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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C853B1 it is the complementary color #37AC4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C853B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C853B1 shade: #CD53AC, #DE65BF, #EF77D2, #FF89E5 and #FF9BF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C853B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C853B1 shade: #C853B1, #B7419E, #A62F8B, #951D78 and #840B65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C853B1 shade: #C750B0, #C75090, #C75070 and #C75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C853B1 shade: #C750B0, #BF50C7, #9F50C7, #7E50C7 and #5E50C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C853B1 shade matches the following richer shades: #C750B0, #DA3EBB and #ED2BC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C853B1 shade: #C750B0, #B563A5, #A27599, #90888E and #7D9A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C853B1 shade: #9E50C7, #BD50C7, #C750B2, #C75092 and #C75072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C853B1 shade: #962F82, #B5399D, #C750B0, #D16FBE and #DB8FCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C853B1 shade: #C853B1, #C77E50 and #50C7AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C853B1 shade: #C853B1, #B2C750 and #50B2C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C853B1 shade: #C853B1, #C77E50, #50C766 and #509AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C853B1 shade: #C853B1, #C7A250, #50C766 and #5076C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 12 / 22

HEX #C853B1

RGB 200 83 177

HSL 311.79, 0.52%, 0.55%

LAB 53.64, 57.68, -27.72

 

Complementary color

CMYK 68 / 0 / 55 / 33

HEX #37AC4E

RGB 55 172 78

HSL 131.79, 0.52%, 0.45%

LAB 62.4, -52.37, 38.66

 

CMYK 0 / 60 / 16 / 20

HEX #CD53AC

RGB 205 83 172

HSL 316.23, 0.55%, 0.56%

LAB 54.18, 58.31, -23.92

 

CMYK 0 / 55 / 14 / 13

HEX #DE65BF

RGB 222 101 191

HSL 315.37, 0.65%, 0.63%

LAB 60.43, 57.9, -25.04

 

CMYK 0 / 50 / 12 / 6

HEX #EF77D2

RGB 239 119 210

HSL 314.5, 0.79%, 0.7%

LAB 66.67, 57.33, -25.97

 

CMYK 0 / 46 / 10 / 0

HEX #FF89E5

RGB 255 137 229

HSL 313.22, 1%, 0.77%

LAB 72.77, 56.38, -26.96

 

CMYK 0 / 39 / 3 / 0

HEX #FF9BF8

RGB 255 155 248

HSL 304.2, 1%, 0.8%

LAB 76.97, 50.6, -30.86

 

CMYK 0 / 59 / 12 / 22

HEX #C853B1

RGB 200 83 177

HSL 311.79, 0.52%, 0.55%

LAB 53.64, 57.68, -27.72

 

CMYK 0 / 64 / 14 / 28

HEX #B7419E

RGB 183 65 158

HSL 312.71, 0.48%, 0.49%

LAB 47.39, 57.84, -26.46

 

CMYK 0 / 72 / 16 / 35

HEX #A62F8B

RGB 166 47 139

HSL 313.61, 0.56%, 0.42%

LAB 41.22, 57.54, -24.8

 

CMYK 0 / 81 / 19 / 42

HEX #951D78

RGB 149 29 120

HSL 314.5, 0.67%, 0.35%

LAB 35.25, 56.45, -22.57

 

CMYK 0 / 92 / 23 / 48

HEX #840B65

RGB 132 11 101

HSL 315.37, 0.85%, 0.28%

LAB 29.62, 54.07, -19.45

 

CMYK 0 / 60 / 12 / 22

HEX #C750B0

RGB 199 80 176

HSL 311.6, 0.52%, 0.55%

LAB 52.96, 58.57, -28.2

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 60 / 44 / 22

HEX #C75070

RGB 199 80 112

HSL 343.87, 0.52%, 0.55%

LAB 50.74, 50.25, 6.42

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 60 / 12 / 22

HEX #C750B0

RGB 199 80 176

HSL 311.6, 0.52%, 0.55%

LAB 52.96, 58.57, -28.2

 

CMYK 4 / 60 / 0 / 22

HEX #BF50C7

RGB 191 80 199

HSL 295.97, 0.52%, 0.55%

LAB 52.88, 60.33, -41.72

 

CMYK 20 / 60 / 0 / 22

HEX #9F50C7

RGB 159 80 199

HSL 279.83, 0.52%, 0.55%

LAB 48.55, 52.37, -48.86

 

CMYK 37 / 60 / 0 / 22

HEX #7E50C7

RGB 126 80 199

HSL 263.19, 0.52%, 0.55%

LAB 44.66, 44.53, -55.32

 

CMYK 53 / 60 / 0 / 22

HEX #5E50C7

RGB 94 80 199

HSL 247.06, 0.52%, 0.55%

LAB 41.6, 37.77, -60.42

 

CMYK 0 / 60 / 12 / 22

HEX #C750B0

RGB 199 80 176

HSL 311.6, 0.52%, 0.55%

LAB 52.96, 58.57, -28.2

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 82 / 16 / 7

HEX #ED2BC7

RGB 237 43 199

HSL 311.75, 0.84%, 0.55%

LAB 55.94, 82.74, -36.4

 

CMYK 0 / 60 / 12 / 22

HEX #C750B0

RGB 199 80 176

HSL 311.6, 0.52%, 0.55%

LAB 52.96, 58.57, -28.2

 

CMYK 0 / 45 / 9 / 29

HEX #B563A5

RGB 181 99 165

HSL 311.71, 0.36%, 0.55%

LAB 53.45, 42.23, -21.24

 

