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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C765AD it is the complementary color #389A52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C765AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C765AD shade: #CC65A8, #DD77BB, #EE89CE, #FF9BE1 and #FFADF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C765AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C765AD shade: #C765AD, #B6539A, #A54187, #942F74 and #831D61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C765AD shade: #C765AD, #C76593, #C76578 and #C76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C765AD shade: #C765AD, #C765C7, #AC65C7, #9265C7 and #7765C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C765AD shade matches the following richer shades: #C765AD, #D854B5, #E943BD and #FA32C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C765AD shade: #C765AD, #B676A5, #A5879D, #949895 and #83A88D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C765AD shade: #AB65C7, #C565C7, #C765AF, #C76594 and #C7657A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C765AD shade: #A03985, #BC469D, #C765AD, #D283BD and #DDA1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C765AD shade: #C765AD, #C79165 and #65C7B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C765AD shade: #C765AD, #AFC765 and #65AFC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C765AD shade: #C765AD, #C79165, #65C77D and #659BC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C765AD shade: #C765AD, #C7AF65, #65C77D and #657DC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

Complementary color

CMYK 64 / 0 / 47 / 40

HEX #389A52

RGB 56 154 82

HSL 135.92, 0.47%, 0.41%

LAB 56.65, -44.68, 29.5

 

CMYK 0 / 50 / 18 / 20

HEX #CC65A8

RGB 204 101 168

HSL 320.97, 0.5%, 0.6%

LAB 57.05, 48.98, -17.22

 

CMYK 0 / 46 / 15 / 13

HEX #DD77BB

RGB 221 119 187

HSL 320, 0.6%, 0.67%

LAB 63.47, 48.27, -18.13

 

CMYK 0 / 42 / 13 / 7

HEX #EE89CE

RGB 238 137 206

HSL 319.01, 0.75%, 0.74%

LAB 69.84, 47.52, -18.92

 

CMYK 0 / 39 / 12 / 0

HEX #FF9BE1

RGB 255 155 225

HSL 318, 1%, 0.8%

LAB 76.15, 46.78, -19.61

 

CMYK 0 / 32 / 4 / 0

HEX #FFADF4

RGB 255 173 244

HSL 308.05, 1%, 0.84%

LAB 80.56, 40.67, -23.21

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 54 / 15 / 29

HEX #B6539A

RGB 182 83 154

HSL 316.97, 0.4%, 0.52%

LAB 50.05, 48.83, -19.98

 

CMYK 0 / 61 / 18 / 35

HEX #A54187

RGB 165 65 135

HSL 318, 0.43%, 0.45%

LAB 43.55, 49.29, -18.78

 

CMYK 0 / 68 / 22 / 42

HEX #942F74

RGB 148 47 116

HSL 319.01, 0.52%, 0.38%

LAB 37.1, 49.39, -17.22

 

CMYK 0 / 78 / 26 / 49

HEX #831D61

RGB 131 29 97

HSL 320, 0.64%, 0.31%

LAB 30.8, 48.81, -15.06

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 49 / 26 / 22

HEX #C76593

RGB 199 101 147

HSL 331.84, 0.47%, 0.59%

LAB 55.64, 44.3, -7.18

 

CMYK 0 / 49 / 40 / 22

HEX #C76578

RGB 199 101 120

HSL 348.37, 0.47%, 0.59%

LAB 54.87, 40.89, 7.55

 

CMYK 0 / 49 / 49 / 22

HEX #C76565

RGB 199 101 101

HSL 0, 0.47%, 0.59%

LAB 54.44, 38.91, 18.1

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 49 / 0 / 22

HEX #C765C7

RGB 199 101 199

HSL 300, 0.47%, 0.59%

LAB 57.63, 52.63, -34.18

 

CMYK 14 / 49 / 0 / 22

HEX #AC65C7

RGB 172 101 199

HSL 283.47, 0.47%, 0.59%

LAB 54.24, 44.99, -39.74

 

CMYK 27 / 49 / 0 / 22

HEX #9265C7

RGB 146 101 199

HSL 267.55, 0.47%, 0.59%

LAB 51.32, 37.79, -44.55

 

CMYK 40 / 49 / 0 / 22

HEX #7765C7

RGB 119 101 199

HSL 251.02, 0.47%, 0.59%

LAB 48.7, 30.74, -48.87

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 61 / 16 / 15

HEX #D854B5

RGB 216 84 181

HSL 315.91, 0.63%, 0.59%

LAB 56.36, 62.25, -25.64

 

CMYK 0 / 71 / 19 / 9

HEX #E943BD

RGB 233 67 189

HSL 315.9, 0.79%, 0.59%

LAB 57.09, 74.08, -28.91

 

