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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C791DD it is the complementary color #386E22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C791DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C791DD shade: #CC91D8, #DDA3EB, #EEB5FE, #FFC7FF and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C791DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C791DD shade: #C791DD, #B67FCA, #A56DB7, #945BA4 and #834991

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C791DD shade: #C791DD, #DB91DD, #DD91CA, #DD91B6 and #DD91A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C791DD shade: #C791DD, #B391DD, #9E91DD and #9191DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C791DD shade matches the following richer shades: #C791DD, #CC86E8 and #D17AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C791DD shade: #C791DD, #C29DD1, #BDA8C6, #B8B4BA and #B4BFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C791DD shade: #9E91DD, #B291DD, #C691DD, #DA91DD and #DD91CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C791DD shade: #A752CA, #B772D3, #C791DD, #D7B1E7 and #E7D0F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C791DD shade: #C791DD, #DD9199 and #91DDA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C791DD shade: #C791DD, #DDC691 and #91DDC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C791DD shade: #C791DD, #DD9199, #A8DD91 and #91DDD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C791DD shade: #C791DD, #DDA091, #A8DD91 and #91CEDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

Complementary color

CMYK 49 / 0 / 69 / 57

HEX #386E22

RGB 56 110 34

HSL 102.63, 0.53%, 0.28%

LAB 41.39, -32.94, 35.62

 

CMYK 6 / 33 / 0 / 15

HEX #CC91D8

RGB 204 145 216

HSL 289.86, 0.48%, 0.71%

LAB 68.05, 34.26, -27.54

 

CMYK 6 / 31 / 0 / 8

HEX #DDA3EB

RGB 221 163 235

HSL 288.33, 0.64%, 0.78%

LAB 74.55, 33.58, -27.84

 

CMYK 6 / 29 / 0 / 0

HEX #EEB5FE

RGB 238 181 254

HSL 286.85, 0.97%, 0.85%

LAB 80.95, 32.94, -28.13

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 10 / 37 / 0 / 21

HEX #B67FCA

RGB 182 127 202

HSL 284, 0.41%, 0.65%

LAB 61.12, 34.43, -30.61

 

CMYK 10 / 40 / 0 / 28

HEX #A56DB7

RGB 165 109 183

HSL 285.41, 0.34%, 0.57%

LAB 54.4, 35.2, -30.36

 

CMYK 10 / 45 / 0 / 36

HEX #945BA4

RGB 148 91 164

HSL 286.85, 0.29%, 0.5%

LAB 47.57, 36, -30.09

 

CMYK 10 / 50 / 0 / 43

HEX #834991

RGB 131 73 145

HSL 288.33, 0.33%, 0.43%

LAB 40.63, 36.81, -29.77

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 1 / 34 / 0 / 13

HEX #DB91DD

RGB 219 145 221

HSL 298.42, 0.53%, 0.72%

LAB 69.85, 39.93, -27.41

 

CMYK 0 / 34 / 9 / 13

HEX #DD91CA

RGB 221 145 202

HSL 315, 0.53%, 0.72%

LAB 69.39, 37.19, -17.57

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 34 / 27 / 13

HEX #DD91A1

RGB 221 145 161

HSL 347.37, 0.53%, 0.72%

LAB 68.16, 30.85, 3.51

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 19 / 34 / 0 / 13

HEX #B391DD

RGB 179 145 221

HSL 266.84, 0.53%, 0.72%

LAB 65.79, 27.58, -34

 

CMYK 29 / 34 / 0 / 13

HEX #9E91DD

RGB 158 145 221

HSL 250.26, 0.53%, 0.72%

LAB 63.95, 21.38, -37.01

 

CMYK 34 / 34 / 0 / 13

HEX #9191DD

RGB 145 145 221

HSL 240, 0.53%, 0.72%

LAB 62.92, 17.71, -38.69

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 12 / 42 / 0 / 9

HEX #CC86E8

RGB 204 134 232

HSL 282.86, 0.68%, 0.72%

LAB 66.3, 43.41, -39.1

 

CMYK 14 / 50 / 0 / 4

HEX #D17AF4

RGB 209 122 244

HSL 282.79, 0.85%, 0.72%

LAB 64.97, 53.51, -47.78

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 7 / 25 / 0 / 18

HEX #C29DD1

RGB 194 157 209

HSL 282.69, 0.36%, 0.72%

LAB 69.6, 23.06, -21.38

 

