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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD91B6 it is the complementary color #226E49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD91B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD91B6 shade: #E291B1, #F3A3C4, #FFB5D7, #FFC7EA and #FFD9FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD91B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD91B6 shade: #DD91B6, #CC7FA3, #BB6D90, #AA5B7D and #99496A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD91B6 shade: #DD91B6, #DD91A2 and #DD9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD91B6 shade: #DD91B6, #DD91CB, #DB91DD, #C791DD and #B291DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD91B6 shade matches the following richer shades: #DD91B6, #E886B6 and #F47AB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD91B6 shade: #DD91B6, #D19DB6, #C6A8B7, #BAB4B7 and #AFBFB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD91B6 shade: #DA91DD, #DD91CB, #DD91B7, #DD91A3 and #DD9491

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD91B6 shade: #CA528C, #D372A1, #DD91B6, #E7B1CB and #F0D0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD91B6 shade: #DD91B6, #DDC691 and #91D5DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD91B6 shade: #DD91B6, #B7DD91 and #91B7DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD91B6 shade: #DD91B6, #DDC691, #91DDB7 and #91A8DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD91B6 shade: #DD91B6, #DDDD91, #91DDB7 and #9191DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

Complementary color

CMYK 69 / 0 / 34 / 57

HEX #226E49

RGB 34 110 73

HSL 150.79, 0.53%, 0.28%

LAB 41.17, -32.57, 14.04

 

CMYK 0 / 36 / 22 / 11

HEX #E291B1

RGB 226 145 177

HSL 336.3, 0.58%, 0.73%

LAB 69.18, 34.92, -3.89

 

CMYK 0 / 33 / 19 / 5

HEX #F3A3C4

RGB 243 163 196

HSL 335.25, 0.77%, 0.8%

LAB 75.6, 34.16, -4.72

 

CMYK 0 / 29 / 16 / 0

HEX #FFB5D7

RGB 255 181 215

HSL 332.43, 1%, 0.85%

LAB 81.41, 31.73, -6.32

 

CMYK 0 / 22 / 8 / 0

HEX #FFC7EA

RGB 255 199 234

HSL 322.5, 1%, 0.89%

LAB 86.03, 25.34, -9.63

 

CMYK 0 / 15 / 1 / 0

HEX #FFD9FD

RGB 255 217 253

HSL 303.16, 1%, 0.93%

LAB 90.77, 19.2, -12.6

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 38 / 20 / 20

HEX #CC7FA3

RGB 204 127 163

HSL 331.95, 0.43%, 0.65%

LAB 62.22, 34.71, -6.57

 

CMYK 0 / 42 / 23 / 27

HEX #BB6D90

RGB 187 109 144

HSL 333.08, 0.36%, 0.58%

LAB 55.6, 35.54, -5.66

 

CMYK 0 / 46 / 26 / 33

HEX #AA5B7D

RGB 170 91 125

HSL 334.18, 0.32%, 0.51%

LAB 48.89, 36.4, -4.6

 

CMYK 0 / 52 / 31 / 40

HEX #99496A

RGB 153 73 106

HSL 335.25, 0.35%, 0.44%

LAB 42.12, 37.25, -3.33

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 34 / 27 / 13

HEX #DD91A2

RGB 221 145 162

HSL 346.58, 0.53%, 0.72%

LAB 68.19, 30.99, 2.98

 

CMYK 0 / 34 / 34 / 13

HEX #DD9191

RGB 221 145 145

HSL 0, 0.53%, 0.72%

LAB 67.77, 28.76, 11.91

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 34 / 8 / 13

HEX #DD91CB

RGB 221 145 203

HSL 314.21, 0.53%, 0.72%

LAB 69.42, 37.36, -18.07

 

CMYK 1 / 34 / 0 / 13

HEX #DB91DD

RGB 219 145 221

HSL 298.42, 0.53%, 0.72%

LAB 69.85, 39.93, -27.41

 

CMYK 10 / 34 / 0 / 13

HEX #C791DD

RGB 199 145 221

HSL 282.63, 0.53%, 0.72%

LAB 67.73, 33.7, -30.84

 

CMYK 19 / 34 / 0 / 13

HEX #B291DD

RGB 178 145 221

HSL 266.05, 0.53%, 0.72%

LAB 65.7, 27.28, -34.15

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 42 / 22 / 9

HEX #E886B6

RGB 232 134 182

HSL 330.61, 0.68%, 0.72%

LAB 67.71, 43.46, -8.79

 

