 52.02

 

CMYK 8 / 0 / 74 / 33

HEX #9FAC2D

RGB 159 172 45

HSL 66.14, 0.59%, 0.43%

LAB 67.33, -20.54, 59.62

 

CMYK 8 / 0 / 72 / 21

HEX #BACA39

RGB 186 202 57

HSL 66.62, 0.58%, 0.51%

LAB 77.86, -23.41, 66.27

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 5 / 0 / 44 / 14

HEX #D1DB7A

RGB 209 219 122

HSL 66.19, 0.57%, 0.67%

LAB 84.8, -17.49, 46.36

 

CMYK 4 / 0 / 32 / 11

HEX #DCE49B

RGB 220 228 155

HSL 66.58, 0.57%, 0.75%

LAB 88.48, -13.99, 34.8

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 58 / 0 / 40 / 17

HEX #59D37E

RGB 89 211 126

HSL 138.2, 0.58%, 0.59%

LAB 76.2, -52.59, 32.11

 

CMYK 18 / 58 / 0 / 17

HEX #AE59D3

RGB 174 89 211

HSL 281.8, 0.58%, 0.59%

LAB 52.78, 54.19, -48.88

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 58 / 6 / 0 / 17

HEX #59C6D3

RGB 89 198 211

HSL 186.39, 0.58%, 0.59%

LAB 74.33, -27.34, -15.92

 

CMYK 0 / 58 / 6 / 17

HEX #D359C6

RGB 211 89 198

HSL 306.39, 0.58%, 0.59%

LAB 57.14, 61.37, -34.25

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 58 / 0 / 40 / 17

HEX #59D37E

RGB 89 211 126

HSL 138.2, 0.58%, 0.59%

LAB 76.2, -52.59, 32.11

 

CMYK 52 / 58 / 0 / 17

HEX #6559D3

RGB 101 89 211

HSL 245.9, 0.58%, 0.59%

LAB 45.1, 37.44, -61.62

 

CMYK 0 / 58 / 18 / 17

HEX #D359AE

RGB 211 89 174

HSL 318.2, 0.58%, 0.59%

LAB 56.14, 57.65, -21.99

 

CMYK 6 / 0 / 58 / 17

HEX #C6D359

RGB 198 211 89

HSL 66.39, 0.58%, 0.59%

LAB 81.46, -20.87, 57.57

 

CMYK 58 / 0 / 23 / 17

HEX #59D3A2

RGB 89 211 162

HSL 155.9, 0.58%, 0.59%

LAB 76.87, -45.6, 14.19

 

CMYK 52 / 58 / 0 / 17

HEX #6559D3

RGB 101 89 211

HSL 245.9, 0.58%, 0.59%

LAB 45.1, 37.44, -61.62

 

CMYK 0 / 58 / 35 / 17

HEX #D3598A

RGB 211 89 138

HSL 335.9, 0.58%, 0.59%

LAB 54.9, 52.88, -2.8

 

Description

Color code: HEX #C6D359 | qconv.com Color code: HEX #C6D359 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 211 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 211 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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