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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8503D it is the complementary color #37AFC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8503D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8503D shade: #CD5038, #DE624B, #EF745E, #FF8671 and #FF9884

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8503D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8503D shade: #C8503D, #B73E2A, #A62C17, #951A04 and #840800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8503D shade: #C84F3C and #C83C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8503D shade: #C84F3C, #C8743C, #C89A3C, #C8C03C and #A9C83C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8503D shade matches the following richer shades: #C84F3C, #DC4027 and #F03113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8503D shade: #C84F3C, #B35D50, #9F6C64, #8B7B78 and #77898C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8503D shade: #C83C74, #C83C4E, #C84E3C, #C8743C and #C8993C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8503D shade: #8A3427, #AA4030, #C84F3C, #D16C5C and #DA897C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8503D shade: #C8503D, #99C83C and #3C61C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8503D shade: #C8503D, #3CC84E and #4E3CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8503D shade: #C8503D, #99C83C, #3CB5C8 and #6A3CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8503D shade: #C8503D, #6FC83C, #3CB5C8 and #943CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 70 / 22

HEX #C8503D

RGB 200 80 61

HSL 8.2, 0.56%, 0.51%

LAB 49.92, 46.67, 35.47

 

Complementary color

CMYK 72 / 10 / 0 / 24

HEX #37AFC2

RGB 55 175 194

HSL 188.2, 0.56%, 0.49%

LAB 66.03, -26.36, -19.24

 

CMYK 0 / 61 / 73 / 20

HEX #CD5038

RGB 205 80 56

HSL 9.66, 0.6%, 0.51%

LAB 50.69, 48.22, 39.33

 

CMYK 0 / 56 / 66 / 13

HEX #DE624B

RGB 222 98 75

HSL 9.39, 0.69%, 0.58%

LAB 56.85, 46.94, 36.74

 

CMYK 0 / 51 / 61 / 6

HEX #EF745E

RGB 239 116 94

HSL 9.1, 0.82%, 0.65%

LAB 63.05, 45.64, 34.43

 

CMYK 0 / 47 / 56 / 0

HEX #FF8671

RGB 255 134 113

HSL 8.87, 1%, 0.72%

LAB 69.11, 44.02, 32.18

 

CMYK 0 / 40 / 48 / 0

HEX #FF9884

RGB 255 152 132

HSL 9.76, 1%, 0.76%

LAB 73.14, 36.5, 27.11

 

CMYK 0 / 60 / 70 / 22

HEX #C8503D

RGB 200 80 61

HSL 8.2, 0.56%, 0.51%

LAB 49.92, 46.67, 35.47

 

CMYK 0 / 66 / 77 / 28

HEX #B73E2A

RGB 183 62 42

HSL 8.51, 0.63%, 0.44%

LAB 43.77, 47.82, 38.34

 

CMYK 0 / 73 / 86 / 35

HEX #A62C17

RGB 166 44 23

HSL 8.81, 0.76%, 0.37%

LAB 37.79, 48.65, 41.32

 

CMYK 0 / 83 / 97 / 42

HEX #951A04

RGB 149 26 4

HSL 9.1, 0.95%, 0.3%

LAB 32.12, 48.79, 43.67

 

CMYK 0 / 94 / 100 / 48

HEX #840800

RGB 132 8 0

HSL 3.64, 1%, 0.26%

LAB 26.96, 47.7, 39.7

 

CMYK 0 / 61 / 70 / 22

HEX #C84F3C

RGB 200 79 60

HSL 8.14, 0.56%, 0.51%

LAB 49.73, 47.08, 35.81

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 0 / 61 / 70 / 22

HEX #C84F3C

RGB 200 79 60

HSL 8.14, 0.56%, 0.51%

LAB 49.73, 47.08, 35.81

 

CMYK 0 / 42 / 70 / 22

HEX #C8743C

RGB 200 116 60

HSL 24, 0.56%, 0.51%

LAB 57.17, 28.35, 44.2

 

CMYK 0 / 23 / 70 / 22

HEX #C89A3C

RGB 200 154 60

HSL 40.29, 0.56%, 0.51%

LAB 66.3, 7.65, 53.94

 

CMYK 0 / 4 / 70 / 22

HEX #C8C03C

RGB 200 192 60

HSL 56.57, 0.56%, 0.51%

LAB 76.26, -12.38, 64

 

CMYK 16 / 0 / 70 / 22

HEX #A9C83C

RGB 169 200 60

HSL 73.29, 0.56%, 0.51%

LAB 76.11, -29.24, 63.07

 

CMYK 0 / 61 / 70 / 22

HEX #C84F3C

RGB 200 79 60

HSL 8.14, 0.56%, 0.51%

LAB 49.73, 47.08, 35.81

 

CMYK 0 / 71 / 82 / 14

HEX #DC4027

RGB 220 64 39

HSL 8.29, 0.72%, 0.51%

LAB 50.72, 59.21, 48.99

 

CMYK 0 / 80 / 92 / 6

HEX #F03113

RGB 240 49 19

HSL 8.14, 0.88%, 0.51%

LAB 52.7, 69.48, 60.36

 

CMYK 0 / 61 / 70 / 22

HEX #C84F3C

RGB 200 79 60

HSL 8.14, 0.56%, 0.51%

LAB 49.73, 47.08, 35.81

 

CMYK 0 / 48 / 55 / 30

HEX #B35D50

RGB 179 93 80

HSL 7.88, 0.39%, 0.51%

LAB 49.49, 33.55, 23.28

 

