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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C78828 it is the complementary color #3877D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C78828. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C78828 shade: #CC8823, #DD9A36, #EEAC49, #FFBE5C and #FFD06F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C78828. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C78828 shade: #C78828, #B67615, #A56402, #945200 and #834000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C78828 shade: #C88827, #C85D27, #C83127 and #C82727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C78828 shade: #C88827, #C8B327, #B1C827, #85C827 and #5AC827

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C78828 shade matches the following richer shades: #C88827, #DB8C14 and #EE9000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C78828 shade: #C88827, #B4843A, #A1804E, #8D7C61 and #7A7875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C78828 shade: #C83227, #C85D27, #C88727, #C8B227 and #B2C827

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C78828 shade: #835919, #A57120, #C88827, #D99C3F and #E0AE62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C78828 shade: #C78828, #47C827 and #4727C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C78828 shade: #C78828, #27C887 and #8727C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C78828 shade: #C78828, #47C827, #2767C8 and #A827C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C78828 shade: #C78828, #27C837, #2767C8 and #C827B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 80 / 22

HEX #C78828

RGB 199 136 40

HSL 36.23, 0.67%, 0.47%

LAB 61.57, 16.14, 57.41

 

Complementary color

CMYK 74 / 45 / 0 / 16

HEX #3877D7

RGB 56 119 215

HSL 216.23, 0.67%, 0.53%

LAB 50.62, 12.68, -55.14

 

CMYK 0 / 33 / 83 / 20

HEX #CC8823

RGB 204 136 35

HSL 35.86, 0.71%, 0.47%

LAB 62.14, 18.16, 59.92

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A36

RGB 221 154 54

HSL 35.93, 0.71%, 0.54%

LAB 68.57, 16.44, 59.49

 

CMYK 0 / 28 / 69 / 7

HEX #EEAC49

RGB 238 172 73

HSL 36, 0.83%, 0.61%

LAB 74.93, 14.94, 58.54

 

CMYK 0 / 25 / 64 / 0

HEX #FFBE5C

RGB 255 190 92

HSL 36.07, 1%, 0.68%

LAB 81.21, 13.64, 57.36

 

CMYK 0 / 18 / 56 / 0

HEX #FFD06F

RGB 255 208 111

HSL 40.42, 1%, 0.72%

LAB 85.77, 5.6, 53.72

 

CMYK 0 / 32 / 80 / 22

HEX #C78828

RGB 199 136 40

HSL 36.23, 0.67%, 0.47%

LAB 61.57, 16.14, 57.41

 

CMYK 0 / 35 / 88 / 29

HEX #B67615

RGB 182 118 21

HSL 36.15, 0.79%, 0.4%

LAB 55.03, 18.03, 57.24

 

CMYK 0 / 39 / 99 / 35

HEX #A56402

RGB 165 100 2

HSL 36.07, 0.98%, 0.33%

LAB 48.41, 20.19, 55.74

 

CMYK 0 / 45 / 100 / 42

HEX #945200

RGB 148 82 0

HSL 33.24, 1%, 0.29%

LAB 41.74, 22.71, 50.79

 

CMYK 0 / 51 / 100 / 49

HEX #834000

RGB 131 64 0

HSL 29.31, 1%, 0.26%

LAB 34.99, 25.31, 45.35

 

CMYK 0 / 32 / 81 / 22

HEX #C88827

RGB 200 136 39

HSL 36.15, 0.67%, 0.47%

LAB 61.68, 16.54, 57.92

 

CMYK 0 / 54 / 81 / 22

HEX #C85D27

RGB 200 93 39

HSL 20.12, 0.67%, 0.47%

LAB 52.12, 39.45, 49.09

 

CMYK 0 / 76 / 81 / 22

HEX #C83127

RGB 200 49 39

HSL 3.73, 0.67%, 0.47%

LAB 45.11, 58.15, 42.33

 

CMYK 0 / 81 / 81 / 22

HEX #C82727

RGB 200 39 39

HSL 0, 0.67%, 0.47%

LAB 44.06, 61.12, 41.28

 

CMYK 0 / 32 / 81 / 22

HEX #C88827

RGB 200 136 39

HSL 36.15, 0.67%, 0.47%

LAB 61.68, 16.54, 57.92

 

CMYK 0 / 11 / 81 / 22

HEX #C8B327

RGB 200 179 39

HSL 52.17, 0.67%, 0.47%

LAB 72.67, -6.56, 67.69

 

CMYK 12 / 0 / 81 / 22

HEX #B1C827

RGB 177 200 39

HSL 68.57, 0.67%, 0.47%

LAB 76.56, -26.93, 70.38

 

CMYK 34 / 0 / 81 / 22

HEX #85C827

RGB 133 200 39

HSL 84.97, 0.67%, 0.47%

LAB 73.83, -44.17, 66.91

 

CMYK 55 / 0 / 81 / 22

HEX #5AC827

RGB 90 200 39

HSL 100.99, 0.67%, 0.47%

LAB 71.98, -57.85, 64.53

 

CMYK 0 / 32 / 81 / 22

HEX #C88827

RGB 200 136 39

HSL 36.15, 0.67%, 0.47%

LAB 61.68, 16.54, 57.92

 

CMYK 0 / 36 / 91 / 14

HEX #DB8C14

RGB 219 140 20

HSL 36.18, 0.83%, 0.47%

LAB 64.86, 22.13, 67.04

 

CMYK 0 / 39 / 100 / 7

HEX #EE9000

RGB 238 144 0

HSL 36.3, 1%, 0.47%

LAB 68.11, 27.82, 73.52

 