CMYK 5 / 15 / 0 / 22

HEX #BDA8C6

RGB 189 168 198

HSL 282, 0.21%, 0.72%

LAB 71.49, 13.12, -12.51

 

CMYK 1 / 3 / 0 / 27

HEX #B8B4BA

RGB 184 180 186

HSL 280, 0.04%, 0.72%

LAB 73.79, 2.53, -2.55

 

CMYK 6 / 0 / 8 / 25

HEX #B4BFAF

RGB 180 191 175

HSL 101.25, 0.11%, 0.72%

LAB 76.11, -6.76, 6.76

 

CMYK 29 / 34 / 0 / 13

HEX #9E91DD

RGB 158 145 221

HSL 250.26, 0.53%, 0.72%

LAB 63.95, 21.38, -37.01

 

CMYK 19 / 34 / 0 / 13

HEX #B291DD

RGB 178 145 221

HSL 266.05, 0.53%, 0.72%

LAB 65.7, 27.28, -34.15

 

CMYK 10 / 34 / 0 / 13

HEX #C691DD

RGB 198 145 221

HSL 281.84, 0.53%, 0.72%

LAB 67.63, 33.39, -31

 

CMYK 1 / 34 / 0 / 13

HEX #DA91DD

RGB 218 145 221

HSL 297.63, 0.53%, 0.72%

LAB 69.74, 39.62, -27.59

 

CMYK 0 / 34 / 8 / 13

HEX #DD91CB

RGB 221 145 203

HSL 314.21, 0.53%, 0.72%

LAB 69.42, 37.36, -18.07

 

CMYK 17 / 59 / 0 / 21

HEX #A752CA

RGB 167 82 202

HSL 282.5, 0.53%, 0.56%

LAB 50.11, 53.99, -48.03

 

CMYK 13 / 46 / 0 / 17

HEX #B772D3

RGB 183 114 211

HSL 282.68, 0.52%, 0.64%

LAB 58.79, 43.69, -39.31

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 7 / 23 / 0 / 9

HEX #D7B1E7

RGB 215 177 231

HSL 282.22, 0.53%, 0.8%

LAB 77.08, 23.32, -21.86

 

CMYK 4 / 13 / 0 / 6

HEX #E7D0F0

RGB 231 208 240

HSL 283.13, 0.52%, 0.88%

LAB 86.2, 13.66, -12.79

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 0 / 34 / 31 / 13

HEX #DD9199

RGB 221 145 153

HSL 353.68, 0.53%, 0.72%

LAB 67.96, 29.78, 7.7

 

CMYK 34 / 0 / 24 / 13

HEX #91DDA8

RGB 145 221 168

HSL 138.16, 0.53%, 0.72%

LAB 82.14, -34.48, 18.72

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 0 / 10 / 34 / 13

HEX #DDC691

RGB 221 198 145

HSL 41.84, 0.53%, 0.72%

LAB 80.63, 0.46, 29.55

 

CMYK 34 / 0 / 10 / 13

HEX #91DDC6

RGB 145 221 198

HSL 161.84, 0.53%, 0.72%

LAB 82.81, -28.5, 3.85

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 0 / 34 / 31 / 13

HEX #DD9199

RGB 221 145 153

HSL 353.68, 0.53%, 0.72%

LAB 67.96, 29.78, 7.7

 

CMYK 24 / 0 / 34 / 13

HEX #A8DD91

RGB 168 221 145

HSL 101.84, 0.53%, 0.72%

LAB 82.96, -30.83, 31.95

 

CMYK 34 / 0 / 4 / 13

HEX #91DDD5

RGB 145 221 213

HSL 173.68, 0.53%, 0.72%

LAB 83.2, -25.18, -3.54

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 0 / 28 / 34 / 13

HEX #DDA091

RGB 221 160 145

HSL 11.84, 0.53%, 0.72%

LAB 71.25, 20.69, 16.78

 

CMYK 24 / 0 / 34 / 13

HEX #A8DD91

RGB 168 221 145

HSL 101.84, 0.53%, 0.72%

LAB 82.96, -30.83, 31.95

 

CMYK 34 / 7 / 0 / 13

HEX #91CEDD

RGB 145 206 221

HSL 191.84, 0.53%, 0.72%

LAB 79.26, -15.78, -13.66

 

Description

Color code: HEX #C791DD | qconv.com Color code: HEX #C791DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 145 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 145 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 34 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 34% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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