CMYK 0 / 32 / 37 / 38

HEX #9F6C64

RGB 159 108 100

HSL 8.14, 0.24%, 0.51%

LAB 50.71, 19.29, 12.71

 

CMYK 0 / 12 / 14 / 45

HEX #8B7B78

RGB 139 123 120

HSL 9.47, 0.08%, 0.51%

LAB 52.96, 5.6, 3.88

 

CMYK 15 / 2 / 0 / 45

HEX #77898C

RGB 119 137 140

HSL 188.57, 0.08%, 0.51%

LAB 55.79, -5.81, -3.8

 

CMYK 0 / 70 / 42 / 22

HEX #C83C74

RGB 200 60 116

HSL 336, 0.56%, 0.51%

LAB 47.97, 59.26, 0.02

 

CMYK 0 / 70 / 61 / 22

HEX #C83C4E

RGB 200 60 78

HSL 352.29, 0.56%, 0.51%

LAB 47.05, 56.13, 21.93

 

CMYK 0 / 61 / 70 / 22

HEX #C84E3C

RGB 200 78 60

HSL 7.71, 0.56%, 0.51%

LAB 49.56, 47.54, 35.61

 

CMYK 0 / 42 / 70 / 22

HEX #C8743C

RGB 200 116 60

HSL 24, 0.56%, 0.51%

LAB 57.17, 28.35, 44.2

 

CMYK 0 / 24 / 70 / 22

HEX #C8993C

RGB 200 153 60

HSL 39.86, 0.56%, 0.51%

LAB 66.05, 8.19, 53.68

 

CMYK 0 / 62 / 72 / 46

HEX #8A3427

RGB 138 52 39

HSL 7.88, 0.56%, 0.35%

LAB 33.99, 35.86, 26.97

 

CMYK 0 / 62 / 72 / 33

HEX #AA4030

RGB 170 64 48

HSL 7.87, 0.56%, 0.43%

LAB 41.89, 42.56, 32.25

 

CMYK 0 / 61 / 70 / 22

HEX #C84F3C

RGB 200 79 60

HSL 8.14, 0.56%, 0.51%

LAB 49.73, 47.08, 35.81

 

CMYK 0 / 48 / 56 / 18

HEX #D16C5C

RGB 209 108 92

HSL 8.21, 0.56%, 0.59%

LAB 57.13, 38.3, 27.12

 

CMYK 0 / 37 / 43 / 15

HEX #DA897C

RGB 218 137 124

HSL 8.3, 0.56%, 0.67%

LAB 65.16, 29.48, 19.98

 

CMYK 0 / 60 / 70 / 22

HEX #C8503D

RGB 200 80 61

HSL 8.2, 0.56%, 0.51%

LAB 49.92, 46.67, 35.47

 

CMYK 24 / 0 / 70 / 22

HEX #99C83C

RGB 153 200 60

HSL 80.14, 0.56%, 0.51%

LAB 75.08, -35.56, 61.7

 

CMYK 70 / 52 / 0 / 22

HEX #3C61C8

RGB 60 97 200

HSL 224.14, 0.56%, 0.51%

LAB 43.77, 21.65, -57.58

 

CMYK 0 / 60 / 70 / 22

HEX #C8503D

RGB 200 80 61

HSL 8.2, 0.56%, 0.51%

LAB 49.92, 46.67, 35.47

 

CMYK 70 / 0 / 61 / 22

HEX #3CC84E

RGB 60 200 78

HSL 127.71, 0.56%, 0.51%

LAB 71.43, -61.3, 49.29

 

CMYK 61 / 70 / 0 / 22

HEX #4E3CC8

RGB 78 60 200

HSL 247.71, 0.56%, 0.51%

LAB 36.03, 47.05, -70.14

 

CMYK 0 / 60 / 70 / 22

HEX #C8503D

RGB 200 80 61

HSL 8.2, 0.56%, 0.51%

LAB 49.92, 46.67, 35.47

 

CMYK 24 / 0 / 70 / 22

HEX #99C83C

RGB 153 200 60

HSL 80.14, 0.56%, 0.51%

LAB 75.08, -35.56, 61.7

 

CMYK 70 / 10 / 0 / 22

HEX #3CB5C8

RGB 60 181 200

HSL 188.14, 0.56%, 0.51%

LAB 68.15, -26.84, -19.33

 

CMYK 47 / 70 / 0 / 22

HEX #6A3CC8

RGB 106 60 200

HSL 259.71, 0.56%, 0.51%

LAB 38.67, 51.42, -65.72

 

CMYK 0 / 60 / 70 / 22

HEX #C8503D

RGB 200 80 61

HSL 8.2, 0.56%, 0.51%

LAB 49.92, 46.67, 35.47

 

CMYK 45 / 0 / 70 / 22

HEX #6FC83C

RGB 111 200 60

HSL 98.14, 0.56%, 0.51%

LAB 72.9, -50.4, 58.78

 

CMYK 70 / 10 / 0 / 22

HEX #3CB5C8

RGB 60 181 200

HSL 188.14, 0.56%, 0.51%

LAB 68.15, -26.84, -19.33

 

CMYK 26 / 70 / 0 / 22

HEX #943CC8

RGB 148 60 200

HSL 277.71, 0.56%, 0.51%

LAB 43.8, 59.4, -57.15

 

Description

Color code: HEX #C8503D | qconv.com Color code: HEX #C8503D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 80 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 80 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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