CMYK 0 / 80 / 21 / 2

HEX #FA32C5

RGB 250 50 197

HSL 315.9, 0.95%, 0.59%

LAB 58.64, 83.64, -30.88

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 35 / 9 / 29

HEX #B676A5

RGB 182 118 165

HSL 315.94, 0.3%, 0.59%

LAB 57.67, 32.3, -14.8

 

CMYK 0 / 18 / 5 / 35

HEX #A5879D

RGB 165 135 157

HSL 316, 0.14%, 0.59%

LAB 59.67, 15.26, -7.39

 

CMYK 3 / 0 / 2 / 40

HEX #949895

RGB 148 152 149

HSL 135, 0.02%, 0.59%

LAB 62.44, -2.03, 1.06

 

CMYK 22 / 0 / 16 / 34

HEX #83A88D

RGB 131 168 141

HSL 136.22, 0.18%, 0.59%

LAB 65.56, -18.17, 9.86

 

CMYK 14 / 49 / 0 / 22

HEX #AB65C7

RGB 171 101 199

HSL 282.86, 0.47%, 0.59%

LAB 54.12, 44.71, -39.93

 

CMYK 1 / 49 / 0 / 22

HEX #C565C7

RGB 197 101 199

HSL 298.78, 0.47%, 0.59%

LAB 57.37, 52.06, -34.61

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 49 / 26 / 22

HEX #C76594

RGB 199 101 148

HSL 331.22, 0.47%, 0.59%

LAB 55.67, 44.44, -7.72

 

CMYK 0 / 49 / 39 / 22

HEX #C7657A

RGB 199 101 122

HSL 347.14, 0.47%, 0.59%

LAB 54.92, 41.12, 6.45

 

CMYK 0 / 64 / 17 / 37

HEX #A03985

RGB 160 57 133

HSL 315.73, 0.47%, 0.43%

LAB 41.36, 51.09, -21

 

CMYK 0 / 63 / 16 / 26

HEX #BC469D

RGB 188 70 157

HSL 315.76, 0.47%, 0.51%

LAB 48.89, 56.96, -23.47

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 38 / 10 / 18

HEX #D283BD

RGB 210 131 189

HSL 315.95, 0.47%, 0.67%

LAB 64.65, 38.81, -17.6

 

CMYK 0 / 27 / 7 / 13

HEX #DDA1CD

RGB 221 161 205

HSL 316, 0.47%, 0.75%

LAB 73.07, 29.13, -13.68

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 27 / 49 / 22

HEX #C79165

RGB 199 145 101

HSL 26.94, 0.47%, 0.59%

LAB 64.43, 15.18, 31.3

 

CMYK 49 / 0 / 8 / 22

HEX #65C7B8

RGB 101 199 184

HSL 170.82, 0.47%, 0.59%

LAB 74.24, -32.49, -1.37

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 12 / 0 / 49 / 22

HEX #AFC765

RGB 175 199 101

HSL 74.69, 0.47%, 0.59%

LAB 76.62, -23.12, 45.99

 

CMYK 49 / 12 / 0 / 22

HEX #65AFC7

RGB 101 175 199

HSL 194.69, 0.47%, 0.59%

LAB 67.69, -16.53, -19.36

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 27 / 49 / 22

HEX #C79165

RGB 199 145 101

HSL 26.94, 0.47%, 0.59%

LAB 64.43, 15.18, 31.3

 

CMYK 49 / 0 / 37 / 22

HEX #65C77D

RGB 101 199 125

HSL 134.69, 0.47%, 0.59%

LAB 72.95, -44.92, 28.42

 

CMYK 49 / 22 / 0 / 22

HEX #659BC7

RGB 101 155 199

HSL 206.94, 0.47%, 0.59%

LAB 61.94, -5.66, -28.16

 

CMYK 0 / 49 / 13 / 22

HEX #C765AD

RGB 199 101 173

HSL 315.92, 0.47%, 0.59%

LAB 56.55, 48.2, -20.93

 

CMYK 0 / 12 / 49 / 22

HEX #C7AF65

RGB 199 175 101

HSL 45.31, 0.47%, 0.59%

LAB 72.06, -1.05, 40.88

 

CMYK 49 / 0 / 37 / 22

HEX #65C77D

RGB 101 199 125

HSL 134.69, 0.47%, 0.59%

LAB 72.95, -44.92, 28.42

 

CMYK 49 / 37 / 0 / 22

HEX #657DC7

RGB 101 125 199

HSL 225.31, 0.47%, 0.59%

LAB 53.55, 11.82, -41.25

 

Description

Color code: HEX #C765AD | qconv.com Color code: HEX #C765AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 101 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 101 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 13 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 13% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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