CMYK 0 / 28 / 6 / 36

HEX #A27599

RGB 162 117 153

HSL 312, 0.19%, 0.55%

LAB 54.77, 23.7, -12.46

 

CMYK 0 / 6 / 1 / 44

HEX #90888E

RGB 144 136 142

HSL 315, 0.03%, 0.55%

LAB 57.55, 4.13, -2.14

 

CMYK 19 / 0 / 15 / 40

HEX #7D9A83

RGB 125 154 131

HSL 132.41, 0.13%, 0.55%

LAB 60.88, -14.86, 8.76

 

CMYK 21 / 60 / 0 / 22

HEX #9E50C7

RGB 158 80 199

HSL 279.33, 0.52%, 0.55%

LAB 48.42, 52.12, -49.07

 

CMYK 5 / 60 / 0 / 22

HEX #BD50C7

RGB 189 80 199

HSL 294.96, 0.52%, 0.55%

LAB 52.6, 59.83, -42.18

 

CMYK 0 / 60 / 11 / 22

HEX #C750B2

RGB 199 80 178

HSL 310.59, 0.52%, 0.55%

LAB 53.05, 58.88, -29.23

 

CMYK 0 / 60 / 27 / 22

HEX #C75092

RGB 199 80 146

HSL 326.72, 0.52%, 0.55%

LAB 51.79, 54.24, -12.37

 

CMYK 0 / 60 / 43 / 22

HEX #C75072

RGB 199 80 114

HSL 342.86, 0.52%, 0.55%

LAB 50.8, 50.45, 5.3

 

CMYK 0 / 69 / 13 / 41

HEX #962F82

RGB 150 47 130

HSL 311.65, 0.52%, 0.39%

LAB 38.07, 52.04, -24.39

 

CMYK 0 / 69 / 13 / 29

HEX #B5399D

RGB 181 57 157

HSL 311.61, 0.52%, 0.47%

LAB 45.89, 60.32, -28.22

 

CMYK 0 / 60 / 12 / 22

HEX #C750B0

RGB 199 80 176

HSL 311.6, 0.52%, 0.55%

LAB 52.96, 58.57, -28.2

 

CMYK 0 / 47 / 9 / 18

HEX #D16FBE

RGB 209 111 190

HSL 311.63, 0.52%, 0.63%

LAB 60.46, 49.04, -24.56

 

CMYK 0 / 35 / 7 / 14

HEX #DB8FCC

RGB 219 143 204

HSL 311.84, 0.51%, 0.71%

LAB 68.8, 37.94, -19.6

 

CMYK 0 / 59 / 12 / 22

HEX #C853B1

RGB 200 83 177

HSL 311.79, 0.52%, 0.55%

LAB 53.64, 57.68, -27.72

 

CMYK 0 / 37 / 60 / 22

HEX #C77E50

RGB 199 126 80

HSL 23.19, 0.52%, 0.55%

LAB 59.56, 23.79, 36.54

 

CMYK 60 / 0 / 13 / 22

HEX #50C7AE

RGB 80 199 174

HSL 167.39, 0.52%, 0.55%

LAB 73.29, -39.33, 2.59

 

CMYK 0 / 59 / 12 / 22

HEX #C853B1

RGB 200 83 177

HSL 311.79, 0.52%, 0.55%

LAB 53.64, 57.68, -27.72

 

CMYK 11 / 0 / 60 / 22

HEX #B2C750

RGB 178 199 80

HSL 70.59, 0.52%, 0.55%

LAB 76.61, -23.78, 55.72

 

CMYK 60 / 11 / 0 / 22

HEX #50B2C7

RGB 80 178 199

HSL 190.59, 0.52%, 0.55%

LAB 67.78, -22.43, -19.3

 

CMYK 0 / 59 / 12 / 22

HEX #C853B1

RGB 200 83 177

HSL 311.79, 0.52%, 0.55%

LAB 53.64, 57.68, -27.72

 

CMYK 0 / 37 / 60 / 22

HEX #C77E50

RGB 199 126 80

HSL 23.19, 0.52%, 0.55%

LAB 59.56, 23.79, 36.54

 

CMYK 60 / 0 / 49 / 22

HEX #50C766

RGB 80 199 102

HSL 131.09, 0.52%, 0.55%

LAB 71.9, -53.77, 38.64

 

CMYK 60 / 23 / 0 / 22

HEX #509AC7

RGB 80 154 199

HSL 202.69, 0.52%, 0.55%

LAB 60.73, -9.63, -30.11

 

CMYK 0 / 59 / 12 / 22

HEX #C853B1

RGB 200 83 177

HSL 311.79, 0.52%, 0.55%

LAB 53.64, 57.68, -27.72

 

CMYK 0 / 19 / 60 / 22

HEX #C7A250

RGB 199 162 80

HSL 41.34, 0.52%, 0.55%

LAB 68.43, 4.15, 47.01

 

CMYK 60 / 0 / 49 / 22

HEX #50C766

RGB 80 199 102

HSL 131.09, 0.52%, 0.55%

LAB 71.9, -53.77, 38.64

 

CMYK 60 / 41 / 0 / 22

HEX #5076C7

RGB 80 118 199

HSL 220.84, 0.52%, 0.55%

LAB 50.44, 11.51, -46.27

 

Description

Color code: HEX #C853B1 | qconv.com Color code: HEX #C853B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 83 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 83 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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