CMYK 0 / 50 / 26 / 4

HEX #F47AB5

RGB 244 122 181

HSL 330.98, 0.85%, 0.72%

LAB 66.89, 53.24, -9.28

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 25 / 13 / 18

HEX #D19DB6

RGB 209 157 182

HSL 331.15, 0.36%, 0.72%

LAB 70.21, 23.22, -5.37

 

CMYK 0 / 15 / 8 / 22

HEX #C6A8B7

RGB 198 168 183

HSL 330, 0.21%, 0.72%

LAB 71.85, 13.46, -3.63

 

CMYK 0 / 3 / 2 / 27

HEX #BAB4B7

RGB 186 180 183

HSL 330, 0.04%, 0.72%

LAB 73.87, 2.67, -0.78

 

CMYK 8 / 0 / 4 / 25

HEX #AFBFB7

RGB 175 191 183

HSL 150, 0.11%, 0.72%

LAB 75.94, -7.02, 2.14

 

CMYK 1 / 34 / 0 / 13

HEX #DA91DD

RGB 218 145 221

HSL 297.63, 0.53%, 0.72%

LAB 69.74, 39.62, -27.59

 

CMYK 0 / 34 / 8 / 13

HEX #DD91CB

RGB 221 145 203

HSL 314.21, 0.53%, 0.72%

LAB 69.42, 37.36, -18.07

 

CMYK 0 / 34 / 17 / 13

HEX #DD91B7

RGB 221 145 183

HSL 330, 0.53%, 0.72%

LAB 68.78, 34.09, -7.9

 

CMYK 0 / 34 / 26 / 13

HEX #DD91A3

RGB 221 145 163

HSL 345.79, 0.53%, 0.72%

LAB 68.22, 31.13, 2.46

 

CMYK 0 / 33 / 34 / 13

HEX #DD9491

RGB 221 148 145

HSL 2.37, 0.53%, 0.72%

LAB 68.46, 27.15, 12.87

 

CMYK 0 / 59 / 31 / 21

HEX #CA528C

RGB 202 82 140

HSL 331, 0.53%, 0.56%

LAB 52.38, 53.48, -7.87

 

CMYK 0 / 46 / 24 / 17

HEX #D372A1

RGB 211 114 161

HSL 330.93, 0.52%, 0.64%

LAB 60.3, 43.67, -8.19

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 23 / 12 / 9

HEX #E7B1CB

RGB 231 177 203

HSL 331.11, 0.53%, 0.8%

LAB 77.72, 23.64, -5.54

 

CMYK 0 / 13 / 7 / 6

HEX #F0D0E0

RGB 240 208 224

HSL 330, 0.52%, 0.88%

LAB 86.51, 13.81, -3.76

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 10 / 34 / 13

HEX #DDC691

RGB 221 198 145

HSL 41.84, 0.53%, 0.72%

LAB 80.63, 0.46, 29.55

 

CMYK 34 / 4 / 0 / 13

HEX #91D5DD

RGB 145 213 221

HSL 186.32, 0.53%, 0.72%

LAB 81.2, -19.34, -10.76

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 17 / 0 / 34 / 13

HEX #B7DD91

RGB 183 221 145

HSL 90, 0.53%, 0.72%

LAB 83.87, -25.54, 33.33

 

CMYK 34 / 17 / 0 / 13

HEX #91B7DD

RGB 145 183 221

HSL 210, 0.53%, 0.72%

LAB 72.96, -3.65, -23.18

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 10 / 34 / 13

HEX #DDC691

RGB 221 198 145

HSL 41.84, 0.53%, 0.72%

LAB 80.63, 0.46, 29.55

 

CMYK 34 / 0 / 17 / 13

HEX #91DDB7

RGB 145 221 183

HSL 150, 0.53%, 0.72%

LAB 82.46, -31.6, 11.28

 

CMYK 34 / 24 / 0 / 13

HEX #91A8DD

RGB 145 168 221

HSL 221.84, 0.53%, 0.72%

LAB 68.93, 4.62, -29.37

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B6

RGB 221 145 182

HSL 330.79, 0.53%, 0.72%

LAB 68.75, 33.93, -7.38

 

CMYK 0 / 0 / 34 / 13

HEX #DDDD91

RGB 221 221 145

HSL 60, 0.53%, 0.72%

LAB 86.57, -11.32, 37.37

 

CMYK 34 / 0 / 17 / 13

HEX #91DDB7

RGB 145 221 183

HSL 150, 0.53%, 0.72%

LAB 82.46, -31.6, 11.28

 

CMYK 34 / 34 / 0 / 13

HEX #9191DD

RGB 145 145 221

HSL 240, 0.53%, 0.72%

LAB 62.92, 17.71, -38.69

 

Description

Color code: HEX #DD91B6 | qconv.com Color code: HEX #DD91B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 145 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 145 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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