CMYK 0 / 32 / 81 / 22

HEX #C88827

RGB 200 136 39

HSL 36.15, 0.67%, 0.47%

LAB 61.68, 16.54, 57.92

 

CMYK 0 / 27 / 68 / 29

HEX #B4843A

RGB 180 132 58

HSL 36.39, 0.51%, 0.47%

LAB 58.52, 10.84, 45.94

 

CMYK 0 / 20 / 52 / 37

HEX #A1804E

RGB 161 128 78

HSL 36.14, 0.35%, 0.47%

LAB 55.65, 6.28, 31.81

 

CMYK 0 / 12 / 31 / 45

HEX #8D7C61

RGB 141 124 97

HSL 36.82, 0.18%, 0.47%

LAB 52.88, 2.2, 17.16

 

CMYK 0 / 2 / 4 / 52

HEX #7A7875

RGB 122 120 117

HSL 36, 0.02%, 0.47%

LAB 50.52, 0.17, 1.91

 

CMYK 0 / 75 / 81 / 22

HEX #C83227

RGB 200 50 39

HSL 4.1, 0.67%, 0.47%

LAB 45.23, 57.82, 42.45

 

CMYK 0 / 54 / 81 / 22

HEX #C85D27

RGB 200 93 39

HSL 20.12, 0.67%, 0.47%

LAB 52.12, 39.45, 49.09

 

CMYK 0 / 33 / 81 / 22

HEX #C88727

RGB 200 135 39

HSL 35.78, 0.67%, 0.47%

LAB 61.44, 17.09, 57.7

 

CMYK 0 / 11 / 81 / 22

HEX #C8B227

RGB 200 178 39

HSL 51.8, 0.67%, 0.47%

LAB 72.41, -6.04, 67.45

 

CMYK 11 / 0 / 81 / 22

HEX #B2C827

RGB 178 200 39

HSL 68.2, 0.67%, 0.47%

LAB 76.63, -26.52, 70.47

 

CMYK 0 / 32 / 81 / 49

HEX #835919

RGB 131 89 25

HSL 36.23, 0.68%, 0.31%

LAB 41.28, 11.43, 41.52

 

CMYK 0 / 32 / 81 / 35

HEX #A57120

RGB 165 113 32

HSL 36.54, 0.68%, 0.39%

LAB 51.74, 13.53, 49.93

 

CMYK 0 / 32 / 81 / 22

HEX #C88827

RGB 200 136 39

HSL 36.15, 0.67%, 0.47%

LAB 61.68, 16.54, 57.92

 

CMYK 0 / 28 / 71 / 15

HEX #D99C3F

RGB 217 156 63

HSL 36.23, 0.67%, 0.55%

LAB 68.67, 14.06, 55.67

 

CMYK 0 / 22 / 56 / 12

HEX #E0AE62

RGB 224 174 98

HSL 36.19, 0.67%, 0.63%

LAB 74.19, 9.64, 45.55

 

CMYK 0 / 32 / 80 / 22

HEX #C78828

RGB 199 136 40

HSL 36.23, 0.67%, 0.47%

LAB 61.57, 16.14, 57.41

 

CMYK 65 / 0 / 81 / 22

HEX #47C827

RGB 71 200 39

HSL 108.07, 0.67%, 0.47%

LAB 71.42, -62.44, 63.81

 

CMYK 65 / 81 / 0 / 22

HEX #4727C8

RGB 71 39 200

HSL 251.93, 0.67%, 0.47%

LAB 31.72, 56.79, -77.26

 

CMYK 0 / 32 / 80 / 22

HEX #C78828

RGB 199 136 40

HSL 36.23, 0.67%, 0.47%

LAB 61.57, 16.14, 57.41

 

CMYK 81 / 0 / 33 / 22

HEX #27C887

RGB 39 200 135

HSL 155.78, 0.67%, 0.47%

LAB 71.89, -54.81, 21.45

 

CMYK 33 / 81 / 0 / 22

HEX #8727C8

RGB 135 39 200

HSL 275.78, 0.67%, 0.47%

LAB 39.19, 65.05, -64.7

 

CMYK 0 / 32 / 80 / 22

HEX #C78828

RGB 199 136 40

HSL 36.23, 0.67%, 0.47%

LAB 61.57, 16.14, 57.41

 

CMYK 65 / 0 / 81 / 22

HEX #47C827

RGB 71 200 39

HSL 108.07, 0.67%, 0.47%

LAB 71.42, -62.44, 63.81

 

CMYK 81 / 49 / 0 / 22

HEX #2767C8

RGB 39 103 200

HSL 216.15, 0.67%, 0.47%

LAB 44.66, 15.24, -56.18

 

CMYK 16 / 81 / 0 / 22

HEX #A827C8

RGB 168 39 200

HSL 288.07, 0.67%, 0.47%

LAB 44.16, 70.6, -56.43

 

CMYK 0 / 32 / 80 / 22

HEX #C78828

RGB 199 136 40

HSL 36.23, 0.67%, 0.47%

LAB 61.57, 16.14, 57.41

 

CMYK 81 / 0 / 73 / 22

HEX #27C837

RGB 39 200 55

HSL 125.96, 0.67%, 0.47%

LAB 70.88, -66.66, 57.92

 

CMYK 81 / 49 / 0 / 22

HEX #2767C8

RGB 39 103 200

HSL 216.15, 0.67%, 0.47%

LAB 44.66, 15.24, -56.18

 

CMYK 0 / 81 / 8 / 22

HEX #C827B8

RGB 200 39 184

HSL 305.96, 0.67%, 0.47%

LAB 48.5, 74.1, -39.85

 

Description

Color code: HEX #C78828 | qconv.com Color code: HEX #C78828 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 136 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 136 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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